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Jon Hopkins — Immunity [Rough Trade Edition] (2013)

 Jon Hopkins — Immunity [Rough Trade Edition] (2013)

Jon Hopkins — Immunity [Rough Trade Edition]The official logo by B.T. Amundssen´s Harvest Prize/7th Tais Awards 2014 for nominated works
Ξ   British artist makes melodic electronica that owes a debt to Brian Eno, Steve Reich, and contemporary IDM.
Ξ   Mercury Prize 2013: Immunity has been shortlisted for this year's Mercury Music Prize.
Genres: Electronic, Music, Ambient, Dance, Techno, Industrial, Jazz, Big Band, Rock
Born: 1979 in Wimbledon
Birth name: Jonathan Julian Hopkins
Instruments: Keyboard, Organ, Piano, harmonium
Location: Hackney (near Victoria Park), East London, UK
Album release: June 4th/December 9, 2013
Record Label: Domino Records
Duration:     60:05 + 28:05 => 88:10 
Tracks:
01 We Disappear     4:50
02 Open Eye Signal     7:49
03 Breathe This Air     5:30
04 Collider     9:22
05 Abandon Window     4:58
06 From by Firelight     5:45
07 Sun Harmonics     11:54
08 Immunity (Kenny Anderson / Jon Hopkins)     9:57
Bonus CD (Rough Trade Edition)
09 Breathe This Air
(feat. Purity Ring)     4:07
10 Open Eye Signal (Nosaj Thing Remix)     3:30
11 Open Eye Signal (Luke Abbot Remix)     6:55
12 Open Eye Signal (Happa Remix)     6:03
13 Open Eye Signal (Lord Of The Isles Remix)     7:27
2013 Domino Recording Co Ltd

Style:
Ξ   According to reviews, “Hopkins's aesthetic is perpetually intriguing. He transcends genres, melding digital coldness with subtle, bucolic textures; veering from skewed elegance to strange, unsettling depths.„
Ξ   He makes powerfully emotive, instrumental music that consistently crosses genres, ranging from solo acoustic piano to explosive, bass-heavy electro.„ Also, he “meticulously constructs lush, downtempo arrangements, blending digital beats and soothing ambience.„
Album Moods: Bittersweet Brooding Cerebral Delicate Detached Ethereal Hypnotic Intimate Literate Melancholy Nocturnal Reflective Restrained
Ξ   Rough Trade exclusive with a 5 Track Remix CD featuring mixes from Nosaj Thing, Luke Abbot, Happa, Lord of the Isles and ‘Breathe This Air’ Featuring Purity Ring.
Themes: Feeling Blue Introspection Late Night Reflection Solitude
Contemporaries: Ulrich Schnauss, Kieran Hebden, Max Richter, Hauschka, Jóhann Jóhannsson, Four Tet, Plaid
CREDITS:
Ξ   Kenny Anderson  Composer
Ξ   Matthew Cooper  Layout
Ξ   Guy Davie  Mastering
Ξ   Lisa Elle  Vocals
Ξ   Tim Exile  Programming
Ξ   Linden Gledhill  Artwork
Ξ   Cherif Hashizume  Engineer
Ξ   Rick Holland  Titles
Ξ   Jon Hopkins  Composer, Primary Artist, Titles
Ξ   Sarah Jones  Drums
Ξ   King Creosote  Vocals
Ξ   Rik Simpson  Mixing
Ξ   Vince Sipprell  Vocals
Ξ   Emma Smith  Violin, Vocals
Ξ   Mark Sutherland  Design
Ξ   Lee Walpole  Sound Source
Ξ   Craig Ward  Artwork
REVIEW
by STEPHEN THOMPSON; May 26, 201310:30 PM
Ξ   For composer, remixer, producer, prolific collaborator and multi-instrumentalist Jon Hopkins, sound is a three-dimensional medium: It billows out in every direction, mixing artful throbs and animalistic thrusts that can be felt under the skin.
Ξ   But as driving as his beats can be — and on his new album Immunity, they’re plenty driving — Hopkins retains a gift for tear-jerking melody that takes an expressway to the listener’s emotions.
Ξ   Hopkins’ gift for warm textures helped make a masterpiece of Diamond Mine, his 2011 collaboration with Scottish singer King Creosote; he used largely organic instrumentation to help paint an audio portrait of a coastal town full of dreamers and lost souls. Two of Immunity’s eight songs — the 10-minute title track, featuring an ethereal guest vocal from Creosote, and the gorgeous “Abandon Window” — carry on in Diamond Mine’s plaintively lovely tradition, while Immunity’s remainder is given over to intense dance music that thumps and wobbles with insistence, aggression and grace.
Ξ   For those who strongly favor one approach to the other, the juxtaposition can be jarring; Immunity is intended to mirror the feel of a night out, and it captures both highs and lows. But in Hopkins’ living, breathing world of sound, beauty and beats are always free to commingle in ways that move, in every sense of the word.
Fortaken: http://www.npr.org/
Review by Heather PharesScore: ★★★½
Ξ   Between Insides and its follow-up Immunity, Jon Hopkins worked with King Creosote on the charming Diamond Mine, which set the Scottish singer/songwriter's ruminations to backdrops that were half rustic folk and half evocative washes of sound. Ξ   Immunity isn't nearly as acoustic as that collaboration was, but its gently breezy feel lingers on several of these songs: "Breathe This Air" expands from a pounding house rhythm into a roomy piano meditation that recalls Max Richter as much as Diamond Mine, while the title track — which happens to feature King Creosote's vocals — closes the album on a whispery note. This feeling extends to the rest of the album in less obvious ways; Immunity is often a more blended, and more expansive-sounding work than Insides, particularly on songs like the Brian Eno-esque "Abandon Window" and "Form by Firelight," which offers a playful study in contrasts in the way it bunches into glitches and then unspools a peaceful piano melody. Some of Immunity's most impressive moments expand on the blend of rhythm and atmosphere Hopkins emphasized on Insides: "Collider" uses sighing vocals courtesy of Dark Horses' Lisa Elle as punctuation for almost imperceptibly shifting beats and a heavy bassline that helps the track build into a moody, elegant whole; meanwhile, the aptly named "Sun Harmonics" turns Elle's sighs into something angelic over the course of 12 serene minutes. Despite these highlights, the album still reflects how Hopkins' polished approach is something of a blessing and a curse. Immunity shows how he's grown, in his subtle, accomplished way, as a composer and producer, yet its tracks occasionally feel like the surroundings for a focal point that never arrives. Even if it doesn't always demand listeners' attention, Immunity is never less than thoughtfully crafted.                      © Jon Hopkins in interview with Kat Phan/Photography: Jay Brooks  
Website: http://www.jonhopkins.co.uk/
MySpace: https://myspace.com/jonhopkins
Interview: WORDS KAT PHAN; 8x Q+A: :: http://www.cordyhouse.co.uk/jon-hopkins-the-melody-maker/
Interview: by Lucy Jones; Posted on 14 Jun 13:: 14x Q+A: :: http://www.nme.com/blogs/nme-blogs/jon-hopkins-qa-on-mind-altering-new-album-immunity
Interview: "Jon Hopkins interview by Peter Hollo". Cyclic Defrost. May 31, 2009.::  http://www.cyclicdefrost.com/blog/2009/05/jon-hopkins-qa/
Twitter: https://twitter.com/Jon_Hopkins_
Last.fm: http://www.last.fm/music/Jon+Hopkins
Facebook: https://www.facebook.com/jonhopkinsmusic?ref=ts&fref=ts
Press:
Agent:
Label: http://www.dominorecordco.com/artists/jon-hopkins/
★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★
Ξ   The first sound on Immunity is that of a key turning, unlocking the door into Jon Hopkins’ East London studio. It's followed by the noise of the door slamming, then footsteps, and then finally the crisp, clipping rhythms and pulsating bass of ‘We Disappear’ emerge, signposting the most club-friendly music Hopkins’ has made to date. So begins a confident, dramatic record defined by this acute sense of physicality and place; a bold statement after the quiet, intimate Diamond Mine, his Mercury-nominated 2011 collaboration with King Creosote.
