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Úvodní stránka » RECORDS » Lisa Papineau
Lisa Papineau — Blood Noise (2013)

 Lisa Papineau — Blood Noise (2013)

Lisa Papineau — Blood Noise
Ξ  "Stole my fur from the shore, trapped my soul in a jar. Carried onto the soil, plant my feet in the Earth. For a thousand embraces, force the might of the Land. Tie my will to your hearth, bind me unto your breast. Dream the Wild Wild, yearn to pull the waves down. Die to wear what is mine, take me back when it’s time. Wrap me up in my skin, row out and throw me back in. Leaving only my breath, I’ll swim away to the West." — Lisa Papineau
Ξ  "Ms. Papineau's music... clearly shines through on this debut solo disc from the Air and M83 guest vocalist. Softly hewn vocals, combined with synth elements and computer bass echo those of Mia Doi Todd or other post-post-modern stream-of-consciousness songstresses caught up in the technological flow." — XLR8R
Ξ  "Papineau uses the spare arrangements to deliver endearingly optimistic performances.... Reveals a deep love for continental pop and world music without ever sounding precious or overly labored." — Magnet
Ξ  "She is pouring out her bleeding heart and holding it right out to you." — Venus
Location: Vermont, New England, U.S. ~ Paris, France
Album release: October 8, 2013
Record Label: Neurotic Yell Records
Duration:     28:45
Tracks:
01. Dream The Wild       3:10
02. Out For A Swim       3:05
03. Early Spring       3:18
04. Rainmaker       3:46
05. Frozen Blue       2:56
06. Light Up The World       3:18
07. Radio On On On       1:45
08. Little Light       4:03
09. The Weather Gone       3:26
Members:
— LISA PAPINEAU
— MATTHIEU LESENECHAL
— JOHAN GUIDOU
Photo: Reynaldo Rivera
Ξ   One would be hard-pressed to think of a more quintessential go-to artisan for serene avant-pop than Lisa Papineau. She has swung her hammer in experimental theatre, producing/narrating films as well as soundtrack work but will be most well known for her own mold-breaking voice — which Tori Amos once declared to have “…the power of Bon Scott and yet the lyricalness in the voice of a reed instrument…”
Ξ   One may even know her voice before they know her name, as we almost couldn’t keep track of her prolific collaborations with, among them, Air, M83, Jun Miyake, Anubian Lights, her appearances on the Pina, Watchman and Crow II soundtracks, Big Sir (her long running project with Mars Volta bassist Juan Alderete) and her self named group.
Ξ   On her third and newest solo record, Blood Noise, Papineau has woven an intricate and brittle tapestry of her illustrious career’s culmination, where the nine songs successfully create their own microscopic world that runs a vein through each song’s respective atmosphere, resulting in an escapist’s fantasy who’s duality would effortlessly make a bloodshot appearance on “Morning Becomes Eclectic” after being up all night partying in dance hall. From the praiseful hope of “Little Light” to the ceremonial dirge of “Rainmaker,” Papineau remains expansive and unpredictable on a record who’s churning moods and unorthodox methods prove she is more than a vocalist merely “singing” on a song — it is her whole presence that assumes the role of the instrument.
Ξ   With complications from her long time bout with MS, Papineau recorded parts of the album from bed, microphones and keyboards propped up and strewn across pillows. Recovering from cancer surgery in 2012, she put work on the album aside for a time, but with the new year, returned by degrees to lean deeper into synchronized themes of transformation, escape, or as she more eloquently states, “…Allowing the rain and the tears to break fast after a thousand of years of drought… letting the soul crack out of this broken jam jar.
