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Ghédalia Tazartès
La.

Ghédalia Tazartès — La. (May 11th, 2014)

FRA Flag Ghédalia Tazartès — La.

FANTASTIQUE ALBUM Ghédalia Tazartès — La. et NOMINÉE pour 8. TAIS AWARDS 2015
∩↔∩   Nosíš praštěný kostýmy, nebo tvrdíš, že jsi z jiné planety? Ne? Další!
Born: 1947 in Paris
Location: Paris, France ~ nomad
Album release: May 11th, 2014
Record Label: dBUT interambience (007)
Duration:     40:17
Tracks:
A1 Oslo — Solo (part 1)     3:06
A2 Oslo — Solo (part 2)     3:07
A3 Oslo — Solo (part 3)     3:06
A4 Oslo — Solo (part 4)     2:53
A5 Oslo — Solo (part 5) (Guest star – Lalo Tazartès)     4:47
A6 Oslo — Solo (part 6)     3:41
B1 LA. (Guest star — Alain Rigout)     19:36
Credits:
∩↔∩ Cover — Lalo Tazartès
∩↔∩ Layout — Richard Nygaard
∩↔∩ Mastering — Tommi Keränen
∩↔∩ Producer — Per Platou
Notes:
∩↔∩ 500 copies.
∩↔∩ dBUT interambience is an autonomous sub-label of dBUT.
∩↔∩ Wholesale/distribution enquiries:
REVIEW
∩↔∩ One of the hazards of doing a blog like TWBITW is that you tend to get pretty jaded. Jake and I sift through so much oddball music that after awhile, we start to get a little hung up on the dog and pony aspect of the whole thing. It’s like — yeah, okay, you guys sound kinda weird, but do you wear goofy costumes or claim to be from another planet? No? Next!
∩↔∩ But every so often, someone introduces us to a piece of music that’s just so downright bizarre, so totally unlike anything we’ve ever heard, it really doesn’t need any kind of wacky backstory or WTF visual accompaniment. Such was the case with French musician-composer Ghédalia Tazartès and his 1979 masterpiece, Diasporas.
∩↔∩ We got wind of this completely wackadoodle album thanks to a cool little reissue label called Dais Records, who have only been around since 2007 but have already rescued a shit-ton of weird music from the scrapheap. Apparently it’s not quite available yet — we’re not sure what the release date is — but we got an email with a download of the track “Un Amour Si Grand Qu’il Nie Son Objet” and it pretty much knocked us on our asses. You can hear the whole sighing, moaning, nine-minute monstrosity in the YouTube clip below. [Update: No, you can't. And the Diasporas reissue is sold out. Read more below.] Trust us: Don’t listen to it alone after dark or in an altered state of consciousness. Actually, listening to this will probably alter your consciousness all by itself.
∩↔∩ We haven’t been able to find out too much else about Tazartès. We do know that he still occasionally does concerts (and he and his music are as bizarre as ever) and, according to his French Wikipedia page, he still releases music. He also apparently operates out of a home studio in Paris that looks like something out of a Jean-Pierre Jeunet movie. He was interviewed in the September 2008 issue of Wire but as far as we can tell, the interview’s not available online. The only other English-language article we could find on him is this unreadably pretentious mess. So he remains a bit of enigma, at least to us poor Americans. Hopefully the Dais reissue will help to change that.
∩↔∩ We could attempt to describe Tazartès’ music–French avant-garde gypsy trance minimalism? — but really, there’s not much point. You just have to hear it. This guy is attuned to some other frequencies, for real.
∩↔∩ P.S. We originally embedded a YouTube clip of this track from a YouTube channel called Undergroundedful, but the whole channel has since been taken down due to copyright claims. While we totally recognize the right of copyright owners to protect their work, we also think it’s a bummer when obscure and hard-to-find music gets taken off the Internet and put further out of the reach of potential new audiences. Anyhow, hopefully the above YouTube video stays up a while longer.
∩↔∩ P.P.S. Okay, so the second YouTube clip was also removed due to copyright claims. Apparently Mr. Tazartès, or one of his representatives, really doesn’t want the Internet to know he exists. But hey, third time’s a charm, maybe?
∩↔∩ P.P.P.S. A kindly reader provided a Soundcloud link to “Un Amour Si Grand Qu’il Nie Son Objet” in the comments, but we decided to delete it because, unfortunately, we have to be careful about such things. If anyone knows of any authorized Tazartès music available online, let us know about it, please! We’d like our readers to hear more of his weirdly beautiful stuff for themselves. (http://weirdestbandintheworld.com/)
_______________________________________________________________
∩↔∩ A French musician of Turkish parentage, French cult artist Ghédalia Tazartès is an uncompromising character who defies categorization. He recorded alone a dozen of albums, calling his way of working “Impromuz” for lack of a better term. His public appearances remain exceptional events.
∩↔∩ Ghédalia Tazartès’ music has always been a mystery. It switches from musique concrète to — existing or invented — ethnic music, from poetry to noise, or from loops and collages to sad and extremely beautiful tunes in a second, but it constantly is in flux and coherent.                   © Ghédalia Tazartès & Maya Dunietz @ Cafe Oto, London, 2nd December
∩↔∩ In 2004, Ghedalia finally decided to do live performances again. He first went with other musicians (Les Reines d’Angleterre, David Fenech & Jac Berrocal, Norscq & Black Sifichi, Nicolas Lelièvre) and is now a solo performing artist (although his very young son sometimes joins him on stage!).
