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Palma Violets — 180 [2013]

 Palma Violets — 180 [2013]

Palma Violets — 180
With just a handful of songs, Palma Violets are setting hearts a-flutter.
“We formed the band out of a frustration" Sam Fryar
Location: Lambeth, Central London, England
Album release: February 25, 2013
Record Label: Rough Trade
Duration:     40:39
Tracks:
01. Best Of Friends     (3:31)
02. Step Up For The Cool Cats     (3:08)
03. All The Garden Birds     (3:10)
04. Rattlesnake Highway     (2:36)
05. Chicken Dippers     (3:09)
06. Last Of The Summer Wine     (4:10)
07. Tom The Drum     (2:33)
08. Johnny Bagga' Donuts     (3:08)
09. We Found Love     (3:16)
10. Three Stars     (3:52)
11. 14     (8:06)
Members:
Sam Fryer (vocals, guitar)
Chilli Jesson (vocals, bass)
Pete Mayhew (keyboards)
Will Doyle (drums)
REVIEW
Alexis Petridis  (Rating: ***)
The Guardian, Thursday 14 February 2013 16.11 GMT
One year in, the music press's campaign to insist that – despite all evidence to the contrary – we're living through a golden age for indie rock seems to be gathering momentum. Its undisputed leader was once the NME, which boldly announced last year that ours was "a glorious time when rock and roll proves the doubters wrong". Over the ensuing 12 months, their covers have certainly proved their point. Out went heritage-rock nostalgia, middle-aged men and artists who reached their apex at least 20 years ago, the better to concentrate on the plethora of thrilling new alt-rock artists who have gripped the nation's imagination: Joy Division, Kurt Cobain, Joe Strummer, Noel Gallagher (four times), the Sex Pistols, John Lydon from the Sex Pistols, Ramones, Blur, the Rolling Stones, Keith Richards from the Rolling Stones, the Libertines, Paul Weller (twice), the Cure, David Bowie, the Stone Roses (four times) and the Ultimate Band, which, as far as could be gathered from the cover, included only those over 40 or dead.
More recently, however, other areas of the press seem to have mounted a challenge to the NME's supremacy in the area of pretending things are happening that patently aren't. "Indie-rock suddenly feels like an uninterrupted, unstoppable force," thunders one music mag this month. "It is self-healing, indestructible." As evidence for its claim it proffers not merely the Vaccines but also Toy, an authentically fantastic band whose unstoppability was demonstrated when their debut album reached No 48 for one week last September.
The latter remark comes in a review of Palma Violets, the London quartet whose lot it is to be this year's Anointed Saviours of Indie. A grand total of 16 months after they formed, their debut album arrives freighted with media anticipation. You can see why the press has latched on to them. They're young, they talk a good fight in interviews, there's an intriguing on-stage chemistry between frontmen Chilli Jesson and Sam Fryer, and they had a strong debut single in last year's Best of Friends: three and a half minutes of clangorous guitars and bellowed vocals.It perhaps sounded more like the kind of decent indie track that used to fetch up at No 13 in John Peel's Festive 50 than the Best Song Of 2012, as it was garlanded by NME, but you couldn't deny the walloping power of its chorus.
It would be lovely to report that 180 meets the expectations that have been heaped upon it. The charts could probably use an exciting new guitar band: it's not as if the current dominant forces – post-Guetta rave-pop and earnest acoustic whimsy – are the most bewitching developments in musical history, and there are impressive things about Palma Violets, not least the appealingly rackety sound they've settled on. Drowning in reverb, the trebly guitars, reedy 60s garage-rock organ and clattering drums seem to teeter perpetually on the verge of collapse, a sensation amplified by Pulp bassist Steve Mackey's production, which smothers each song in distortion of varying degrees of severity: from a light sprinkling of period fuzz on the 50s-influenced Three Stars, to Rattlesnake Highway, which sounds like it has been dipped in a corrosive substance.
The problem lies with the songs themselves. There are certainly moments when the writing sparks: the New Orderish riff of Chicken Dippers crashes into an addictive chorus; Step Up for the Cool Cats maroons a fragmented ballad over see-sawing organ and explosions of frenetic drumming. But they are outweighed by moments where things seems to gutter in a mass of half-formed ideas. It's a sense heightened by the Palma Violets' tendency to write episodic songs, packed with stops and starts and shifts in tempo and mood. Over its three minutes, I Found Love offers up a pop chorus, some anguished screaming, a sudden slump in pace, the riff from the Velvet Underground's Sweet Jane, and a heartbroken coda. There's nothing wrong with trying to break free of the standard verse-chorus song structure, but the problem here is that none of it gels together, leaving you with the distinct impression of a band throwing disparate ideas at the wall in the hope that some of them stick.
Throwing disparate ideas at the wall is something all artists do while they're still finding their feet. The sneaking suspicion that there's something a little undercooked about the music on 180 is ramped up further by the closing 14, which apparently originated with Fryer drunkenly singing it into Jesson's phone while on the bus hymned in the title, and which segues into the secret track New Song. It is, apparently, the first song they wrote – and it sounds like it. You do wonder that no one around the Palma Violets suggested they lay off making an album until they had come up with some songs a bit better than those.
Quite why they didn't is a nice question. It's not the Palma Violets' fault they've been pitched, half-formed, into a climate so desperate it has turned delusional, determined to insist they're something they patently aren't, at least not yet. The infuriating thing is that 180 isn't a bad album: there's something there, but it needs time to develop. Whether they'll get it is another matter entirely, which seems stupid. But as a quick glance at certain areas of the music press confirms, we live in stupid times.
Fortaken: http://www.guardian.co.uk
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Le nouveau groupe anglais a la mode, peut-etre en raison de ses influences piochées dans ce qui se fait de meilleur dans le rock anglais, sans oublier quelques références du rock US.
Un rock a la fois énergique et mélodique. A découvrir.
Website: http://www.palmaviolets.co.uk/
Facebook: http://www.facebook.com/palmaviolets
Press contact: ,
Reservé agent: ,
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For a long time if you wanted to hear the most exciting new band in Britain, you knocked on a tall black door off the Lambeth Road. An aging British Rail building - part art studio happening, part squat – Studio 180 was where south London’s Palma Violets were gestating, away from sunlight and the world at large. A thrilling rock'n'roll four piece channelling The Clash, ? And The Mysterions and the Bad Seeds, from September 2011 they were holed-up here writing songs "their friends could dance to" and occasionally putting on celebratory, ecstatic parties about which word quickly spread.
It should be noted that the news of these parties / shows was spread in a manner that harks back to the days before the internet – aka “word of mouth.” For until a couple of months ago, Palma Violets had no online presence, no music recorded, and no press team working for them, “We didn’t want to put ourselves on Facebook, Youtube or the internet because we hadn’t recorded any songs,” explains singer Sam Fryers. “We were making this noise together in a room for fun and that’s where you had to experience it.”
If you got through the door of Studio 180 in that early period, what greeted you was an intoxicating sense of chaos. Beer being sold out of a dustbin in a makeshift kitchen, experimental artwork protruding from every wall, kids milling about, seemingly all friends, just waiting for the moment the band would start to play, normally around 11 at night, but sometimes a whole lot later.
In an airless basement that could hold 50 people, the band would finally appear in a hail of feedback and organ noise, before blazing their way through a short, incredible set: their sound a primitive, wild rock’n’roll music offering echoes of ‘60s garage and soul but with a defiant Englishness at its core, the band themselves radiating a ferocious energy, encapsulated in the tense and tactile interplay between bassist Chilli Jesson and Fryer but driven forward by the incessant beat of Will Doyle’s drumming. After a period of parching drought in British guitar music, this was akin to stumbling across the oasis in the desert just before you and everyone else died of dehydration
“The best way to see a rock’n’roll band is to go and see them play live,” elaborates bassist Jesson. “That’s all we wanted people to do.” “And of course, we hate being in recording studios,” laughs Fryer.
