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Peter Murphy Lion (2014)

 Peter Murphy — Lion (June 2 (UK)/03 (US), 2014)

 Peter Murphy — Lion

MASTER CLASS ALBUM Peter Murphy — Lion & NOMINATED for OVERSEAS COUNTRIES: 8th TAIS AWARDS/HARVEST PRIZE 2015
Θ   Hear the full album as the Bauhaus icon reflects on his career as a pin-up monster. Former Bauhaus singer has had an eclectic and productive solo career.
Birth name: Peter John Joseph Murphy
Born: July 11, 1957 in Northampton, England
Instruments: Vocals, guitar, keyboards, melodica
Location: Northampton, England
Album release: June 2 (UK)/03 (US), 2014
Record Label: Loma Vista/Nettwerk
Duration:     56:15
Tracks:
01 Hang Up     5:45
02 I Am My Own Name     5:47
03 Low Tar Stars     4:13
04 I'm on Your Side     5:30
05 Compression     6:12
06 Holy Clown     4:14
07 The Rose     3:36
08 The Ghost of Shokan Lake     6:28
09 Eliza     3:23
10 Loctaine     6:25
11 Lion     4:42
2014 Peter Murphy Under Exclusive License To Nettwerk Productions
Credits:
Θ   Eddie Banda  Drums, Engineer, Keyboards, Mixing, Mixing Engineer, Programming
Θ   Martin Destroyer  Guitar
Θ   Emilio Dizefalo  Violin
Θ   Martin Glover  Composer
Θ   Peter Murphy  Composer, Lyricist, Vocals
Θ   Michael Rendall  Engineer, Keyboards, Mastering, Mixing Engineer, Programming
Θ   Pavan Sharda  Guitar
Θ   Cihan Ünalan  Artwork, Cover Photo
Θ   Dave Waplington  Layout Design
Θ   Martin “Youth” Glover   Producer
Background:
Θ   The album is a product of sessions with Youth, with whom Murphy got together "just to see how it went." Murphy described the album as "a mixture of stuff, almost like operas for the dispossessed" and "romantic and very deep and emotional, quite symphonic in places." He also further stated:
Θ   "It's a mixture of 'The White Album,' which goes into 'Helter Skelter,' and kind of 'I Am the Walrus' type of arrangement stuff. It's a lot — kind of like, 'Who is that person? How can he imagine he can do all that?' I just think I'm out of place, really. I'm like Bowie, Iggy, Frank Sinatra, Elvis all rolled into one, and it's kind of like, 'What planet did he come from?"
Θ   The album was recorded in a rapid manner, with songs improvised. Murphy wondered if he would be able to replicate the performances while on tour:
Θ   "The songs are all in a high register — so now I have to learn to sing that way. I keep asking, 'My God, how did I get that high? How do I get that high again, and how do I sustain it for an hour?'"
REVIEW
By Rob Sheffield
May 29, 2014 9:00 AM ET
Θ   Peter Murphy has been a pin-up monster for the goth nation for almost 40 years now, ever since he croaked “the bats have left the bell tower” with Bauhaus, on their classic 1979 debut single “Bela Lugosi’s Dead.” Bauhaus were a band of pasty art students from Northampton, England, mixing up Bowie, punk, Catholic angst and horror flicks into creepshows like “Dark Entries” and “God in an Alcove.” Now goth elder Murphy is up to his old tricks on Lion, his tenth solo album.
Θ   Although Bauhaus broke up in 1983, their spell lingers on, especially for people who never wear non-black. They reunited in the 2000s, playing a Coachella gig where Murphy made his grand entrance hanging upside down like a bat. As Murphy says, “It was a band that didn’t have a lot of musical knowledge, so we were learning on our feet. Kevin [Haskins] was a trained jazz drummer, but Danny [Ash] would play guitar parts that were unusual, almost atonal, making an orchestral sound out of very little.”
Θ   Generations of fans discovered them in the opening scene of the 1982 David Bowie vampire movie The Hunger, where Murphy wails “Bela Lugosi’s Dead” as Bowie and Catherine Denueve prowl a New York goth club for fresh blood. “I think that helped the band a lot,” Murphy says. “But it seemed to cement a kind of culture that was not what we were all about. It became a bit of a ball and chain around our necks.”