Ξ   Until now, Jon Hopkins has been an elusive character, known to most as an expert producer, Ivor Novello-nominated composer of film scores, remixer and long term collaborator of Brian Eno and Coldplay. Yet as Hopkins freely admits, the fact that his solo albums to date (Opalescent, 2001; Contact Note, 2004; Insides, 2009) have been rather overshadowed by his work with others has meant that he’s been able to quietly develop his own identity, style and sound. Some of the ideas for Immunity have been in his mind for a long time, but there’s never been a rush to get them out there. It’s part of his mission to make music that feels as natural and unforced as possible.
Ξ   Yet from the moment you hear that key turn in the lock, Immunity announces itself as a powerful, multi-faceted beast, packed with the most aggressively dancefloor-focussed music Hopkins has ever made. Initial indications suggest his first foray into riffs and grooves is paying off. See first single from the album, ‘Open Eye Signal’, where a high pressure hiss gives way to burbling, insistent rhythm — a chrome express train accelerating through a sunlit landscape. The track got its first outing courtesy of Apparat at a DJ set in Japan on New Year’s Eve — an email from the German musician informing Hopkins that the room had erupted made for a great late Christmas present. Ξ   Or ‘Breathe This Air’ with its graceful build and huge contrasts in mood via uppity rhythms, mournful piano notes, and stirring choral drones. And then there’s ‘Collider’, the album’s peak and the track that Hopkins says is the best he’s ever written. A ten minute techno monster, ‘Collider’ is underpinned by a constant, pounding bass pulse and a sinister texture that could be a harshly taken breath inside a gas mask. The towering central riff makes for a mournful, dystopian aesthetic, cinematic like black rain over neon. Yet the bleak euphoria that suggests a knees-up at the end of the world is only half the story — the compelling 4/4 rhythm and hint of a human vocal give this a massive twist halfway through.
Ξ   Hopkins deliberately structured Immunity with this colossal banger in the middle. The whole album, therefore, works as an idealised soundtrack to a massive night out, peaking with a huge, lost-in-the-moment climax that feels like more than mere hedonism, warm endorphins swilling around the mind. This desire to create dancefloor-focussed music that was a step up from the slower tempo ambience of his previous solo albums was largely inspired by months spent in clubs and at festivals touring Insides. This gradual absorption of anything from the futuristic oddness found at LA's Low End Theory club night (at which he has made several live appearances) to sterner European techno seeped out in the studio, shaping his mission to find new melodic routes through what were for him uncharted rhythmic territories.
Ξ   What makes Immunity so intriguing, however, is the methods Hopkins used to do this. A curse of contemporary clubbing is the audible strain of laptop-DJd and computer-made MP3s through powerful PA systems.
Ξ   Hopkins, on the other hand, went out of his way to make music that sounded like physically built things with layer upon layer of depth, a long way from the cold CGI artifice of much entirely computer-derived electronica.
Ξ   This desire to use physical, real-world sounds (anything from tapping a piano and drumming on the desk to a two quid tambourine and salt and pepper shakers) as the basis for many of Immunity’s rhythms also comes from Hopkins’ frustration with the ubiquity of certain synthetic drum machine samples in much contemporary dance music. In the corner of his studio sits the piano that he has had since he was eight-years-old, and the instrument features throughout the more nostalgic second half of Immunity... but not always as you’d expect — Hopkins also uses it to explore new methods of sound generation. On ‘Form By Firelight’, for example, the pedals provide the beat, and the strings are struck for chiming tones.
Ξ   Hopkins’ intent throughout was to be open to the world around him finding its way into the music, wherever he was. These happy moments of unintended creation included the reverse alarm of a lorry outside his Bow studio hitting a certain note during a recording session, serendipitously leading the chord sequence down a different path. The whistle and pop of fireworks emanating from the nearby Olympic Stadium were captured and slowed down, to sound like the echoes of a distant battle. Life and grit came from actively boosting things that aren’t supposed to be there, such as the rattle of window frame at every kick drum hit.  This method of looking inside the music for interesting details to pull out and tricking the brain with technically incorrect recording methods might have most studio engineers tutting, but here helped to create a mangled reality. In Hopkins’ studio everything can be melodic, and nothing is wasted.
Ξ   With this sense of place, Immunity is also a sketch of real experiences and memories absorbed by Hopkins over his thirty-three years. These he now tries to reflect and respond to in his music. This might be the quest to recapture the sound of a perfect chord made by water running through pipes in a New York hotel room, or the light reflecting off the surface of the Thames at certain times of the year, the random patterns of nature. This not only makes the album deeply personal to Hopkins, but is key to one of his main inspirations in recording it — the desire to slow down or alter the brainwaves to help us reach different states of mind, whether via hypnosis, music, or drugs.
Ξ   Self-hypnosis is a longstanding personal fascination that Hopkins wanted to bring into his music, yet it was only on Immunity that he felt he had the technical ability to actually try and make it happen. The quality control that decided whether or not tracks were finished was to come into the studio in the morning, and if the track started sending him off into another world, it was done. Similarly, when it seemed that Immunity might be ready for mastering, Hopkins tested it by lying on the studio floor, hitting play, and seeing where his mind ended up. With a stated aim to see if this music might have a similar effect on those who encounter it, Immunity feels like the accompaniment to a journey of creativity, a trip inside Hopkins’ mind.
