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Malcolm Middleton — Summer of 13 (May 27, 2016)

Malcolm Middleton — Summer of 13 (May 27, 2016)

   Malcolm Middleton — Summer of 13 (May 27, 2016)  Malcolm Middleton — Summer of 13 (May 27, 2016)♣   Malcolm Middleton tells all about going electro–pop on his first album in seven years.
♣   “My album of the year so far. The opening song, Steps, deserves to be a huge hit. It's quite different from, say, Into The Woods, but with plenty of expected Malcolm wit/sadness. It's either a downbeat Little Mix album or a really uptempo Malcolm Middleton album. Either way, I love it and you should buy it. Brilliant!” [Michael Legge]Product Description
♣   His first album for seven years and the sixth solo album from the ex–Arab Strap man, is set for release on the relaunched Nude Records. In Malcolm’s songs, hope and optimism have always existed (they were just well hidden) and ‘catchy’ has always been his prime prerogative, but with the new album glimmering with heady production, this clearly shines through. Calling upon the expertise of Glasgow–based dance producer Miaoux Miaoux, the album also features guest appearances by Beta Band/The Aliens founder Gordon Anderson aka Lone Pigeon (also creator of the album’s artwork, technicolour photography and who became a ‘soundboard’ for Malcolm after he moved into the cottage next door). De Rosa’s Martin John Henry and First Aid Kit’s Scott Simpson also add to the albums sonic swirl and sense of fun. A wonky tonk fun–land of squelching synths and sweeping strings, ‘Steps’ is a cosmic space ride through pitch bends and vocal manipulation whilst ‘Information In The Voice’ unexpectedly drops pop RnB hip hop. But it’s never without feeling; take the romantic ‘You & I’ or shimmering and rhapsodic ‘Big Black Hole’ with its twinkling piano hook. Put together, there’s a neon glow of 80s new wave, alongside smoggier shades of the Chromatics or Johnny Jewel’s Glass Candy. Malcolm has always enjoyed challenging his listeners and this time around is no exception. [Amazon.com.uk]
Born: 31 December 1973 in Falkirk, Scotland
Location: Falkirk, Scotland, UK
Album release: 27/05/2016
Record Label: Nude
Duration:     47:14
Tracks:
01 Steps     4:25
02 You & I     3:52
03 Information in the Voice     4:25
04 Brackets     5:16
05 Like John Lennon Said     4:21
06 Little Hurricane     4:08
07 Music Ticks     5:09
08 Summer of ‘13     5:56
09 Big Black Hole     6:15
10 Lullaby     3:27
℗ 2016 Malcolm Middleton with licensing arrangement to Nude Music Ltd
Review
by Ben Philpott May 25th, 2016 / Score: 8
♣   Malcolm Middleton has been a very busy chap these past few years, but there’s a strong chance much of his fan–base have yet to realise. Human Don’t Be Angry, from 2012, was a timed Record Store Day exclusive; a beautifully put together collection of original instrumentals, skits and maudlin pop which received an equally lovely follow up in 2015 (Electric Blue — Human Don’t Be Angry). Then there’s Music and Words; a collaborative pic’n’mix of hysterical spoken word vignettes written alongside visual artist David Shringley.
♣   Though 2009’s Waxing Gibbous may have been the last ‘proper’ solo record to release under his name, it’s evident that Middleton has been anything but idle. Enter Summer of ’13 — an oddly spry electronic record marking a refreshing departure from the “downbeat/miserablist” (his words) nature of previous releases. Still, this is Malcolm Middleton we’re talking about, half of the genius behind those sad fuckers Arab Strap — of course some of it’s miserable.