∩↔∩ Since 2009 Tazartès played in Riga, Bruxelles, Rotterdam, Venise, Dijon, Marseille, Lyon, Varsovie, Jerusalem, Tel Aviv, Le Thor, Madrid, Paris, Poitiers, London, Neuchatel, Hasselt, Berlin, Toulouse, Lausanne, Dunkerque, Glasgow, Den Hague, Dusseldorf, etc.
∩↔∩ On Sunday 3rd February 2013,  Ghédalia  presented his new solo show at CTM in Berlin Festival to a packed HAU2. The new show is based around the music of Tazartès’ lattest album ‘Coda Lunga.’ Says Tazartès: ‘I thought I had only played for 5 minutes in Berlin… then I realised I had been going on for more than one  hour!’
∩↔∩ In 2008, Tazartes had been invited to perform for the Patti Smith exhibition at the Fondation Cartier in Paris. In the same Cartier Foundation he later created the cinemix “Häxan” on April 21st 2011 for the “Vaudou” exhibition and toured with the project for a couple of years to great aclaim.
TV
∩↔∩ Tazartes on TV in 25 April 2012 (first time since 1982), watch it again here. It features some amazing footage from 82 — when GT had hair!!)
http://desmotsdeminuit.france2.fr/?id-video=rhozet_dmdm_20120425_183_26042012122519_F2&vdo=1
DISCOGRAPHY :
* Quelque Part Quelqu’un, mini LP, recorded 1977, released 2011
* Diasporas, LP, recorded 1977,  Cobalt, 1979
* Tazartès Transports, LP, recorded 1979, autoproduction, 1980
* Une éclipse totale de soleil, LP, recorded 1979, Celluloïd, 1984
* Tazartès, recorded 1979, LP, AYAA, 1987
* Check Point Charlie, CD, AYAA, 1990
* Voyage à l’ombre, CD, Demosaurus, 1997
* 5 Rimbaud 1 Verlaine, mini-CD, Jardin au Fou, 2006
* Les danseurs de la pluie, mini CD, Alga Marghen, 2006
* Alma Marghen Anthology, 4cd box Alga Marghen 2006
* Jeanne, CD, Vand’Oeuvre, 2007
* Hystérie off Music, CD, Jardin au Fou, 2007
* Repas Froid, CD, Tanz Procesz, 2009
* Les Comores w. Reines d’Angleterre, LP, Bo’ Weavil Recordings, 2009
* Ante Mortem, CD, Hinterzimmer, 2010
* Works 1977-79, 4 LP-Box, Vinyl on Demand, 2011 
* Repas Froid, LP, PAN 17, 2011
* Granny Awards, LP, PAN Marghen, 2011
* Globe et Dynastie w. with Reines d’Angleterre, Bo’ Weavil Recordings, 2012
* Coda Lunga, CD+DVD, VDN 816, 2012
* Voyage à l’ombre, reissue CD, Hinterzimmer, 2013
PRESS :
∩↔∩ See a selection of unpublished photographs detailing Ghédalia Tazartès’s unusual home and music studio, which the musician (who has lived there since 1967) sees as fundamental to his compositional work. “Without it, I don’t know if I’m a musician”, he told Nick Cain in the interview.
∩↔∩ “Ghédalia Tazartès is a nomad. He wanders through music from chant to rhythm, from one voice to another. He paves the way for the electric and the vocal paths, between the muezzin psalmody and the screaming of a rocker (…) Ghédalia is the orchestra and a pop group all in one person; the solitary opera explodes himself into an infinity of characters. The self is multitude and others. The author and his doubles work without a net, freely connecting the sounds, the rhythms, his voice, his voices. The permanent metamorphosis is a principle of composition, it escapes control, refuses classification. Off limits, music descends, cries and screams when it touches the ground.” — (André Glucksmann)
∩↔∩ “[…] every so often, someone introduces us to a piece of music that’s just so downright bizarre, so totally unlike anything we’ve ever heard, it really doesn’t need any kind of wacky backstory or WTF visual accompaniment. Such was the case with French musician-composer Ghédalia Tazartès and his 1979 masterpiece, Diasporas. […] Trust us: Don’t listen to it alone after dark or in an altered state of consciousness. Actually, listening to this will probably alter your consciousness all by itself. […] We could attempt to describe Tazartès’ music–French avant-garde gypsy trance minimalism? — but really, there’s not much point. You just have to hear it. This guy is attuned to some other frequencies, for real. — weirdestbandintheworld.com
You need to have this as a part of your life, whether you are a indie rock nerd or a black metal nerd. — http://iownsomerecords.tumblr.com
∩↔∩ Unusually personal & intimate musique concrete have made Tazartes’ name a watchword for people with serious ears (and a cd reissues on Alga Marghen in the early 2000s certainly helped too). Fluid field recording loops of children talking & gabbering in French, with somber muted organ drone swaying slowly along behind them. Tazartes’ crackshot & cathartic vocal wailing is as beautiful as a blade of grass, & there’s plenty of it here along with metal riffs, koto boings, doom-laden classical strings, & other oddities. There’s even some recordings of Tazartes’ daughter & piano bits. Includes ‘Diasporas’, ‘Une Eclipse Totale de Soleil’, ‘Tazartes’, Transports’ and a 10 inch of unreleased material called ‘Quelque Part Quelqu’un’. — http://weirdorecords.com