Unsurprisingly, it didn’t take long for record labels to catch on and in the first few months of 2012, Palmas Violets were courted intensely. From the outset, though, they only ever wanted to sign to one, and that was Rough Trade. As Jesson recalls, “When Rough Trade came down, it was so special. It was like they restored our faith in music. I mean they actually talked about music for a start. Geoff Travis was the only person who picked up on the fact that we were doing a cover of The Riveiras’ ‘California Sun’. The other guys talked about supermarkets and shelving and how we were going to penetrate the market.”
The feeling was mutual, as Rough Trade bosses Jeannette Lee and Geoff Travis are quick to point out. “There’s a difference between trying to do something and actually doing it,” notes Travis succinctly. “The Palma Violets just have it.” Adds Lee, “It may sound corny but it really is to do with the chemistry of the group. In a whole lifetime of listening to music, you probably come across something this special about 10 times ever, that special glue that holds a classic band together. I knew as soon as I saw them that they had to be with us.”
It was Rough Trade then that released the band’s debut single last fall. The A-side “Best Of Friends” is a raucous and exhilarating blast of primal rock’n’roll, featuring Jesson singing the lead. The B-side “Last Of The Summer Wine” – recorded later with Pulp’s Steve Mackey – showcases the other side of the band, drenched as it is in keyboard player Peter Mayhew’s oscillating organ surges and singer Fryers’ heavily reverbed and deeply evocative vocal.
When it came time to record the album Palma Violets headed into the studio - located on an old boat in East India Docks – with Rory Atwell (formerly of testicicles). He worked on half the album with them and the rest was recorded with Steve Mackey from Pulp at the Fish Factory and RAK. With their limited experience - and by limited we mean zero – in a proper studio, Palma Violets had no idea what an over dub was nor did they care to know. They would often show up to the studio with a bunch of stragglers, enough beer to go around and disco lights which in-turn illuminated 180 directly onto record.
As already noted, there’s a difference between trying to do something and actually doing it. For The Palma Violets, everything they do comes from a real love of music and a need to communicate feelings on a forceful basic level. They’re not a product of 2012 moodboard culture, they’re a pure elemental force.
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REVIEW
Benji Taylor; February 19, 2013  (Rating: ***½)
Each year the British music press gather to collectively invoke the spirit of Orpheus, most beloved of all musicians, in their efforts to discern which up-and-coming band should be anointed this year’s ‘saviour’ of rock and roll. Such a label simultaneously serves as a curse and blessing, for messianic crowns are spiked with thorns and chalices emblazoned with the inscription NEXT BIG THING are sometimes tainted with poison: previous custodians of the title have imploded under the weight of expectation or failed to further bottle the magic of their first few hit singles. From time to time mediocre bands get handed the chalice and attain unwarranted levels of popularity, which goes to show that consulting with Orpheus is often an erroneous task: there can be no one saviour of rock and roll, nor indeed does indie-rock as a genre currently need saving.
Enter band of the moment Palma Violets, screeching out of their dilapidated Lambeth studio (number 180, after which their debut is named) fresh from their lead single Best Of Friends being crowned NME’s greatest track of 2012. Crazy really, given that they formed only seventeen months ago in September 2011, when lead singer/ guitarist Sam Fryer and bassist/ singer Chilli Jesson conceived the band, recruiting friends keyboardist Peter Mayhew and drummer Will Doyle to complete the London quartet’s lineup. Most bands at their stage would be honing their chops scrambling for gigs in the capital, but Palma Violets find themselves snapped up by Rough Trade and about to release their debut album to a world waiting with bated breath.
180 showcases Palma Violets‘ magpie-like affinity for drawing on and rechanneling a vast collection of disparate influences, recalling at times Eddie Cochrane, The Doors, The Clash, The Gun Club, The Libertines, and Arctic Monkeys. Peter Mayhew’s pulsating keyboard first makes its appearance on Step Up for the Cool Cats and remains for the rest of the album, serving as a welcome foil to the filthy guitars and sleazy bass, eliciting recollections of Rob Collins‘ simple but compelling keyboard work on The Charlatans‘ debut Some Friendly.
Pulp‘s Steve Mackey serves as lead producer, and does a solid job of ensuring that the on-stage chemistry of Fryer and Jesson, frequently compared to The Libertines‘ Pete Doherty and Carl Barât, is translated on to the record, though the production suffers at times from piling on too much echo and reverb. The tracks are characterised by tempo changes and frequent stops and starts, similarly reflected in the mid-song fluctuations in mood and pace employed by the vocalists.
Thematic concerns are simple and unpretentious, as might be expected for a bunch of whippersnappers still green and wet behind the ears: adolescent longing for love (I Found Love‘s “gonna find myself a ladyfriend and stick by her until the end…”), friendships new and old (Three Stars‘ “gee we’re gonna miss you/everybody sends their love…) and generally letting loose and having a good time (Step Up for the Cool Cats’ repeated chorus of “you got me dancing in the sun…”). Lead singer Fryer’s vocals are a constant highlight, conveying a maturity beyond his tender years- meandering between yelps, bawls, screams and croons- and sounding at times like a less nonchalant Julian Casablancas.
Best of Friends is unquestionably the finest of the songs on show here, a rabble rousing garage-rock stomper tinged with psychedelia that showcases the album’s catchiest guitars and chorus, but there are other standout moments too. Sure-to-be live favourite I Found Love finds the perfect meld of pop and rock come the chorus, all-the-while evoking visions of The Velvet Underground in a ruckus with The Strokes. Spirited album closer 14 is a worthy swansong, apparently conceived on the number 14 London night bus home which, thanks to the wonder of alcohol, remained forgotten until Fryer and Jesson recovered it in their voice-mail the morning after.
The key question though is does 180 live up to the hulking level of expectation heaped on it? Of course not. Certain quarters of the music industry would you have you believe that 180 is the sound of the future being unmasked but you should be wary of such false prophets. Don’t expect the aural equivalent of the Bhagavad Gita- this is not another Turn On The Bright Lights or an Is This It. What it is though is a solid rock and roll album crafted by a bunch of talented musicians finding their feet and having a damn good time in the process. And that is never a bad thing.
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Lambeth is a district in Central London, England, located in the London Borough of Lambeth. It is situated 1 mile (1.6 km) southeast of Charing Cross.
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INTERVIEW
By Catriona Gray | 18 February 13
"It looks a bit like a squat," explains vocalist Chilli Jesson of Palma Violets' south London headquarters. "It's a house in Lambeth that's been converted into artists' studios. At the bottom there's a basement where we played our first few shows." Studio 180 has played such a big part in the evolution of the Palma Violets that it has lent its name to the band's hugely anticipated debut album, due out at the end of February. Still, fresh off the plane from Tokyo, with a UK tour booked and their single "Best Of Friends" named as NME's track of 2012, it's clear that the band won't be spending too much time in such an insalubrious setting for the foreseeable future. Frontman Chilli Jesson talks about getting advice from Steve Mackey, losing their keyboard player and wonders why so many Palma Violets gigs feature topless women…
GQ: Pulp's Steve Mackey produced 180, didn't he?
