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Nadine Shah
Fast Food [2 CD, Rough Trade Edition]

Nadine Shah — Fast Food [ 2 CD, Rough Trade Edition] (April 6th, 2015) Tais Awards 2016 favourite

  Nadine Shah — Fast Food [2 CD, Rough Trade Edition] Nadine Shah — Fast Food [Rough Trade Edition] •ζ      Jaký je hlas Nadine? Dramatický, divadelní a bohatý — a na novém dvojalbualbu, Fast Food, myslím — udělala ze mne ventilátor. Black Celebration. Searching for the light. The oppressive joy of desperation. NADINE SHAH’s second LP ‘Fast Food’ is a bittersweet celebration of life’s dark and desperate aspects, but one that strangely fills you with joy. Evocative, North Sea–inspired, Nick Cave–meets–PJ Harvey–induced midnight indie torch songs from this U.K. singer/songwriter.
Product Description
•ζ      Nadine Shah released her debut album Love Your Dum and Mad to critical acclaim in 2013. A stint on the road with Depeche Mode followed and opening for Bat for Lashes provided notable highlights on an extensive tour. Created with trusted collaborator and producer Ben Hillier the excellent follow–up Fast Food is here. Born from a fervid 2 month writing session, Fast Food exists on a knife–edge every bit as dramatic as we've come to expect from Nadine but with a sharpened eye for all things hook laden. Recorded live at Bens studio The Pool the albums jagged nature is owed in part to the contributions of guitarist Nick Webb and bassist Pete Jobson (I Am Kloot). Building on the bruised honesty and charm of its predecessor, Fast Food rings with the confidence of an artist completing their most coherent musical chapter to date. The last album took so long to make that by the time it came out it didn’t feel like it was a very clear representation of where I was musically, but this time it’s different, Nadine explains. Fast Food is a more concentrated effort: it is the sound of Nadine as she is now — stepping out from behind the piano and growing with immeasurable confidence. “It is a reflection upon a world obsessed with instant gratification and a life full of complicated relationships. It’s the sudden realisation that you’re never going to be anybody’s first love ever again”.
Location: Pakistani and Norwegian parentage ~~ Whitburn, South Tyneside, UK
Album release: April 6th, 2015
Record Label: Apollo
Duration:     58:37
Tracks:
01 Fast Food     3:54  
02 Fool     4:42  
03 Matador     3:53  
04 Divided     4:47  
05 Nothing Else to Do     4:55  
06 Stealing Cars     4:04  
07 Washed Up     3:06  
08 The Gin One     3:11  
09 Big Hands     3:48  
10 Living     4:43
CD 2:
01 Jolly Sailor     4:59
02 Never Enough     3:26
03 Scoring Points     3:46
04 Rucksack     5:23

2015 Apollo Records
•ζ      All tracks written by Ben Hillier / Nadine Shah
Credits:
•ζ      Ben Hillier Composer, Producer
•ζ      Nadine Shah Composer, Primary Artist
•ζ      Dm Smith Collage, Layout
•ζ      Drew Smith Engineer
•ζ      Bunt Stafford–Clark Mastering
•ζ      Simon Webb Photography
Similar albums: PJ Harvey / John Parish — A Woman a Man Walked By, Richard Hawley — Lady’s Bridge, Diamanda Galás — Defixiones: Will and Testament, Orders from the Dead
Notes:
•ζ      Rough Trade Exclusive — 300 copies of the LP and CD come with a bonus 4 Track EP called 'Never Enough Roughs' with totally unreleased extra cuts. The inimitable Nadine Shah releases her second album, 'Fast Food' via Apollo Records. It's an intense, brooding and mournful album. If you thought debut album 'Love Your Dum and Mad' was dark — then 'Fast Food' pushes it to even darker places. The album was once again recorded at The Pool in London with Producer Ben Hillier, Peter Jobson (I am Kloot) on Bass and Nick Webb (guitar). Her gothic, jazz–influenced chamber pop is both lushly atmospheric and chillingly sparse, while the 27–year–old's pure, powerful vocals have drawn comparison to both a young PJ Harvey and time–ravaged Marianne Faithfull.
