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Gary Clark Jr. Bowery Ballroom NYC

Gary Clark Jr. June 7th, 2016 Bowery Ballroom NYC                                                  Gary Clark Jr.   Gary Clark Jr.♣   Gary Clark Jr. 6.7.16 Bowery Ballroom NYC
♣   Words by Audra Tracy | Photos by Joe Russo
ΕΠ   Sunday’s storm may have halted the third day of Governors Ball, but every rain cloud has a silver lining. And sometimes silver linings involve a budding blues icon playing a 600 capacity venue on a day’s notice.
ΕΠ   Gary Clark Jr., who was scheduled to perform at the festival, consoled disappointed Ballers by booking a last~minute make~up gig at the intimate Bowery Ballroom on Tuesday night. Announced just a day in advance, and this hot~ticket show sold out quick.
ΕΠ   “Welcome back to New York!”, a fan shouted as Clark and his band took the stage. Never a man of many words, the headliner strapped on his guitar and tipped his cap to the crowd before opening his set with the breakthrough hit, “Bright Lights, Big City”.
ΕΠ   Together the four~piece performed songs from 2015’s, The Story of Sonny Boy Slim, each tune acting as a vehicle to Clark’s slow~burning guitar solos. The set moved at a pretty chill pace, with more uptempo tunes like “Ain’t Messin’ Around” and “Don’t Owe You a Thang” mixed in to keep the energy electric.
ΕΠ   Song after song, the blues just coursed through this man’s veins, from his signature hat to his pinky ring, all the way to his black leather boots. At times during his solos, he seemed like a man possessed, his eyes shut as he mouthed along to the electric riffs that echoed from his axe.
ΕΠ   Clark was clearly the man of the hour — from the audience to his own cohorts on stage, all eyes were on him. During an especially intense interlude, some captivated fans at Bowery began to shush the crowd — an act that finally got Clark to crack a smile before encouraging everyone to loosen up a bit.
ΕΠ   “Let that out”, he said to his mesmerized congregation. “That’s what we’re here for.”   ΕΠ   http://www.thewaster.com/Fotka uživatele Ben Tais Amundssen.
♣   A 2015 reply is offered on the all~consuming space~age funk of “Star.” “I am devoted to seeing you shine on,” could be a message in falsetto from Clark to those babies, his country, his family, and his innermost self. With a musical palette as gracious and glorious as Gary Clark Jr’s, the target is most likely all of the above. As Clark put his mojo in full motion on the album’s opening track, “The Healing”, he eloquently states his subtle and underlying theme that “this music” is our hope, faith and ultimate healing.
ORIGIN: Austin, TX
GENRE: Alternative
BORN: Feb 15, 1984
♣   Texas guitarist Gary Clark, Jr. has been compared to guitar icons like Jimi Hendrix and Stevie Ray Vaughan, and his playing is a powerful and inspired mix of blues, contemporary soul, and hip~hop, and when he’s rolling at his best, he sounds like nothing so much as a natural hybrid of both the past and the future of the blues. Born and raised in Austin, Texas, Clark first picked up a guitar at the age of 12 and spent his teens playing whatever gig he could get in the Austin area. He eventually met Clifford Antone, promoter and owner of Antone’s, the city’s premier blues club, who began featuring Clark at his venue. An amazing live performer, Clark soon became one of the brightest players on Austin’s blues and rock scene. He released an independent album, 2005’s Tribute, followed by a pair of self~produced albums in 2008 for Hotwire Unlimited, 110 and Worry No More. An EP, Gary Clark, Jr., also appeared from Hotwire in 2010.
