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Black Oak — Equinox (May 13, 2016)

Black Oak — Equinox (May 13, 2016)

                        Black Oak — Equinox (May 13, 2016) Black Oak — Equinox (May 13, 2016)•   Den a noc nemají územní nároky, ale uhnízdili se navzájem v harmonii mezi sebou. Equinox znamená rovnodennost. To je ten okamžik, kdy den a noc mají přesně stejnou délku. Dvakrát ročně prochází střed slunce rovníkem a tehdy jsou den a noc všude stejně dlouhé (přibližně 12 hodin denního světla a 12 hodin tmy). Těmto dvěma případům se říká jarní a podzimní rovnodennost. Dochází k ní asi 21. března a 23. září každého současného kalendářního roku. Tyto rovnodennosti logicky mohly být prostředkem, který by ukázal, že lunární měsíce předběhly příslušné roční období, a mohly tudíž sloužit jako vodítko k provedení potřebných úprav přidáním jednoho přestupného měsíce.
•   Ve starověku se rok počítal od podzimu do podzimu a první měsíc začínal asi v polovině dnešního září. Shoduje se to s židovskou tradicí, že ke stvoření člověka došlo na podzim. Vzhledem k tomu, že Bible uvádí Adamův věk v rocích (1Mo 5:3–5), je logické, že počítání začalo od doby jeho stvoření. Jestliže k tomu opravdu došlo na podzim, do určité míry by to vysvětlovalo starověký zvyk začínat nový rok v tuto dobu. Takový rok by navíc velmi dobře odpovídal zemědělskému životu lidí, zvláště v těch částech země, kde před potopou a krátce po ní byla koncentrace lidí. Rok končil posledním obdobím sklizně a začínal oráním a setím v první části našeho měsíce října.
•   Všimni si například, že „Ekvádor“ je podobné slovu Equinox a je odvozeno ze španělského slova pro „rovník“.
•   GPS také ukazuje, že slavný Střed světa stojí asi 300 metrů na jih od skutečného rovníku.
•   Přesný sklon zemské osy je 23,45 stupně.
•   Inkové obsadili Ekvádor na poměrně krátkou dobu. Sídlili zde přibližně od roku 1470 do roku 1532, kdy začala španělská kolonizace.
•   Výraz „Quitsa–to“ pochází z jazyka Indiánů kmene Tsachila a znamená „střed světa“. •   Někteří odborníci se domnívají, že z tohoto výrazu je odvozeno jméno Quito.
•   The Equinox vinyl LP features 11 tracks and comes packaged in beautiful full color artwork.
Location: Amsterdam, Netherlands
Album release: May 13, 2016
Record Label: Bellwether / K&F Records
Genre: Indie Folk Rock / Pop–Folk
Duration:     38:39
Tracks:
01. When The Night Is All I See     3:33
02. Because It’s There     3:13
03. The Grain     3:30
04. Gallop     3:26
05. A Dirge (Feat. Marble Sounds)     3:01
06. Equinox     4:03
07. Melee     3:44
08. Thaw     3:57
09. Rove     3:41
10. Whirl     2:45
11. Hunker     3:40
℗ 2016 Bellwether
Personnel:
•   Geert van der Velde — guitars and vocals
•   Thijs Kuijken — guitars and vocals
•   Mischa Porte — drums, percussion
•   Matthijs Herder — bass guitar, synths
•   Esther Postma — backing vocals, mellotron, pocket piano synth
Credits:
•   Music and lyrics by Geert van der Velde and Thijs Kuijken
•   Arranged by Geert van der Velde, Thijs Kuijken and Mischa Porte
•   Recorded and mixed by Matthijs Herder
ABOUT ALBUM:
•   For the past year and a half Geert van der Velde (The Black Atlantic) and Thijs Kuijken (I am Oak) worked hard on writing and recording a collaborative album for their newly formed band Black Oak. The result of their combined songwriting skills is the beautifully balanced album ‘Equinox’ which will be released on van der Velde’s own label/production company Bellwether.
•   Equinox is a modern day acoustic pop album grafted on a folk base. It’s a classic album in the sense that it harkens back to the sound of Neil Young’s ‘Harvest’ or Crosby, Stills, Nash and Young’s ‘Déjà vu’ as much as it fits in with modern day folk acts such as Fleet Foxes and Mount Eerie. Music rooted and embedded in both the English and American folk tradition. The songs on Equinox relish in the pastoral without relinquishing themselves to it.