Θ   Ball and chain or not, he spent 2013 on the road with his “35 Years of Bauhaus” tour, doing the catalog without the rest of the band. “There is an audience out there who want to hear it,” he says. “But I think that’s exhausted now. For us all, really. I don’t think any of us truly want to play a whole set of that music again.”
Θ   The past couple of years have been eventful for Murphy. In March 2013 he was arrested in Los Angeles after an alleged DUI hit-and-run; he pleaded guilty to methamphetamine possession and was sentenced to three years’ probation. Lion, produced by Killing Joke bassist Martin “Youth” Glover, came together under rushed circumstances. “It was a very fast process,” Murphy admits. “It’s mostly due to the producer. I had nothing on the table except a sketch or two. So the producer, to coin a phrase, pushed me off the edge of the hill and I had to fly.”
Θ   Having put the album together so quickly, now the challenge for Murphy is learning to perform the songs live. “It was all improvised on the spot and I’m still learning what I did,” Murphy says. “I’m practicing my head off at the moment. The songs are all in a high register — so now I have to learn to sing that way. I keep asking, ‘My God, how did I get that high? How do I get that high again, and how do I sustain it for an hour?’”
Fortaken: http://www.rollingstone.com/
Website: http://www.petermurphy.info/
MySpace: https://myspace.com/officialpetermurphyspace
Twitter: https://twitter.com/petermurphyinfo
Facebook: https://www.facebook.com/petermurphyinfo
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INTERVIEW
Q&A
The Goth Father: Peter Murphy Talks About Working To Forget The Past
May 28, 2014 | By MICHAEL HAMAD, , CTNOW
Θ   For a few synth-heavy seconds into "Hang Up," the first track on Peter Murphy's new album, "Lion," it's unclear what kind of creepy, haunted house you're walking into. But when the chorus rolls around — with Murphy yelling "Hagia Sophia," which means something like "Holy Wisdom" — you're communing with the Godfather of Goth, on his terms. The rest of the ex-Bauhaus singer's tenth solo album, which was produced under feverish working conditions by Youth (Killing Joke, Paul McCartney), is similarly exhilarating: industrial squeals compete for space with acoustic pianos and dance-hall drums, while Murphy exorcises demons on "I Am My Own Name" (he channels David Bowie when he growls, "No thin pixie / white and drawn") or the and the slow-drip "Loctaine."
Θ   Murphy plays the Ballroom at the Outer Space in Hamden on June 11, with Ringo Deathstarr opening. CTNow asked him about the recording of "Lion," and a few other topics.
CTNow: "Hang Up," the first single from your upcoming album "Lion," came out in April, and it's pretty damn great. The music, lyrics and production are so powerful. What can you tell us about writing that song and how it took shape in the studio?
Peter Murphy: As for most or all of the songs on "Lion," the process was intuitive and fast and driven musically by Youth, my producer, with him driving me to create on the spot.
CTNow: The video is similarly incredible. I never knew kids washing their faces and brushing their teeth could be so spooky. Did you have a lot of input as it was being put together? Where does the footage come from?
PM: This is a record company commissioned piece that I was happy to allow Justin Coloma (the director) to improvise to create nonspecific imagery preferring to let the song speak for itself as much as possible.
CTNow: In May 2013, you told Billboard that you initially approached producer Martin Glover (aka Youth), an old friend of yours, just to see what would happen, and you ended up recording the bulk of "Lion" in under a week. Did you return to the studio after that? How close is the finished product to what you did together during that first week of recording?
PM: Yes, the first week sessions were as prolific as to have given us some nine or so songs. Since I was on tour, I returned to Youth's Spanish studio to complete another five. Youth is responsible for completing the work in my absence.
CTNow: This will be your 10th solo album. During the process, did that milestone mean anything to you? Did it up the stakes, in a way?
PM: Any new album is a blank page that needs a fresh reinvention, and if you let it, this can get in the way and cause blocks. I work on forgetting what has gone so as not to let this happen.