♣   But Clark was far from just a one~trick pony guitar gunslinger. He could also sing, write, and arrange. He wrote the original score for the film Full Count and also appeared as an actor in John Sayles’ 2007 film Honeydripper. In 2010, Clark was selected by Eric Clapton to perform at the Crossroads Guitar Festival, and a DVD of the show featuring Clark led to a recording deal with Warner Bros. Clark was soon in the studio working on his major~label debut. An EP called Bright Lights was released in 2011 in advance of the new album, Blak and Blu, which appeared in the fall of 2012. His next release was the impressive two~disc Live, recorded during an 18~month~long tour behind Blak and Blu, and Live better represented Clark’s wild, impassioned, and often elegantly graceful live sets. After more touring, including dates opening for the Rolling Stones and the Foo Fighters, Clark released his second major~label studio set, 2015’s The Story of Sonny Boy Slim. The album debuted at eight on the Billboard charts and ♣   Clark supported it with an extensive tour that was documented on the 2017 album Live North America 2016. ~ Steve LeggettThe Bright Lights — EPThe Bright Lights — EP
RELEASED: Aug 8, 2011
EDITORS’ NOTES:
♣   Precocious young guitarist Gary Clark Jr. graduated from Austin’s venerable juke joint circuit with the release of the Bright Lights EP, a tantalizingly brief four~track release for Warner Brothers that matches two hard charging, muscular blues rock workouts with a pair of understated acoustic recordings. Before the Bright Lights release Clark was best known for his star turn as an itinerant bluesman in John Sayle’s 2007 film Honeydripper, an imaginative reconstruction of the moment when Texas blues was transformed by the introduction of the electric guitar. Clark effectively channels the spirit of Honeydripper’s post~war blues milieu on Bright Lights’ title track, which devilishly borrows the central refrain of Jimmy Reed’s “Bright Lights, Big City” and yokes it to a crushingly distorted guitar riff that could easily have been conceived by latter day punk~blues darlings like Jack White or Dan Auerbach. It is Clark’s repeatedly demonstrated ability to effortlessly execute such unaffected fusions of contemporary influences and classic blues tropes that makes Bright Lights such a compelling listen.
01 Bright Lights     5:24
02 Don’t Owe You a Thang     3:35
03 Things Are Changin’ (Live) [Solo Acoustic]     4:31
04 When My Train Pulls In (Live) [Solo Acoustic]     8:12
℗ 2011 Warner Bros. Records Inc.BLAK AND BLUE (Deluxe Version)
BLAK AND BLUE (Deluxe Version)
RELEASED: Oct 16, 2012
EDITORS’ NOTES:
♣   Austin’s Gary Clark Jr. grew up in one of the nation’s most musical cities so it’s no surprise just how diverse his influences are. He’s drawing from a world between ‘60s psychedelia and hip~hop song structure. Stylistically, his major label debut offers some fuzztone~drenched blues riffs wrapped around bits of classic rock and R&B. With songs like “Numb” and “Ain’t Messin ‘Round”, he fits more in with the blues crowd that identifies with The Black Keys than any of your Hall of Fame axe~wielders. It’s precisely this element~invoking passion and stripped~down power over licks~that makes Gary Clark Jr. such a fascinating figure.
01. AIN’T MESSIN AROUND     4:09
02. WHEN MY TRAIN PULLS IN     7:45
03. BLAK AND BLU     4:06
04. BRIGHT LIGHTS     5:24
05. TRAVIS COUNTY     3:38
06. THE LIFE     5:05
07. GLITTER AIN’T GOLD (JUMPIN’ FOR NOTHIN’)     4:18
08. NUMB     5:26
09. PLEASE COME HOME     4:16
10. THINGS ARE CHANGIN’     3:59
11. THIRD STONE FROM THE SUN/IF YOU LOVE ME LIKE YOU SAY    9:37
12. YOU SAVED ME     6:11
13. NEXT DOOR NEIGHBOR BLUES     3:03
14. Breakdown (Bonus Track)     4:10
15. Soul (Bonus Track)     6:15
℗ 2011, 2012 Warner Bros. Records Inc.
THE STORY OF SONNY BOY SLIM
RELEASED: Sep 11, 2015
EDITORS’ NOTES:
♣   There’s no question that Austin singer/guitarist Gary Clark Jr. can shred with the best of them. But on his second major~label full~length, it’s his restraint that’s his trump card. He gently dabs the minimalist blues~rocker “The Healing” with little more than a B.B. King~style riff and a poker~hot vocal, keeping the song gorgeously unfussy. Just as expressive is the stomping “Grinder,” which features a literally screaming guitar lick that mimics the line it follows: “My baby’s crying/So now my baby’s crying.”