•   The balance of night and day that the album title alludes is hidden in the details. There are no grandiose statements here. This is earthly music, suited as much for a late night stroll under a starlit sky as a daytime hike up the mountain. The songs are at once intuitive and deceptively clever. And the more you pay attention to the details, the more you want to follow them around and disappear into the fog of finesse that surrounds it.
•   Kuijken and van der Velde’s timbres and songwriting ideas complement each other so seemlessly that you forget this is the debut album by a new band. Of course, both songwriters have made their mark with their respective main bands I am Oak (Kuijken) and The Black Atlantic (van der Velde).  But it’s a rare thing when two individually talented songwriters come together and manage to blend their styles so fruitfully that the collaboration stands on it’s own. And, that’s just what Black Oak — the band name even being a synthesis of the aforementioned main band names — has managed to do on Equinox.
•   Equinox sounds warm and inviting as much as it is melancholic and dreamlike. It paints a musical landscape of sunlit canopies and shadowy valleys and leaves you with nightly echoes in an earthly trance. All the while shifting and shimmering in dynamic and pace. Its soaring guitar melodies, skyward vocal harmonies and meandering plucked acoustic guitars conjure up a world of harmony and balance that is almost meditative. As if the listener by chance stumbled into a secret city garden and is given a 40 minute respite of the rush of the day.
•   So too, the jointly written lyrics constantly shift between feelings of wonder for the natural world and the human condition (“The Grain”, “Gallop”, “Rove”), magical realism (“Whirl”), perseverance (“Because It’s There”) pensive, personal ruminations on life and death  (“When The Night is All I See”, “A Dirge” “Hunker”) and even a firm but gentle statement against violence and intolerance (“Melee”).
•   The gorgeously warm and vintage production value added by producer Matthijs Herder reminds us at once of Phil Spector’s work with The Beach Boys and Phil Ek’s hand in Fleet Foxes’ emergence as one of today's most popular folk acts. But most importantly Equinox reminds us that in this day and highly advanced technical age all it takes to make a great album is a couple of guys who just sit down with their guitars to write good songs.
:::::::::::::::::::::::::::
•   Das Wort Equinox — zu Deutsch: Äquinoktium — bezeichnet Tagundnachtgleichen, den Moment des Jahres also, in dem Tag und Nacht exakt die gleiche Länge haben. An diesem März– oder Septembertag scheint das Universum mit sich selbst in Einklang zu sein. Tag und Nacht stellen keine Hoheitsansprüche, sondern schmiegen sich in Eintracht aneinander. Dass Black Oak ihr Debutalbum nach diesem astronomischen Phänomen benannt haben, ist kein Zufall.
•   Black Oak ist nämlich nicht nur die wahrscheinlich erste und einzige Folk–Supergroup aus den Niederlanden, die beiden Musiker hinter dem Projekt scheinen auch große Fans der Symmetrie zu sein. Nachdem Geert van der Velde und Thijs Kuijken mit ihren Projekten The Black Atlantic und I Am Oak zuvor alleine von Konzertbühne zu Konzertbühne zogen, verschmelzen die Musiker nun zu einer gleichberechtigten Einheit. Aus The Black Atlantic und I Am Oak wurde: Black Oak.
•   Doch nicht nur der Name Black Oak deutet ein symmetrisches Nebeneinander an, auch der Sound wirkt wie die logische Verschmelzung der beiden musikalischen Welten. Die schwelgerische Melancholie von The Black Atlantic trifft auf die perkussive Experimentierfreude von I Am Oak. Das Ergebnis ist große Songwriterkunst, die mal an die Fleet Foxes, mal an das letzte Sufjan Stevens Album erinnert. Selten klang Symmetrie spannender als bei Black Oak.
•   https://www.unicross.uni-freiburg.de/
Bandcamp: http://blackoaktheband.bandcamp.com/
Facebook: https://www.facebook.com/blackoaktheband
Poznámka:
•   Země se na své oběžné dráze dostane během roku dvakrát do bodu, kdy pozorovatel stojící na rovníku, má v poledne slunce přímo nad hlavou. Této situaci se říká rovnodennost, a v mnoha zemích znamená začátek jara nebo podzimu. Při rovnodennosti jsou na celé zemi den a noc téměř stejně dlouhé.
•   Existence a střídání ročních období v sobě zahrnuje víc než jenom astronomické pohyby. Roční období, podnebí a počasí spolu navzájem souvisí a dohromady tvoří složitý systém, který udržuje život.