Ξ   That keys-in-the-lock recording that begins the album might usher the listener into the studio to be present at the moment of the music’s creation, but it has a counterpoint in the thrilling album closer, and the song that gives the album its name. Ξ   ‘Immunity’ is built around rhythms that creak and mutter like the workings of an old watermill joined by a simple, elegiac piano part and indecipherable vocals by King Creosote, as if to paint an inverse to the techno tumult that dominates the album’s first half. The very natural-sounding rattle and dying piano notes at the record’s end show just how far we and Hopkins have come on one of the most human electronic albums you’ll hear this year.
★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★

Jon Hopkins — Immunity [Rough Trade Edition] (2013)

 

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Ryuichi Sakamoto — „Black Mirror: Smithereens“ (Oct. 24, 2020)
The Dears — Times Infinity Volume One (September 25, 2015)
The Album Leaf — OST (March 20, 2020)
Joensuu 1685 — ÖB (09 Oct., 2020)
Black Tape For A Blue Girl — „Ashes In The Brittle Air“ [Remaste
Jack Peñate — After You [Expanded Edition] (2020)
Thomas Dybdahl — The Great Plains (Feb 24, 2017)
Lavender Diamond — Now Is the Time (Dec. 4, 2020)
Bowerbirds — „becalmyounglovers“ (April 30th, 2021)
Grimes — Visions (2012)
Grandbrothers — All the Unknown (15 Jan., 2021)
Jessie Ware — Glasshouse (Deluxe; 20 Oct 2017)
Kavus Torabi — Hip to the Jag (May 22, 2020)
Josienne Clarke — „A Small Unknowable Thing“
Adrian Crowley — „The Watchful Eye of the Stars“ (30th April, 20
Bella White — Just Like Leaving (Sept. 25, 2020)
Pharoah Sanders — „Live In Paris (1975): Lost ORTF Recordings“
Oddfellow’s Casino — The Raven’s Empire (2012)
Calexico / Iron & Wine — Years to Burn (2019)
Chris Potter — There Is a Tide (Dec. 4, 2020)
L’Rain — „Fatigue“ (June 25, 2021)
Amanda Palmer — Forty~Five Degrees: Bushfire Charity Flash Rec.
Veneer — Recovery (April 15, 2020)
Chris Potter — Circuits (Feb. 22, 2019)
Sara Serpa — Recognition (June 5th, 2020)
BECK — Uneventful Days (St. Vincent Remix)
The Flaming Lips — „The Soft Bulletin Companion“ (4 March 1999/J
God Is an Astronaut — „Ghost Tapes #10“ (Feb. 12, 2021)
Oddfellow’s Casino — Burning! Burning! (7 Aug., 2020)
This Will Destroy You — Vespertine (June 9, 2020)
Scoundrels — Music From The Arch (Sept. 11, 2020)
Teen Daze — Morning World
Gary Lucas — „The Edge Of Heaven: ...“ (April 1, 2002)
Lingua Ignota — „SINNER GET READY“ (Aug. 6, 2021/2 LP)
Sara Serpa, Ingrid Laubrock, Erik Friedlander — Close Up (2018)
The Wallflowers — „Exit Wounds“ [July 9, 2021, Vinyl LP]
Rufus Wainwright — Unfollow the Rules [Deluxe Version] (July 9,
THE DEARS — ‘Lovers Rock’ (May 15, 2020)
Greenslade — Time and Tide (2 cd, 1975/2015)
Bellows — The Rose Gardener (Feb. 22, 2019)
Ariel Pink — House Arrest (2002/Mar 2011/April 24, 2020)
The Jayhawks — XOXO (July 10, 2020)
Béla Fleck & Toumani Diabaté — The Ripple Effect [2LP, March 27,
Budokan Boys — So Broken Up About You Dying (2 Oct. 2020)
John Vanderslice — „Time Time is Lonely“ (June 12th, 2001)
Sonny Landreth — Elemental Journey (May 22, 2012)
Laura Fell — Safe from Me (Nov. 20, 2020)
Laura Perrudin — Perspectives & Avatars (Oct. 9, 2020)
CocoRosie — Put the Shine On (6 March 2020)
Anthony Moore — Out (20 Nov., 2020)
Soho Rezanejad — „Perform and Surrender“ (Dec. 04, 2020)
Whyte Horses — Hard Times (17th of Jan., 2020)
Tindersticks — Distractions (Feb. 19, 2021)
„Mojo Presents Steve Marriott, Small Faces, Humble Pie: Afterglo
Jessie Ware — What’s Your Pleasure (June 26, 2020)
Corb Lund — Agricultural Tragic (June 26, 2020)
Scott Matthew — Ode to Others (April 20, 2018)
Thurston Moore — „screen time“ (Feb. 5, 2021)
Raed Yassin — Archeophony (Nov. 27, 2020)
Thomas Dybdahl — Fever (March 13, 2020)
Born Ruffians — Juice (April 3, 2020)
Growing Up Live — 3LP Half Speed Remaster (Nov. 27, 2020)
Michael Landau — The Michael Landau Group Live (Oct. 31, 2006)
The Weather Station — Ignorance (Feb. 5, 2021)
Marc Ribot’s Ceramic Dog — What I Did On My Long ‘Vacation’ EP
The Beths — Jump Rope Gazers (July 10th, 2020)
Coultrain — „Phantasmagoria“ (April 9, 2021)
Carissa Johnson — A Hundred Restless Thoughts (Dec. 18th, 2019)
Anna Calvi — „Hunted“
Christine Ott — Chimères (pour ondes Martenot) (May 22, 2020)
Eleanor Friedberger — Rebound (May 4th, 2018)
Smashing Pumpkins — Cyr (27th Nov., 2020)
Ryuichi Sakamoto — „Minamata“
Calexico — Seasonal Shift (Dec. 4th, 2020)
Futurebirds — Teamwork (Jan. 15th, 2020)
Emmy the Great — Second Love (March 11, 2016)
My Morning Jacket — The Waterfall II (Aug. 28, 2020)
ELEANOR FRIEDBERGER — NEW VIEW (January 22, 2016)
Cornershop — „England Is a Garden“ (6th March, 2020)
Negativland — The World Will Decide (Nov. 13, 2020)
Kill The Dandies! — Your Blood My Veins (Feb. 5, 2021)
