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Sanguine Hum — What We Ask Is Where We Begin: The Songs for Days Sessions (29th Jan 2016)

Sanguine Hum — What We Ask Is Where We Begin: The Songs for Days Sessions (29th Jan 2016)

 Sanguine Hum — What We Ask Is Where We Begin: The Songs for Days Sessions (29th Jan 2016) Sanguine Hum — What We Ask Is Where We Begin: The Songs for Days Sessions (29th Jan 2016)★⦿►   Esoteric Antenna, a label of the Cherry Red Records Group, is pleased to announce the release of WHAT WE ASK IS WHERE WE BEGIN the latest eagerly awaited album by Prog Award nominees, SANGUINE HUM.
★⦿►   Disc One features the “lost” Songs For Days album, making its first official CD appearance. Disc Two contains 16 tracks including new mixes of singles, session out takes and 40 mins of never before heard songs and instrumentals! The booklet contains a lengthy essay/interview about the era by Michael Björn of Strange Days magazine, plus intro notes by Ian Fairholm of Eppyfest and Steve Davis of the Interesting Alternative Show. All finished off with copious track notes by the band and many rare photos. Oh…and a Steely Dan cover version!!                          © L ~ R: Brad Waissman, Paul Mallyon, Joff Winks and Matt Baber
Location: Oxford, U.K.
Style: Fusion/Progressive Rock
Album release: 29th Jan 2016
Record Label: Esoteric / Antenna
Duration:     65:36 +
Tracks:
CD1 (Songs for Days):
01 Bookend     0:49
02 Revisited Song     4:01
03 Before We Bow Down     4:44
04 Cast Adrift     3:17
05 Juniper     5:48
06 Interlude One     1:41
07 Little Machines     4:12
08 Milo     5:18
09 It Grows in Me Garden     3:44
10 Interlude Two     1:16
11 Someone Else’s Words     3:53
12 Hedonic Treadmill     4:06
13 Ace Train     7:03
14 Revisited Song Revisited     2:39
15 Morning Sun     13:05
CD2 (Where We Begin): Remixed Singles:
01 New Streets;
02 Share My Blues;
03 Nothing Left to Prove;
04 Unreleased Music: Apple Pie;
05 Cartoon Friends;
06 Bastard Stretch;
07 Double;
08 Dressed Up in Rags;
09 Quartet;
10 To Them Only;
11 Here at the Western World.
12 Session Out~Takes: Perc Tune (There’s No Hum);
13 Melted Cheese;
14 Revisited Song Revisited (Again);
15 Morning Sun (Basic Take);
16 Bookends (Solo Piano Version).
Personnel:
√   Joff Winks: vocals, guitars, harmonium, percusasaion, additional keys (CD2#7), sound effects.
√   Matt Baber: acoustic and electric piano, synths, organ, harmonium, percussion, drums (CD2#4, CD2#9), sound effects;
√   Brad Waissman: bass guitar, double bass, backing vocals;
√   Paul Mallyon: drums, percussion, backing vocals.
Description:
• THE SUPERB PREVIOUSLY UNRELEASED “LOST” ALBUM BY PROG AWARD NOMINEES SANGUINE HUM
★⦿►   Esoteric Antenna, a label of the Cherry Red Records Group, is pleased to announce the release of WHAT WE ASK IS WHERE WE BEGIN the latest eagerly awaited album by Prog Award nominees, SANGUINE HUM.
★⦿►   Following hot on the heels of 2015’s highly acclaimed double album Now We Have Light, Sanguine Hum return to cast an intriguing light on the early years of their career. Whilst many Hum fans got on board with the albums the Weight of the World and Diving Bell, there will be many completely unaware of a “lost” gem recorded in 2006 — an album that technically was the band’s bona fide debut: Songs For Days. It was lost for a number of reasons. Firstly, the band had yet to settle on the name Sanguine Hum, and for some rather convoluted reasons it came out as Joff Winks Band (a name universally hated by everyone in the band…especially Joff!). Secondly, despite much initial excitement, Songs For Days failed to find a home on a record label and so appeared with minimal hurrah as a digital download only. And what a loss this was!