•   Rostlinstvo na souši a fytoplankton v moři existují díky úžasnému procesu zvanému fotosyntéza. Počasí a podnebí proto různými složitými způsoby ovlivňují současný potravinový řetězec a celý ekosystém. Pavel výstižně poukázal na to, že za tím vším je působení Boha, když napsal: „Půda, která vpíjí déšť, jenž na ni často přichází, a která pak vydává rostlinstvo vhodné pro ty, pro něž je též obdělávána, přijímá na oplátku požehnání od Boha.“ (Hebrejcům 6:7)
•   Slovo „požehnání“ nabývá nového významu, pokud se na chvíli zastavíte a zamyslíte se nad tím, co se děje tam, kde se s nástupem jara otepluje, prodlužují se dny, je více slunečního světla a zemi zavlažují blahodárné deště. Rozkvétají květiny a ze zimních úkrytů vylézá hmyz, připraven opylovat rostliny. Ptáci — například sojka chocholatá — naplňují les barvami a zpěvem, a krajina se začíná hemžit živými tvory. Tep života se zrychluje a organismy pokračují ve svých cyklech zrození, obnovy a růstu. (Šalomounova píseň 2:12, 13) Tím se připravuje cesta ke sklizni, která nastane koncem léta nebo na podzim. (2. Mojžíšova 23:16)
Slunovrat a rovnodennost
•     Jelikož je zemská osa nakloněna v úhlu 23,5 stupně, každý den slunce vychází a zapadá v jiném místě. Postupně se posunuje na sever nebo na jih od rovníku. Tento pohyb je samozřejmě zdánlivý. Svou polohu totiž nemění slunce, ale země, když během své roční cesty obíhá kolem slunce.
•     Jednou za rok, když je díky oběžné dráze severní část zemské osy nejvíce nachýlena směrem ke slunci, slunce vychází v nejsevernějším bodu — 23,5 stupně na sever od rovníku. K tomu dochází kolem 21. června. Když je směrem ke slunci nejvíce nachýlena jižní část zemské osy, vyjde slunce v nejjižnějším bodu — 23,5 stupně na jih od rovníku. Tak tomu je kolem 21. prosince. Tato dvě data jsou označována jako slunovrat.
•     Avšak v polovině cesty mezi těmito nejkrajnějšími body dochází k tomu, že zemská osa je se sluncem souběžná. Říká se tomu rovnodennost. V tu dobu jsou den i noc všude na zemi stejně dlouhé. Tato situace nastává kolem 20. března a 21. září. V těchto dnech slunce vychází přesně na východě, cestuje 12 hodin po rovníku a zapadá přesně na západě. V poledne je slunce při rovnodennosti v nejvyšším bodu nad rovníkem, a žádný předmět tam proto nevrhá stín.
•   •   •   •   •   •   •   •   •   •   •   •   •   •   •   •   •   •   •   •   •   •   •   •   •   •   •   •   •   •   •   •    

Black Oak — Equinox (May 13, 2016)

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Cocteau Twins — Treasure
Cocteau Twins — Garlands (1982, Reissue 2020)
1600 x 1600 High Violet (10th Anniversary Expanded Edition).jpg
Riva Taylor — ‘This Woman’s Heart .1’ (27 Mar 2020)
Amy LaVere — Painting Blue (27 Mar 2020)
Sea Wolf — Through a Dark Wood (March 20, 2020)
Locate S,1 — Personalia (April 3, 2020
Anna Burch — Quit The Curse (Feb 2, 2018)
M.Ward — Migration of Souls (April 3, 2020)
Peel Dream Magazine — Agitprop Alterna (3rd April 2020)
ANDREW BIRD — CAPITAL CRIMES (April 1st, 2020)
Spy Machines — Spy Machines (April 3, 2020)
Richard Barbieri ‎— Past Imperfect / Future Tense (Mar 2020)
DAVID POMAHAČ — DO TMY JE DALEKO (Feb. 7, 2020)
KIESLOWSKI Tiché lásky
Born Ruffians — Juice (April 3, 2020)
LENKA NOVÁ — DOPISY (21.03./24.04., 2020)
Ezra Bell — This Way to Oblivion (3rd April, 2020)
Songdog — Happy Ending (27th March, 2020)
Laurel Halo — Raw Silk Uncut Wood (July 13, 2018)
Laurel Halo — Possessed (April 10, 2020)
Laura Marling — Song for Our Daughter (April 10th, 2020)
Hamilton Leithauser (The Walkmen) — Dear God (Aug. 2015)
Hamilton Leithauser — The Loves of Your Life (10 April 2020)
Don Gallardo — The Lonesome Wild (April 2, 2020)
