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Faust — jUSt Us

Faust — Just Us (November 24, 2014)

Germany                    Faust — Just Us 
ΛΔΛ   Pioneering and influential German rock outfit that blended avantgarde electronics and trippy psychedelia to create a radical musical collage.
Formed: 1971 in Wumme, Germany
Location: Hamburg, Germany
Album release: November 24, 2014
Record Label: BUREAU B
Duration:     52:34
Tracks:
01 gerubelt      5:13
02 80hz      5:35
03 sur le ventre      4:33
04 cavaquinho      1:00
05 gammes      4:36
06 nahmaschine      3:13
07 nur nous      3:19
08 palpitations      7:36
09 der kaffee kocht      3:50
10 eeeeeeh...      1:57
11 ich bin ein pavian      3:52
12 ich sitze immer noch      7:50
Details
ΛΔΛ   Special Deal! We'll add a limited and numbered cover print (350g, offset, 21cm * 21cm) to the first 100 orders!
ΛΔΛ   “j US t” — pronounced “Just Us” — is the new album from legendary Hamburg band Faust. Founder members Jean–Hervé Peron and Zappi Diermaier have laid down twelve musical foundations, inviting the whole world to use them as a base on which to build their own music. The tracks presented by Peron and Diermaier are clearly, intrinsically typical of Faust in their own right, yet offer enough space for completely different works to develop. Which is exactly what they hope will happen.
Review by Fred Thomas; Score: ***½
ΛΔΛ   Though absolutely foundational in Krautrock circles (even arguably responsible for naming the genre with a song of the same name on their 1973 album Faust IV), Hamburg collective Faust always existed on the fringes of even Krautrock’s genre–defying experimentalism. While contemporaries like Can, Amon Düül II, and Ash Ra Tempel were pushing outward expansively within the confines of what a rock band was capable of, Faust’s radical manipulation of editing, production, and studio trickery combined with their “anything goes” compositional approach resulted in some of the genre’s most vibrantly diverse albums and set them in a class of their own. Over 40 years later, the madcap spirit that defined the band’s earliest groundbreaking material is alive and well on 2014 album jUSt, aka Just Us. The album isn’t quite the Dadaist collage of earlier works, but somehow captures the same messy spirit of those records while inverting the aesthetic, offering more skeletal compositions that are every bit as wild–eyed in their subtlety. Press releases for Just Us hinted vaguely at the concept of the album being stripped–down foundations for other musicians to build new sounds on top of, and certainly the sonic palette is emptier than usual. “80hz” is little more than repeating figures on upright bass, blasts of discordant organ, waves of fuzz, and spare free–floating percussion, while the band slips into a surprisingly wide–open folky mode on the mandolin–driven “Cavaquiñho” and the spare acoustic strumming of “Gammes.” The album is performed mostly by the duo of founding members Jean–Hervé Peron and Werner “Zappi” Diermaier, concentrating on space in most of these tunes. While the album can feel especially vacant on songs like “Nur Nous,” a haunted sketch of sad piano and the occasional percussion thump, tracks like the lubricated groove of “Sur le Ventre” sound right out of the band’s early–’70s catalog, interspersing tight rock repetitions with found sounds and psychedelic effects. Decades after their freewheeling beginnings, Just Us still shows a picture of a band as playful as it is fearless, willing to pick up any object, idea, or unlikely concept and transform it effortlessly into something strange and captivating.
Artist Biography by Jason Ankeny
ΛΔΛ   "There is no group more mythical than Faust," wrote Julian Cope in his book Krautrocksampler, which detailed the pivotal influence the German band exerted over the development of ambient and industrial textures. Producer/overseer Uwe Nettelbeck, a onetime music journalist, formed Faust in Wumme, Germany, in 1971 with founding members Hans Joachim Irmler, Jean Hervé Péron, Werner "Zappi" Diermaier, Rudolf Sosna, Gunther Wusthoff, and Armulf Meifert. Upon receiving advance money from their label, Nettelbeck converted an old schoolhouse into a recording studio, where the group spent the first several months of its existence in almost total isolation, honing its unique cacophonous sound with the aid of occasional guests like minimalist composer Tony Conrad and members of Slapp Happy.