Yes, the stylish Steve Mackey! He was amazing, a real mentor to all of us. We met a few producers but Steve just seemed like he really wanted to do it, which was nice. He taught me a lot especially, because he's a bassist and I'd just started to learn the bass. His best piece of advice was "Don't worry too much about making mistakes because that adds charm and character to a song." There are a lot of mistakes in the record.
What were you listening to when the band first got together?
I was listening to The Clash and Nick Cave. The Gun Club was a big one for us - they were probably the band that influenced us the most. I love the energy of their records.
We keep reading gig reviews which reference topless women in the audience. Is this a frequent occurrence?
It seems to be becoming a bit of a regular thing. It's great - if our music makes people feel like they've got to be topless, I've got nothing against that. It seems to be happening more and more frequently.
Who is your best-dressed man?
Nick Cave is a stylish guy - he's got a great dress sense. And Jarvis Cocker has got good trousers.
Where do you go for clothes?
I used to work in a clothes shop called Matches, where I got given two suits. I wear those a lot; they're from Acne. They're a good brand, I like them. But apart from that, I just wear my Dad's clothes, to be honest.
What's the best thing you can cook?
I'm good at doing a Sunday roast. I do roast potatoes, Yorkshire puddings -  I even make my own apple and cranberry sauce.
Do you spend much time with other Rough Trade artists?
Rough Trade is incredible, it's like a family. Micachu from Micachu And The Shapes - she's wicked. And Alabama Shakes are good friends of ours. They played their first show in London in our studio and we supported them.
Have there been any particularly unnerving moments since starting the band?
Probably losing our keyboard player at Reading Festival. We had to go to Leeds early the next day but he had disappeared completely. Luckily, we eventually found him lying under a tree, passed out. But Pete's been punctual ever since.
Fortaken: http://www.gq-magazine.co.uk
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Awards and nominations:
Year/ Organisation/ Award/ Work/ Result
2012
BBC: Sound of 2013   N/A     Nominated
 
2013
NME: 50 Best Tracks of 2012   "Best of Friends"     Won
NME: Best New Band   N/A     Won
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Palma Violets — 180 [2013]

 

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The Boomtown Rats — Citizens of Boomtown (13 March, 2020)
The Flaming Lips — The Soft Bulletin (Nov. 29, 2019)
Emile — The Black Spider / Det Kollektive Selvmord (May 1, 2020)
Larkin Poe — Self Made Man (June 12th, 2020)
Delilah Montagu — „This Is Not a Love Song EP“ (Feb. 5th, 2021)
Wesley Gonzalez — Appalling Human (June 12, 2020)
Pottery — Welcome to Bobby’s Motel (June 26th, 2020)
Mint Field — Sentimiento Mundial (25 Sept., 2020)
The Killers — „Pressure Machine“ (13th Aug., 2021)
Art d’Ecco — „In Standard Definition“ (April 23rd, 2021)
Cosmo Sheldrake — Galapagos [Original Soundtrack] 2019
The Telescopes — Hidden Fields (August 7th, 2015)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Django Django — „Glowing in the Dark“ (2021)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
The Antlers — „Green To Gold“ (March 26, 2021)
Kyrie Kristmanson — Lady Lightly (Jan. 10, 2020)
Yorkston/Thorne/Khan — Navarasa : Nine Emotions (24th Jan. 2020)
Hey Colossus — Dances / Curses (Nov. 6, 2020)
OWEN PALLETT — ISLAND
Ralph of London — The Potato Kingdom (19th June, 2020)
Kilbey Kennedy — „Jupiter 13“ (March 5, 2021)
Sigur Rós — Odin’s Raven Magic (Dec. 4, 2020)
Arca — „Madre“ (22 Jan., 2021)
Cotatcha Orchestra — Bigbandová elektronika / Bigband Electronic
Locate S,1 — Personalia (April 3, 2020
HMLTD — West of Eden (7 Feb., 2020)
OLYMPIC — „Kaťata“ (October 30, 2020)
Noveller — Arrow (June 12, 2020)
Sugai Ken | Lieven Martens — „KAGIROI“ (March 29, 2021)
Chapelier Fou — Meridiens (Feb. 28, 2020)
HMLTD ©Dean Hoy
Cathedral Bells — Velvet Spirit (March 6, 2020)
Vladislav Delay, Sly Dunbar, Robbie Shakespeare — 500~Push~Up
Orwell — Parcelle brillante (24 April 2020)
Peter Murphy — „Lion“ (June 2nd, 2014)
Tarotplane — „Horizontology“ (February 8, 2021)
Tame Impala — The Slow Rush (Feb 14, 2020)
REBECCA FOON — WAXING MOON (21st Feb., 2020)
Noveller — Arrow (June 7, 2020)
Virginia Plain — Strange Game (Dec. 13, 2019)
Blinker the Star — Juvenile Universe (20 Nov., 2020)
Teho Teardo — Ellipsis dans l’harmonie (March 6th, 2020)
Signe Marie Rustad — When Words Flew Freely (Nov. 15, 2019)
Angel Olsen — „Aisles“ EP (20 Aug., 2021)
Stian Westerhus — Redundance (March 5, 2020)
Beck — Deep Cuts (March 2020)
Keeley Forsyth — Debris (17 Jan., 2020)
KeiyaA — Forever, Ya Girl (March 27, 2020)
John Craigie — Asterisk the Universe (June 12, 2020)
Ellipsis dans l’harmonie BACK COVER
Paul Weller — „Fat Pop (Volume 1)“ (14th May, 2021)
Horse Lords — „The Common Task“ (March 13, 2020)
Half Japanese — Crazy Hearts (4th Dec., 2020)
Lavender Diamond — Incorruptible Heart (Sept. 2012)
MARY — Die Before Death (September 4, 2020)
The Belmondos — Memory Lane (Nov. 20, 2020)
Troi Irons — Flowers (Sept. 25, 2020)
Ryuichi Sakamoto — „Black Mirror: Smithereens“ (Oct. 24, 2020)
The Dears — Times Infinity Volume One (September 25, 2015)
The Album Leaf — OST (March 20, 2020)
Joensuu 1685 — ÖB (09 Oct., 2020)
Black Tape For A Blue Girl — „Ashes In The Brittle Air“ [Remaste
Jack Peñate — After You [Expanded Edition] (2020)
Thomas Dybdahl — The Great Plains (Feb 24, 2017)
Lavender Diamond — Now Is the Time (Dec. 4, 2020)
Bowerbirds — „becalmyounglovers“ (April 30th, 2021)
Grimes — Visions (2012)
Grandbrothers — All the Unknown (15 Jan., 2021)
Jessie Ware — Glasshouse (Deluxe; 20 Oct 2017)
Kavus Torabi — Hip to the Jag (May 22, 2020)
Josienne Clarke — „A Small Unknowable Thing“
Adrian Crowley — „The Watchful Eye of the Stars“ (30th April, 20
Bella White — Just Like Leaving (Sept. 25, 2020)
Pharoah Sanders — „Live In Paris (1975): Lost ORTF Recordings“
Oddfellow’s Casino — The Raven’s Empire (2012)
Calexico / Iron & Wine — Years to Burn (2019)
Chris Potter — There Is a Tide (Dec. 4, 2020)
L’Rain — „Fatigue“ (June 25, 2021)
Amanda Palmer — Forty~Five Degrees: Bushfire Charity Flash Rec.