★⦿►   It meant that only a few hard~core fans would become familiar with the epic, soaring Juniper, the twisting Mahavishnu inspired Milo, the childhood nostalgia of Cast Adrift, the traces of Steely Dan blended with Canterbury Prog or the cinematic ambient segues and instrumentals gluing the album together. In short Songs For Days is an album that the band described at the time as being “kaleidoscopic”. And that’s not all. What We Ask is Where We Begin presents an extended master of Songs For Days on disc one, marking its first ever appearance on CD. Disc Two however, is a real treasure trove of discovery! The gestation period of Songs For Days covered many years of writing and recording sessions and this second disc presents the following:
★ Over 40 minutes of never before heard songs and instrumentals
★ Several instrumental pieces newly finished by the band for this release
★ The band’s authentic and faithful cover of Steely Dan’s classic song Here at the Western World
★ The 2006 first attempt at recording future Sanguine Hum classic There’s No Hum
★ 20 minutes of session outtakes from the main Songs For Days tracking dates
★ New mixes of singles / B~Sides
★ Extended liner notes, interviews, rare photos and memorabilia from the era
•  Now finally seeing the light of day on Esoteric Antenna, these recordings demonstrate that for many Sanguine Hum fans there is a whole new side of the band still to be discovered!Review
By JOHN KELMAN, April 2, 2016 / Score: ****½
⦿►   Few groups in the history of music can be credited with having come up with something as wonderfully absurd (yet, somehow, totally making sense) as Sanguine Hum. On its last album, the two~CD concept album Now We Have Light (Esoteric Antenna, 2014), the group told the story of a Dystopian future where our hero, Don (just Don), uncovers the “Buttered Cat Theory of Perpetual Energy” (if you want to know what that is, you’ll have to read the review).
⦿►   What We Ask Is Where We Begin, the group’s fourth studio record (well, kinda), doesn’t move Now We Have Light’s story forward (though that’s coming); instead, this collection of what might be considered the group’s lost first album (along with additional remixed singles, session out~takes and other unreleased tracks) is more of a look back at, indeed, where Sanguine Hum all began. It’s the culmination of a story as complex and knotty as much of its music, but is equally as absurd, atypical and advanced as Sanguine Hum has come to be over not just its past three studio albums (four, including What We Ask) and one live album since 2012, but across its somewhat confused and complex history as The Joff Winks Band, Antique Seeking Nuns, and Nunbient: three groups that share, along with Sanguine Hum, guitarist/singer Joff Winks and keyboardist Matt Baber at their core.
⦿►   Few groups in this millennium have had as diverse and discombobulated a genesis as Sanguine Hum. Beginning in 2003 as Antique Seeking Nuns — joined by bassist Brad Waissman and drummer Paul Mallyon (who would later leave the group(s), replaced by Andrew Booker in Sanguine Hum) — the group’s touchstones included Frank Zappa, Flaming Lips, Aphex Twin and, most significantly, groups from the ‘70s Canterbury Scene, in particular Hatfield and the North — perhaps the quintessential Canterbury band in its creation of complex and challenging music that was, nevertheless, highly melodic and, equally important, appealingly self~effacing; deep music that, unlike many progressive acts of the era, never took itself too seriously. Certainly with EP titles like Careful! It’s Tepid (Troopers for Sound, 2009), Mild Profundities (An Initial Bursting) (Troopers for Sound, 2001) and Double Egg with Chips and Beans (and a Tea) (Troopers for Sound, 2006), and songs including “The Foulness! The Stench!,” “It’s Pissing Don?” and “Son of Bassoon,” Antique Seeking Nuns could never be accused of excess gravitas. And yet, its music was deep, profound and complex, while at the same time demonstrating no shortage of lyricism and songwriting whose subject matter was distanced far from the norm.
⦿►   Still, while Winks and Baber also explored an interest in ambient/electronica with another nun~themed group, the duo Nunbient, they were also interested in attaining some level of success as songwriters, and not unlike Steely Dan’s Donald Fagen and Walter Becker, pursued more radio~friendly material as The Joff Winks Band that they hoped could be sold to other groups. While What We Ask Is Where We Begin’s first disc is a sonically upgraded and slightly expanded version of JWB’s one and only release, the critically acclaimed but commercially less~successful Songs for Days — an album that, thanks to the disinterest and confusion of Winks’ publisher (who clearly had no idea how to position this music), was originally released, without fanfare, as download~only — in hindsight it can now really be considered as Sanguine Hum’s real first album.