CTNow: On tour, what do you like to do when you arrive in a new town, assuming there's time to do anything?
PM: On such hard schedules as I have been taking on there is as you say little free time from arrival to sound check and the preparation for the show and show itself. If I can, I will take a walk and take in the local scenery and find good local restaurants with a band mate.
Θ   PETER MURPHY performs on Wednesday, June 11, at the Ballroom at the Outer Space in Hamden, with Ringo Deathstarr opening. Showtime is 9 p.m. Tickets are $20-$100. Information: http://www.theouterspace.net/
Fortaken: http://articles.courant.com/
_______________________________________________________________

Peter Murphy Lion (2014)

 

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Damon Locks Black Monument Ensemble — Where Future Unfolds (2019
The Tiger Lillies — Edgar Allan Poe’s Haunted Palace
Mark Lanegan — Straight Songs Of Sorrow (8th May, 2020)
I Break Horses — Warnings (08 May 2020)
Cocteau Twins — Head Over Heels
Cocteau Twins — Treasure
Sarah Jarosz — World On The Ground (June 5, 2020)
The Innocence Mission — See You Tomorrow (Jan. 17, 2020)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
The Tiger Lillies — Covid~19 (April 10, 2020)
Hawkwind — Acoustic Daze (25 Oct. 2019)
Wendy Eisenberg — Auto (Oct. 16, 2020)
TANYA DONELLY: Swan Song Series bonus tracks (FC)
Kate Amrine — This Is My Letter to the World (Jan. 24, 2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
Coloured Clocks — Flora (May 2, 2020)
Indoor Voices — Animal (Feb. 14, 2020)
ELYSIAN FIELDS — Pink Air
Midlake — Antiphon (Nov. 4, 2013)
Jonathan Wilson — Rare Birds (March 2nd, 2018)
KIESLOWSKI Tiché lásky
Fiona Apple — Fetch The Bolt Cutters (17 Apr., 2020)
Lucrecia Dalt — Syzygy (Oct. 15, 2013)
Hayden Thorpe — Diviner (24 May 2019)
Cocteau Twins — Garlands (1982, Reissue 2020)
Alessandra Leão ‎— Macumbas e Catimbós (24/05/2019)
Cowboy Junkies — Ghosts (30 Mar 2020)
Laura Marling — Song for Our Daughter (April 10th, 2020)
Wendy Eisenberg — Its Shape Is Your Touch (Oct. 2018)
Baxter Dury — The Night Chancers (20 March 2020)
San Fermin — San Fermin (Nov. 11, 2013)
Sara Bareilles — What’s Inside Songs From Waitress (11/06, 2015)
The Heliocentrics — Telemetric Sounds (Aug. 7, 2020)
The Dream Syndicate — „The Universe Inside“ (April 10, 2020)
Third Coast Percussion & Devonté Hynes — Fields (Oct. 11, 2019)
White Tail Falls — Age of Entitlement (May 29, 2020)
MUFF — Fatalust (Nov. 1, 2019) cover
Ben Watt — Storm Damage (31st Jan., 2020)
San Fermin — The Cormorant I & II (Oct. 4, 2019/April 3, 2020)
Stephen Duffy — I Love My Friends [Expanded Ed] (10 May 2019)
I Break Horses — Chiaroscuro
Sea Wolf — Through a Dark Wood (March 20, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Yorkston | Thorne | Khan — Navarasa : Nine Emotions (2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Stove — ‘s Favorite Friend (Oct. 31, 2018)
ANASTASIA MINSTER — Father ©Michael Haley
Jonathan Wilson — Dixie Blur (March 6, 2020)
Fruition — Broken At The Break Of Day (Jan. 23, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