∩↔∩ If you wanted to own a record of music that is absolutely different from almost anything you’ve known or heard, snap to it: Dais’ reissue of the NWW List-approved vocal melee by Parisian pyrrhic warbler Ghédalia Tazartès is instantly one of the most difficult records of my nearly 35 years aboard this dying mudball. Calls to prayer meets calls of strangulation, calls of possession, a spiritual intifada from the darkest corners of the cabarets to the recording studio to the vastness of the desert’s sprawl, all channeled through Tazartès’ extreme styles, going from soaring wails to multi-toned throat singing, sometimes in the same track. This is nightmare music that’ll make you feel unclean and weird, designed to break your concentration and focus on it and it alone. And if you can deal with it, you’re tougher than me. 500 numbered copies. — (http://www.daisrecords.com)
∩↔∩ “4LP-Box with 10″ Tazartes Transports, Tazartes, Diaspora, Une Eclipse Totale De Soleil, and Quelque Part Quelqu’un. The French artist and autodidact Ghedalia Tazartes who is born in Paris in 1947 is a true nomad spending more than 30 years within musical practice and experimentation. Ghedalia is the orchestra and a pop group all in one person: the self is multitude and others, freely connecting the sounds, the rhythms, his voice, his voices. The extra-European music opens the ear to Ghedalia’s intra-European exotism. The permanent metamorphosis is a principle of composition; it escapes control, refuses classification, diametrical to the purists of synthetic culture and technocrates of noise. He wanders through music from chant to rhythm, from one voice to another. Utilizing magnetic tape recorders, he paves the way for the electric and the vocal paths, between the muezzin psalmody and the screaming of a rocker. He traces vague landscapes where the mitre of the white clown, the plumes of the sorcerer, the helmet of a cop and Parisian anhydride collide into polyphonic ceremonies. This box concentrates on his early works from 1977-1979 and his four officially released vinyl-LP’s plus a 10″ of an unreleased work from 1978. All the material is superbly remastered for vinyl by Anders Peterson of www.ghostsounds.net pushing the overall quality and dimension in sound to an amazing new level and experience.” — SquidCo
∩↔∩ ‘Transports’ is the incredible 2nd album by audodidact and outsider musician/composer Tazartès. Originally released on vinyl in 1980, it has now been reissued with extra material on CD in 1998 and 2009, and “Probably represents the most original example of the artist’s poetical and personal approach to sound organisation.” The tracks for ‘Transports’ were recorded in 1977 at Ghedalia’s own studio in Paris, strafing stream-of-conscious between rippling electro rhythms to outernational singing styles, collaged field recordings and musique concrete, to chants, tape loops and exotic atmospheres with a perpetual sense of drift and magical imagination. We’re spellbound from the first to last, through the deeply evocative peal of church bells and swirling synthetic textures in track 2, via humid sci-fi scenes and alien avian chatter on track 5 and the lost zones of the closing stages. Also included are the two parts of ‘Transports’ which were composed and recorded for a theatre piece later in 1997 and produced by Emanuele Carcano. These are denser, more spacious and dramatic, but not necessarily that great. The disc concludes with ‘Elie’, a charming piano piece performed in duo with the composer’s young daughter. For the original ‘Transports’ at least, this is nigh on essential for fans of adventurous electronic music and composition.  — http://boomkat.com
∩↔∩ Un orchestre à lui tout seul (sa voix se transforme en voix d’enfant , de femme, de viellard, de chamane). “Il assemble des éléments sonores de différentes natures. De la musique jouée avec de vrais instruments, par lui et, le cas échéant, des invités. De vraies chansons traditionnelles. De la poésie savante ou populaire. Différentes langues minoritaires ou majoritaires, utilisées pour leur place symbolique dans le grand jeu de la domination culturelle. Une langue inventée par lui, aussi, spécialement pour chanter, et cristallisant ce que toutes les langues oublient de dire. Et il replace ces créations sonores de l’homme dans leur contexte bruyant signifiant, dans le grand bruissement de l’univers des choses. Des sons témoignages, des sons d’atmosphères, des prélèvements dans l’environnement social et naturel. Mais il ne les transforme pas en «autre chose» comme il est banal de le faire aujourd’hui avec les nouvelles machines. Non, il conserve leur identité d’origine et en renforce la signification. Ce qui l’intéresse est bien ce qu’ont à dire ces objets sonores du monde qui nous entoure, monde matériel et immatériel, monde de l’échange marchand et non-marchand. Il les rend plus bavards, il les fait parler en les plongeant dans des agencements qui leur sont étrangers. Il coupe et monte des images sonores selon les techniques utilisées au cinéma et cette technique fait ressortir leur sens.” — (Pierre Hemptine).