•ζ      LP — Red Vinyl.
•ζ      Instores
REVIEW
By PAUL BROWN, April 2nd, 2015; Score: 8
•ζ      The recent spectacle of BBC 6Music Festival on Tyneside saw the most exciting collection of artists to converge on the North East of England in recent memory. The weekend was a triumph, with unforgettable sets from the likes of Sleater–Kinney, Django Django and Mogwai among the main highlights. As it turned out, though, the artist who really stole the show was someone from just down the coast in Whitburn who wasn’t even on the original line–up. Nadine Shah stepped in as a late replacement for an unwell Jon Hopkins and the magnificent performance in The Sage Hall 2 which saw her preview of second album Fast Food feel like a big deal, the coming of age of an artist who had been ‘one to watch’ for a number of years.
•ζ      Of course, Shah’s impact on the festival shouldn’t really have been a terribly big surprise to anyone already familiar with the bewitching power of her songs. The poised delivery of her debut Love Your Dum and Mad in 2013 caught many off–guard, and hinted that we just might have a pretty special artist on our hands. Ever since then, she seems to have been constantly on the road honing her craft and growing the troupe of devotees she’s been quietly amassing like some kind of gothic Pied Piper.
•ζ      One of the first things to strike you about Fast Food in comparison to her debut is that she seems to have developed a sense of focus which wasn’t always necessarily evident previously. There’s a deliciously gloomy cloud which enshrouds every song here and means that Fast Food is not only an impressively coherent record, but it’s also a thoroughly immersive experience. It’s very easy to be sucked into Nadine’s world by the dark, brooding tales she weaves here, even if the directness and intimacy of her words can make you feel just a little voyeuristic at times.
•ζ      Much is made of the sheer power of Shah’s voice, but it’s also a hugely versatile tool which she employs here with a masterful restraint. There’s a lot to be said for the lightness of touch from producer Ben Hillier in facilitating this, freeing her to so effectively portray such a wide spectrum of emotions. Like Shah, he has a strong grasp of the power of simplicity and this makes for a number of Fast Food’s most powerful moments. ‘Divided’ for example, is one of the most affecting songs here, with the arrangement as naked as Shah’s delivery and lyrics: “My love, it was divided / Between his cheekbones and his knees… I let my hair loose for you / But I would scrape it back as soon as I would leave”.
•ζ      Throughout Fast Food, there’s a strong sense of the songs having the space to breathe and develop at their own pace. ‘Big Hands’ and the hypnotically gorgeous ‘Nothing Else to Do’, for instance, both build from fragile origins to gently majestic finales. These moments are wonderful, but perhaps the greatest triumphs on this album are when Shah indulges her deceptively sharp pop nous. ‘Stealing Cars’, for example is full of hooks from the moment she opens her mouth. ‘Fool’, meanwhile is driven by irresistible shards of Interpol–esque guitar and casts Shah as the chief assailant in a deliciously spiteful (if tongue in cheek) taunting of a predictable, pretentious Cave and Kerouac obsessive. It’s a fantastic piece of work, and one of the strongest singles to have been released so far this year.