1600 x 1600 High Violet (10th Anniversary Expanded Edition).jpg
ROBERT FRIPP — THE KITCHEN (New York, NY) — 05 FEB 1978
Sara Bareilles — More Love: Songs from Little Voice Season One (
The Sufis — Double Exposure (Jan. 24, 2020)
ÁSGEIR: IN THE SILENCE
Martin Barre — Roads Less Travelled (26 Oct. 2018)
Loveblind / Sleeping Visions (March 27, 2020)
Walter Martin — The World at Night (Jan. 31, 2020)
Asher Gamedze – Dialectic Soul (July 10, 2020)
Frances Quinlan — Likewise (Jan. 31, 2020)
KING CRIMSON, The Night Watch
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Matt Berninger — Serpentine Prison (Oct. 16, 2020)
Rizan Said — Saz û Dîlan (Oct. 11, 2019)
Ásgeir — Bury the Moon (7 Feb., 2020)
Riva Taylor — ‘This Woman’s Heart .1’ (27 Mar 2020)
Juraj Griglák, From The Bottom (Sept. 16, 2019)
Cheerleader — Almost Forever (Feb. 7, 2020)
Queer Jane — Amen Dolores (March 27, 2020)
BECCA STEVENS — WONDERBLOOM (March 20th 20, 2020)
Juraj Griglák — From the Bottom (Sept. 16, 2019)
Einstürzende Neubauten — Alles In Allem (May 29th, 2020)
Torres — Three Futures (29th Sept. 2017)
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Bison Bone — Find Your Way Out (Sept. 25, 2020)
Oh Wonder — No One Else Can Wear Your Crown [Deluxe Edition]
These New Puritans — The Cut (2016~2019) (14 Feb. 2020)
Thin Lear — Wooden Cave (24th July, 2020)
Torres — Silver Tongue (Jan. 31, 2020)
Anoushka Shankar — Love Letters (7 Feb., 2020)
Free To Grow — Imperfection (Aug. 7, 2020)
Dan Croll — Grand Plan (21 Aug., 2020)
Lilien Rosarian ~ A Day in Bel Bruit (June 9, 2019)
Jim Noir — A.M Jazz (Dec. 20, 2019)
Shemekia Copeland — Uncivil War (October 23rd, 2020)
I Like to Sleep — Daymare (April 17, 2020)
Kaki King — Modern Yesterdays (Oct. 23, 2020)
Bill MacKay and Katinka Kleijn — STIR (Oct. 17, 2019)
The Mountain Goats — Getting Into Knives (Oct. 23, 2020)
Varga Marián — Solo in Concert (1. feb. 2018)
No~Man — Love You To Bits (Nov. 22, 2019)
Blackbird & Crow — Ailm (17 Jan 2020)
Bruce Springsteen — Letter to You (Oct. 23, 2020)
Amy LaVere — Painting Blue (27 Mar 2020)
100 Gecs — 1000 gecs (May 31, 2019)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cold Chisel — Blood Moon (6 Dec., 2019)
Cold War Kids — New Age Norms 1 (Nov. 1, 2019)
Blackbird & Crow © 2020 Author: Megan Doherty
WaqWaq Kingdom — Essaka Hoisa (Nov. 15, 2019)
The Mountain Goats — Songs for Pierre Chuvin (April 10, 2020)
Hawktail — Formations (Jan. 10, 2020)
Morrissey — I Am Not a Dog On a Chain (March 20th, 2020)
Jack Peñate — After You (29th Nov. 2019)
Villagers — Darling Arithmetic [Deluxe Version] (April 10, 2015)
Ashley Paul — Window Flower (May 13, 2020)
Daniel Bachman — The Morning Star (July 27, 2018)
Roger Eno | Brian Eno — Mixing Colours (20 March, 2020)
Darnielle, Jon Wurster, Matt Douglas, Pete Hughes. ©Josh Sanseri
Joe Bonamassa & The Sleep Eazys — Easy To Buy, Hard To Sell
Martin Barre — Away With Words
Ezra Bell — This Way to Oblivion (3rd April, 2020)
All Them Witches — Nothing as the Ideal (Sept. 4, 2020)
Queer Jane — Home (Dec. 1, 2016)
RADEK BABORÁK a jeho ORQUESTRINA na PIAZZOLLOVSKÉ ALBUM.