∩↔∩ “Beaucoup revendiquent un cinéma pour l’oreille, dans cette catégorie, Ghédalia Tazartès est de loin le plus grand de tous. Sa musique assemble des éléments sonores de toutes natures et de toutes provenances. Tout peut surgir d’un moment à l’autre quand on ne s’y attend pas et c’est toujours ce que l’on n’attend pas. On navigue entre Orient et Occident ou on ne sait où. Il y a surtout sa voix ou plutôt ses voix, car elles sont multiples, elles tissent des motifs incantatoires aux pouvoirs hypnotiques, mais il n’y a pas chez lui d’extase monacale ou de dépouillement, Ghédalia Tazartès fait dans la profusion, l’abondance, une jubilation jusqu’à la transe de sons et de mots malaxés dans différentes langues. Ghédalia Tazartès invente quelque chose de complètement différent. Dans les années deux mille, après une éclipse de presque une décennie, Ghédalia Tazartès revient grâce à une nouvelle génération de passionnés (qu’ils soient nommés et remerciés ici : David Fenech, Marie-Pierre Bonniol, Sébastien Morlighem, Dominique Répécaud.” — (Dominique Grimaud)
∩↔∩ “Tazartès fait de la musique expérimentale comme je me fais des pâtes. Fréquemment et sans mode d’emploi. À l’inverse de ce qui se trouve dans mon assiette, ce Repas Froid est succulent. Collages, envolées de voix chamaniques perdues en folies, ces archives déterrées par Tanz Procesz sont équivalentes au meilleur menu du maître. Un OVNI qui se déguste sans fin.” — (nextclues)
Interview:
Par David Fenech, Paris 4 Octobre, 1997
:: http://davidfenech.fr/wp/1997/05/02/ghedalia-tazartes-voyage-a-lombre/
Facebook: https://www.facebook.com/pages/Ghedalia-Tazartes/22773852417
Agent: Contact professionnel :
In french:
Une musique inclassable:
∩↔∩ On peut rapprocher parfois son travail de la Musique concrète pour sa manipulation des bandes Revox et le collage des sons, alors même qu'il dit n'avoir découvert que postérieurement le travail de Pierre Schaeffer et de Pierre Henry. Il a par exemple, collaboré avec Michel Chion (il chante sur un morceau de La Ronde, il joue un morceau de ce dernier sur Diasporas/Tazartès). "Ce qui l’intéresse est bien ce qu’ont à dire ces objets sonores du monde qui nous entoure, monde matériel et immatériel, monde de l’échange marchand et non-marchand. Il les rend plus bavards, il les fait parler en les plongeant dans des agencements qui leur sont étrangers. Il coupe et monte des images sonores selon les techniques utilisées au cinéma et cette technique fait ressortir leur sens. Ce sont de véritables films sonores laissant beaucoup plus de place à l’interprétation parce que le son est moins prescripteur que l’image."
"Ghédalia Tazartès s'invente un monde qui semble s'inspirer de différentes traditions qui ont traversé son "pays". Il se réapproprie ou recrée les idiomes de certaines musiques traditionnelles."
∩↔∩ Mais, Tazartès joue aussi de divers instruments en autodidacte.
∩↔∩ Et, on songe aussi à la Poésie sonore pour l'importance accordée à la déclamation, à la Voix, au Texte. Tazartès met aussi en voix des textes classiques (comme Stéphane Mallarmé sur Diasporas/Tazartès, Paul Verlaine sur Voyage A L'Ombre, Arthur Rimbaud et Verlaine en 2006).
∩↔∩ La poésie et la personne même de Tazartès, avec son chapeau à la Joseph Beuys, a notamment habité Dell'Inferno, expérience théâtrale d'André Engel (1982). On le retrouvera également plusieurs fois aux côtés de Bernard Sobel et Philippe Adrien.
∩↔∩ En 2009, il commence à jouer en trio avec les musiciens David Fenech et Jac Berrocal. Il se produit depuis 2010 en solo (plus de 30 concerts à travers le monde) et a présenté un nouveau projet, le cinémix "Häxan" ("La sorcellerie à travers les âges") le 21 avril 2011 à la Fondation Cartier.
_______________________________________________________________

Ghédalia Tazartès
La.

 

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Kavus Torabi — Hip to the Jag (May 22, 2020)
Pharoah Sanders — „Live In Paris (1975): Lost ORTF Recordings“
Oddfellow’s Casino — The Raven’s Empire (2012)
Calexico / Iron & Wine — Years to Burn (2019)
Amanda Palmer — Forty~Five Degrees: Bushfire Charity Flash Rec.