Chris Brokaw — „Puritan“ (Jan. 15, 2021)
Cormons Jazz & Wine of Peace festival 2008 ©Ziga Koritnik
Andrej Šeban — Triplet (March 22, 2019) inner cover
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
Jenny Lewis — On the Line (March 22, 2019)
Dungen — Live (March 13, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Andrej Šeban — Triplet (March 22, 2019) cover
Sonny Landreth — Blacktop Run (Feb. 21, 2020)
Læetitia Shériff — Pandemonium, Solace And Stars
Gerald Cleaver — Signs (March 27, 2020)
The Crossing & Donald Nally — James Primosch: Carthage (05/2020)
The Drums — Brutalism (April 5, 2019)
Eli Winter — „Unbecoming“ (21 Aug 2020)
Laila Sakini ‎— Into the Traffic, Under the Moonlight (10 Dec.,
DAGMAR VOŇKOVÁ — ARCHA (2020)
Immigrant Union — Judas (June 19, 2020)
KMRU — Peel (18th Sept., 2020)
Spy Machines — Spy Machines (April 3, 2020)
Negativland — True False (25 Oct., 2019)
David Cross & Peter Banks — Crossover (17 Jan., 2020)
Jake Blount — Spider Tales (May 29, 2020)
EELS — Earth To Dora (Oct. 30th, 2020)
Art Feynman — Half Price At 3:30 (June 26th, 2020)
Jorge Elbrecht — „Presentable Corpse — 002“ (28th May 2021)
Jerskin Fendrix — Winterreise (April 17, 2020)
Julianna Barwick — Healing Is a Miracle [Japan Edition] (2020)
Joy Division — Closer (40th Anniversary) [2020 Digital Master] (
Jorge Elbrecht — „Presentable Corpse — 002“ (28th May 2021)
Sophie Tassignon — Mysteries Unfold (April 24, 2020)
Anika Nilles — For a Colorful Soul (Jan. 10, 2020)
Ospalý pohyb — Ostrava (October 17, 2016)
Deradoorian — Find the Sun (Sept. 18, 2020)
Donovan — “Atlantis”
Noveller — „Red Room“ (Sept. 3, 2021)
All The Best, Isaac Hayes (A Spoken Word Album)
Ospalý pohyb — ø (May 24, 2016)
James Harries — Superstition (Jan. 31, 2020)
Zoongideewin — Bleached Wavves (June 19, 2020)
Nitin Sawhney — Live At Ronnie Scotts (Nov. 17, 2017)
HOUPACÍ KONĚ: SOULKOSTEL 8 11 2019 (April 25, 2020)
Recondite — Dwell (Jan. 24, 2020)
Kacey Johansing — No Better Time (Nov. 20, 2020)
Yoko Ono, Kim Gordon & Thurston Moore — YOKOKIMTHURSTON
Com Truise — Persuasion System (May 17, 2019)
Kazuomi Eshima & Masahiko Takeda — Inheritance for Soundscape
Erik Griswold — All’s Grist That Comes To The Mill (03/20, 2020)
Caspian — Dust and Disquiet (Sept. 25, 2015)
SLY & THE FAMILY DRONE FC (17, 2020)
Låpsley — Through Water (March 20th, 2020)
Sarah Longfield — Dusk (April 22, 2020)
Soundwalk Collective with Patti Smith — Peradam (Sept. 4th, 2020
M. Caye Castagnetto — „Leap Second“ (Jan. 22, 2021)
Erik Griswold — All’s Grist That Comes To The Mill (03/20 2020)
Circa Waves — Sad/Happy (March 13th, 2020)
Bob Dylan — Rough and Rowdy Ways (June 19th, 2020)
Kurt Wagner of Lambchop. ©Picture Joanna Bongard
Art d’Ecco — „In Standard Definition“ (April 23rd, 2021)
Sol Seppy — The Bells Of 12 (June 21, 2019)
930 x 827 tmavší podklad.jpg
P/\ST — /Expedice do vnitrobloku\ (Oct. 5, 2019)
Roland Tings — Salt Water (Nov. 8, 2019)
Eamon O’Leary — The Silver Sun (Jan. 15, 2021)
Martin Barre — „Live At The Factory Underground“ (Feb. 14, 2019)
Paul McCartney — „McCartney III Imagined“ (23rd July, 2021)
M.Ward — Migration of Souls (April 3, 2020)
33EMYBW — Golem (25 Sept., 2019)
The Third Mind — The Third Mind (Feb. 14, 2020)
CocoRosie — Restless (Feb. 12th, 2020)
Sean Henry — A Jump from the High Dive (Nov. 1, 2019)
Mike Cooper — Playing With Water (Nov. 6, 2020)
Ben Featherstone — Prisoner to the Wind (Dec. 20th, 2019)
Ailbhe Reddy — Personal History (23 Oct., 2020)
Thomas Köner — Motus (Feb. 20, 2020)
Lanterns On the Lake — Spook the Herd (21 Feb., 2020)
Darkside — „Spiral“ [Japan Edition] (July 23, 2021)
A Winged Victory for the Sullen — The Undivided Five
Nick Hakim | Roy Nathanson — „Small Things“ (April 16, 2021)
The Telescopes — Songs of Love and Revolution (Feb. 5, 2021)
Send Medicine — „By Telepathy And Reputation“ (July 16, 2021)
Of Montreal — Ur Fun (Jan. 17, 2020)
Ryan Adams — „Big Colors!“ (June 11, 2021)
Lanterns On the Lake — Spook the Herd (21 Feb., 2020)
Seaway — Big Vibe (Oct. 16th, 2020)
Surprise Chef — Daylight Savings (Oct. 16, 2020)
Ryley Walker — „Course in Fable“ (April 2, 2021)
Sega Bodega — Salvador (Feb. 14, 2020)
Klara Lewis — Ingrid (1st May 2020)
Vivienne Wilder — Postromantic (June 12, 2020)
Prophecy Playground — Comfort Zone (Feb. 15, 2020)
Kurt Vile — Speed, Sound, Lonely KV EP (2nd Oct., 2020)
Steve Earle — Townes (May 8, 2009)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Oiseaux~Tempęte — From Somewhere Invisible (19 Dec., 2019)
Hamilton Leithauser (The Walkmen) — Dear God (Aug. 2015)
Steve Earle & The Dukes — Ghosts of West Virginia (May 22, 2020)
Nitin Sawhney — „Immigrants“ (19 March, 2021)
Real Estate — The Main Thing (28th Feb., 2020)
Myopia Exclusive Crystal Clear Vinyl
The Kills — Ash And Ice (June 3, 2016)