♣   It opens with the buoyant eletro–pop stomp of ‘Steps’, which perfectly sets the tone for the album’s wry confessionals. “Won’t somebody come and diagnose me with something/ I’m not making progress” decrees Middleton; words any reticent, anxious individual will be able to relate to. Produced by precocious electro wizard Miaoux Miaoux, Summer of ’13 feels like a labour of love, a record that Middleton had to make in order to move onward. He’s always been an eclectic musician, one as likely to lay down a hard rock instrumental as he is something dangerously twee, but here the production brings out another side… a sunnier, danceable side.
♣   With guest appearances from Gordon Anderson (aka Lone Pigeon, who is also responsible for that brilliantly garish cover art), Scott Simpson (drummer with First Aid Kit), and regular Middleton collaborator Martin John Henry, Summer of ’13 consistently surprises in both tone and musicality.
♣   Rhythmically, the album feels equally vivid and serene; as suited to hazy evenings in the sun as it would be animating an off–beat indie disco. The final moments of ‘Brackets’ is a perfect example of this. Here, Middleton uses a cathartic refrain of “We’ve taken a long time getting here” over a hypnotic blend of falsetto harmonies, clouded synth and a classic jangle–riff. Sure, it’s clearly indebted to the best of Eighties outsider pop, but what’s so bad about that? It’s beautiful.
♣   If the idea of Malcolm Middleton pulling all this off still fails to register, the closest musical comparison one can think of is the criminally overlooked 2007 album West Coast by Studio. In fact, the similarity between the fading vocal echo on ‘Information In The Voice’ and that which appears in Studio’s ‘West Side’ is uncanny. Both records carry the same idiosyncratic approach to uplifting electronic pop: an effortless mix of retro and contemporary indie/electro influences which in a just world would have lit the airwaves ablaze. There’s even a moment in the aforementioned track where Middleton is bold enough to threaten a musical ‘drop’…
♣   There are dips, namely ‘Like John Lennon Said’ which, while pleasant, might put off those averse to existential ruminations built upon Lennon quotes. Whether people take to this sunnier approach has yet to be seen, but given his previous eclecticism, there’s little doubt fans will lap this up. Middleton has made a dance record for the disenfranchised, oh sure it’s a cliché, but Summer of ’13 is one of the most refreshing things you hear all year. Come on you miserable bastards, this here is the soundtrack to your summer of ’16. ♣   http://drownedinsound.com/
Review
Words: Andrew Hannah / 24 MAY 2016, 09:30 BST
♦   Summer of ‘13 was recorded with the help of Beta Band founder Gordon Anderson, First Aid Kit’s Scott Simpson and dance producer Miaoux Miaoux.  You can read Middleton’s track–by–track take on the album below, followed by an exclusive stream of the record itself.
Steps
■λ→  This song was the glue and fuel that got me excited about the thought of recording an album again. It’s a bit daft, but was good fun to make.
You & I
■λ→  This wasn’t going to be on the album but then Miaoux Miaoux added the funky, bubbling bass and I started liking it again. It was written in 2010 so I’d grown used to it. Gordon’s advice to “sing from beneath your accent” was experimented with unsuccessfully here. Or maybe I was trying to sound like Gary McNuman.
Information In The Voice
■λ→  This was written ages ago in a weak attempt at doing R&B. It was probably a reaction to my own preference that all my own songs need to have some meaning or value lyrically. Obviously this one doesn’t. The verses were a song once, I think, and the chorus is supposed to be funny/vanilla.
Brackets
■λ→  This used to be a normal, dark, indie guitar song. Julian/Miaoux reinvigorated it and did all the programming, only keeping the vocals and bass from the original version. I like it and I like the way it fits on the album. It’s calm and detached and modern. Like me. I like the way it doesn’t sound like something I would’ve done.
Like John Lennon Said
■λ→  Dour cheesy pop! The backing vocals are funny. I was imagining a young East 17 doing this one. It’s all baggy–trouser–crotch–holding, slow forward foot–flicks and sincerity. Lyrically, I had an epiphany once while listening to the song “Imagine”, where I took his words to be meant as literal, with a touch of sarcasm.