Veneer — Recovery (April 15, 2020)
Sara Serpa — Recognition (June 5th, 2020)
BECK — Uneventful Days (St. Vincent Remix)
Oddfellow’s Casino — Burning! Burning! (7 Aug., 2020)
This Will Destroy You — Vespertine (June 9, 2020)
Teen Daze — Morning World
Sara Serpa, Ingrid Laubrock, Erik Friedlander — Close Up (2018)
THE DEARS — ‘Lovers Rock’ (May 15, 2020)
Bellows — The Rose Gardener (Feb. 22, 2019)
Ariel Pink — House Arrest (2002/Mar 2011/April 24, 2020)
The Jayhawks — XOXO (July 10, 2020)
Béla Fleck & Toumani Diabaté — The Ripple Effect [2LP, March 27,
Sonny Landreth — Elemental Journey (May 22, 2012)
Laura Perrudin — Perspectives & Avatars (Oct. 9, 2020)
CocoRosie — Put the Shine On (6 March 2020)
Whyte Horses — Hard Times (17th of Jan., 2020)
Jessie Ware — What’s Your Pleasure (June 26, 2020)
Corb Lund — Agricultural Tragic (June 26, 2020)
Thomas Dybdahl — Fever (March 13, 2020)
Born Ruffians — Juice (April 3, 2020)
Michael Landau — The Michael Landau Group Live (Oct. 31, 2006)
Marc Ribot’s Ceramic Dog — What I Did On My Long ‘Vacation’ EP
The Beths — Jump Rope Gazers (July 10th, 2020)
Carissa Johnson — A Hundred Restless Thoughts (Dec. 18th, 2019)
Christine Ott — Chimères (pour ondes Martenot) (May 22, 2020)
Eleanor Friedberger — Rebound (May 4th, 2018)
Futurebirds — Teamwork (Jan. 15th, 2020)
Emmy the Great — Second Love (March 11, 2016)
My Morning Jacket — The Waterfall II (Aug. 28, 2020)
ELEANOR FRIEDBERGER — NEW VIEW (January 22, 2016)
Cormons Jazz & Wine of Peace festival 2008 ©Ziga Koritnik
Andrej Šeban — Triplet (March 22, 2019) inner cover
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
Dungen — Live (March 13, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Andrej Šeban — Triplet (March 22, 2019) cover
Sonny Landreth — Blacktop Run (Feb. 21, 2020)
Gerald Cleaver — Signs (March 27, 2020)
The Crossing & Donald Nally — James Primosch: Carthage (05/2020)
Immigrant Union — Judas (June 19, 2020)
KMRU — Peel (18th Sept., 2020)
Spy Machines — Spy Machines (April 3, 2020)
David Cross & Peter Banks — Crossover (17 Jan., 2020)
Jake Blount — Spider Tales (May 29, 2020)
EELS — Earth To Dora (Oct. 30th, 2020)
Art Feynman — Half Price At 3:30 (June 26th, 2020)
Jerskin Fendrix — Winterreise (April 17, 2020)
Julianna Barwick — Healing Is a Miracle [Japan Edition] (2020)
Joy Division — Closer (40th Anniversary) [2020 Digital Master] (
Sophie Tassignon — Mysteries Unfold (April 24, 2020)
Anika Nilles — For a Colorful Soul (Jan. 10, 2020)
Ospalý pohyb — Ostrava (October 17, 2016)
Deradoorian — Find the Sun (Sept. 18, 2020)
All The Best, Isaac Hayes (A Spoken Word Album)
Ospalý pohyb — ø (May 24, 2016)
James Harries — Superstition (Jan. 31, 2020)
Zoongideewin — Bleached Wavves (June 19, 2020)
HOUPACÍ KONĚ: SOULKOSTEL 8 11 2019 (April 25, 2020)
Recondite — Dwell (Jan. 24, 2020)
Kacey Johansing — No Better Time (Nov. 20, 2020)
Yoko Ono, Kim Gordon & Thurston Moore — YOKOKIMTHURSTON
Kazuomi Eshima & Masahiko Takeda — Inheritance for Soundscape
Erik Griswold — All’s Grist That Comes To The Mill (03/20, 2020)
Caspian — Dust and Disquiet (Sept. 25, 2015)
SLY & THE FAMILY DRONE FC (17, 2020)
Låpsley — Through Water (March 20th, 2020)
Sarah Longfield — Dusk (April 22, 2020)
Soundwalk Collective with Patti Smith — Peradam (Sept. 4th, 2020
Erik Griswold — All’s Grist That Comes To The Mill (03/20 2020)
Circa Waves — Sad/Happy (March 13th, 2020)
Bob Dylan — Rough and Rowdy Ways (June 19th, 2020)
930 x 827 tmavší podklad.jpg
P/\ST — /Expedice do vnitrobloku\ (Oct. 5, 2019)
Roland Tings — Salt Water (Nov. 8, 2019)
M.Ward — Migration of Souls (April 3, 2020)
33EMYBW — Golem (25 Sept., 2019)
The Third Mind — The Third Mind (Feb. 14, 2020)
CocoRosie — Restless (Feb. 12th, 2020)
Sean Henry — A Jump from the High Dive (Nov. 1, 2019)
Ben Featherstone — Prisoner to the Wind (Dec. 20th, 2019)
Ailbhe Reddy — Personal History (23 Oct., 2020)
Thomas Köner — Motus (Feb. 20, 2020)
Lanterns On the Lake — Spook the Herd (21 Feb., 2020)
A Winged Victory for the Sullen — The Undivided Five
Of Montreal — Ur Fun (Jan. 17, 2020)
Lanterns On the Lake — Spook the Herd (21 Feb., 2020)
Sega Bodega — Salvador (Feb. 14, 2020)
Klara Lewis — Ingrid (1st May 2020)
Prophecy Playground — Comfort Zone (Feb. 15, 2020)
Kurt Vile — Speed, Sound, Lonely KV EP (2nd Oct., 2020)
Steve Earle — Townes (May 8, 2009)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Oiseaux~Tempęte — From Somewhere Invisible (19 Dec., 2019)
Hamilton Leithauser (The Walkmen) — Dear God (Aug. 2015)
Steve Earle & The Dukes — Ghosts of West Virginia (May 22, 2020)
Real Estate — The Main Thing (28th Feb., 2020)