James Harries — Before We Were Lovers
Irena and Vojtěch Havlovi — „Melodies in the Sand“ (March 5, 202
ANNA CALVI — HUNTED (March 6, 2020)
Elysian Fields — Transience Of Life (May 7, 2020)
SOFIA TALVIK — Paws of a Bear (Sept. 27, 2019)
Badge Époque Ensemble — Self Help (Nov. 20, 2020)
Ali Holder — Uncomfortable Truths (April 10, 2020)
Sungazers — Wasting Space (May 18, 2020)
Really From — „Really From“ (March 12, 2021)
Neil Young — Homegrown (19th June, 2020)
Lightning Bolt — Hypermagic Mountain (October 18, 2005, March
Craig Fortnam — „Ark“ (16 July, 2021)
Sixth June ‎— Trust (17 Jan 2020)
Bellows — The Rose Gardener (Feb. 22, 2019)
Tatsuhisa Yamamoto 山本達久 — Ashioto (Oct. 21, 2020)
From Atomic — Deliverance (April 2020)
Cermaque — Lament (22nd May, 2020)
Fuzzy Lights — „Burials“ (July 2nd, 2021)
Alfie Templeman — „Forever Isn’t Long Enough“ (May 7th, 2021)
Tatsuhisa Yamamoto 山本達久 — Ashioto (Oct. 21, 2020)
Laurel Halo — Raw Silk Uncut Wood (July 13, 2018)
Anna von Hausswolff — Dead Magic (March 2018)
Moses Sumney — græ Part 1 & 2 (May 15, 2020)
Lauren Lakis — Daughter Language (Jan. 22, 2021)
Elizabeth And The Catapult — Like It Never Happened (24/01/2014)
David Thomas Broughton & Juice Vocal Ensemble — Sliding The Same
Marissa Nadler — unearthed (March 20, 2020)
Lake Street Dive — „Obviously“ (March 12th, 2021)
Jaye Jayle — Prisyn (Aug. 7, 2020)
Sweet Trip — You Will Never Know Why (Jan. 22, 2021)
PETR KALANDRA — Petr Kalandra & ASPM 1982 — 1990 (Feb. 26, 2020)
Justine Vandergrift — Stay (Feb. 7th, 2019)
Iceage — „Seek Shelter“ (May 7th, 2021)
Hamilton Leithauser — The Loves of Your Life (10 April 2020)
Bombay Bicycle Club — Everything Else Has Gone Wrong (01/24/20)
Gráinne Duffy — Where I Belong (Sept. 19, 2017)
Anthony Gomes — Containment Blues (2020)
Sports Team — Deep Down Happy (5th June, 2020)
Evan Wright — „Sound From Out The Window“ (Aug. 25, 2021)
Nonlocal Forecast — Bubble Universe! (March 1, 2019)
Lionel Loueke — HH (Sept. 11, 2020)
Al Di Meola — Across the Universe: The Beatles, Vol. 2 (2020)
LENKA NOVÁ — DOPISY (21.03./24.04., 2020)
Genesis Revisited: Live at The Royal Albert Hall — 2020 Remaster
Tedeschi Trucks Band — „The Fireside Sessions [Episode One / Epi
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Veronica Swift — „This Bitter Earth“ (March 19, 2021)
The Electric Soft Parade — Stages (Jan. 8, 2020)
Villagers — The Art Of Pretending To Swim (03/19, 2020) DELUXE E
Mountaineer — Bloodletting (May 22nd, 2020)
Ólafur Arnalds — Some Kind Of Peace (6 Nov., 2020)
SUUNS — „The Witness“ (Sept. 3, 2021)
Steve Hackett — Under A Mediterranean Sky (Jan. 22, 2021)
Anna von Hausswolff — All Thoughts Fly (Sept. 25, 2020)
Tara Fuki — Motyle (Nov. 13th, 2020)
Peel Dream Magazine — Agitprop Alterna (3rd April 2020)
Nicholas Cords — Touch Harmonious (Nov. 6, 2020)
Destroyer — Have We Met (Jan. 31, 2020)
John McLaughlin, Shankar Mahadevan, Zakir Hussain — Is That So?
THE SHAKING SENSATIONS — “How Are We to Fight the Blight” 2xLP
Alphaxone — Dystopian Gate (Jan. 14, 2020)
Lanterns On The Lake — The Realist (Dec. 18, 2020)
A Certain Ratio — ACR Loco (25th Sept., 2020)
THE SCHRAMMS — “Omnidirectional” (June 21st, 2019)
David Thomas Broughton — The Complete Guide To Insufficiency /re
Aimee Mann — Bachelor No. 2 (20th Anniversary Edition) (Nov. 27,
The Chap — Digital Technology (10 Jan., 2020)
Joan As Police Woman — Cover Two (May 1, 2020)
Isobutane — Mementos (Jan. 29, 2021)
The Shivas — “Dark Thoughts” (October 25, 2019)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Lucy Railton — Paradise 94 (22 Mar 2018)
Drive~By Truckers — The Unraveling (cover)
The Shins — “Heartworms” (March 10, 2017)
Elizabeth & The Catapult — „Sincerely, E“ (March 5, 2021)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
M. Ward — Think of Spring (Dec. 11, 2020)
The Shins — “The Worms Heart” (Jan. 18, 2018)
Psychic Markers — Psychic Markers (29 May, 2020)
Julianna Barwick — Circumstance Synthesis (Dec. 20, 2019)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
Meredith Monk & Bang on a Can All~Stars — Memory Game (03/27/20)
Drive~By Truckers — The Unraveling (cover)
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
JACKSON VANHORN: “AFTER THE REHEARSAL”
Blanck Mass — „Mind Killer“ (May 14th, 2021)
Eivind Aarset & Jan Bang — Snow Catches On Her Eyelashes (2020)
Richard Barbieri ‎— Past Imperfect / Future Tense (Mar 2020)
Kevin Morby — Sundowner (October 16, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
EVA ROHLEDER — Babské ucho (Nov. 9th, 2020)
Laurel Halo — Possessed (April 10, 2020)
Helena Deland — Someone New (16 Oct., 2020)
Stereolab — „Electrically Possessed [Switched On Volume 4]“ (Feb
Devendra Banhart — Ma (September 13, 2019)
Field Music — Making a New World (Jan. 10, 2020)
Gráinne Duffy — Voodoo Blues (Oct. 15, 2020)