Little Hurricane
■λ→  Cheesy indie pop! Martin John Henry makes this song with his bassline and Kim Deal vocals. Closing credits to Dawson’s Creek?
Music Ticks
■λ→  A strange one. Lots of words and humour in the production.
Summer Of ‘13
■λ→  I really wanted to sample “Not Fade Away” for this, but I couldn’t make it fit. The middle is an homage to “Purity” by The God Machine.
Big Black Hole
■λ→  I heard “I Was A Fool” by Tegan & Sara and wanted to write a song with a nice piano hook too. I already had words and a tune so put them together and got this. Gordon added vocoder vocals etc. His advice for this one was to take out any personal references in the lyrics, like “me” or “I” and put in a girls name somewhere and make it universal. Also to cut it by 3 minutes and put the big synth hook at the start. I didn’t do that though. Ellie Goulding probably would have. And maybe they’d both be right.
Lullaby
■λ→  My son was born in 2013 and I made this up for him when he’d nap on my shoulder, back when he was the size of a small frozen chicken. I initially had the idea to do a rock lullaby, so when the chorus kicked in the recipient would wake up with a jolt. But that would be daft, and I needed to sleep too. I like this version though, it’s perfect.
♦   http://www.thelineofbestfit.com/
Label: http://nuderecordlabel.com/store/
Website: http://www.malcolmmiddleton.com/
Facebook: https://www.facebook.com/malcolmmiddleton/
Biography ~ Andy Kellman
♦   In 2003, Malcolm Middleton, the member of Arab Strap regularly credited with “most things musical,” released the cumbersomely titled solo album 5:14 Fluoxytine Seagull Alcohol John Nicotine, issued through Chemikal Underground. Two years later, he followed it up with the more focused Into the Woods, put out by the same label. Neither album was a tremendous departure from his work with Aidan Moffat (both lyrically and sonically), though the songwriting was occasionally more self–absorbed, oozing with self–doubt and heartache. Shortly after Arab Strap’s amicable split, he released the schizophrenic A Brighter Beat (2007), followed by the relatively low–key Sleight of Heart (2008) and another whimsical set in Waxing Gibbous (2009).
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Malcolm Middleton — Summer of 13 (May 27, 2016)

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Hawkwind — Acoustic Daze (25 Oct. 2019)
Indoor Voices — Animal (Feb. 14, 2020)
I Break Horses — Chiaroscuro
Einstürzende Neubauten — Alles In Allem (May 29th, 2020)
100 Gecs — 1000 gecs (May 31, 2019)
Evergreen — Overseas (15 Jun 2018)
Kurt Rosenwinkel Trio — Angels Around (May 8, 2020)
The Feather — Room (10 July, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
György Ligeti — Lontano (22. Oct.,1967)
OWEN PALLETT — Heartland (March 3, 2014)
Badly Drawn Boy — Banana Skin Shoes (22nd May, 2020)
A.O. Gerber — Another Place to Need (May 22, 2020)
Kaleidoscope — Faintly Blowing (11 April 1969, Reissue, Remaster
Perfume Genius — Set My Heart On Fire Immediately (15th May 2020
Perfume Genius — No Shape (5 May, 2017) BC
Perfume Genius — No Shape (5 May, 2017) FC
Sungazers — Wasting Space (May 18, 2020)
Cermaque — Lament (22nd May, 2020)
Mountaineer — Bloodletting (May 22nd, 2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Steve Earle — Townes (May 8, 2009)
Steve Earle & The Dukes — Ghosts of West Virginia (May 22, 2020)
Sixth June ‎— Trust (17 Jan 2020)
White Tail Falls — Age of Entitlement (May 29, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
Nicole Atkins — Italian Ice (29 May 2020)