Myopia Exclusive Crystal Clear Vinyl
James Harries — Before We Were Lovers
ANNA CALVI — HUNTED (March 6, 2020)
Elysian Fields — Transience Of Life (May 7, 2020)
SOFIA TALVIK — Paws of a Bear (Sept. 27, 2019)
Ali Holder — Uncomfortable Truths (April 10, 2020)
Sungazers — Wasting Space (May 18, 2020)
Neil Young — Homegrown (19th June, 2020)
Sixth June ‎— Trust (17 Jan 2020)
Bellows — The Rose Gardener (Feb. 22, 2019)
From Atomic — Deliverance (April 2020)
Cermaque — Lament (22nd May, 2020)
Laurel Halo — Raw Silk Uncut Wood (July 13, 2018)
Anna von Hausswolff — Dead Magic (March 2018)
Moses Sumney — græ Part 1 & 2 (May 15, 2020)
David Thomas Broughton & Juice Vocal Ensemble — Sliding The Same
Marissa Nadler — unearthed (March 20, 2020)
PETR KALANDRA — Petr Kalandra & ASPM 1982 — 1990 (Feb. 26, 2020)
Justine Vandergrift — Stay (Feb. 7th, 2019)
Hamilton Leithauser — The Loves of Your Life (10 April 2020)
Bombay Bicycle Club — Everything Else Has Gone Wrong (01/24/20)
Gráinne Duffy — Where I Belong (Sept. 19, 2017)
Anthony Gomes — Containment Blues (2020)
Sports Team — Deep Down Happy (5th June, 2020)
Nonlocal Forecast — Bubble Universe! (March 1, 2019)
Lionel Loueke — HH (Sept. 11, 2020)
Al Di Meola — Across the Universe: The Beatles, Vol. 2 (2020)
LENKA NOVÁ — DOPISY (21.03./24.04., 2020)
Genesis Revisited: Live at The Royal Albert Hall — 2020 Remaster
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
The Electric Soft Parade — Stages (Jan. 8, 2020)
Villagers — The Art Of Pretending To Swim (03/19, 2020) DELUXE E
Mountaineer — Bloodletting (May 22nd, 2020)
Anna von Hausswolff — All Thoughts Fly (Sept. 25, 2020)
Peel Dream Magazine — Agitprop Alterna (3rd April 2020)
Destroyer — Have We Met (Jan. 31, 2020)
John McLaughlin, Shankar Mahadevan, Zakir Hussain — Is That So?
THE SHAKING SENSATIONS — “How Are We to Fight the Blight” 2xLP
Alphaxone — Dystopian Gate (Jan. 14, 2020)
A Certain Ratio — ACR Loco (25th Sept., 2020)
THE SCHRAMMS — “Omnidirectional” (June 21st, 2019)
David Thomas Broughton — The Complete Guide To Insufficiency /re
The Chap — Digital Technology (10 Jan., 2020)
Joan As Police Woman — Cover Two (May 1, 2020)
The Shivas — “Dark Thoughts” (October 25, 2019)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Lucy Railton — Paradise 94 (22 Mar 2018)
Drive~By Truckers — The Unraveling (cover)
The Shins — “Heartworms” (March 10, 2017)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
The Shins — “The Worms Heart” (Jan. 18, 2018)
Psychic Markers — Psychic Markers (29 May, 2020)
Julianna Barwick — Circumstance Synthesis (Dec. 20, 2019)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
Meredith Monk & Bang on a Can All~Stars — Memory Game (03/27/20)
Drive~By Truckers — The Unraveling (cover)
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
Eivind Aarset & Jan Bang — Snow Catches On Her Eyelashes (2020)
Richard Barbieri ‎— Past Imperfect / Future Tense (Mar 2020)
Kevin Morby — Sundowner (October 16, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
Laurel Halo — Possessed (April 10, 2020)
Helena Deland — Someone New (16 Oct., 2020)
Devendra Banhart — Ma (September 13, 2019)
Field Music — Making a New World (Jan. 10, 2020)
Gráinne Duffy — Voodoo Blues (Oct. 15, 2020)
The Memories — Pickles & Pies (May 29, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Pearl Jam — Gigaton (March 27, 2020)
Walter Martin — The World at Night (Jan. 31, 2020)
The Tiger Lillies — Cold Night in Soho (10 Feb. 2017)
Silkworm — In The West (24 Jan., 2020)
Kamaal Williams — Wu Hen (July 24, 2020)
Caspian — On Circles (January 24, 2020)
Jennifer Curtis & Tyshawn Sorey: Invisible Ritual (2020)
DAVID POMAHAČ — DO TMY JE DALEKO (Feb. 7, 2020)
Don Gallardo — The Lonesome Wild (April 2, 2020)
Damon Locks Black Monument Ensemble — Where Future Unfolds (2019
The Tiger Lillies — Edgar Allan Poe’s Haunted Palace
Mark Lanegan — Straight Songs Of Sorrow (8th May, 2020)
I Break Horses — Warnings (08 May 2020)
Cocteau Twins — Head Over Heels
Cocteau Twins — Treasure
Sarah Jarosz — World On The Ground (June 5, 2020)
The Innocence Mission — See You Tomorrow (Jan. 17, 2020)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
The Tiger Lillies — Covid~19 (April 10, 2020)
Hawkwind — Acoustic Daze (25 Oct. 2019)
Wendy Eisenberg — Auto (Oct. 16, 2020)
TANYA DONELLY: Swan Song Series bonus tracks (FC)
Kate Amrine — This Is My Letter to the World (Jan. 24, 2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
Coloured Clocks — Flora (May 2, 2020)
Indoor Voices — Animal (Feb. 14, 2020)
ELYSIAN FIELDS — Pink Air
Midlake — Antiphon (Nov. 4, 2013)
