Boo Hewerdine — Open (May 2015)
ťŠAwards and recognition: "Patience of Angels" brought a nomination for the Ivor Novello Award for Hewerdine in 1995.
≈•≈ In a 2009 review of his album God Bless the Pretty Things, the BBC described Hewerdine as “one of Britain's most consistently accomplished songwriters”. ≈•≈ Nick Coleman of The Independent on Sunday described Hewerdine as “one of the best songwriters we have”. The Birmingham Evening Mail described him as “one of the country's finest lyricists”.
Birth name: Marcus Hewerdine
Born: 14 February 1961, England
Location: Ely, Cambridge, England, UK
Genre: Folk, Acoustic, Singer–Songwriter
Album release: May 2015
Record Label: Reveal Records
Duration: 43:11
Tracks:
01. Name 3:26
02. Write 3:21
03. 1981 #2 4:06
04. Geography 3:31
05. Rags 3:48
06. Microfilm 1:18
07. Muddy Water 2:59
08. Stone in My Shoe 3:48
09. Open 3:21
10. Earthquake Bird 3:27
11. Novelty 2:11
12. Sweetheart 4:27
13. North & South 3:28
Credits
≈•≈ Acoustic Guitar — Boo Hewerdine
≈•≈ Backing Vocals — Rosalie Deighton (tracks: 2, 3, 4, 7)
≈•≈ Electric Guitar — Boo Hewerdine (tracks: 13), Neill Maccoil (tracks: 7, 8)
≈•≈ Keyboards — Boo Hewerdine (tracks: 13)
≈•≈ Mandolin — Neill Maccoil (tracks: 10)
≈•≈ Recorded by — Rafe McKenna (tracks: 1–12), Rob Jackson (5) (tracks: 13)
≈•≈ Written by — Boo Hewerdine
Description:
≈•≈ A beautiful new album collecting unreleased recordings made during sessions at Britannia Row Studios in 2003. Amongst Hewerdine's 'found sounds' from an afternoon looking through boxes are early versions of two of his classic songs (Muddy Water and Geography) that six years later would appear on the much loved God Bless The Pretty Things album. Open also gives fans a chance to hear delicate acoustic studio recordings of concert favourites such as Microfilm and Name. Further proof it were needed, that Boo Hewerdine ranks amongst the very best English songwriters working today. "One of the country's most consistently admired songwriters' Folk Radio UK “Classic, melody–driven songs which would have been gobbled up by Tin Pan Alley in another era — a soothing antidote to the frantic madness of modern times” — BBC Music
ABOUT BOO HEWERDINE
≈•≈ Boo Hewerdine lives in Cambridge, England. He’s incredibly tall. That’s a good thing, because his large frame has to accommodate a massive talent. He's a singer of real depth and emotion, a musician who can coax a melody out of anything he picks up, and a songwriter who never fails to hit the mark. He has it all.
≈•≈ Boo’s first group was called the Great Divide. Following a couple of singles that made all the right noises (save the ringing of cash registers), the band emulated their name. Undeterred, Boo formed Georgia Peach, which proved to be a pretty silly name for a bunch of Brits. So, they became The Bible. The group played everywhere from student bars to concert halls and went from support act to headliners with almost indecent haste. The music was fantastic: Boo’s voice soared above seemingly effortless grooves. It was pure pop: guitars, choruses you could actually sing along to, and lyrics that spoke to anybody who’d been in and out of love. Walking The Ghost Back Home (1986) and Eureka (1988) were both full of great songs that should have been hits. The latter (produced by Steve Earle) featured Honey Be Good. If ever a turntable smash deserved a high chart position, this was it.
≈•≈ Sadly, commercial success eluded The Bible. As the group fell apart, Boo went to Texas to record with Darden Smith. Evidence (1989, Compass re–issue 1996) confirmed Boo’s talents. He seemed equally at home collaborating with a folkie from the American South as he had been fronting a pop group from the South of England.