⦿►   It’s a fair consideration. Yes, there are plenty of appealing and accessible songs, like the poignantly nostalgic “Cast Adrift,” which pines for the golden age of children’s television, and the darker~hued, balladic “Revisited Song” that nevertheless opens up into a more propulsive chorus and contains lyrics that, according to What We Ask’s copious and informative liners, are “a rather interesting mess, replete with self~referencing lyrics à la Matching Mole [another Canterbury group featuring ex~Soft Machine drummer Robert Wyatt and soon~to~be~Hatfielder, guitarist Phil Miller].” But equally. there are more idiosyncratic yet still somehow lyrically appealing instrumentals like the dryly titled “Revisited Song Revisited,” and “Milo” — predominantly a story that, driven by a 7/4 combination of guitar arpeggios, electric piano textures and a backbeat~driven rhythm section, tells the story of the titular kid, whose life is forever changed when he discovers Mahavishnu Orchestra’s seminal debut, The Inner Mounting Flame (Columbia, 1971), which is paraphrased in the song’s aggressive introduction.
⦿►   It’s easy to see why Songs for Days was treated so poorly by a publisher looking for hits; conventional song structures are rarely found, and the nostalgic tinge of most lyrics — which steadfastly avoid teenage angst, love and other typical subject matter for songs about trusting your judgement, what’s important in life and teenagers who get on trains and behave like terrorists. Topical? Perhaps; but hardly the stuff of Top 40 radio (when it last existed, that is). In fact, only one song, “Someone Else’s Words” — which comes in the album’s closing quarter — possesses anything resembling conventional song form, with defined verses and choruses.
⦿►   And so, Songs for Days may have been a critical success but a commercial flop; but with the benefit of hindsight, it was the start of a group whose popularity in the contemporary progressive world has been in surprising excess of its failure to turn Winks & Baber into a 21st century Becker & Fagen. It’s an album filled with rich textures: acoustic guitars aplenty, countered with chiming, chorused and, at times, heavily overdriven electrics; an array of keyboards that is, nevertheless, predicated on the electric piano so dominant in both Hatfield and the North and that group’s successor, National Health.
⦿►   Still, while it’s easy to find references aplenty to those Canterbury bands, Sanguine Hum is never imitative; instead, it’s more about the spirit than letter, and while Winks and Baber are dominant forces in the group, there’s no denying the equal contributions of bassist Brad Waissman and first drummer Paul Mallyon. Together, Sanguine Hum manages, with what was Songs for Days and is now What We Ask Is Where We Begin, to create a collective sound recognizable for Winks’ emotive but never over~the~top vocal delivery and surprisingly sophisticated guitar work (despite rarely actually soloing); Baber’s similar harmonic depth and textural breadth; and Waissman and Mallyon’s seamless navigation of songs that never seem to go where you think they should, but instead go to places even better.
⦿►   Eschewing overt virtuosity for a more defined collective sound, even instrumentals like “Morning Sun” somehow manage to avoid convention; instead, it’s a rock~edged song that moves along episodically and inevitably, yet never seems to go where you think it will, as sections that appear to be passing motifs turn into an ostinato that the band uses to layer keyboard colors and, in this case, a thundering drum solo from Mallyon.
⦿►   Songs for Days is also distinguished from its original 2007 release by the addition of two miniature “Interludes” — well, not exactly. “Interlude One” was originally tacked onto the end of “Juniper,” a song about kite flying that — wonderfully melodic and deemed by the group as “Stairway to Heaven” in “one of many parallel worlds that one interpretation of quantum physics suggests we live in” — makes little sense to end with part of the piano solo, “Bookends,” over which Lowrey organ is overdubbed. “Bookends”—originally intended for Songs for Days, was ultimately left off — “It seems crazy now,” the group writes, “but we genuinely believed we could fit an episodic piece of modern classical music on the album somewhere.” Still, a small portion was ultimately used as the 49~second album opener that perhaps references Hatfield and the North’s “The Stubbs Effect,” which bookends its self~titled 1974 Virgin debut and segues seamlessly into its first song just as Sanguine Hum does the same, moving into “Revisited Song.” “Interlude Two,” another extract from the Lowrey organ improv session that was excluded from the original Songs for Days is finally back in place as an atmospheric segue into “Someone Else’s Words,” as is the fuller piano solo, “Bookends,” which closes What We Ask’s second CD.
⦿►   That the band thought it had created its own OK Computer when it first delivered Songs for Days to its publisher is debatable; what is not is that Songs for Days remains a largely overlooked gem that is now, finally, seeing a proper release, and precisely as the band intended it.