Jonathan Wilson — Rare Birds (March 2nd, 2018)
KIESLOWSKI Tiché lásky
Fiona Apple — Fetch The Bolt Cutters (17 Apr., 2020)
Lucrecia Dalt — Syzygy (Oct. 15, 2013)
Hayden Thorpe — Diviner (24 May 2019)
Cocteau Twins — Garlands (1982, Reissue 2020)
Alessandra Leão ‎— Macumbas e Catimbós (24/05/2019)
Cowboy Junkies — Ghosts (30 Mar 2020)
Laura Marling — Song for Our Daughter (April 10th, 2020)
Wendy Eisenberg — Its Shape Is Your Touch (Oct. 2018)
Baxter Dury — The Night Chancers (20 March 2020)
San Fermin — San Fermin (Nov. 11, 2013)
Sara Bareilles — What’s Inside Songs From Waitress (11/06, 2015)
The Heliocentrics — Telemetric Sounds (Aug. 7, 2020)
The Dream Syndicate — „The Universe Inside“ (April 10, 2020)
Third Coast Percussion & Devonté Hynes — Fields (Oct. 11, 2019)
White Tail Falls — Age of Entitlement (May 29, 2020)
MUFF — Fatalust (Nov. 1, 2019) cover
Ben Watt — Storm Damage (31st Jan., 2020)
San Fermin — The Cormorant I & II (Oct. 4, 2019/April 3, 2020)
Stephen Duffy — I Love My Friends [Expanded Ed] (10 May 2019)
I Break Horses — Chiaroscuro
Sea Wolf — Through a Dark Wood (March 20, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Yorkston | Thorne | Khan — Navarasa : Nine Emotions (2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Stove — ‘s Favorite Friend (Oct. 31, 2018)
ANASTASIA MINSTER — Father ©Michael Haley
Jonathan Wilson — Dixie Blur (March 6, 2020)
Fruition — Broken At The Break Of Day (Jan. 23, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
1600 x 1600 High Violet (10th Anniversary Expanded Edition).jpg
ROBERT FRIPP — THE KITCHEN (New York, NY) — 05 FEB 1978
Sara Bareilles — More Love: Songs from Little Voice Season One (
The Sufis — Double Exposure (Jan. 24, 2020)
ÁSGEIR: IN THE SILENCE
Martin Barre — Roads Less Travelled (26 Oct. 2018)
Loveblind / Sleeping Visions (March 27, 2020)
Walter Martin — The World at Night (Jan. 31, 2020)
Asher Gamedze – Dialectic Soul (July 10, 2020)
Frances Quinlan — Likewise (Jan. 31, 2020)
KING CRIMSON, The Night Watch
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Matt Berninger — Serpentine Prison (Oct. 16, 2020)
Rizan Said — Saz û Dîlan (Oct. 11, 2019)
Ásgeir — Bury the Moon (7 Feb., 2020)
Riva Taylor — ‘This Woman’s Heart .1’ (27 Mar 2020)
Juraj Griglák, From The Bottom (Sept. 16, 2019)
Cheerleader — Almost Forever (Feb. 7, 2020)
Queer Jane — Amen Dolores (March 27, 2020)
BECCA STEVENS — WONDERBLOOM (March 20th 20, 2020)
Juraj Griglák — From the Bottom (Sept. 16, 2019)
Einstürzende Neubauten — Alles In Allem (May 29th, 2020)
Torres — Three Futures (29th Sept. 2017)
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Bison Bone — Find Your Way Out (Sept. 25, 2020)
Oh Wonder — No One Else Can Wear Your Crown [Deluxe Edition]
These New Puritans — The Cut (2016~2019) (14 Feb. 2020)
Thin Lear — Wooden Cave (24th July, 2020)
Torres — Silver Tongue (Jan. 31, 2020)
Anoushka Shankar — Love Letters (7 Feb., 2020)
Free To Grow — Imperfection (Aug. 7, 2020)
Dan Croll — Grand Plan (21 Aug., 2020)
Lilien Rosarian ~ A Day in Bel Bruit (June 9, 2019)
Jim Noir — A.M Jazz (Dec. 20, 2019)
Shemekia Copeland — Uncivil War (October 23rd, 2020)
I Like to Sleep — Daymare (April 17, 2020)
Kaki King — Modern Yesterdays (Oct. 23, 2020)
Bill MacKay and Katinka Kleijn — STIR (Oct. 17, 2019)
The Mountain Goats — Getting Into Knives (Oct. 23, 2020)
Varga Marián — Solo in Concert (1. feb. 2018)
No~Man — Love You To Bits (Nov. 22, 2019)
Blackbird & Crow — Ailm (17 Jan 2020)
Bruce Springsteen — Letter to You (Oct. 23, 2020)
Amy LaVere — Painting Blue (27 Mar 2020)
100 Gecs — 1000 gecs (May 31, 2019)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cold Chisel — Blood Moon (6 Dec., 2019)
Cold War Kids — New Age Norms 1 (Nov. 1, 2019)
Blackbird & Crow © 2020 Author: Megan Doherty
WaqWaq Kingdom — Essaka Hoisa (Nov. 15, 2019)
The Mountain Goats — Songs for Pierre Chuvin (April 10, 2020)
Hawktail — Formations (Jan. 10, 2020)
Morrissey — I Am Not a Dog On a Chain (March 20th, 2020)
Jack Peñate — After You (29th Nov. 2019)
Villagers — Darling Arithmetic [Deluxe Version] (April 10, 2015)
Ashley Paul — Window Flower (May 13, 2020)
Daniel Bachman — The Morning Star (July 27, 2018)
Roger Eno | Brian Eno — Mixing Colours (20 March, 2020)
Darnielle, Jon Wurster, Matt Douglas, Pete Hughes. ©Josh Sanseri
Joe Bonamassa & The Sleep Eazys — Easy To Buy, Hard To Sell
Martin Barre — Away With Words
Ezra Bell — This Way to Oblivion (3rd April, 2020)
All Them Witches — Nothing as the Ideal (Sept. 4, 2020)
Queer Jane — Home (Dec. 1, 2016)
RADEK BABORÁK a jeho ORQUESTRINA na PIAZZOLLOVSKÉ ALBUM.