The Memories — Pickles & Pies (May 29, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Highasakite — Uranium Heart (Feb. 1st, 2019)
Pearl Jam — Gigaton (March 27, 2020)
Walter Martin — The World at Night (Jan. 31, 2020)
Foxing — „Draw Down the Moon“ (Aug. 6, 2021)
The Tiger Lillies — Cold Night in Soho (10 Feb. 2017)
Silkworm — In The West (24 Jan., 2020)
Marillion — „Marbles“ (30th April, 2021, 3 LP)
Chavez — Gone Glimmering [Expanded Edition] (Oct. 23, 2020)
FRÀNÇOIS & THE ATLAS MOUNTAINS — BANANE BLEUE (26th Feb., 2021)
Kamaal Williams — Wu Hen (July 24, 2020)
Caspian — On Circles (January 24, 2020)
Jennifer Curtis & Tyshawn Sorey: Invisible Ritual (2020)
Hypnotic Brass Ensemble
DAVID POMAHAČ — DO TMY JE DALEKO (Feb. 7, 2020)
Don Gallardo — The Lonesome Wild (April 2, 2020)
Damon Locks Black Monument Ensemble — Where Future Unfolds (2019
The Tiger Lillies — Edgar Allan Poe’s Haunted Palace
Mark Lanegan — Straight Songs Of Sorrow (8th May, 2020)
I Break Horses — Warnings (08 May 2020)
Maxïmo Park — „Nature Always Wins“ (26th Feb., 2021)
Avishai Cohen — „Two Roses“ (April 16, 2021)
Spiritualized — „Lazer Guided Melodies“ (March 30, 1992, Remaste
Cocteau Twins — Head Over Heels
Angel Olsen — „Song of the Lark and Other Far Memories“ (May 7,
Cocteau Twins — Treasure
Sarah Jarosz — World On The Ground (June 5, 2020)
The Innocence Mission — See You Tomorrow (Jan. 17, 2020)
Daniel Lanois — „Heavy Sun“ (March 19, 2021)
Father John Misty — „Off~Key In Hamburg“ (March 23, 2020)
M G Boulter — „Clifftown“ (April 23rd, 2021)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
The Tiger Lillies — Covid~19 (April 10, 2020)
Portico Quartet — „Terrain“ (May 28, 2021)
Hawkwind — Acoustic Daze (25 Oct. 2019)
I Am Planet — „Záznamy ticha“ (30 April, 2021)
The Avalanches — We Will Always Love You (11 Dec., 2020)
Beautify Junkyards — Cosmorama (15th Jan., 2021)
Portico Quartet — „Terrain“ (May 28, 2021)
Wendy Eisenberg — Auto (Oct. 16, 2020)
I Am Planet — „Záznamy ticha“ (30 April, 2021)
TANYA DONELLY: Swan Song Series bonus tracks (FC)
Kate Amrine — This Is My Letter to the World (Jan. 24, 2020)
Liz Phair — „Soberish“ (4th June 2021)
CONCEPT ART ORCHESTRA — „100 YEARS“ (11.12.2020)
Juliana Hatfield — „Blood“ (May 14, 2021)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
WHITE TAIL FALLS — Age Of Entitlement (May 29, 2020)
Susan Alcorn Quintet — Pedernal (Nov. 13, 2020)
Coloured Clocks — Flora (May 2, 2020)
Daniel Knox — Won’t You Take Me with You (Jan. 15, 2021)
Indoor Voices — Animal (Feb. 14, 2020)
Jane Weaver — „Flock“ (March 5, 2021)
ELYSIAN FIELDS — Pink Air
Midlake — Antiphon (Nov. 4, 2013)
Jonathan Wilson — Rare Birds (March 2nd, 2018)
KIESLOWSKI Tiché lásky
Fiona Apple — Fetch The Bolt Cutters (17 Apr., 2020)
Lucrecia Dalt — Syzygy (Oct. 15, 2013)
Hayden Thorpe — Diviner (24 May 2019)
Cocteau Twins — Garlands (1982, Reissue 2020)
Alessandra Leão ‎— Macumbas e Catimbós (24/05/2019)
Cowboy Junkies — Ghosts (30 Mar 2020)
Liz Simmons — „Poets“ (March 1, 2021)
Laura Marling — Song for Our Daughter (April 10th, 2020)
Wendy Eisenberg — Its Shape Is Your Touch (Oct. 2018)
Nite Jewel — „No Sun“ (Aug. 27, 2021)
Baxter Dury — The Night Chancers (20 March 2020)
San Fermin — San Fermin (Nov. 11, 2013)
Sara Bareilles — What’s Inside Songs From Waitress (11/06, 2015)
Joe Strummer — „Assembly“ (26 March, 2021)
The Heliocentrics — Telemetric Sounds (Aug. 7, 2020)
JAMES YORKSTONE — The Wide, Wide River (22nd Jan., 2021)
The Dream Syndicate — „The Universe Inside“ (April 10, 2020)
Black Sabbath: Black Sabbath (13 Feb., 1970)
Third Coast Percussion & Devonté Hynes — Fields (Oct. 11, 2019)
White Tail Falls — Age of Entitlement (May 29, 2020)
MUFF — Fatalust (Nov. 1, 2019) cover
Ben Watt — Storm Damage (31st Jan., 2020)
San Fermin — The Cormorant I & II (Oct. 4, 2019/April 3, 2020)
Saša Niklíčková — Zmačkaná žena (Oct. 26, 2020)
Stephen Duffy — I Love My Friends [Expanded Ed] (10 May 2019)
I Break Horses — Chiaroscuro
Sea Wolf — Through a Dark Wood (March 20, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Maya Beiser — „Maya Beiser x Philip Glass“ (July 23, 2021)
Tom Petty — „Southern Accents“ (March 26, 1985/2006)
Dan Blake — „Da Fé“ (March 12, 2021)
Yorkston | Thorne | Khan — Navarasa : Nine Emotions (2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Anupam Shobhakar — „Dawn of Paradise“ (Nov. 13, 2020)
Genghis Tron — „Dream Weapon“ (March 26, 2021)
HAIM — „Women in Music Pt. III“ [Expanded Edition] (June 26, 202
Stove — ‘s Favorite Friend (Oct. 31, 2018)
ANASTASIA MINSTER — Father ©Michael Haley
Jonathan Wilson — Dixie Blur (March 6, 2020)
Ethel Cain — „Inbred“ (April 23, 2021)
Fruition — Broken At The Break Of Day (Jan. 23, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
1600 x 1600 High Violet (10th Anniversary Expanded Edition).jpg
ROBERT FRIPP — THE KITCHEN (New York, NY) — 05 FEB 1978