01. THE HEALING     4:48
02. GRINDER     3:22
03. STAR     4:44
04. OUR LOVE     4:11
05. CHURCH     5:10
06. HOLD ON     3:46
07. COLD BLOODED     3:43
08. WINGS     4:12
09. BYOB     1:00
10. CAN’T SLEEP     3:47
11. STAY     3:44
12. SHAKE     3:17
13. DOWN TO RIDE     7:52
℗ 2015 Warner Bros. Records Inc.LIVE
LIVE
RELEASED: 2014
EDITORS’ NOTES:
♣   Gary Clark Jr. is one of the most popular and most deserving bluesman working the genre in 2014. Often when somebody reaches Clark’s level of recognition, there’s a temptation to branch out into pop or rock, and Clark has indeed injected his playing with touches of hip~hop and soul, sparingly. But he largely sticks to the electric blues here on this expansive live album. Recorded during an 18~month tour in 2013 and 2014, Live deserves to be the crown jewel in the Texas guitar wizard’s catalog. The blues has always been a live music, meant to be heard in bars and clubs worldwide, with the players improvising on the basic framework until they find a way to somewhere new. The vintage soul groove of “Things Are Changin’” provides a change of pace after the intense blues workouts of Lowell Fulson’s “Three O’Clock Blues” and Robert Petway’s “Catfish Blues.” The medley of Albert Collins’ “If You Love Me Like You Say” and Jimi Hendrix’s “Third Stone from the Sun” provides 10 minutes of blazing inspiration, while Collins’ “If Trouble Was Money” is yet another highlight.
01. CATFISH BLUES (LIVE)     8:00
02. NEXT DOOR NEIGHBOR BLUES (LIVE)     4:06
03. TRAVIS COUNTY (LIVE)     3:42
04. WHEN MY TRAIN PULLS IN (LIVE)     7:10
05. DON’T OWE YOU A THANG (LIVE)     6:12
06. THREE O’CLOCK BLUES (LIVE)     6:23
07. THINGS ARE CHANGIN’ (LIVE)     6:09
08. NUMB (LIVE)     6:13
09. AIN’T MESSIN ‘ROUND (LIVE)     6:36
10. IF TROUBLE WAS MONEY (LIVE)     6:40
11. THIRD STONE FROM THE SUN/IF YOU LOVE ME LIKE YOU SAY (LIVE)     10:27
12. PLEASE COME HOME (LIVE)     6:33
13. BLAK AND BLU (LIVE)     4:03
14. BRIGHT LIGHTS (LIVE)     8:26
15. WHEN THE SUN GOES DOWN (LIVE)     5:44
℗ 2014 Warner Bros. Records Inc.LIVE / NORTH AMERICA 2016
LIVE / NORTH AMERICA 2016
RELEASED:  Mar 17, 2017
01 Grinder (Live)     5:02 
02 The Healing (Live)     5:38 
03 Our Love (Live)     7:50 
04 Cold Blooded (Live)     5:34 
05 When My Train Pulls In (Live)     9:30 
06 Down to Ride (Live)     7:06 
07 You Saved Me (Live)     8:53 
08 Shake (feat. Leon Bridges) [with Jeff Dazey] [Live]     4:09 
09 Church (Live)     6:02 
10 Honest I Do (Live)     3:12 
11 My Baby’s Gone (Live)     4:05 
12 Numb (Live)     7:18 
℗ 2017 Warner Bros. Records Inc.
Facebook: https://www.facebook.com/GaryClarkJr/
Website: http://www.garyclarkjr.com/bio/garyclarkjr
Twitter: https://twitter.com/garyclarkjrFotka uživatele Ben Tais Amundssen. ©  Gary Clark Jr. performs at the Bowery Ballroom on June 7, 2016 in New York City. (Photo by Joe Russo).