Moonchild — Little Ghost (6th Sept. 2019)
Evergreen — Overseas (15 Jun 2018)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
The Waterboys — Good Luck, Seeker (Deluxe) (Aug. 21, 2020)
Maarja Nuut & Ruum — World Inverted (11th Sept., 2020)
Kuře v hodinkách — Flamengo
Daniel Bachman — Green Alum Springs (June 6, 2020)
Midwife — Forever (April 10, 2020)
Siobhan Wilson — The Departure (10 May, 2019)
Kris Delmhorst — Blood Test
Martin Burlas & Musica falsa et ficta — Hexenprozesse
Songdog — Happy Ending (27th March, 2020)
Zuzana Mikulcová — Slová
Holly Herndon — PROTO (Winner of Tais Awards 2020)
Rory Block — Prove It On Me (March 27, 2020)
Cate Le Bon — Here It Comes Again (2020)
Sean O’Hagan — Radum Calls, Radum Calls (2019)
Nicey Nice World — Obelisks and Asterisks (Sept. 22, 2020)
Robert Plant — Carry Fire (2 LP, 13/10/2017)
Le Butcherettes — DON’T BLEED EP (14 Feb 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
First Aid Kit — Stay Gold (2014)
Land of Talk — Indistinct Conversations (July 31, 2020)
Kuře v hodinkách — Flamengo
Luke Haines — Beat Poetry For Survivalists (6 Mar. 2020)
Nicole Atkins — Italian Ice (29 May 2020)
Maria Schneider Orchestra — Data Lords (24th July, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
BC Camplight — Shortly After Takeoff (24 April 2020)
Delta Spirit — What Is There (Sept. 11th, 2020)
The Magnetic Fields — Quickies (May 15, 2020)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
Cold War Kids — New Age Norms 2 (Aug. 21, 2020)
learning structures, vol. 2: end firma
Becca Mancari — The Greatest Part (June 26, 2020)
learning structures, vol. 3: distance between us
Thurston Moore — By The Fire (Sept. 25, 2020)
Kurt Rosenwinkel Trio — Angels Around (May 8, 2020)
Frazey Ford — U kin B the Sun (Feb. 7th, 2020)
Lizzy Farrall — Bruise (March 27, 2020)
Alice Peacock — Minnesota (Sept. 20th, 2019)
Devon Williams — A Tear in the Fabric (May 1, 2020)
LENKA DUSILOVÁ — ŘEKA (Nov. 6th, 2020)
STEREOLAB: Oscillons from the Anti~Sun
Hallelujah the Hills — A Band Is Something to Figure Out (2016)
Loveblind: Visions
Lilly Hiatt — Walking Proof (27 March, 2020)
Loveblind: Visions
Throwing Muses — Sun Racket (Sept. 4, 2020)
Sean McMahon ― You Will Know When You’re There (March 1, 2019)
Deradoorian — Find the Sun (Sept. 18, 2020)
The Chats — High Risk Behaviour (March 27, 2020)
Tylor Dory Trio — Unsought Salvation (Dec. 21, 2019)
György Ligeti — Lontano (22. Oct.,1967)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Guranfoe — Sum of Erda (Dec. 13, 2019)
Susanne Sundfør — Self Portrait (Original Score, 10th Jan. 2020)
Ronnie Godfrey — Shades of Blue (Oct. 25, 2019)
Intocable ― Percepcion (March 15, 2019)
Ytamo — Vacant (June 12, 2020)
Pancrace — The Fluid Hammer (09 Sep 2019/2LP)
Humanist — Humanist (21 Feb., 2020)
White Lies — To Lose My Life… [10th Anniversary Deluxe Edition]
Slow Pulp — Moveys (Oct. 9, 2020)
Wrekmeister Harmonies — We Love to Look at the Carnage (2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Hallelujah the Hills — I’m You (Nov. 15, 2019)
OWEN PALLETT — Heartland (March 3, 2014)
Siobhan Wilson — There Are No Saints (14 Jul, 2017)
Erlend Apneseth — Fragmentarium (Jan. 31, 2020)
Delta Spirit — Into The Wide (Deluxe Edition, Sept. 9, 2014)