Sara Bareilles — More Love: Songs from Little Voice Season One (
The Sufis — Double Exposure (Jan. 24, 2020)
ÁSGEIR: IN THE SILENCE
Martin Barre — Roads Less Travelled (26 Oct. 2018)
Loney dear — „A Lantern and a Bell“ (March 26, 2021)
Loveblind / Sleeping Visions (March 27, 2020)
Jon Regen — Higher Ground (October 4, 2019)
Walter Martin — The World at Night (Jan. 31, 2020)
Asher Gamedze – Dialectic Soul (July 10, 2020)
Frances Quinlan — Likewise (Jan. 31, 2020)
Jon Regen — Higher Ground (October 4, 2019)
Motorpsycho — „Kingdom of Oblivion“ (April 16th, 2021)
KING CRIMSON, The Night Watch
Brooklyn Raga Massive — In D (Nov. 21, 2020)
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Matt Berninger — Serpentine Prison (Oct. 16, 2020)
Susan Alcorn, Leila Bordreuil, Ingrid Laubrock
Rizan Said — Saz û Dîlan (Oct. 11, 2019)
Nick Cave | Warren Ellis — „Carnage“ (Feb. 25, 2021)
Ásgeir — Bury the Moon (7 Feb., 2020)
Sharon Van Etten — „epic Ten“ (April 16, 2021)
Riva Taylor — ‘This Woman’s Heart .1’ (27 Mar 2020)
Wrangler — A Situation (28 Feb., 2020)
Juraj Griglák, From The Bottom (Sept. 16, 2019)
Half Moon Run — A Blemish in the Great Light (Nov. 1, 2019)
Cheerleader — Almost Forever (Feb. 7, 2020)
Queer Jane — Amen Dolores (March 27, 2020)
BECCA STEVENS — WONDERBLOOM (March 20th 20, 2020)
Mogwai — „As the Love Continues“ [Deluxe Edition] (19/02/2021)
John Medeski — „Crawlspace“ (Aug. 6, 2021)
Juraj Griglák — From the Bottom (Sept. 16, 2019)
Einstürzende Neubauten — Alles In Allem (May 29th, 2020)
Torres — Three Futures (29th Sept. 2017)
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Bison Bone — Find Your Way Out (Sept. 25, 2020)
Oh Wonder — No One Else Can Wear Your Crown [Deluxe Edition]
These New Puritans — The Cut (2016~2019) (14 Feb. 2020)
Vennart — „In The Dead, Dead Wood“ (6th Nov., 2020)
Laetitia Shériff — Stillness (Nov. 6, 2020)
Gillian Frame — „Pendulum“
Thin Lear — Wooden Cave (24th July, 2020)
Torres — Silver Tongue (Jan. 31, 2020)
Dot Allison — „Heart~Shaped Scars“ (July 30, 2021)
Kings of Leon — „When You See Yourself“ (March 5, 2021)
King Khan — The Infinite Ones (Oct. 30, 2020)
Anoushka Shankar — Love Letters (7 Feb., 2020)
Free To Grow — Imperfection (Aug. 7, 2020)
Dan Croll — Grand Plan (21 Aug., 2020)
Andrej Šeban — „Zep Tepi“ (May 21, 2021)
Lilien Rosarian ~ A Day in Bel Bruit (June 9, 2019)
Form and Chaos — „Gateways“ (March 16, 2021)
Jim Noir — A.M Jazz (Dec. 20, 2019)
Ehsan Matoori & Alireza Ghorbani — „The Voices and Bridges“ (Jul
Brad Mehldau & Orpheus Chamber Orchestra — „Variations on a Mela
Shemekia Copeland — Uncivil War (October 23rd, 2020)
I Like to Sleep — Daymare (April 17, 2020)
Psychedelic Porn Crumpets — SHYGA! The Sunlight Mound (5th Feb.,
Kaki King — Modern Yesterdays (Oct. 23, 2020)
Bill MacKay and Katinka Kleijn — STIR (Oct. 17, 2019)
VARIOUS ARTISTS: IN THE MOOD FOR LOVE (Import)
The Mountain Goats — Getting Into Knives (Oct. 23, 2020)
Ben Sidran — Blue Camus (Oct. 2014)
Varga Marián — Solo in Concert (1. feb. 2018)
Peter Bruntnell — „Journey to the Sun“ (June 11, 2021)
Paris Jackson — Wilted (Nov. 13, 2020)
No~Man — Love You To Bits (Nov. 22, 2019)
Death Cab for Cutie — The Georgia EP (Dec. 4th, 2020)
Blackbird & Crow — Ailm (17 Jan 2020)
Liz Longley — Liz Longley (March 17, 2015)
Van der Graaf Generator — Recorded Live in Concert
Bruce Springsteen — Letter to You (Oct. 23, 2020)
Amy LaVere — Painting Blue (27 Mar 2020)
The Chills — „Scatterbrain“ (May 14, 2021)
100 Gecs — 1000 gecs (May 31, 2019)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cold Chisel — Blood Moon (6 Dec., 2019)
Cold War Kids — New Age Norms 1 (Nov. 1, 2019)
Blackbird & Crow © 2020 Author: Megan Doherty
WaqWaq Kingdom — Essaka Hoisa (Nov. 15, 2019)
The Mountain Goats — Songs for Pierre Chuvin (April 10, 2020)
Hawktail — Formations (Jan. 10, 2020)
Morrissey — I Am Not a Dog On a Chain (March 20th, 2020)
Minus the Bear — „Farewell“ (October 21, 2021/3xLP)
Jack Peñate — After You (29th Nov. 2019)
Villagers — Darling Arithmetic [Deluxe Version] (April 10, 2015)
Ashley Paul — Window Flower (May 13, 2020)
Daniel Bachman — The Morning Star (July 27, 2018)
Roger Eno | Brian Eno — Mixing Colours (20 March, 2020)
Darnielle, Jon Wurster, Matt Douglas, Pete Hughes. ©Josh Sanseri
Joe Bonamassa & The Sleep Eazys — Easy To Buy, Hard To Sell
Axel Flóvent — You Stay by the Sea (15 Jan., 2021)
Preston Lovinggood — Consequences (June 10, 2018)
Martin Barre — Away With Words
Ezra Bell — This Way to Oblivion (3rd April, 2020)
All Them Witches — Nothing as the Ideal (Sept. 4, 2020)
Shafiq Husayn — The Loop (March 29, 2019)
Sinikka Langeland — „Wolf Rune“ (April 9, 2021)
Queer Jane — Home (Dec. 1, 2016)
Minus the Bear — „Farewell“ (October 21, 2021/3xLP)
RADEK BABORÁK a jeho ORQUESTRINA na PIAZZOLLOVSKÉ ALBUM.