♦»♠••›♣¤★↔★♦♠♦★Ω★♦»♠••›♣¤★↔★♦♠♦★Ω★♦»♠••›♣¤★↔★♦♠♦★Ω★♦»♠••›♣

Gary Clark Jr. Bowery Ballroom NYC

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The Tiger Lillies — Covid~19 (April 10, 2020)
Veneer — Recovery (April 15, 2020)
Siobhan Wilson — The Departure (10 May, 2019)
BC Camplight — Shortly After Takeoff (24 April 2020)
Siobhan Wilson — There Are No Saints (14 Jul, 2017)
Brendan Benson — Dear Life (April 24, 2020)
Ali Holder — Uncomfortable Truths (April 10, 2020)
From Atomic — Deliverance (April 2020)
Whyte Horses — Hard Times (17th of Jan., 2020)
Gerald Cleaver — Signs (March 27, 2020)
Sophie Tassignon — Mysteries Unfold (April 24, 2020)
HOUPACÍ KONĚ: SOULKOSTEL 8 11 2019 (April 25, 2020)
Sarah Longfield — Dusk (April 22, 2020)
Ariel Pink — House Arrest (2002/Mar 2011/April 24, 2020)
All The Best, Isaac Hayes (A Spoken Word Album)
Prophecy Playground — Comfort Zone (Feb. 15, 2020)
Mark Lanegan — Straight Songs Of Sorrow (8th May, 2020)
Genesis Revisited: Live at The Royal Albert Hall — 2020 Remaster
Joan As Police Woman — Cover Two (May 1, 2020)
Kuře v hodinkách — Flamengo
Kuře v hodinkách — Flamengo
Devon Williams — A Tear in the Fabric (May 1, 2020)
Johanna Warren — Chaotic Good (May 1, 2020)
emozpěv — Spolu (1st May 2020)
THE LEAGUE OF ASSHOLES — UNPLUGGED (1st May 2020)
Morgan1
Zuzana Mikulcová — Slová
The Fratellis — Half Drunk Under A Full Moon (8th May, 2020)
The Fratellis — Half Drunk Under A Full Moon (8th May, 2020)
Cocteau Twins — Victorialand (April, 1986, Reissue 2020)
Coloured Clocks — Flora (May 2, 2020)
I Break Horses — Warnings (08 May 2020)
Hawkwind — Acoustic Daze (25 Oct. 2019)
Indoor Voices — Animal (Feb. 14, 2020)
I Break Horses — Chiaroscuro
Einstürzende Neubauten — Alles In Allem (May 29th, 2020)
100 Gecs — 1000 gecs (May 31, 2019)
Evergreen — Overseas (15 Jun 2018)
Kurt Rosenwinkel Trio — Angels Around (May 8, 2020)
The Feather — Room (10 July, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
György Ligeti — Lontano (22. Oct.,1967)
OWEN PALLETT — Heartland (March 3, 2014)
Badly Drawn Boy — Banana Skin Shoes (22nd May, 2020)
A.O. Gerber — Another Place to Need (May 22, 2020)
Kaleidoscope — Faintly Blowing (11 April 1969, Reissue, Remaster
Perfume Genius — Set My Heart On Fire Immediately (15th May 2020
Perfume Genius — No Shape (5 May, 2017) BC
Perfume Genius — No Shape (5 May, 2017) FC
Sungazers — Wasting Space (May 18, 2020)
Cermaque — Lament (22nd May, 2020)
Mountaineer — Bloodletting (May 22nd, 2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Steve Earle — Townes (May 8, 2009)
Steve Earle & The Dukes — Ghosts of West Virginia (May 22, 2020)
Sixth June ‎— Trust (17 Jan 2020)
White Tail Falls — Age of Entitlement (May 29, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
Nicole Atkins — Italian Ice (29 May 2020)
Deerhoof — Future Teenage Cave Artists (May 29, 2020)
Deradoorian — Find the Sun (Sept. 18, 2020)
Bob Dylan — Rough and Rowdy Ways (June 19th, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
This Will Destroy You — Vespertine (June 9, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Yoko Ono, Kim Gordon & Thurston Moore — YOKOKIMTHURSTON
Psychic Markers — Psychic Markers (29 May, 2020)
The Memories — Pickles & Pies (May 29, 2020)