ΛΔΛ   Issued on clear vinyl in a transparent sleeve, Faust's eponymously titled debut LP surfaced in 1971. Although sales were notoriously bad, the album — a noisy sound collage of cut–and–paste musical fragments — did earn the group a solid cult following. Another lavishly packaged work, Faust So Far, followed in 1972, and earned the group a contract with Virgin, which issued 1973's The Faust Tapes — a fan–assembled collection of home recordings — for about the price of a single, a marketing ploy that earned considerable media interest. After Outside the Dream Syndicate, a collaboration with Tony Conrad, Faust released 1973's Faust IV, a commercial failure that resulted in the loss of their contract with Virgin, which refused to release their planned fifth long–player.
ΛΔΛ   When Nettelbeck turned his focus away from the group, Faust disbanded in 1975, and the members scattered throughout Germany. However, after more than a decade of playing together in various incarnations, Faust officially reunited around the nucleus of Irmler, Péron, and Diermaier for a handful of European performances at the outset of the 1990s. In 1993, they made their first-ever U.S. live appearance backing Conrad, followed by a series of other stateside performances. After several live releases, a pair of new studio albums, Rien and You Know FaUSt, followed in 1996.
ΛΔΛ   Péron left the group in 1997. Ravvivando appeared in 1999 with the lineup of Diermaier, Irmler, Steven Wray Lobdell, Lars Paukstat, Michael Stoll, and Amaury Cambuzat (of Ulan Bator). The album received almost universally favorable reviews, prompting more invitations to play festivals and tour. Faust continued releasing new material with this lineup until 2004 when Péron rejoined the group for Trial & Error, a DVD released in 2007 by Fuenfundvierzig Label. Diermaier proposed a "new" Faust to Péron, together with Cambuzat and Olivier Manchion. The new Faust made their debut at the Art–Errorist Avantgarde Festival in Schiphorst, Germany, where they also presented a new release entitled Collectif Met(z), a collection of live, new, and unreleased material. This incarnation of the group released several CD-Rs and DVD-Rs and toured almost continually. From their 2005 U.K. tour they released In Autumn, though it didn't appear until 2007. This band also featured ex-Henry Cow saxophonist/flutist Geoff Leigh, vocalist Lucianne Lassalle, poet Zoë Skoulding, and members of the Welsh group Ectogram.
ΛΔΛ   Former member Uwe Nettelbeck died on January 17, 2007. In April the trio of Diermaier, Péron, and Cambuzat performed at the Rock in Opposition Festival in France and recorded a new studio album entitled Disconnected. C'est Com...Com...Compliqué, the second album from this trio, was issued under the Faust moniker on the Bureau B imprint in 2009, though by 2007 the lineup had changed again — Cambuzat left and was replaced by guitarist James Johnson (Gallon Drunk, Bad Seeds) and former filmmaker turned keyboardist/percussionist/vocalist Geraldine Swayne. In 2010, with the release of Faust Is Last by a group consisting of Irmler, Paukstat, Lobdell, Stoll, and Jan Fride, Faust had actually split into two groups with different lineups sharing the same name. Continuing in that vein, Something Dirty was released on Bureau B by the quartet faction with Diermaier and Péron. In 2014, Peron and Diermaier regrouped with new album jUSt (or Just Us), a collection of sometimes skeletal song structures they offered up with the intention that other musicians use them as foundations on which to build their own creative works. :: http://www.allmusic.com/
Review
ΛΔΛ   “Faust tell of an heroic time when reaching for the stars did not have to include getting the stars in order to be successful.” — Julian Cope
ΛΔΛ   I assume that the $2.00 more than usual price is because this apparently includes a license for you to use the tracks however you want, in whatever way you want.