Ξ   “I very much wanted to make sure it was mostly first takes…” she says. “(With this approach) mistakes and off-key moments abound, but there is a kind of vulnerability in these shaky performances that is special…” That humbly said, there are also plenty of moments where it seems she’s grabbing you by the lapels, whispering grave statements that may be threats or promises, but determined nonetheless as she is on “Out For A Swim” where she affirms “…and now I’ve found the courage to return to the sea.” Indeed, all the songs on Blood Noise have a certain swelling undertow that seem to bubble up beneath the listener and envelop them in an earthy, electronic wash, directed by these multi-layered epiphanies and affirmations where we are treated to eye tearing beauty that shines in the shadows of decay. And it is this fluidity spilled onto her palette, colors running and bleeding together, that makes Blood Noise a record almost the aural equivalent of Balinese dance; playful, while stoic and dramatic. The album, while created “holed-up” for the most part, also nods to the collaborative side of her career, with guest appearances by Big Sir’s Juan Alderete, former Pet partner, composer Tyler Bates (300), Crooked Cowboy (with whom Papineau has performed with for several years), Matt Embree and CGak of Me&LP and RX Bandits, as well as Nick Reinhart of Tera Melos, and Matthieu LeSenechal and Johan Guidou of her solo trio.” Fortaken: http://ventsmagazine.com/
The Fire Note / Stream: http://thefirenote.com/2013/10/07/fire-note-album-stream-lisa-papineau-blood-noise/
MySpace: https://myspace.com/lisapapineau
YouTube: http://www.youtube.com/artist/lisa-papineau
Twitter: https://twitter.com/lisapapineau
Autobiography: http://www.sargenthouse.com/lisap_assets.html
Tumblr: http://lisapapineau.tumblr.com/
Facebook: https://www.facebook.com/lisapapineaumusic
Press: Bill Benson at Team Clermont
Agent: Europe: Monica Melissano at A Giant Leap
Label: http://www.neuroticyellrecords.com/
Bandcamp: http://lisapapineau.bandcamp.com/
CREDITS:
DREAM THE WILD
(LM Papineau/ Bonta D’Animo, B Tieman/ Bug Music)
MPC THE CROOKED COWBOY
VOCALS LISA
OUT FOR A SWIM
(LM Papineau/ Bonta D’Animo)
INTRO GUITAR VIOL LOOP TYLER BATES
BASS JUAN ALDERETE
SYNTH DRUMS CGAK
DRUM BREAKDOWN & CLAPS MICHAEL MORGAN
KEYBOARDS, BEATS, CLAPS & VOCALS LISA
EARLY SPRING
(LM Papineau/ Bonta D’Animo, CT Tsagakis/ Technology Music)
PROGRAMMATION, SYNTHS & VIBRAPHONE CGAK
VOCALS LISA
RAINMAKER
(LM Papineau/ Bonta D’Animo)
BARITONE, UKE BASS & VOCALS MATTHIEU LESENECHAL
SYNTH DRUMS & VOCALS JOHAN GUIDOU
FLUTE, INTRO BASS, SYNTHS & VOCALS LISA
FROZEN BLUE
(LM Papineau/ Bonta D’Animo) (Sample from “Del Mar Lawn Mower” by Matthew Embree/ Mash Down Babylon Music)
LOOPS & VOCALS LISA
LIGHT UP WORLD
(LM Papineau/ Bonta D’Animo, NC Reinhart/ Nicholas Charles Reinhart Music)
PROGRAMMATION NICK REINHART
VOCALS LISA
RADIO ON ON ON
(LM Papineau/ Bonta D’Animo, NC Reinhart/ Nicholas Charles Reinhart Music)
SYNTH STRINGS & PROG BEATS NICK REINHART
VOCALS LISA
LITTLE LIGHT
(LM Papineau/ Bonta D’Animo)
BARITONE GUITAR MATTHIEU LESENECHAL
RHODES, SYNTHS & VOCALS LISA
THE WEATHER GONE
(LM Papineau/ Bonta D’Animo) (Sample from “Bled To Be Free (The Operation)” by RX Bandits (S Choi, MD Embree, JF Troy & CT Tsagakis)/ Accidental Sounds, Coke vs. Bills, Mash Down Babylon Music & Technology Music)
LOOPS, KEYBOARDS, CLAPS & VOCALS LISA
RECORDED & MIXED BY LISA PAPINEAU, BRON TIEMAN, TYLER BATES, MATTHIEU LESENECHAL, CHRIS TSAGAKIS & NICK REINHART
MASTERED BY NICOLE TURLEY
PHOTOS REYNALDO RIVERA
ARTWORK LISA PAPINEAU
LAYOUT RAZZLE DAZZLE SONNY KAY
LIVE MEMBERS MATTHIEU LESENECHAL JOHAN GUIDOU EMMA RUTH RUNDLE CGAK MICHAEL MORGAN
MATTHIEU, JOHAN, CGAK, NICK, THE CROOKED COWBOY, MICHAEL, TYLER, MATT, JUAN, REYNALDO, NICOLE AND SONNY, MY GRATITUDE AND LOVE TO YOU FOR BEING A PART OF THIS ALBUM
SCOTT BERKSON ALEXINA METISSE MARK EITZEL NICOLE TURLEY AND CATH PELLOW, THANK YOU FOR YOUR EARS & EYES ON EARLY THINGS
MY FAMILY AND FRIENDS ARE EXTRA ORDINARY
I AM LUCKY
________________________________________________________________

Lisa Papineau — Blood Noise (2013)

 

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