Songs for the Late Night Drive Home (Feb. 5, 2016)
Spc Eco — Dark Matter (Nov. 20, 2015)
SPC ECO — June (June 1, 2020)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Larkin Poe — Self Made Man (June 12th, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Endless Field — Alive in the Wilderness (June 12, 2020)
Wesley Gonzalez — Appalling Human (June 12, 2020)
Noveller — Arrow (June 12, 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Andrej Šeban — Triplet (March 22, 2019) inner cover
Andrej Šeban — Triplet (March 22, 2019) cover
The Crossing & Donald Nally — James Primosch: Carthage (05/2020)
Jerskin Fendrix — Winterreise (April 17, 2020)
Zoongideewin — Bleached Wavves (June 19, 2020)
ULRICH SCHNAUSS — A Long Way To Fall — Rebound (3rd April, 2020)
Sports Team — Deep Down Happy (5th June, 2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
Midlake — Antiphon (Nov. 4, 2013)
ANASTASIA MINSTER — Father ©Michael Haley
Jessie Ware — Glasshouse (Deluxe; 20 Oct 2017)
Teen Daze — Morning World
Jessie Ware — What’s Your Pleasure (June 26, 2020)
Art Feynman — Half Price At 3:30 (June 26th, 2020)
Bo Ningen — Sudden Fictions (26th June, 2020)
Khruangbin — Mordechai (June 26, 2020)
Pottery — Welcome to Bobby’s Motel (June 26th, 2020)
Orlando Weeks — A Quickening (June 12, 2020)
John Craigie — Asterisk the Universe (June 12, 2020)
Kavus Torabi — Hip to the Jag (May 22, 2020)
Nadine Shah — Kitchen Sink (June 5, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
Corb Lund — Agricultural Tragic (June 26, 2020)
Christine Ott — Chimères (pour ondes Martenot) (May 22, 2020)
The Beths — Jump Rope Gazers (July 10th, 2020)
Ashley Paul — Window Flower (May 13, 2020)
Grey Daze — Amends [Deluxe Edition] (July 3, 2020)
Grey Daze ©Photo credit: Anjella / Sakiphotography
Ajimal — As It Grows Dark / Light (June 26, 2020)
Ajimal — As It Grows Dark Light (June 26, 2020)
Eleanor Friedberger — Rebound (May 4th, 2018)
ELEANOR FRIEDBERGER — NEW VIEW (January 22, 2016)
Immigrant Union — Judas (June 19, 2020)
Julianna Barwick — Healing Is a Miracle [Japan Edition] (2020)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Neil Young — Homegrown (19th June, 2020)
The Jayhawks — XOXO (July 10, 2020)
Joy Division — Closer (40th Anniversary) [2020 Digital Master] (
Daniel Bachman — The Morning Star (July 27, 2018)
Daniel Bachman — Green Alum Springs (June 6, 2020)
Becca Mancari — The Greatest Part (June 26, 2020)
Ytamo — Vacant (June 12, 2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Thin Lear — Wooden Cave (24th July, 2020)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Sara Serpa — Recognition (June 5th, 2020)
Sara Serpa, Ingrid Laubrock, Erik Friedlander — Close Up (2018)
Klara Lewis — Ingrid (1st May 2020)
Buju Banton — Upside Down (June 26, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
learning structures, vol. 2: end firma
learning structures, vol. 3: distance between us
The Boomtown Rats — Citizens of Boomtown (13 March, 2020)
Ralph of London — The Potato Kingdom (19th June, 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
Land of Talk — Indistinct Conversations (July 31, 2020)
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
TANYA DONELLY: Swan Song Series bonus tracks (FC)
The Heliocentrics — Telemetric Sounds (Aug. 7, 2020)