ΛΔΛ   "Faust for all. The Krautrock legends lay down the musical foundations for everyone else to make something of their own. "j US t" — pronounced "Just Us" — is the new album from legendary Hamburg band, Faust. Founding members Jean–Hervé Peron and Zappi Diermaier have laid down 12 musical foundations, inviting the whole world to use them as a base on which to build their own music. The tracks presented by Peron and Diermaier are clearly, intrinsically typical of Faust in their own right, yet offer enough space for completely different works to develop. ΛΔΛ   Which is exactly what they hope will happen. While Diermaier largely remains true to his habitual handiwork — drums and percussion — Peron, as we might expect, incorporates all manner of unusual sonic sources alongside his bass, various string instruments and piano, even using a sewing machine as a metronome. Tracks like "nur nous" and "ich bin ein pavian" show that Faust have lost none of their predilection for avant–garde Dadaism and improvisation. Peron and Diermaier actually surprise us with folkloristic excursions ("cavaquinho," "gammes"). In short, there is something for everyone to work with here. Peron and Diermaier await the results with bated breath. ΛΔΛ   Faust will follow the same principle on the accompanying tour by inviting local artists to collaborate with them on stage. The history of the band: "There is no group more mythical than Faust." Thus wrote English musician and eccentric Julian Cope. ΛΔΛ   Which says it all really, neither the habitus nor the music of the Hamburg group was easy to grasp. While some lauded Faust as the best thing that ever happened to rock, others dismissed them as shameless dilettantes. Their collage of Dadaism, avant garde rock and free improvisation radically divided opinion. When the first LP was unleashed on the world in 1971, Faust were very much the prophet in their own land, as the saying goes: few were interested in listening to their music — in Germany. Not so across the Channel: this is where Faust's career really kickstarted. These monoliths of avant–garde rock sold 100,000 copies of their album The Faust Tapes. More than 40 years after their debut, Faust have come up with another archetypical album: inspiring, innovative, unpredictable, crossing boundaries, anarchic — Faustian!" :: http://www.waysidemusic.com/
Also:
PAUL PLEDGER, 13/10/2014; Score: 80/100
:: http://www.peek-a-boo-magazine.be/en/reviews/faust-just-us/
Label: http://www.bureau-b.com/faust.php
____________________________________________________________

Faust — jUSt Us

 

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I Break Horses — Warnings (08 May 2020)
Hawkwind — Acoustic Daze (25 Oct. 2019)
Indoor Voices — Animal (Feb. 14, 2020)
I Break Horses — Chiaroscuro
Einstürzende Neubauten — Alles In Allem (May 29th, 2020)
100 Gecs — 1000 gecs (May 31, 2019)
Evergreen — Overseas (15 Jun 2018)
Kurt Rosenwinkel Trio — Angels Around (May 8, 2020)
The Feather — Room (10 July, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
György Ligeti — Lontano (22. Oct.,1967)
OWEN PALLETT — Heartland (March 3, 2014)
Badly Drawn Boy — Banana Skin Shoes (22nd May, 2020)
A.O. Gerber — Another Place to Need (May 22, 2020)
Kaleidoscope — Faintly Blowing (11 April 1969, Reissue, Remaster
Perfume Genius — Set My Heart On Fire Immediately (15th May 2020
Perfume Genius — No Shape (5 May, 2017) BC
Perfume Genius — No Shape (5 May, 2017) FC
Sungazers — Wasting Space (May 18, 2020)
Cermaque — Lament (22nd May, 2020)
Mountaineer — Bloodletting (May 22nd, 2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Steve Earle — Townes (May 8, 2009)
Steve Earle & The Dukes — Ghosts of West Virginia (May 22, 2020)
Sixth June ‎— Trust (17 Jan 2020)
White Tail Falls — Age of Entitlement (May 29, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
Nicole Atkins — Italian Ice (29 May 2020)
Deerhoof — Future Teenage Cave Artists (May 29, 2020)
Deradoorian — Find the Sun (Sept. 18, 2020)
Bob Dylan — Rough and Rowdy Ways (June 19th, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
This Will Destroy You — Vespertine (June 9, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Yoko Ono, Kim Gordon & Thurston Moore — YOKOKIMTHURSTON
Psychic Markers — Psychic Markers (29 May, 2020)
The Memories — Pickles & Pies (May 29, 2020)
Songs for the Late Night Drive Home (Feb. 5, 2016)
Spc Eco — Dark Matter (Nov. 20, 2015)
SPC ECO — June (June 1, 2020)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Larkin Poe — Self Made Man (June 12th, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Endless Field — Alive in the Wilderness (June 12, 2020)