Veneer — Recovery (April 15, 2020)
Chris Potter — Circuits (Feb. 22, 2019)
Sara Serpa — Recognition (June 5th, 2020)
BECK — Uneventful Days (St. Vincent Remix)
The Flaming Lips — „The Soft Bulletin Companion“ (4 March 1999/J
God Is an Astronaut — „Ghost Tapes #10“ (Feb. 12, 2021)
Oddfellow’s Casino — Burning! Burning! (7 Aug., 2020)
This Will Destroy You — Vespertine (June 9, 2020)
Scoundrels — Music From The Arch (Sept. 11, 2020)
Teen Daze — Morning World
Gary Lucas — „The Edge Of Heaven: ...“ (April 1, 2002)
Lingua Ignota — „SINNER GET READY“ (Aug. 6, 2021/2 LP)
Sara Serpa, Ingrid Laubrock, Erik Friedlander — Close Up (2018)
The Wallflowers — „Exit Wounds“ [July 9, 2021, Vinyl LP]
Rufus Wainwright — Unfollow the Rules [Deluxe Version] (July 9,
THE DEARS — ‘Lovers Rock’ (May 15, 2020)
Greenslade — Time and Tide (2 cd, 1975/2015)
Bellows — The Rose Gardener (Feb. 22, 2019)
Ariel Pink — House Arrest (2002/Mar 2011/April 24, 2020)
The Jayhawks — XOXO (July 10, 2020)
Béla Fleck & Toumani Diabaté — The Ripple Effect [2LP, March 27,
Budokan Boys — So Broken Up About You Dying (2 Oct. 2020)
John Vanderslice — „Time Time is Lonely“ (June 12th, 2001)
Sonny Landreth — Elemental Journey (May 22, 2012)
Laura Fell — Safe from Me (Nov. 20, 2020)
Laura Perrudin — Perspectives & Avatars (Oct. 9, 2020)
CocoRosie — Put the Shine On (6 March 2020)
Anthony Moore — Out (20 Nov., 2020)
Soho Rezanejad — „Perform and Surrender“ (Dec. 04, 2020)
Whyte Horses — Hard Times (17th of Jan., 2020)
Tindersticks — Distractions (Feb. 19, 2021)
„Mojo Presents Steve Marriott, Small Faces, Humble Pie: Afterglo
Jessie Ware — What’s Your Pleasure (June 26, 2020)
Corb Lund — Agricultural Tragic (June 26, 2020)
Scott Matthew — Ode to Others (April 20, 2018)
Thurston Moore — „screen time“ (Feb. 5, 2021)
Raed Yassin — Archeophony (Nov. 27, 2020)
Thomas Dybdahl — Fever (March 13, 2020)
Born Ruffians — Juice (April 3, 2020)
Growing Up Live — 3LP Half Speed Remaster (Nov. 27, 2020)
Michael Landau — The Michael Landau Group Live (Oct. 31, 2006)
The Weather Station — Ignorance (Feb. 5, 2021)
Marc Ribot’s Ceramic Dog — What I Did On My Long ‘Vacation’ EP
The Beths — Jump Rope Gazers (July 10th, 2020)
Coultrain — „Phantasmagoria“ (April 9, 2021)
Carissa Johnson — A Hundred Restless Thoughts (Dec. 18th, 2019)
Anna Calvi — „Hunted“
Christine Ott — Chimères (pour ondes Martenot) (May 22, 2020)
Eleanor Friedberger — Rebound (May 4th, 2018)
Smashing Pumpkins — Cyr (27th Nov., 2020)
Ryuichi Sakamoto — „Minamata“
Calexico — Seasonal Shift (Dec. 4th, 2020)
Futurebirds — Teamwork (Jan. 15th, 2020)
Emmy the Great — Second Love (March 11, 2016)
My Morning Jacket — The Waterfall II (Aug. 28, 2020)
ELEANOR FRIEDBERGER — NEW VIEW (January 22, 2016)
Cornershop — „England Is a Garden“ (6th March, 2020)
Negativland — The World Will Decide (Nov. 13, 2020)
Kill The Dandies! — Your Blood My Veins (Feb. 5, 2021)
Chris Brokaw — „Puritan“ (Jan. 15, 2021)
Cormons Jazz & Wine of Peace festival 2008 ©Ziga Koritnik
Andrej Šeban — Triplet (March 22, 2019) inner cover
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
Jenny Lewis — On the Line (March 22, 2019)
Dungen — Live (March 13, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Andrej Šeban — Triplet (March 22, 2019) cover
Sonny Landreth — Blacktop Run (Feb. 21, 2020)
Læetitia Shériff — Pandemonium, Solace And Stars
Gerald Cleaver — Signs (March 27, 2020)
The Crossing & Donald Nally — James Primosch: Carthage (05/2020)
The Drums — Brutalism (April 5, 2019)
Eli Winter — „Unbecoming“ (21 Aug 2020)
Laila Sakini ‎— Into the Traffic, Under the Moonlight (10 Dec.,
DAGMAR VOŇKOVÁ — ARCHA (2020)
Immigrant Union — Judas (June 19, 2020)
KMRU — Peel (18th Sept., 2020)
Spy Machines — Spy Machines (April 3, 2020)
Negativland — True False (25 Oct., 2019)
David Cross & Peter Banks — Crossover (17 Jan., 2020)
Jake Blount — Spider Tales (May 29, 2020)
EELS — Earth To Dora (Oct. 30th, 2020)
Art Feynman — Half Price At 3:30 (June 26th, 2020)
Jorge Elbrecht — „Presentable Corpse — 002“ (28th May 2021)
Jerskin Fendrix — Winterreise (April 17, 2020)
Julianna Barwick — Healing Is a Miracle [Japan Edition] (2020)
Joy Division — Closer (40th Anniversary) [2020 Digital Master] (
Jorge Elbrecht — „Presentable Corpse — 002“ (28th May 2021)
Sophie Tassignon — Mysteries Unfold (April 24, 2020)
Anika Nilles — For a Colorful Soul (Jan. 10, 2020)
Ospalý pohyb — Ostrava (October 17, 2016)
Deradoorian — Find the Sun (Sept. 18, 2020)
Donovan — “Atlantis”
Noveller — „Red Room“ (Sept. 3, 2021)
All The Best, Isaac Hayes (A Spoken Word Album)
Ospalý pohyb — ø (May 24, 2016)
James Harries — Superstition (Jan. 31, 2020)
Zoongideewin — Bleached Wavves (June 19, 2020)
Nitin Sawhney — Live At Ronnie Scotts (Nov. 17, 2017)
HOUPACÍ KONĚ: SOULKOSTEL 8 11 2019 (April 25, 2020)
Recondite — Dwell (Jan. 24, 2020)
Kacey Johansing — No Better Time (Nov. 20, 2020)
Yoko Ono, Kim Gordon & Thurston Moore — YOKOKIMTHURSTON
Com Truise — Persuasion System (May 17, 2019)
Kazuomi Eshima & Masahiko Takeda — Inheritance for Soundscape
Erik Griswold — All’s Grist That Comes To The Mill (03/20, 2020)
Caspian — Dust and Disquiet (Sept. 25, 2015)
SLY & THE FAMILY DRONE FC (17, 2020)
Låpsley — Through Water (March 20th, 2020)
Sarah Longfield — Dusk (April 22, 2020)