ťŠReturning home, Boo set out to become a solo artist. For a year, he wrote songs and played them to the diehards who remembered him as "that bloke from The Bible". ťŠSometimes guitarist Neill Maccoll accompanied him but often it would be Boo alone. He opened for Tori Amos and Michelle Shocked; he played countless gigs where the promoters always seemed to get his name wrong. Finally, he went into the studio to begin his first solo album.
≈•≈ The result was Ignorance (1992, Compass re–issue 1996). The songs ranged from the gospel–tinged Swan Silvertone to the Lennon–esque Gravity. The sound veers from the acoustic starkness of the title track to the electric swagger of History: the mood swings between the rock ’n’ roll urgency of 59 Yards and the eeriness of Little Bits Of Zero, calling at all points in between. Ignorance features guest appearances by Clive Gregson (Any Trouble, Gregson & Collister), Kimberley Rew (Katrina & The Waves) and Ray Shulman (Gentle Giant). But the star of the show is always Boo: the voice, the songs, the vision...
≈•≈ More touring followed. Boo opened for Richard Thompson, Loudon Wainwright III, and formed a memorable trio with Clive Gregson and Eddi Reader (Fairground Attraction). He wrote several songs for Eddi’s 1994 solo CD, one of which, Patience Of Angels scaled pop charts throughout Europe. Boo was nominated for a Novello award for Song of the Year.
≈•≈ Following a brief Bible re–union at the end of 1994 (which yielded one EP, Dreamlife and renewed Boo’s enthusiasm for a solo career, Boo started planning his next solo album. He made a couple of writing trips to Nashville and found himself staying across the street from a medical centre. Thus Baptist Hospital (1996) was christened.
≈•≈ Produced by John Wood (Nick Drake, Richard Thompson, John Martyn), the album features songs written with familiar Boo collaborators (Gregson, Reader, Maccoll) and a couple written with Gary Clark (Danny Wilson). Guest performers include most of the above plus Richard Thompson, Danny Thompson and John "Rabbit" Bundrick. Several songs employ a string section. It’s an astonishing record: Nick Hornby (best–selling author of "Fever Pitch" and "High Fidelity") wrote: "If I could write books that sounded like this, I’d be... maybe not happy, but very, very fulfilled." A headlining tour culminated in a sell-out London show and rave reviews.
≈•≈ Following the release of Baptist Hospital, Boo toured the USA (with Darden) to promote the new album and the re–issues of Evidence and Ignorance. Eddi Reader released Candyfloss & Medicine, much of which Boo wrote and played on. He toured the UK, USA and Japan as a featured member of her band.
ťŠBoo also collaborated with Neill MacColl on several film scores, including "Fever Pitch" and "Twentyfourseven" which starred Bob Hoskins and was released in the USA. ťŠIn 1998, Boo returned to the studio with Eddi Reader, this time to co-produce the album Angels & Electricity, which features many of his songs.
≈•≈ Throughout 1998, Boo re–united with producer John Wood to record what he describes as "Baptist Part 2". Another Nashville writing trip over the Thanksgiving holiday led to a song and album title. Thanksgiving features Boo, Teddy Borowiecki (keys: kd Lang, Eddi Reader), Neill MacColl (guitar), Martin Barker (drums: Billy Bragg), Tim Harris (bass: Steeleye Span), Martha Wainwright (vocals: daughter of Loudon & Kate McGarrigle, sister of Rufus), Clive Gregson (guitars, etc) and the Electra Strings arranged by Tony Cox. The album was recorded in London, Montreal and Nashville.
ťŠhttp://compassrecords.com/
Blog: http://boohewerdinesblogthing.blogspot.com/
Website: http://boohewerdine.net/
MySpace: https://myspace.com/boohewerdine
Twitter: https://twitter.com/boohewerdine
Facebook: https://www.facebook.com/BooHewerdineandTheBible
•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈
ťŠAwards and recognition: "Patience of Angels" brought a nomination for the Ivor Novello Award for Hewerdine in 1995.