Deerhoof — Future Teenage Cave Artists (May 29, 2020)
Deradoorian — Find the Sun (Sept. 18, 2020)
Bob Dylan — Rough and Rowdy Ways (June 19th, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
This Will Destroy You — Vespertine (June 9, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Yoko Ono, Kim Gordon & Thurston Moore — YOKOKIMTHURSTON
Psychic Markers — Psychic Markers (29 May, 2020)
The Memories — Pickles & Pies (May 29, 2020)
Songs for the Late Night Drive Home (Feb. 5, 2016)
Spc Eco — Dark Matter (Nov. 20, 2015)
SPC ECO — June (June 1, 2020)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Larkin Poe — Self Made Man (June 12th, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Endless Field — Alive in the Wilderness (June 12, 2020)
Wesley Gonzalez — Appalling Human (June 12, 2020)
Noveller — Arrow (June 12, 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Andrej Šeban — Triplet (March 22, 2019) inner cover
Andrej Šeban — Triplet (March 22, 2019) cover
The Crossing & Donald Nally — James Primosch: Carthage (05/2020)
Jerskin Fendrix — Winterreise (April 17, 2020)
Zoongideewin — Bleached Wavves (June 19, 2020)
ULRICH SCHNAUSS — A Long Way To Fall — Rebound (3rd April, 2020)
Sports Team — Deep Down Happy (5th June, 2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
Midlake — Antiphon (Nov. 4, 2013)
ANASTASIA MINSTER — Father ©Michael Haley
Jessie Ware — Glasshouse (Deluxe; 20 Oct 2017)
Teen Daze — Morning World
Jessie Ware — What’s Your Pleasure (June 26, 2020)
Art Feynman — Half Price At 3:30 (June 26th, 2020)
Bo Ningen — Sudden Fictions (26th June, 2020)
Khruangbin — Mordechai (June 26, 2020)
Pottery — Welcome to Bobby’s Motel (June 26th, 2020)
Orlando Weeks — A Quickening (June 12, 2020)
John Craigie — Asterisk the Universe (June 12, 2020)
Kavus Torabi — Hip to the Jag (May 22, 2020)
Nadine Shah — Kitchen Sink (June 5, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
Corb Lund — Agricultural Tragic (June 26, 2020)
Christine Ott — Chimères (pour ondes Martenot) (May 22, 2020)
The Beths — Jump Rope Gazers (July 10th, 2020)
Ashley Paul — Window Flower (May 13, 2020)
Grey Daze — Amends [Deluxe Edition] (July 3, 2020)
Grey Daze ©Photo credit: Anjella / Sakiphotography
Ajimal — As It Grows Dark / Light (June 26, 2020)
Ajimal — As It Grows Dark Light (June 26, 2020)
Eleanor Friedberger — Rebound (May 4th, 2018)
ELEANOR FRIEDBERGER — NEW VIEW (January 22, 2016)
Immigrant Union — Judas (June 19, 2020)
Julianna Barwick — Healing Is a Miracle [Japan Edition] (2020)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Neil Young — Homegrown (19th June, 2020)
The Jayhawks — XOXO (July 10, 2020)
Joy Division — Closer (40th Anniversary) [2020 Digital Master] (
Daniel Bachman — The Morning Star (July 27, 2018)
Daniel Bachman — Green Alum Springs (June 6, 2020)
Becca Mancari — The Greatest Part (June 26, 2020)
Ytamo — Vacant (June 12, 2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Thin Lear — Wooden Cave (24th July, 2020)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Sara Serpa — Recognition (June 5th, 2020)
Sara Serpa, Ingrid Laubrock, Erik Friedlander — Close Up (2018)
Klara Lewis — Ingrid (1st May 2020)
Buju Banton — Upside Down (June 26, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
learning structures, vol. 2: end firma
learning structures, vol. 3: distance between us
The Boomtown Rats — Citizens of Boomtown (13 March, 2020)
Ralph of London — The Potato Kingdom (19th June, 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
Land of Talk — Indistinct Conversations (July 31, 2020)