Moonchild — Little Ghost (6th Sept. 2019)
Evergreen — Overseas (15 Jun 2018)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
The Waterboys — Good Luck, Seeker (Deluxe) (Aug. 21, 2020)
Maarja Nuut & Ruum — World Inverted (11th Sept., 2020)
Kuře v hodinkách — Flamengo
Daniel Bachman — Green Alum Springs (June 6, 2020)
Midwife — Forever (April 10, 2020)
Siobhan Wilson — The Departure (10 May, 2019)
Kris Delmhorst — Blood Test
Martin Burlas & Musica falsa et ficta — Hexenprozesse
I Don’t Know How but They Found Me — Razzmatazz (Oct. 23, 2020)
Songdog — Happy Ending (27th March, 2020)
Zuzana Mikulcová — Slová
Holly Herndon — PROTO (Winner of Tais Awards 2020)
Rory Block — Prove It On Me (March 27, 2020)
Cate Le Bon — Here It Comes Again (2020)
Sean O’Hagan — Radum Calls, Radum Calls (2019)
Nicey Nice World — Obelisks and Asterisks (Sept. 22, 2020)
Robert Plant — Carry Fire (2 LP, 13/10/2017)
Le Butcherettes — DON’T BLEED EP (14 Feb 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
First Aid Kit — Stay Gold (2014)
Land of Talk — Indistinct Conversations (July 31, 2020)
Kuře v hodinkách — Flamengo
Luke Haines — Beat Poetry For Survivalists (6 Mar. 2020)
Nicole Atkins — Italian Ice (29 May 2020)
Maria Schneider Orchestra — Data Lords (24th July, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
BC Camplight — Shortly After Takeoff (24 April 2020)
Delta Spirit — What Is There (Sept. 11th, 2020)
The Magnetic Fields — Quickies (May 15, 2020)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
Cold War Kids — New Age Norms 2 (Aug. 21, 2020)
learning structures, vol. 2: end firma
Becca Mancari — The Greatest Part (June 26, 2020)
learning structures, vol. 3: distance between us
Thurston Moore — By The Fire (Sept. 25, 2020)
Kurt Rosenwinkel Trio — Angels Around (May 8, 2020)
Frazey Ford — U kin B the Sun (Feb. 7th, 2020)
Lizzy Farrall — Bruise (March 27, 2020)
Alice Peacock — Minnesota (Sept. 20th, 2019)
Devon Williams — A Tear in the Fabric (May 1, 2020)
LENKA DUSILOVÁ — ŘEKA (Nov. 6th, 2020)
STEREOLAB: Oscillons from the Anti~Sun
Hallelujah the Hills — A Band Is Something to Figure Out (2016)
Loveblind: Visions
Lilly Hiatt — Walking Proof (27 March, 2020)
Loveblind: Visions
Throwing Muses — Sun Racket (Sept. 4, 2020)
Sean McMahon ― You Will Know When You’re There (March 1, 2019)
Deradoorian — Find the Sun (Sept. 18, 2020)
The Chats — High Risk Behaviour (March 27, 2020)
Tylor Dory Trio — Unsought Salvation (Dec. 21, 2019)
György Ligeti — Lontano (22. Oct.,1967)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Guranfoe — Sum of Erda (Dec. 13, 2019)
Susanne Sundfør — Self Portrait (Original Score, 10th Jan. 2020)
Ronnie Godfrey — Shades of Blue (Oct. 25, 2019)
Intocable ― Percepcion (March 15, 2019)
Ytamo — Vacant (June 12, 2020)
Pancrace — The Fluid Hammer (09 Sep 2019/2LP)
Humanist — Humanist (21 Feb., 2020)
White Lies — To Lose My Life… [10th Anniversary Deluxe Edition]
Slow Pulp — Moveys (Oct. 9, 2020)
Wrekmeister Harmonies — We Love to Look at the Carnage (2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Hallelujah the Hills — I’m You (Nov. 15, 2019)
OWEN PALLETT — Heartland (March 3, 2014)
Siobhan Wilson — There Are No Saints (14 Jul, 2017)
Erlend Apneseth — Fragmentarium (Jan. 31, 2020)
Delta Spirit — Into The Wide (Deluxe Edition, Sept. 9, 2014)