Cowboy Junkies — Ghosts (30 Mar 2020)
The Mountain Goats — Songs for Pierre Chuvin (April 10, 2020)
Darnielle, Jon Wurster, Matt Douglas, Pete Hughes. ©Josh Sanseri
Erik Griswold — All’s Grist That Comes To The Mill (03/20, 2020)
Erik Griswold — All’s Grist That Comes To The Mill (03/20 2020)
Varga Marián — Solo in Concert (1. feb. 2018)
Joe Bonamassa & The Sleep Eazys — Easy To Buy, Hard To Sell
Midwife — Forever (April 10, 2020)
Moondog — On The Streets Of New York (Feb. 14, 2020)
Damon Locks Black Monument Ensemble — Where Future Unfolds (2019
Meredith Monk & Bang on a Can All~Stars — Memory Game (03/27/20)
Pharoah Sanders — „Live In Paris (1975): Lost ORTF Recordings“
I Like to Sleep — Daymare (April 17, 2020)
MoE/Mette Rasmussen — Tolerancia Picante (March 25, 2019)
The Tiger Lillies — Cold Night in Soho (10 Feb. 2017)
The Tiger Lillies — Edgar Allan Poe’s Haunted Palace
Sarah Jarosz — World On The Ground (June 5, 2020)
Kate Amrine — This Is My Letter to the World (Jan. 24, 2020)
Fiona Apple — Fetch The Bolt Cutters (17 Apr., 2020)
The Tiger Lillies — Covid~19 (April 10, 2020)
Veneer — Recovery (April 15, 2020)
Siobhan Wilson — The Departure (10 May, 2019)
BC Camplight — Shortly After Takeoff (24 April 2020)
Siobhan Wilson — There Are No Saints (14 Jul, 2017)
Brendan Benson — Dear Life (April 24, 2020)
Ali Holder — Uncomfortable Truths (April 10, 2020)
From Atomic — Deliverance (April 2020)
Whyte Horses — Hard Times (17th of Jan., 2020)
Gerald Cleaver — Signs (March 27, 2020)
Sophie Tassignon — Mysteries Unfold (April 24, 2020)
HOUPACÍ KONĚ: SOULKOSTEL 8 11 2019 (April 25, 2020)
Sarah Longfield — Dusk (April 22, 2020)
Ariel Pink — House Arrest (2002/Mar 2011/April 24, 2020)
All The Best, Isaac Hayes (A Spoken Word Album)
Prophecy Playground — Comfort Zone (Feb. 15, 2020)
Mark Lanegan — Straight Songs Of Sorrow (8th May, 2020)
Genesis Revisited: Live at The Royal Albert Hall — 2020 Remaster
Joan As Police Woman — Cover Two (May 1, 2020)
Kuře v hodinkách — Flamengo
Kuře v hodinkách — Flamengo
Devon Williams — A Tear in the Fabric (May 1, 2020)
Johanna Warren — Chaotic Good (May 1, 2020)
emozpěv — Spolu (1st May 2020)
THE LEAGUE OF ASSHOLES — UNPLUGGED (1st May 2020)
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Zuzana Mikulcová — Slová
The Fratellis — Half Drunk Under A Full Moon (8th May, 2020)
The Fratellis — Half Drunk Under A Full Moon (8th May, 2020)
Cocteau Twins — Victorialand (April, 1986, Reissue 2020)
Coloured Clocks — Flora (May 2, 2020)
I Break Horses — Warnings (08 May 2020)
Hawkwind — Acoustic Daze (25 Oct. 2019)
Indoor Voices — Animal (Feb. 14, 2020)
I Break Horses — Chiaroscuro
Einstürzende Neubauten — Alles In Allem (May 29th, 2020)
100 Gecs — 1000 gecs (May 31, 2019)
Evergreen — Overseas (15 Jun 2018)
Kurt Rosenwinkel Trio — Angels Around (May 8, 2020)
The Feather — Room (10 July, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
György Ligeti — Lontano (22. Oct.,1967)
OWEN PALLETT — Heartland (March 3, 2014)
Badly Drawn Boy — Banana Skin Shoes (22nd May, 2020)
A.O. Gerber — Another Place to Need (May 22, 2020)
Kaleidoscope — Faintly Blowing (11 April 1969, Reissue, Remaster
Perfume Genius — Set My Heart On Fire Immediately (15th May 2020
Perfume Genius — No Shape (5 May, 2017) BC
Perfume Genius — No Shape (5 May, 2017) FC
Sungazers — Wasting Space (May 18, 2020)
Cermaque — Lament (22nd May, 2020)
Mountaineer — Bloodletting (May 22nd, 2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Steve Earle — Townes (May 8, 2009)
Steve Earle & The Dukes — Ghosts of West Virginia (May 22, 2020)
Sixth June ‎— Trust (17 Jan 2020)
White Tail Falls — Age of Entitlement (May 29, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