Soundwalk Collective with Patti Smith — Peradam (Sept. 4th, 2020
M. Caye Castagnetto — „Leap Second“ (Jan. 22, 2021)
Erik Griswold — All’s Grist That Comes To The Mill (03/20 2020)
Circa Waves — Sad/Happy (March 13th, 2020)
Bob Dylan — Rough and Rowdy Ways (June 19th, 2020)
Kurt Wagner of Lambchop. ©Picture Joanna Bongard
Art d’Ecco — „In Standard Definition“ (April 23rd, 2021)
Sol Seppy — The Bells Of 12 (June 21, 2019)
930 x 827 tmavší podklad.jpg
P/\ST — /Expedice do vnitrobloku\ (Oct. 5, 2019)
Roland Tings — Salt Water (Nov. 8, 2019)
Eamon O’Leary — The Silver Sun (Jan. 15, 2021)
Martin Barre — „Live At The Factory Underground“ (Feb. 14, 2019)
Paul McCartney — „McCartney III Imagined“ (23rd July, 2021)
M.Ward — Migration of Souls (April 3, 2020)
33EMYBW — Golem (25 Sept., 2019)
The Third Mind — The Third Mind (Feb. 14, 2020)
CocoRosie — Restless (Feb. 12th, 2020)
Sean Henry — A Jump from the High Dive (Nov. 1, 2019)
Mike Cooper — Playing With Water (Nov. 6, 2020)
Ben Featherstone — Prisoner to the Wind (Dec. 20th, 2019)
Ailbhe Reddy — Personal History (23 Oct., 2020)
Thomas Köner — Motus (Feb. 20, 2020)
Lanterns On the Lake — Spook the Herd (21 Feb., 2020)
Darkside — „Spiral“ [Japan Edition] (July 23, 2021)
A Winged Victory for the Sullen — The Undivided Five
Nick Hakim | Roy Nathanson — „Small Things“ (April 16, 2021)
The Telescopes — Songs of Love and Revolution (Feb. 5, 2021)
Send Medicine — „By Telepathy And Reputation“ (July 16, 2021)
Of Montreal — Ur Fun (Jan. 17, 2020)
Ryan Adams — „Big Colors!“ (June 11, 2021)
Lanterns On the Lake — Spook the Herd (21 Feb., 2020)
Seaway — Big Vibe (Oct. 16th, 2020)
Surprise Chef — Daylight Savings (Oct. 16, 2020)
Ryley Walker — „Course in Fable“ (April 2, 2021)
Sega Bodega — Salvador (Feb. 14, 2020)
Klara Lewis — Ingrid (1st May 2020)
Vivienne Wilder — Postromantic (June 12, 2020)
Prophecy Playground — Comfort Zone (Feb. 15, 2020)
Kurt Vile — Speed, Sound, Lonely KV EP (2nd Oct., 2020)
Steve Earle — Townes (May 8, 2009)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Oiseaux~Tempęte — From Somewhere Invisible (19 Dec., 2019)
Hamilton Leithauser (The Walkmen) — Dear God (Aug. 2015)
Steve Earle & The Dukes — Ghosts of West Virginia (May 22, 2020)
Nitin Sawhney — „Immigrants“ (19 March, 2021)
Real Estate — The Main Thing (28th Feb., 2020)
Myopia Exclusive Crystal Clear Vinyl
The Kills — Ash And Ice (June 3, 2016)
James Harries — Before We Were Lovers
Irena and Vojtěch Havlovi — „Melodies in the Sand“ (March 5, 202
ANNA CALVI — HUNTED (March 6, 2020)
Elysian Fields — Transience Of Life (May 7, 2020)
SOFIA TALVIK — Paws of a Bear (Sept. 27, 2019)
Badge Époque Ensemble — Self Help (Nov. 20, 2020)
Ali Holder — Uncomfortable Truths (April 10, 2020)
Sungazers — Wasting Space (May 18, 2020)
Really From — „Really From“ (March 12, 2021)
Neil Young — Homegrown (19th June, 2020)
Lightning Bolt — Hypermagic Mountain (October 18, 2005, March
Craig Fortnam — „Ark“ (16 July, 2021)
Sixth June ‎— Trust (17 Jan 2020)
Bellows — The Rose Gardener (Feb. 22, 2019)
Tatsuhisa Yamamoto 山本達久 — Ashioto (Oct. 21, 2020)
From Atomic — Deliverance (April 2020)
Cermaque — Lament (22nd May, 2020)
Fuzzy Lights — „Burials“ (July 2nd, 2021)
Alfie Templeman — „Forever Isn’t Long Enough“ (May 7th, 2021)
Tatsuhisa Yamamoto 山本達久 — Ashioto (Oct. 21, 2020)
Laurel Halo — Raw Silk Uncut Wood (July 13, 2018)
Anna von Hausswolff — Dead Magic (March 2018)
Moses Sumney — græ Part 1 & 2 (May 15, 2020)
Lauren Lakis — Daughter Language (Jan. 22, 2021)
Elizabeth And The Catapult — Like It Never Happened (24/01/2014)
David Thomas Broughton & Juice Vocal Ensemble — Sliding The Same
Marissa Nadler — unearthed (March 20, 2020)
Lake Street Dive — „Obviously“ (March 12th, 2021)
Jaye Jayle — Prisyn (Aug. 7, 2020)
Sweet Trip — You Will Never Know Why (Jan. 22, 2021)
PETR KALANDRA — Petr Kalandra & ASPM 1982 — 1990 (Feb. 26, 2020)
Justine Vandergrift — Stay (Feb. 7th, 2019)
Iceage — „Seek Shelter“ (May 7th, 2021)
Hamilton Leithauser — The Loves of Your Life (10 April 2020)
Bombay Bicycle Club — Everything Else Has Gone Wrong (01/24/20)
Gráinne Duffy — Where I Belong (Sept. 19, 2017)
Anthony Gomes — Containment Blues (2020)
Sports Team — Deep Down Happy (5th June, 2020)
Evan Wright — „Sound From Out The Window“ (Aug. 25, 2021)
Nonlocal Forecast — Bubble Universe! (March 1, 2019)
Lionel Loueke — HH (Sept. 11, 2020)
Al Di Meola — Across the Universe: The Beatles, Vol. 2 (2020)
LENKA NOVÁ — DOPISY (21.03./24.04., 2020)
Genesis Revisited: Live at The Royal Albert Hall — 2020 Remaster
Tedeschi Trucks Band — „The Fireside Sessions [Episode One / Epi
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Veronica Swift — „This Bitter Earth“ (March 19, 2021)
The Electric Soft Parade — Stages (Jan. 8, 2020)
Villagers — The Art Of Pretending To Swim (03/19, 2020) DELUXE E
Mountaineer — Bloodletting (May 22nd, 2020)
Ólafur Arnalds — Some Kind Of Peace (6 Nov., 2020)
SUUNS — „The Witness“ (Sept. 3, 2021)
Steve Hackett — Under A Mediterranean Sky (Jan. 22, 2021)
Anna von Hausswolff — All Thoughts Fly (Sept. 25, 2020)
Tara Fuki — Motyle (Nov. 13th, 2020)
Peel Dream Magazine — Agitprop Alterna (3rd April 2020)
Nicholas Cords — Touch Harmonious (Nov. 6, 2020)
Destroyer — Have We Met (Jan. 31, 2020)
John McLaughlin, Shankar Mahadevan, Zakir Hussain — Is That So?