⦿►   The second disc contains a collection of tracks that provide even more insight into the genesis of the group. A new remix of “New Streets” — written by Winks in the 1990s when he was visiting New York City, and which became both a part of the group’s early live sets and its first single, reveals a band already looking to form a bond between melodic pop songs and more progressive leanings. “Share My Blues” is another song redolent of Sanguine Hum’s signatures — arpeggio~driven guitar lines rather than strummed chords (though Winks does that too) — while "Nothing to Prove” is more brooding, revealing the group’s penchant for contrapuntal interplay and the kind of harmonic sophistication that still places less emphasis on overt virtuosity and more a collective end; still, Winks does take a rare guitar solo here that’s yet another Mahavishnu Orchestra reference...just played a little slower than John McLaughlin’s usual light speed.
⦿►   Elsewhere, beyond Songs for Days’ “Little Machine,” there’s further opportunity to compare the nascent Sanguine Hum with its predecessor, Antique Seeking Nuns, on “Melted Cheese,” which was planned for Careful! It’s Tepid, but was abandoned and reworked the following day for that album’s “Dead Cheese.” Still, it’s a terrific example of the group’s ability to construct and execute idiosyncratic and humorous piece of progressive music that avoid many of the genre’s trappings and, instead, bring in references to groups rarely heard in that context.
⦿►   Other unreleased tracks from the Songs for Days sessions further demonstrate an early Sanguine Hum trying to birth itself amidst an album meant to sell the group as songwriters — despite there being far too many unexpected moments of weirdness to satisfy publishers looking for radio~friendly music. “Bastard Stretch" revolves around a repeating series of four arpeggiated bars in 5/8, 6/8, 5/8 and 5/8. It’s a tough slog counting it out — tougher to play, no doubt, especially when a melody is layered on top — but it somehow manages to retain the intrinsic melodic sensibility that continues to define Sanguine Hum to this day.
⦿►   There’s plenty more on the second disc, but one of the most revealing tracks on What We Ask Is Where We Begin may be a version of “Here At the Western World” — the out~take from Steely Dan’s sessions for the superb The Royal Scam (MCA, 1976), but which has only appeared, curiously, on compilations like Greatest Hits (MCA, 1978) and the 1991 expanded edition of 1982’s Gold (MCA). The hit that was not to be, Sanguine Hum manages to be both completely faithful while, with Winks’ less acerbic vocal delivery, making it their own, despite the song’s sarcastic look, as Something Else described it, “[at the] drug~addled depravity they [Steely Dan] saw in contemporary America...this time the object of illicit desire being, most likely, cocaine, as well as prostitution.” Far more cynical than anything Sanguine Hum has ever written, it’s nevertheless clear, when listening to its chord voicings and overall flow, that the Dan is also a part of Sanguine Hum’s DNA.
⦿►   This may be music from before what Sanguine Hum now consider its second disc — the then~debut The Diving Bell (first released in 2010 by Troopers for Sound but reissued two years later by the group’s current label, Esoteric Antenna) — and there’s little doubt that a lot has happened in the ensuing years. But it’s also clear that, while Baber and Winks were literally dabbling in musical schizophrenia with Antique Seeking Nuns, Nunbient and The Joff Winks Band, each of those three groups that came before Sanguine Hum possessed at least some of the many touchstones that would ultimately emerge and come to define Sanguine Hum. “Quartet,” for example, effortlessly moves from near~folkloric musings — with layered acoustic guitars and an early theme delivered on bass guitar — before Baber enters with both chiming electric piano chords and a doubling of the dominant bass line as the song adopts a complicated contrapuntal complexion and, ultimately, a closing section that seems to mesh Pink Floyd’s sadly deceased Richard Wright with Tubular Bells~era Mike Oldfield.
⦿►   What We Ask Is Where We Begin may be early days for Sanguine Hum, but clearly this is a group that, very early on, had the same kind of attention to sound and detail that some of the groups that form its DNA — most specifically Steely Dan — also had but, quite remarkably, without the bigger budgets and label support. That What We Ask Is Where We Begin — and Diving Bell, for that matter — is so satisfying musically and lyrically, but also sounds so damn good says a lot about what Baber and Winks were working towards so early in their careers.
