Úvodní stránka » Extraordinary Albums » Kristin Hersh – Crooked – 2010

   Kristin Hersh    - Crooked

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Kristin Hersh
Crooked
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A quarter-century of music making behind her and Kristin Hersh is still just as hard to keep tabs on as ever. You never know by which of her outlets – Throwing Muses, 50 Foot Wave, or her own name – she will next release a record, whether it’ll be online-only or through her CASH Music ‘Strange Angels’ subscription service, or even if she’ll pack it all in and take her guitar to a veranda in a Louisiana bayou and spend the rest of her days playing for the frogs and gators. But even by her standards, releasing new album Crooked as a book with no CD, only a code so that listeners can download the songs and individual remix stems, is pretty leftfield.

Hersh’s eighth solo album finds her in the muscular mode as seen on 2007’s Learn To Sing Like a Star and 1999’s Sky Motel rather than her more tender acoustic guise. Although many of the songs may be familiar to fans from the CASH Music project that ran throughout 2008 (Hersh gave herself a month to write and record a fully produced new song), within the context of the album the songs take on a new light. Once standalone entities, they are each now forming sentences of a complete and complex paragraph. And with the added bonus of the book, which she illustrates with gorgeous photographs of flowers and lyrics and short essays for each song, they take on new life as part of a whole.

Anyone fearing that the luxurious book will spoil the intriguing opacity of Hersh’s songs, the worry is baseless. The explanation for the song ‘Glass’, for example, goes something like this: “Should glass people be clear or cloudy? I don’t know. They are lovely. And I know they can’t help being see through.” And the note continues in the style of Richard Brautigan. The closest we get to an explanation of a song is the essay for ‘Crooked’, which tells how acupuncture helped Hersh to overcome her bipolar disorder. But even then she insists that the listeners must form their own association with the song.

Hersh plays all the instruments on Crooked, which is of course dominated by her skilful guitar work. Several tracks are underpinned by driving, pulsing, hypnotic guitar rhythms that she ornaments with beguiling lead. Recorded without a click track, Hersh’s drumming was added to the guitars and vocal, giving the songs a rough-around-the-edges feel that is glossed but not disguised by the at times heavy-handed production. The effect is kind of unsettling, like a piece of furniture held together by paint, but Hersh’s independent spirit and respect for her fans goes a long way to ensure that Crooked is another intriguing release.

[The Friday Project; July 8, 2010]

Kristin on May 23, 2009

  • A note to folks clicking through from the Mojo article…You’ll find a more relevant “Crooked” page here.
    Thanks!
    K

    What brings me to a song is not necessarily what a listener should take from a song. In my experience, music is no more “about” something than a person could be. To associate the images and sweat and life of “Crooked” with anything other than itself seems limiting. So, at the risk of “explaining it away,” can I tell you my crooked story?

    A few months ago, an acupuncturist friend from Chicago, said to me, “I can’t watch you go through this anymore. I’m going to help you whether you like it or not.” What she was referring to was bipolar disorder. It’s true, I haven’t found much on planet earth to ease this condition which destroys bands, marriages and lives.

    Music and movement help a little…lithium was amazing until its side effects prevented me from working. So I gave up the fight–I’m trapped in here–and my insides lived an up and down, back and forth, past and future, switch-flipping existence for years. I prayed that my outside could hide this world from those around me (it couldn’t).

    When my friend met me in San Francisco and stuck needles all over me, I sighed, thinking, “You don’t understand. This isn’t subtle, it’s systemic; a world view, a personality, an everything. And nothing helps.”

    Then the room started spinning, my heart started pounding, my brain time-tripping, a baseball-sized lump swelled up in my throat…it felt like race cars were driving my outline, but the outline wasn’t me. I had an unshakeable “phantom-body” syndrome that wasn’t inside my skin—the real me was next to the one made of skin and bones and muscles: a dark, crooked space body. So, I’m not trapped in here. I’m not in here at all.

    This woman flew to New York to treat me on the road, then to New England to treat me at home. She moved the crooked body into my skin. She saved my life. Suffice it to say, acupuncture is as “not subtle” as bipolar disorder and it seems to be curing me of an illness for which western medicine has no cure. Songs still fly out unchecked, because the healthiest me is a songwriter. Knowing what it’s like to feel everything and nothing may help songs breathe; but it’s no way to live.

    So that’s my “Crooked” story. Please take what this song offers as a scrim for you to view your own life pictures through and share them with me, if you’re moved to. A song shouldn’t function as a page from my diary, but as an offering for your soundtrack. That’s the highest honor afforded any musician.

    Love,
    Kristin

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  • http://www.facebook.com/strangeangels?v=wall#!/strangeangels

  • http://www.kristinhersh.com/

  • Original Release Date: 19 July 2010
  • Label: Throwing Music
  • Copyright: 2010 Throwing Music
  • Total Length: 41:17
  • Genres: Indie & Alternative, Rock
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