•ζ      If Love Your Dum and Mad floated the idea that Nadine Shah was capable of greatness, then Fast Food confirms this as fact. The songs on this record have been delivered with the kind of aplomb that only someone with an unshakeable confidence in their work can muster, which suggests that Nadine Shah’s artistic future is mouthwatering. Perhaps that’s a discussion for another day though, and we should probably just savour what she’s doing right now. One thing’s sure, though, Nadine Shah is no longer ‘one to watch for the future’, but a bona fide creative force in the here and now. •ζ   http://www.drownedinsound.com/
Review by David Jeffries; Score: ****
•ζ      Hard to place yet so familiar, the twitchy, goth angst of Nadine Shah is generally described as PJ Harvey mixed with Nick Cave, but that ignores her sly wit, coming off as if Morrissey were crossed with an ice queen and Bauhaus played in support. All that said, she's a unique voice as well, coming out of Whitburn, South Tyneside and still a master of the rustic American twang, just updated with a more modern twitch and punch. This sophomore effort is a less grand and wonderfully reserved alternative to her debut album, 2013’s Love Your Dum and Mad. Here, short and passionate relationships are the thing, all of their agony and their ecstasy, and often in the same song. The aptly titled "Divided" steams up the windows with a sensual sway and its talk of perfect cheekbones, but there’s also a "hidden jealousy" and plenty of other bad stuff right below the surface. "Fool" is the same kind of passionate and damned material, but with more of a beat and a hook, while "Nothing Else to Do" ("but fall in love") is a surprise, coming off as drunken, cursed chamber music. The beautiful musical twisting during "Big Hands" proves Shah is more than just a wounded wordsmith, while producer and co–writer Ben Hiller returns to paint everything a Depeche Mode– or Elbow–styled shade of black. With dangerous come–ons like “Check your pulse when I speak,” the album’s shocking cover art is a suitable mix of beauty and blood, and even if the first cut is the deepest, second album Fast Food is still wicked sharp.
Artist Biography by James Christopher Monger
•ζ      The alluring result of Pakistani and Norwegian parentage, Whitburn, South Tyneside–based singer/songwriter Nadine Shah possesses a voice, and more importantly a mystique, that has been oft–described as a blend between PJ Harvey and Nick Cave, but her brooding, intensely atmospheric blend of midnight loner pop and torchy, jazz–kissed indie rock owes a nod to fellow English insomniacs like Anna Calvi, Richard Hawley, and Antony Hegarty as well. Inspired by jazz and pop as a youth, as well the religious Sufi songs that her father brought into the home, Shah issued a series of evocative singles and a pair of EPs before releasing her debut long–player, 2013’s Love Your Dum and Mad, produced by Ben Hillier (Blur, The Horrors, Depeche Mode). •ζ   http://www.allmusic.com/
Website: http://nadineshah.co.uk/
Soundcloud: https://soundcloud.com/nadineshah/stealing-cars-radio-edit/s-TdQLR
Rough Trade: http://www.roughtrade.com/albums/90419
Also:
Norman Fleischer, April 6, 2015, NBHAP Rating: 4,3/5
•ζ      http://nbhap.com/reviews/nadine-shah-fast-food/
_____________________________________________________________

Nadine Shah
Fast Food [2 CD, Rough Trade Edition]

 

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Hawkwind — Acoustic Daze (25 Oct. 2019)
Indoor Voices — Animal (Feb. 14, 2020)
I Break Horses — Chiaroscuro
Einstürzende Neubauten — Alles In Allem (May 29th, 2020)
100 Gecs — 1000 gecs (May 31, 2019)
Evergreen — Overseas (15 Jun 2018)
Kurt Rosenwinkel Trio — Angels Around (May 8, 2020)
The Feather — Room (10 July, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
György Ligeti — Lontano (22. Oct.,1967)
OWEN PALLETT — Heartland (March 3, 2014)
Badly Drawn Boy — Banana Skin Shoes (22nd May, 2020)
A.O. Gerber — Another Place to Need (May 22, 2020)
Kaleidoscope — Faintly Blowing (11 April 1969, Reissue, Remaster
Perfume Genius — Set My Heart On Fire Immediately (15th May 2020