Wesley Gonzalez — Appalling Human (June 12, 2020)
Noveller — Arrow (June 12, 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Andrej Šeban — Triplet (March 22, 2019) inner cover
Andrej Šeban — Triplet (March 22, 2019) cover
The Crossing & Donald Nally — James Primosch: Carthage (05/2020)
Jerskin Fendrix — Winterreise (April 17, 2020)
Zoongideewin — Bleached Wavves (June 19, 2020)
ULRICH SCHNAUSS — A Long Way To Fall — Rebound (3rd April, 2020)
Sports Team — Deep Down Happy (5th June, 2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
Midlake — Antiphon (Nov. 4, 2013)
ANASTASIA MINSTER — Father ©Michael Haley
Jessie Ware — Glasshouse (Deluxe; 20 Oct 2017)
Teen Daze — Morning World
Jessie Ware — What’s Your Pleasure (June 26, 2020)
Art Feynman — Half Price At 3:30 (June 26th, 2020)
Bo Ningen — Sudden Fictions (26th June, 2020)
Khruangbin — Mordechai (June 26, 2020)
Pottery — Welcome to Bobby’s Motel (June 26th, 2020)
Orlando Weeks — A Quickening (June 12, 2020)
John Craigie — Asterisk the Universe (June 12, 2020)
Kavus Torabi — Hip to the Jag (May 22, 2020)
Nadine Shah — Kitchen Sink (June 5, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
Corb Lund — Agricultural Tragic (June 26, 2020)
Christine Ott — Chimères (pour ondes Martenot) (May 22, 2020)
The Beths — Jump Rope Gazers (July 10th, 2020)
Ashley Paul — Window Flower (May 13, 2020)
Grey Daze — Amends [Deluxe Edition] (July 3, 2020)
Grey Daze ©Photo credit: Anjella / Sakiphotography
Ajimal — As It Grows Dark / Light (June 26, 2020)
Ajimal — As It Grows Dark Light (June 26, 2020)
Eleanor Friedberger — Rebound (May 4th, 2018)
ELEANOR FRIEDBERGER — NEW VIEW (January 22, 2016)
Immigrant Union — Judas (June 19, 2020)
Julianna Barwick — Healing Is a Miracle [Japan Edition] (2020)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Neil Young — Homegrown (19th June, 2020)
The Jayhawks — XOXO (July 10, 2020)
Joy Division — Closer (40th Anniversary) [2020 Digital Master] (
Daniel Bachman — The Morning Star (July 27, 2018)
Daniel Bachman — Green Alum Springs (June 6, 2020)
Becca Mancari — The Greatest Part (June 26, 2020)
Ytamo — Vacant (June 12, 2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Thin Lear — Wooden Cave (24th July, 2020)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Sara Serpa — Recognition (June 5th, 2020)
Sara Serpa, Ingrid Laubrock, Erik Friedlander — Close Up (2018)
Klara Lewis — Ingrid (1st May 2020)
Buju Banton — Upside Down (June 26, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
learning structures, vol. 2: end firma
learning structures, vol. 3: distance between us
The Boomtown Rats — Citizens of Boomtown (13 March, 2020)
Ralph of London — The Potato Kingdom (19th June, 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
Land of Talk — Indistinct Conversations (July 31, 2020)
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
TANYA DONELLY: Swan Song Series bonus tracks (FC)
The Heliocentrics — Telemetric Sounds (Aug. 7, 2020)
KMRU — Peel (18th Sept., 2020)
Kris Delmhorst — Blood Test
Bill Callahan — Gold Record (Sept. 4, 2020)
MUFF — Fatalust (Nov. 1, 2019) cover
Asher Gamedze – Dialectic Soul (July 10, 2020)
Allegra Krieger — The Joys of Forgetting (August 7, 2020)
Still House Plants — Fast Edit (Aug. 14, 2020)
Vladislav Delay, Sly Dunbar, Robbie Shakespeare — 500~Push~Up
The Waterboys — Good Luck, Seeker (Deluxe) (Aug. 21, 2020)
Martin Burlas & Musica falsa et ficta — Hexenprozesse
Holly Herndon — PROTO (Winner of Tais Awards 2020)
Maria Schneider Orchestra — Data Lords (24th July, 2020)
Cold War Kids — New Age Norms 1 (Nov. 1, 2019)
Cold War Kids — New Age Norms 2 (Aug. 21, 2020)
Free To Grow — Imperfection (Aug. 7, 2020)
Throwing Muses — Sun Racket (Sept. 4, 2020)
Narrow Head — 12th House Rock (Aug. 28th, 2020)
Laura Veirs — MY ECHO (23rd Oct., 2020)
PVRIS — Use Me (March 3, 2020)
Dan Croll — Grand Plan (21 Aug., 2020)
All Them Witches — Nothing as the Ideal (Sept. 4, 2020)
The Flaming Lips — American Head (Sept. 11, 2020)
Elysian Fields — Transience of Life (Sept. 4, 2020)
Sara Bareilles — What’s Inside Songs From Waitress (11/06, 2015)
Sara Bareilles — More Love: Songs from Little Voice Season One (
Delta Spirit — Into The Wide (Deluxe Edition, Sept. 9, 2014)
Lo Tom — LP2 (September 11, 2020)
The Telescopes — Hidden Fields (August 7th, 2015)
Slow Pulp — Moveys (Oct. 9, 2020)
Deerborn — Where Demons Hide (Aug. 28, 2020)
Deradoorian — Find the Sun (Sept. 18, 2020)