≈•≈ In a 2009 review of his album God Bless the Pretty Things, the BBC described Hewerdine as “one of Britain's most consistently accomplished songwriters”. ≈•≈ Nick Coleman of The Independent on Sunday described Hewerdine as “one of the best songwriters we have”. The Birmingham Evening Mail described him as “one of the country's finest lyricists”.
Birth name: Marcus Hewerdine
Born: 14 February 1961, England
Location: Ely, Cambridge, England, UK
Genre: Folk, Acoustic, Singer–Songwriter
Album release: May 2015
Record Label: Reveal Records
Duration: 43:11
Tracks:
01. Name 3:26
02. Write 3:21
03. 1981 #2 4:06
04. Geography 3:31
05. Rags 3:48
06. Microfilm 1:18
07. Muddy Water 2:59
08. Stone in My Shoe 3:48
09. Open 3:21
10. Earthquake Bird 3:27
11. Novelty 2:11
12. Sweetheart 4:27
13. North & South 3:28
Credits
≈•≈ Acoustic Guitar — Boo Hewerdine
≈•≈ Backing Vocals — Rosalie Deighton (tracks: 2, 3, 4, 7)
≈•≈ Electric Guitar — Boo Hewerdine (tracks: 13), Neill Maccoil (tracks: 7, 8)
≈•≈ Keyboards — Boo Hewerdine (tracks: 13)
≈•≈ Mandolin — Neill Maccoil (tracks: 10)
≈•≈ Recorded by — Rafe McKenna (tracks: 1–12), Rob Jackson (5) (tracks: 13)
≈•≈ Written by — Boo Hewerdine
Description:
≈•≈ A beautiful new album collecting unreleased recordings made during sessions at Britannia Row Studios in 2003. Amongst Hewerdine's 'found sounds' from an afternoon looking through boxes are early versions of two of his classic songs (Muddy Water and Geography) that six years later would appear on the much loved God Bless The Pretty Things album. Open also gives fans a chance to hear delicate acoustic studio recordings of concert favourites such as Microfilm and Name. Further proof it were needed, that Boo Hewerdine ranks amongst the very best English songwriters working today. "One of the country's most consistently admired songwriters' Folk Radio UK “Classic, melody–driven songs which would have been gobbled up by Tin Pan Alley in another era — a soothing antidote to the frantic madness of modern times” — BBC Music
ABOUT BOO HEWERDINE
≈•≈ Boo Hewerdine lives in Cambridge, England. He’s incredibly tall. That’s a good thing, because his large frame has to accommodate a massive talent. He's a singer of real depth and emotion, a musician who can coax a melody out of anything he picks up, and a songwriter who never fails to hit the mark. He has it all.
≈•≈ Boo’s first group was called the Great Divide. Following a couple of singles that made all the right noises (save the ringing of cash registers), the band emulated their name. Undeterred, Boo formed Georgia Peach, which proved to be a pretty silly name for a bunch of Brits. So, they became The Bible. The group played everywhere from student bars to concert halls and went from support act to headliners with almost indecent haste. The music was fantastic: Boo’s voice soared above seemingly effortless grooves. It was pure pop: guitars, choruses you could actually sing along to, and lyrics that spoke to anybody who’d been in and out of love. Walking The Ghost Back Home (1986) and Eureka (1988) were both full of great songs that should have been hits. The latter (produced by Steve Earle) featured Honey Be Good. If ever a turntable smash deserved a high chart position, this was it.
≈•≈ Sadly, commercial success eluded The Bible. As the group fell apart, Boo went to Texas to record with Darden Smith. Evidence (1989, Compass re–issue 1996) confirmed Boo’s talents. He seemed equally at home collaborating with a folkie from the American South as he had been fronting a pop group from the South of England.