Perfume Genius — No Shape (5 May, 2017) BC
Perfume Genius — No Shape (5 May, 2017) FC
Sungazers — Wasting Space (May 18, 2020)
Cermaque — Lament (22nd May, 2020)
Mountaineer — Bloodletting (May 22nd, 2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Steve Earle — Townes (May 8, 2009)
Steve Earle & The Dukes — Ghosts of West Virginia (May 22, 2020)
Sixth June ‎— Trust (17 Jan 2020)
White Tail Falls — Age of Entitlement (May 29, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
Nicole Atkins — Italian Ice (29 May 2020)
Deerhoof — Future Teenage Cave Artists (May 29, 2020)
Deradoorian — Find the Sun (Sept. 18, 2020)
Bob Dylan — Rough and Rowdy Ways (June 19th, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
This Will Destroy You — Vespertine (June 9, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Yoko Ono, Kim Gordon & Thurston Moore — YOKOKIMTHURSTON
Psychic Markers — Psychic Markers (29 May, 2020)
The Memories — Pickles & Pies (May 29, 2020)
Songs for the Late Night Drive Home (Feb. 5, 2016)
Spc Eco — Dark Matter (Nov. 20, 2015)
SPC ECO — June (June 1, 2020)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Larkin Poe — Self Made Man (June 12th, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Endless Field — Alive in the Wilderness (June 12, 2020)
Wesley Gonzalez — Appalling Human (June 12, 2020)
Noveller — Arrow (June 12, 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Andrej Šeban — Triplet (March 22, 2019) inner cover
Andrej Šeban — Triplet (March 22, 2019) cover
The Crossing & Donald Nally — James Primosch: Carthage (05/2020)
Jerskin Fendrix — Winterreise (April 17, 2020)
Zoongideewin — Bleached Wavves (June 19, 2020)
ULRICH SCHNAUSS — A Long Way To Fall — Rebound (3rd April, 2020)
Sports Team — Deep Down Happy (5th June, 2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
Midlake — Antiphon (Nov. 4, 2013)
ANASTASIA MINSTER — Father ©Michael Haley
Jessie Ware — Glasshouse (Deluxe; 20 Oct 2017)
Teen Daze — Morning World
Jessie Ware — What’s Your Pleasure (June 26, 2020)
Art Feynman — Half Price At 3:30 (June 26th, 2020)
Bo Ningen — Sudden Fictions (26th June, 2020)
Khruangbin — Mordechai (June 26, 2020)
Pottery — Welcome to Bobby’s Motel (June 26th, 2020)
Orlando Weeks — A Quickening (June 12, 2020)
John Craigie — Asterisk the Universe (June 12, 2020)
Kavus Torabi — Hip to the Jag (May 22, 2020)
Nadine Shah — Kitchen Sink (June 5, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
Corb Lund — Agricultural Tragic (June 26, 2020)
Christine Ott — Chimères (pour ondes Martenot) (May 22, 2020)
The Beths — Jump Rope Gazers (July 10th, 2020)
Ashley Paul — Window Flower (May 13, 2020)
Grey Daze — Amends [Deluxe Edition] (July 3, 2020)
Grey Daze ©Photo credit: Anjella / Sakiphotography
Ajimal — As It Grows Dark / Light (June 26, 2020)
Ajimal — As It Grows Dark Light (June 26, 2020)
Eleanor Friedberger — Rebound (May 4th, 2018)
ELEANOR FRIEDBERGER — NEW VIEW (January 22, 2016)
Immigrant Union — Judas (June 19, 2020)
Julianna Barwick — Healing Is a Miracle [Japan Edition] (2020)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Neil Young — Homegrown (19th June, 2020)
The Jayhawks — XOXO (July 10, 2020)
Joy Division — Closer (40th Anniversary) [2020 Digital Master] (
Daniel Bachman — The Morning Star (July 27, 2018)
Daniel Bachman — Green Alum Springs (June 6, 2020)
Becca Mancari — The Greatest Part (June 26, 2020)
Ytamo — Vacant (June 12, 2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Thin Lear — Wooden Cave (24th July, 2020)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Sara Serpa — Recognition (June 5th, 2020)
Sara Serpa, Ingrid Laubrock, Erik Friedlander — Close Up (2018)
Klara Lewis — Ingrid (1st May 2020)
Buju Banton — Upside Down (June 26, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
learning structures, vol. 2: end firma
learning structures, vol. 3: distance between us
The Boomtown Rats — Citizens of Boomtown (13 March, 2020)
Ralph of London — The Potato Kingdom (19th June, 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
Land of Talk — Indistinct Conversations (July 31, 2020)