Damien Jurado — „The Monster Who Hated Pennsylvania“ (2021)
Moonchild — Little Ghost (6th Sept. 2019)
Evergreen — Overseas (15 Jun 2018)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
Real Estate — „Half A Human“ (March 26, 2021)
The Waterboys — Good Luck, Seeker (Deluxe) (Aug. 21, 2020)
Dave Scanlon — Pink in each, bright blue, bright green (Jan. 15,
Ani DiFranco — „Revolutionary Love“ (Jan. 29, 2021)
CYHSY, New Fragility (Coke Bottle Clear) 2021
Maarja Nuut & Ruum — World Inverted (11th Sept., 2020)
Richard Youngs — Dissident (Jan. 25, 2019)
Kuře v hodinkách — Flamengo
Daniel Bachman — Green Alum Springs (June 6, 2020)
Midwife — Forever (April 10, 2020)
MORCHEEBA: Blackest Blue (May 14, 2021) (blue vinyl)
Kamasi Washington — Becoming (Music from the Netflix Original Do
Michal Mihok — „The Imprint“ (April 29, 2019)
Siobhan Wilson — The Departure (10 May, 2019)
Twin Shadow — „Twin Shadow“ (July 9th, 2021)
Steve Harley — „Uncovered“ (21 Feb., 2020)
Kris Delmhorst — Blood Test
Martin Burlas & Musica falsa et ficta — Hexenprozesse
I Don’t Know How but They Found Me — Razzmatazz (Oct. 23, 2020)
Songdog — Happy Ending (27th March, 2020)
Zuzana Mikulcová — Slová
Holly Herndon — PROTO (Winner of Tais Awards 2020)
Rory Block — Prove It On Me (March 27, 2020)
Cate Le Bon — Here It Comes Again (2020)
Tunng — Tunng Presents…DEAD CLUB (Nov. 6, 2020)
Sean O’Hagan — Radum Calls, Radum Calls (2019)
Lost Horizons — In Quiet Moments (Dec. 4, 2020/2021)
The Black Keys — „Delta Kream“ (May 14th, 2021)
Sweet Trip — „A Tiny House, in Secret Speeches, Polar Equals“ (M
Nicey Nice World — Obelisks and Asterisks (Sept. 22, 2020)
Pink Floyd — Delicate Sound of Thunder (1988)
Robert Plant — Carry Fire (2 LP, 13/10/2017)
Ben Sidran — Who’s the Old Guy Now (Nov. 20, 2020)
Le Butcherettes — DON’T BLEED EP (14 Feb 2020)
Lee Ranaldo, Jim Jarmusch, Marc Urselli, Balázs Pándi — „Churnin
Devin Sinha — The Seventh Season (Oct. 21, 2014)
Marillion — „With Friends At St David’s“ (Nov. 13, 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
Typhoon — „Sympathetic Magic“ (Jan. 22nd, 2021)
Arab Strap — „As Days Get Dark“ (March 5, 2021)
First Aid Kit — Stay Gold (2014)
Land of Talk — Indistinct Conversations (July 31, 2020)
Kuře v hodinkách — Flamengo
The League Of Assholes — „CODA“ (Jan. 20, 2021)
Luke Haines — Beat Poetry For Survivalists (6 Mar. 2020)
Suzi Quatro — „The Devil in Me“ [Japan Edition] (Jan. 22, 2021)
Aki Takase Daniel Erdmann — „Isn’t It Romantic“ (March 18, 2021)
Halsey — „If I Can’t Have Love, I Want Power“ (Aug. 27, 2021)
Devin Sinha — Liminal Space (Oct. 23, 2020)
Sarah Neufeld — „Detritus“ (May 14, 2021)
Nicole Atkins — Italian Ice (29 May 2020)
Maria Schneider Orchestra — Data Lords (24th July, 2020)
Lambchop — TRIP (Nov. 13th, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
BC Camplight — Shortly After Takeoff (24 April 2020)
Delta Spirit — What Is There (Sept. 11th, 2020)
The Hold Steady — „Open Door Policy“ (Feb. 19, 2021)
John Mclaughlin — „Liberation Time“ (July 16th, 2021)
BOB DYLAN — „SPRINGTIME IN NEW YORK: THE BOOTLEG SERIES VOL. 16
The Magnetic Fields — Quickies (May 15, 2020)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
Cold War Kids — New Age Norms 2 (Aug. 21, 2020)
learning structures, vol. 2: end firma
Suns Of The Tundra — „Murmuration“ (Nov. 15, 2019)
Arushi Jain — „Under the Lilac Sky“ (July 9th, 2021)
Becca Mancari — The Greatest Part (June 26, 2020)
learning structures, vol. 3: distance between us
Severin Bells — A Brighter Side to the Unknown (24th Oct., 2020)
The Apache Relay — Apache Relay (April 22, 2014)
Thurston Moore — By The Fire (Sept. 25, 2020)
Kurt Rosenwinkel Trio — Angels Around (May 8, 2020)
Frazey Ford — U kin B the Sun (Feb. 7th, 2020)
Lizzy Farrall — Bruise (March 27, 2020)
Alice Peacock — Minnesota (Sept. 20th, 2019)
Devon Williams — A Tear in the Fabric (May 1, 2020)
Gwenifer Raymond — Strange Lights Over Garth Mountain (2020)
LENKA DUSILOVÁ — ŘEKA (Nov. 6th, 2020)
STEREOLAB: Oscillons from the Anti~Sun
Hallelujah the Hills — A Band Is Something to Figure Out (2016)
Loveblind: Visions
Lilly Hiatt — Walking Proof (27 March, 2020)
Mekons — Deserted (March 29, 2019)
Loveblind: Visions
Throwing Muses — Sun Racket (Sept. 4, 2020)
Sean McMahon ― You Will Know When You’re There (March 1, 2019)
Deradoorian — Find the Sun (Sept. 18, 2020)
The Chats — High Risk Behaviour (March 27, 2020)
Tylor Dory Trio — Unsought Salvation (Dec. 21, 2019)
György Ligeti — Lontano (22. Oct.,1967)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Guranfoe — Sum of Erda (Dec. 13, 2019)
Susanne Sundfør — Self Portrait (Original Score, 10th Jan. 2020)
Ronnie Godfrey — Shades of Blue (Oct. 25, 2019)
Intocable ― Percepcion (March 15, 2019)
Kibby — „Blabracadabra“ (May 14, 2021)
Father John Misty — God’s Favorite Customer (June 1st, 2018)
Ytamo — Vacant (June 12, 2020)
Pancrace — The Fluid Hammer (09 Sep 2019/2LP)
Gary Lucas — „Cinefantastique“ (Oct. 1, 2013)
k.d. lang — „makeover“ (May 28, 2021)
Humanist — Humanist (21 Feb., 2020)
White Lies — To Lose My Life… [10th Anniversary Deluxe Edition]
Slow Pulp — Moveys (Oct. 9, 2020)
Andrej Šeban — Rock and Roll z Rači (11. Sept., 2020)
The Go Betweens — „Liberty Belle And The Black Diamond Express“
Wrekmeister Harmonies — We Love to Look at the Carnage (2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Hallelujah the Hills — I’m You (Nov. 15, 2019)
Robben Ford — „Pure“ (Aug. 27th, 2021)
OWEN PALLETT — Heartland (March 3, 2014)
Siobhan Wilson — There Are No Saints (14 Jul, 2017)
Erlend Apneseth — Fragmentarium (Jan. 31, 2020)
Paul McCartney — McCartney III (18 Dec., 2020)
Amaarae — The Angel You Don’t Know (Nov. 12, 2020)
Delta Spirit — Into The Wide (Deluxe Edition, Sept. 9, 2014)