THE SHAKING SENSATIONS — “How Are We to Fight the Blight” 2xLP
Alphaxone — Dystopian Gate (Jan. 14, 2020)
Lanterns On The Lake — The Realist (Dec. 18, 2020)
A Certain Ratio — ACR Loco (25th Sept., 2020)
THE SCHRAMMS — “Omnidirectional” (June 21st, 2019)
David Thomas Broughton — The Complete Guide To Insufficiency /re
Aimee Mann — Bachelor No. 2 (20th Anniversary Edition) (Nov. 27,
The Chap — Digital Technology (10 Jan., 2020)
Joan As Police Woman — Cover Two (May 1, 2020)
Isobutane — Mementos (Jan. 29, 2021)
The Shivas — “Dark Thoughts” (October 25, 2019)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Lucy Railton — Paradise 94 (22 Mar 2018)
Drive~By Truckers — The Unraveling (cover)
The Shins — “Heartworms” (March 10, 2017)
Elizabeth & The Catapult — „Sincerely, E“ (March 5, 2021)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
M. Ward — Think of Spring (Dec. 11, 2020)
The Shins — “The Worms Heart” (Jan. 18, 2018)
Psychic Markers — Psychic Markers (29 May, 2020)
Julianna Barwick — Circumstance Synthesis (Dec. 20, 2019)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
Meredith Monk & Bang on a Can All~Stars — Memory Game (03/27/20)
Drive~By Truckers — The Unraveling (cover)
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
JACKSON VANHORN: “AFTER THE REHEARSAL”
Blanck Mass — „Mind Killer“ (May 14th, 2021)
Eivind Aarset & Jan Bang — Snow Catches On Her Eyelashes (2020)
Richard Barbieri ‎— Past Imperfect / Future Tense (Mar 2020)
Kevin Morby — Sundowner (October 16, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
EVA ROHLEDER — Babské ucho (Nov. 9th, 2020)
Laurel Halo — Possessed (April 10, 2020)
Helena Deland — Someone New (16 Oct., 2020)
Stereolab — „Electrically Possessed [Switched On Volume 4]“ (Feb
Devendra Banhart — Ma (September 13, 2019)
Field Music — Making a New World (Jan. 10, 2020)
Gráinne Duffy — Voodoo Blues (Oct. 15, 2020)
The Memories — Pickles & Pies (May 29, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Highasakite — Uranium Heart (Feb. 1st, 2019)
Pearl Jam — Gigaton (March 27, 2020)
Walter Martin — The World at Night (Jan. 31, 2020)
Foxing — „Draw Down the Moon“ (Aug. 6, 2021)
The Tiger Lillies — Cold Night in Soho (10 Feb. 2017)
Silkworm — In The West (24 Jan., 2020)
Marillion — „Marbles“ (30th April, 2021, 3 LP)
Chavez — Gone Glimmering [Expanded Edition] (Oct. 23, 2020)
FRÀNÇOIS & THE ATLAS MOUNTAINS — BANANE BLEUE (26th Feb., 2021)
Kamaal Williams — Wu Hen (July 24, 2020)
Caspian — On Circles (January 24, 2020)
Jennifer Curtis & Tyshawn Sorey: Invisible Ritual (2020)
Hypnotic Brass Ensemble
DAVID POMAHAČ — DO TMY JE DALEKO (Feb. 7, 2020)
Don Gallardo — The Lonesome Wild (April 2, 2020)
Damon Locks Black Monument Ensemble — Where Future Unfolds (2019
The Tiger Lillies — Edgar Allan Poe’s Haunted Palace
Mark Lanegan — Straight Songs Of Sorrow (8th May, 2020)
I Break Horses — Warnings (08 May 2020)
Maxïmo Park — „Nature Always Wins“ (26th Feb., 2021)
Avishai Cohen — „Two Roses“ (April 16, 2021)
Spiritualized — „Lazer Guided Melodies“ (March 30, 1992, Remaste
Cocteau Twins — Head Over Heels
Angel Olsen — „Song of the Lark and Other Far Memories“ (May 7,
Cocteau Twins — Treasure
Sarah Jarosz — World On The Ground (June 5, 2020)
The Innocence Mission — See You Tomorrow (Jan. 17, 2020)
Daniel Lanois — „Heavy Sun“ (March 19, 2021)
Father John Misty — „Off~Key In Hamburg“ (March 23, 2020)
M G Boulter — „Clifftown“ (April 23rd, 2021)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
The Tiger Lillies — Covid~19 (April 10, 2020)
Portico Quartet — „Terrain“ (May 28, 2021)
Hawkwind — Acoustic Daze (25 Oct. 2019)
I Am Planet — „Záznamy ticha“ (30 April, 2021)
The Avalanches — We Will Always Love You (11 Dec., 2020)
Beautify Junkyards — Cosmorama (15th Jan., 2021)
Portico Quartet — „Terrain“ (May 28, 2021)
Wendy Eisenberg — Auto (Oct. 16, 2020)
I Am Planet — „Záznamy ticha“ (30 April, 2021)
TANYA DONELLY: Swan Song Series bonus tracks (FC)
Kate Amrine — This Is My Letter to the World (Jan. 24, 2020)
Liz Phair — „Soberish“ (4th June 2021)
CONCEPT ART ORCHESTRA — „100 YEARS“ (11.12.2020)
Juliana Hatfield — „Blood“ (May 14, 2021)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
WHITE TAIL FALLS — Age Of Entitlement (May 29, 2020)
Susan Alcorn Quintet — Pedernal (Nov. 13, 2020)
Coloured Clocks — Flora (May 2, 2020)
Daniel Knox — Won’t You Take Me with You (Jan. 15, 2021)
Indoor Voices — Animal (Feb. 14, 2020)
Jane Weaver — „Flock“ (March 5, 2021)
ELYSIAN FIELDS — Pink Air
Midlake — Antiphon (Nov. 4, 2013)
Jonathan Wilson — Rare Birds (March 2nd, 2018)
KIESLOWSKI Tiché lásky
Fiona Apple — Fetch The Bolt Cutters (17 Apr., 2020)
Lucrecia Dalt — Syzygy (Oct. 15, 2013)
Hayden Thorpe — Diviner (24 May 2019)
Cocteau Twins — Garlands (1982, Reissue 2020)
Alessandra Leão ‎— Macumbas e Catimbós (24/05/2019)
Cowboy Junkies — Ghosts (30 Mar 2020)
Liz Simmons — „Poets“ (March 1, 2021)
Laura Marling — Song for Our Daughter (April 10th, 2020)
Wendy Eisenberg — Its Shape Is Your Touch (Oct. 2018)
Nite Jewel — „No Sun“ (Aug. 27, 2021)
Baxter Dury — The Night Chancers (20 March 2020)
San Fermin — San Fermin (Nov. 11, 2013)
Sara Bareilles — What’s Inside Songs From Waitress (11/06, 2015)
Joe Strummer — „Assembly“ (26 March, 2021)
The Heliocentrics — Telemetric Sounds (Aug. 7, 2020)
JAMES YORKSTONE — The Wide, Wide River (22nd Jan., 2021)
The Dream Syndicate — „The Universe Inside“ (April 10, 2020)
Black Sabbath: Black Sabbath (13 Feb., 1970)
Third Coast Percussion & Devonté Hynes — Fields (Oct. 11, 2019)
White Tail Falls — Age of Entitlement (May 29, 2020)
MUFF — Fatalust (Nov. 1, 2019) cover
Ben Watt — Storm Damage (31st Jan., 2020)
San Fermin — The Cormorant I & II (Oct. 4, 2019/April 3, 2020)
Saša Niklíčková — Zmačkaná žena (Oct. 26, 2020)