Nicole Atkins — Italian Ice (29 May 2020)
Deerhoof — Future Teenage Cave Artists (May 29, 2020)
Deradoorian — Find the Sun (Sept. 18, 2020)
Bob Dylan — Rough and Rowdy Ways (June 19th, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
This Will Destroy You — Vespertine (June 9, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Yoko Ono, Kim Gordon & Thurston Moore — YOKOKIMTHURSTON
Psychic Markers — Psychic Markers (29 May, 2020)
The Memories — Pickles & Pies (May 29, 2020)
Songs for the Late Night Drive Home (Feb. 5, 2016)
Spc Eco — Dark Matter (Nov. 20, 2015)
SPC ECO — June (June 1, 2020)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Larkin Poe — Self Made Man (June 12th, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Endless Field — Alive in the Wilderness (June 12, 2020)
Wesley Gonzalez — Appalling Human (June 12, 2020)
Noveller — Arrow (June 12, 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Andrej Šeban — Triplet (March 22, 2019) inner cover
Andrej Šeban — Triplet (March 22, 2019) cover
The Crossing & Donald Nally — James Primosch: Carthage (05/2020)
Jerskin Fendrix — Winterreise (April 17, 2020)
Zoongideewin — Bleached Wavves (June 19, 2020)
ULRICH SCHNAUSS — A Long Way To Fall — Rebound (3rd April, 2020)
Sports Team — Deep Down Happy (5th June, 2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
Midlake — Antiphon (Nov. 4, 2013)
ANASTASIA MINSTER — Father ©Michael Haley
Jessie Ware — Glasshouse (Deluxe; 20 Oct 2017)
Teen Daze — Morning World
Jessie Ware — What’s Your Pleasure (June 26, 2020)
Art Feynman — Half Price At 3:30 (June 26th, 2020)
Bo Ningen — Sudden Fictions (26th June, 2020)
Khruangbin — Mordechai (June 26, 2020)
Pottery — Welcome to Bobby’s Motel (June 26th, 2020)
Orlando Weeks — A Quickening (June 12, 2020)
John Craigie — Asterisk the Universe (June 12, 2020)
Kavus Torabi — Hip to the Jag (May 22, 2020)
Nadine Shah — Kitchen Sink (June 5, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
Corb Lund — Agricultural Tragic (June 26, 2020)
Christine Ott — Chimères (pour ondes Martenot) (May 22, 2020)
The Beths — Jump Rope Gazers (July 10th, 2020)
Ashley Paul — Window Flower (May 13, 2020)
Grey Daze — Amends [Deluxe Edition] (July 3, 2020)
Grey Daze ©Photo credit: Anjella / Sakiphotography
Ajimal — As It Grows Dark / Light (June 26, 2020)
Ajimal — As It Grows Dark Light (June 26, 2020)
Eleanor Friedberger — Rebound (May 4th, 2018)
ELEANOR FRIEDBERGER — NEW VIEW (January 22, 2016)
Immigrant Union — Judas (June 19, 2020)
Julianna Barwick — Healing Is a Miracle [Japan Edition] (2020)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Neil Young — Homegrown (19th June, 2020)
The Jayhawks — XOXO (July 10, 2020)
Joy Division — Closer (40th Anniversary) [2020 Digital Master] (
Daniel Bachman — The Morning Star (July 27, 2018)
Daniel Bachman — Green Alum Springs (June 6, 2020)
Becca Mancari — The Greatest Part (June 26, 2020)
Ytamo — Vacant (June 12, 2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Thin Lear — Wooden Cave (24th July, 2020)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Sara Serpa — Recognition (June 5th, 2020)
Sara Serpa, Ingrid Laubrock, Erik Friedlander — Close Up (2018)
Klara Lewis — Ingrid (1st May 2020)
Buju Banton — Upside Down (June 26, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
learning structures, vol. 2: end firma
learning structures, vol. 3: distance between us
The Boomtown Rats — Citizens of Boomtown (13 March, 2020)
Ralph of London — The Potato Kingdom (19th June, 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
Land of Talk — Indistinct Conversations (July 31, 2020)