ťŠReturning home, Boo set out to become a solo artist. For a year, he wrote songs and played them to the diehards who remembered him as "that bloke from The Bible". ťŠSometimes guitarist Neill Maccoll accompanied him but often it would be Boo alone. He opened for Tori Amos and Michelle Shocked; he played countless gigs where the promoters always seemed to get his name wrong. Finally, he went into the studio to begin his first solo album.
≈•≈ The result was Ignorance (1992, Compass re–issue 1996). The songs ranged from the gospel–tinged Swan Silvertone to the Lennon–esque Gravity. The sound veers from the acoustic starkness of the title track to the electric swagger of History: the mood swings between the rock ’n’ roll urgency of 59 Yards and the eeriness of Little Bits Of Zero, calling at all points in between. Ignorance features guest appearances by Clive Gregson (Any Trouble, Gregson & Collister), Kimberley Rew (Katrina & The Waves) and Ray Shulman (Gentle Giant). But the star of the show is always Boo: the voice, the songs, the vision...
≈•≈ More touring followed. Boo opened for Richard Thompson, Loudon Wainwright III, and formed a memorable trio with Clive Gregson and Eddi Reader (Fairground Attraction). He wrote several songs for Eddi’s 1994 solo CD, one of which, Patience Of Angels scaled pop charts throughout Europe. Boo was nominated for a Novello award for Song of the Year.
≈•≈ Following a brief Bible re–union at the end of 1994 (which yielded one EP, Dreamlife and renewed Boo’s enthusiasm for a solo career, Boo started planning his next solo album. He made a couple of writing trips to Nashville and found himself staying across the street from a medical centre. Thus Baptist Hospital (1996) was christened.
≈•≈ Produced by John Wood (Nick Drake, Richard Thompson, John Martyn), the album features songs written with familiar Boo collaborators (Gregson, Reader, Maccoll) and a couple written with Gary Clark (Danny Wilson). Guest performers include most of the above plus Richard Thompson, Danny Thompson and John "Rabbit" Bundrick. Several songs employ a string section. It’s an astonishing record: Nick Hornby (best–selling author of "Fever Pitch" and "High Fidelity") wrote: "If I could write books that sounded like this, I’d be... maybe not happy, but very, very fulfilled." A headlining tour culminated in a sell-out London show and rave reviews.
≈•≈ Following the release of Baptist Hospital, Boo toured the USA (with Darden) to promote the new album and the re–issues of Evidence and Ignorance. Eddi Reader released Candyfloss & Medicine, much of which Boo wrote and played on. He toured the UK, USA and Japan as a featured member of her band.
ťŠBoo also collaborated with Neill MacColl on several film scores, including "Fever Pitch" and "Twentyfourseven" which starred Bob Hoskins and was released in the USA. ťŠIn 1998, Boo returned to the studio with Eddi Reader, this time to co-produce the album Angels & Electricity, which features many of his songs.
≈•≈ Throughout 1998, Boo re–united with producer John Wood to record what he describes as "Baptist Part 2". Another Nashville writing trip over the Thanksgiving holiday led to a song and album title. Thanksgiving features Boo, Teddy Borowiecki (keys: kd Lang, Eddi Reader), Neill MacColl (guitar), Martin Barker (drums: Billy Bragg), Tim Harris (bass: Steeleye Span), Martha Wainwright (vocals: daughter of Loudon & Kate McGarrigle, sister of Rufus), Clive Gregson (guitars, etc) and the Electra Strings arranged by Tony Cox. The album was recorded in London, Montreal and Nashville.
ťŠhttp://compassrecords.com/
Blog: http://boohewerdinesblogthing.blogspot.com/
Website: http://boohewerdine.net/
MySpace: https://myspace.com/boohewerdine
Twitter: https://twitter.com/boohewerdine
Facebook: https://www.facebook.com/BooHewerdineandTheBible
•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈•≈