Stephen Duffy — I Love My Friends [Expanded Ed] (10 May 2019)
I Break Horses — Chiaroscuro
Sea Wolf — Through a Dark Wood (March 20, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Maya Beiser — „Maya Beiser x Philip Glass“ (July 23, 2021)
Tom Petty — „Southern Accents“ (March 26, 1985/2006)
Dan Blake — „Da Fé“ (March 12, 2021)
Yorkston | Thorne | Khan — Navarasa : Nine Emotions (2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Anupam Shobhakar — „Dawn of Paradise“ (Nov. 13, 2020)
Genghis Tron — „Dream Weapon“ (March 26, 2021)
HAIM — „Women in Music Pt. III“ [Expanded Edition] (June 26, 202
Stove — ‘s Favorite Friend (Oct. 31, 2018)
ANASTASIA MINSTER — Father ©Michael Haley
Jonathan Wilson — Dixie Blur (March 6, 2020)
Ethel Cain — „Inbred“ (April 23, 2021)
Fruition — Broken At The Break Of Day (Jan. 23, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
1600 x 1600 High Violet (10th Anniversary Expanded Edition).jpg
ROBERT FRIPP — THE KITCHEN (New York, NY) — 05 FEB 1978
Sara Bareilles — More Love: Songs from Little Voice Season One (
The Sufis — Double Exposure (Jan. 24, 2020)
ÁSGEIR: IN THE SILENCE
Martin Barre — Roads Less Travelled (26 Oct. 2018)
Loney dear — „A Lantern and a Bell“ (March 26, 2021)
Loveblind / Sleeping Visions (March 27, 2020)
Jon Regen — Higher Ground (October 4, 2019)
Walter Martin — The World at Night (Jan. 31, 2020)
Asher Gamedze – Dialectic Soul (July 10, 2020)
Frances Quinlan — Likewise (Jan. 31, 2020)
Jon Regen — Higher Ground (October 4, 2019)
Motorpsycho — „Kingdom of Oblivion“ (April 16th, 2021)
KING CRIMSON, The Night Watch
Brooklyn Raga Massive — In D (Nov. 21, 2020)
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Matt Berninger — Serpentine Prison (Oct. 16, 2020)
Susan Alcorn, Leila Bordreuil, Ingrid Laubrock
Rizan Said — Saz û Dîlan (Oct. 11, 2019)
Nick Cave | Warren Ellis — „Carnage“ (Feb. 25, 2021)
Ásgeir — Bury the Moon (7 Feb., 2020)
Sharon Van Etten — „epic Ten“ (April 16, 2021)
Riva Taylor — ‘This Woman’s Heart .1’ (27 Mar 2020)
Wrangler — A Situation (28 Feb., 2020)
Juraj Griglák, From The Bottom (Sept. 16, 2019)
Half Moon Run — A Blemish in the Great Light (Nov. 1, 2019)
Cheerleader — Almost Forever (Feb. 7, 2020)
Queer Jane — Amen Dolores (March 27, 2020)
BECCA STEVENS — WONDERBLOOM (March 20th 20, 2020)
Mogwai — „As the Love Continues“ [Deluxe Edition] (19/02/2021)
John Medeski — „Crawlspace“ (Aug. 6, 2021)
Juraj Griglák — From the Bottom (Sept. 16, 2019)
Einstürzende Neubauten — Alles In Allem (May 29th, 2020)
Torres — Three Futures (29th Sept. 2017)
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Bison Bone — Find Your Way Out (Sept. 25, 2020)
Oh Wonder — No One Else Can Wear Your Crown [Deluxe Edition]
These New Puritans — The Cut (2016~2019) (14 Feb. 2020)
Vennart — „In The Dead, Dead Wood“ (6th Nov., 2020)
Laetitia Shériff — Stillness (Nov. 6, 2020)
Gillian Frame — „Pendulum“
Thin Lear — Wooden Cave (24th July, 2020)
Torres — Silver Tongue (Jan. 31, 2020)
Dot Allison — „Heart~Shaped Scars“ (July 30, 2021)
Kings of Leon — „When You See Yourself“ (March 5, 2021)
King Khan — The Infinite Ones (Oct. 30, 2020)
Anoushka Shankar — Love Letters (7 Feb., 2020)
Free To Grow — Imperfection (Aug. 7, 2020)
Dan Croll — Grand Plan (21 Aug., 2020)
Andrej Šeban — „Zep Tepi“ (May 21, 2021)
Lilien Rosarian ~ A Day in Bel Bruit (June 9, 2019)
Form and Chaos — „Gateways“ (March 16, 2021)
Jim Noir — A.M Jazz (Dec. 20, 2019)
Ehsan Matoori & Alireza Ghorbani — „The Voices and Bridges“ (Jul
Brad Mehldau & Orpheus Chamber Orchestra — „Variations on a Mela
Shemekia Copeland — Uncivil War (October 23rd, 2020)
I Like to Sleep — Daymare (April 17, 2020)
Psychedelic Porn Crumpets — SHYGA! The Sunlight Mound (5th Feb.,
Kaki King — Modern Yesterdays (Oct. 23, 2020)
Bill MacKay and Katinka Kleijn — STIR (Oct. 17, 2019)
VARIOUS ARTISTS: IN THE MOOD FOR LOVE (Import)
The Mountain Goats — Getting Into Knives (Oct. 23, 2020)
Ben Sidran — Blue Camus (Oct. 2014)
Varga Marián — Solo in Concert (1. feb. 2018)
Peter Bruntnell — „Journey to the Sun“ (June 11, 2021)
Paris Jackson — Wilted (Nov. 13, 2020)
No~Man — Love You To Bits (Nov. 22, 2019)
Death Cab for Cutie — The Georgia EP (Dec. 4th, 2020)
Blackbird & Crow — Ailm (17 Jan 2020)
Liz Longley — Liz Longley (March 17, 2015)
Van der Graaf Generator — Recorded Live in Concert
Bruce Springsteen — Letter to You (Oct. 23, 2020)
Amy LaVere — Painting Blue (27 Mar 2020)
The Chills — „Scatterbrain“ (May 14, 2021)
100 Gecs — 1000 gecs (May 31, 2019)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cold Chisel — Blood Moon (6 Dec., 2019)
Cold War Kids — New Age Norms 1 (Nov. 1, 2019)
Blackbird & Crow © 2020 Author: Megan Doherty
WaqWaq Kingdom — Essaka Hoisa (Nov. 15, 2019)
The Mountain Goats — Songs for Pierre Chuvin (April 10, 2020)
Hawktail — Formations (Jan. 10, 2020)
Morrissey — I Am Not a Dog On a Chain (March 20th, 2020)
Minus the Bear — „Farewell“ (October 21, 2021/3xLP)
Jack Peñate — After You (29th Nov. 2019)
Villagers — Darling Arithmetic [Deluxe Version] (April 10, 2015)
Ashley Paul — Window Flower (May 13, 2020)
Daniel Bachman — The Morning Star (July 27, 2018)
Roger Eno | Brian Eno — Mixing Colours (20 March, 2020)
Darnielle, Jon Wurster, Matt Douglas, Pete Hughes. ©Josh Sanseri
Joe Bonamassa & The Sleep Eazys — Easy To Buy, Hard To Sell
Axel Flóvent — You Stay by the Sea (15 Jan., 2021)
Preston Lovinggood — Consequences (June 10, 2018)
Martin Barre — Away With Words
Ezra Bell — This Way to Oblivion (3rd April, 2020)
All Them Witches — Nothing as the Ideal (Sept. 4, 2020)
Shafiq Husayn — The Loop (March 29, 2019)
Sinikka Langeland — „Wolf Rune“ (April 9, 2021)
Queer Jane — Home (Dec. 1, 2016)
Minus the Bear — „Farewell“ (October 21, 2021/3xLP)
RADEK BABORÁK a jeho ORQUESTRINA na PIAZZOLLOVSKÉ ALBUM.
Damien Jurado — „The Monster Who Hated Pennsylvania“ (2021)
Moonchild — Little Ghost (6th Sept. 2019)
Evergreen — Overseas (15 Jun 2018)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
Real Estate — „Half A Human“ (March 26, 2021)
The Waterboys — Good Luck, Seeker (Deluxe) (Aug. 21, 2020)
Dave Scanlon — Pink in each, bright blue, bright green (Jan. 15,
Ani DiFranco — „Revolutionary Love“ (Jan. 29, 2021)
CYHSY, New Fragility (Coke Bottle Clear) 2021
Maarja Nuut & Ruum — World Inverted (11th Sept., 2020)
Richard Youngs — Dissident (Jan. 25, 2019)
Kuře v hodinkách — Flamengo
Daniel Bachman — Green Alum Springs (June 6, 2020)
Midwife — Forever (April 10, 2020)
MORCHEEBA: Blackest Blue (May 14, 2021) (blue vinyl)
Kamasi Washington — Becoming (Music from the Netflix Original Do
Michal Mihok — „The Imprint“ (April 29, 2019)
Siobhan Wilson — The Departure (10 May, 2019)
Twin Shadow — „Twin Shadow“ (July 9th, 2021)
Steve Harley — „Uncovered“ (21 Feb., 2020)
Kris Delmhorst — Blood Test
Martin Burlas & Musica falsa et ficta — Hexenprozesse
I Don’t Know How but They Found Me — Razzmatazz (Oct. 23, 2020)
Songdog — Happy Ending (27th March, 2020)
Zuzana Mikulcová — Slová
Holly Herndon — PROTO (Winner of Tais Awards 2020)
Rory Block — Prove It On Me (March 27, 2020)
Cate Le Bon — Here It Comes Again (2020)
Tunng — Tunng Presents…DEAD CLUB (Nov. 6, 2020)
Sean O’Hagan — Radum Calls, Radum Calls (2019)
Lost Horizons — In Quiet Moments (Dec. 4, 2020/2021)
The Black Keys — „Delta Kream“ (May 14th, 2021)
Sweet Trip — „A Tiny House, in Secret Speeches, Polar Equals“ (M
Nicey Nice World — Obelisks and Asterisks (Sept. 22, 2020)
Pink Floyd — Delicate Sound of Thunder (1988)
Robert Plant — Carry Fire (2 LP, 13/10/2017)
Ben Sidran — Who’s the Old Guy Now (Nov. 20, 2020)
Le Butcherettes — DON’T BLEED EP (14 Feb 2020)
Lee Ranaldo, Jim Jarmusch, Marc Urselli, Balázs Pándi — „Churnin
Devin Sinha — The Seventh Season (Oct. 21, 2014)
Marillion — „With Friends At St David’s“ (Nov. 13, 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
Typhoon — „Sympathetic Magic“ (Jan. 22nd, 2021)
Arab Strap — „As Days Get Dark“ (March 5, 2021)
First Aid Kit — Stay Gold (2014)
Land of Talk — Indistinct Conversations (July 31, 2020)
Kuře v hodinkách — Flamengo
The League Of Assholes — „CODA“ (Jan. 20, 2021)
Luke Haines — Beat Poetry For Survivalists (6 Mar. 2020)
Suzi Quatro — „The Devil in Me“ [Japan Edition] (Jan. 22, 2021)
Aki Takase Daniel Erdmann — „Isn’t It Romantic“ (March 18, 2021)
Halsey — „If I Can’t Have Love, I Want Power“ (Aug. 27, 2021)
Devin Sinha — Liminal Space (Oct. 23, 2020)
Sarah Neufeld — „Detritus“ (May 14, 2021)
Nicole Atkins — Italian Ice (29 May 2020)
Maria Schneider Orchestra — Data Lords (24th July, 2020)
Lambchop — TRIP (Nov. 13th, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
BC Camplight — Shortly After Takeoff (24 April 2020)
Delta Spirit — What Is There (Sept. 11th, 2020)
The Hold Steady — „Open Door Policy“ (Feb. 19, 2021)
John Mclaughlin — „Liberation Time“ (July 16th, 2021)
BOB DYLAN — „SPRINGTIME IN NEW YORK: THE BOOTLEG SERIES VOL. 16
The Magnetic Fields — Quickies (May 15, 2020)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
Cold War Kids — New Age Norms 2 (Aug. 21, 2020)
learning structures, vol. 2: end firma
Suns Of The Tundra — „Murmuration“ (Nov. 15, 2019)
Arushi Jain — „Under the Lilac Sky“ (July 9th, 2021)
Becca Mancari — The Greatest Part (June 26, 2020)
learning structures, vol. 3: distance between us
Severin Bells — A Brighter Side to the Unknown (24th Oct., 2020)
The Apache Relay — Apache Relay (April 22, 2014)
Thurston Moore — By The Fire (Sept. 25, 2020)
Kurt Rosenwinkel Trio — Angels Around (May 8, 2020)
Frazey Ford — U kin B the Sun (Feb. 7th, 2020)
Lizzy Farrall — Bruise (March 27, 2020)
Alice Peacock — Minnesota (Sept. 20th, 2019)
Devon Williams — A Tear in the Fabric (May 1, 2020)
Gwenifer Raymond — Strange Lights Over Garth Mountain (2020)
LENKA DUSILOVÁ — ŘEKA (Nov. 6th, 2020)
STEREOLAB: Oscillons from the Anti~Sun
Hallelujah the Hills — A Band Is Something to Figure Out (2016)
Loveblind: Visions
Lilly Hiatt — Walking Proof (27 March, 2020)
Mekons — Deserted (March 29, 2019)
Loveblind: Visions
Throwing Muses — Sun Racket (Sept. 4, 2020)
Sean McMahon ― You Will Know When You’re There (March 1, 2019)
Deradoorian — Find the Sun (Sept. 18, 2020)
The Chats — High Risk Behaviour (March 27, 2020)
Tylor Dory Trio — Unsought Salvation (Dec. 21, 2019)
György Ligeti — Lontano (22. Oct.,1967)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Guranfoe — Sum of Erda (Dec. 13, 2019)
Susanne Sundfør — Self Portrait (Original Score, 10th Jan. 2020)
Ronnie Godfrey — Shades of Blue (Oct. 25, 2019)
Intocable ― Percepcion (March 15, 2019)
Kibby — „Blabracadabra“ (May 14, 2021)
Father John Misty — God’s Favorite Customer (June 1st, 2018)
Ytamo — Vacant (June 12, 2020)
Pancrace — The Fluid Hammer (09 Sep 2019/2LP)
Gary Lucas — „Cinefantastique“ (Oct. 1, 2013)
k.d. lang — „makeover“ (May 28, 2021)
Humanist — Humanist (21 Feb., 2020)
White Lies — To Lose My Life… [10th Anniversary Deluxe Edition]
Slow Pulp — Moveys (Oct. 9, 2020)
Andrej Šeban — Rock and Roll z Rači (11. Sept., 2020)
The Go Betweens — „Liberty Belle And The Black Diamond Express“
Wrekmeister Harmonies — We Love to Look at the Carnage (2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Hallelujah the Hills — I’m You (Nov. 15, 2019)
Robben Ford — „Pure“ (Aug. 27th, 2021)
OWEN PALLETT — Heartland (March 3, 2014)
Siobhan Wilson — There Are No Saints (14 Jul, 2017)
Erlend Apneseth — Fragmentarium (Jan. 31, 2020)
Paul McCartney — McCartney III (18 Dec., 2020)
Amaarae — The Angel You Don’t Know (Nov. 12, 2020)
Delta Spirit — Into The Wide (Deluxe Edition, Sept. 9, 2014)