⦿►   While we wait to find out what happened to Don, the buttered cat and the rest of Now We Have Light’s Dystopian future, What We Ask Is Where We Begin: The Songs for Days Sessions is a chock~filled interim release that provides real comparative insight into how Baber, Winks, Waissman and, subsequent to Mallyon, drummer Andrew Booker took the diversities of Antique Seeking Nuns, Nunbient and The Joff Winks Band and merged them into Sanguine Hum...that rarest of mergers that actually leverages the strengths of its individual parts into something that is a far greater — and even better — whole.
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Sanguine Hum — What We Ask Is Where We Begin: The Songs for Days Sessions (29th Jan 2016)

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Kyrie Kristmanson — Lady Lightly (Jan. 10, 2020)
Yorkston/Thorne/Khan — Navarasa : Nine Emotions (24th Jan. 2020)
Hey Colossus — Dances / Curses (Nov. 6, 2020)
OWEN PALLETT — ISLAND
Ralph of London — The Potato Kingdom (19th June, 2020)
Kilbey Kennedy — „Jupiter 13“ (March 5, 2021)
Sigur Rós — Odin’s Raven Magic (Dec. 4, 2020)
Arca — „Madre“ (22 Jan., 2021)
Cotatcha Orchestra — Bigbandová elektronika / Bigband Electronic
Locate S,1 — Personalia (April 3, 2020
HMLTD — West of Eden (7 Feb., 2020)
OLYMPIC — „Kaťata“ (October 30, 2020)
Noveller — Arrow (June 12, 2020)
Sugai Ken | Lieven Martens — „KAGIROI“ (March 29, 2021)
Chapelier Fou — Meridiens (Feb. 28, 2020)
HMLTD ©Dean Hoy
Cathedral Bells — Velvet Spirit (March 6, 2020)
Vladislav Delay, Sly Dunbar, Robbie Shakespeare — 500~Push~Up
Orwell — Parcelle brillante (24 April 2020)
Tarotplane — „Horizontology“ (February 8, 2021)
Tame Impala — The Slow Rush (Feb 14, 2020)
REBECCA FOON — WAXING MOON (21st Feb., 2020)
Noveller — Arrow (June 7, 2020)
Virginia Plain — Strange Game (Dec. 13, 2019)
Blinker the Star — Juvenile Universe (20 Nov., 2020)
Teho Teardo — Ellipsis dans l’harmonie (March 6th, 2020)
Signe Marie Rustad — When Words Flew Freely (Nov. 15, 2019)
Stian Westerhus — Redundance (March 5, 2020)
Beck — Deep Cuts (March 2020)
Keeley Forsyth — Debris (17 Jan., 2020)
KeiyaA — Forever, Ya Girl (March 27, 2020)
John Craigie — Asterisk the Universe (June 12, 2020)
Ellipsis dans l’harmonie BACK COVER
Horse Lords — „The Common Task“ (March 13, 2020)
Half Japanese — Crazy Hearts (4th Dec., 2020)
Lavender Diamond — Incorruptible Heart (Sept. 2012)
MARY — Die Before Death (September 4, 2020)
The Belmondos — Memory Lane (Nov. 20, 2020)
Troi Irons — Flowers (Sept. 25, 2020)
The Dears — Times Infinity Volume One (September 25, 2015)
The Album Leaf — OST (March 20, 2020)
Joensuu 1685 — ÖB (09 Oct., 2020)
Black Tape For A Blue Girl — „Ashes In The Brittle Air“ [Remaste
Jack Peñate — After You [Expanded Edition] (2020)
Thomas Dybdahl — The Great Plains (Feb 24, 2017)
Lavender Diamond — Now Is the Time (Dec. 4, 2020)
Bowerbirds — „becalmyounglovers“ (April 30th, 2021)
Grimes — Visions (2012)
Grandbrothers — All the Unknown (15 Jan., 2021)
Jessie Ware — Glasshouse (Deluxe; 20 Oct 2017)
Kavus Torabi — Hip to the Jag (May 22, 2020)
Adrian Crowley — „The Watchful Eye of the Stars“ (30th April, 20
Bella White — Just Like Leaving (Sept. 25, 2020)
Pharoah Sanders — „Live In Paris (1975): Lost ORTF Recordings“
Oddfellow’s Casino — The Raven’s Empire (2012)
Calexico / Iron & Wine — Years to Burn (2019)
Chris Potter — There Is a Tide (Dec. 4, 2020)
Amanda Palmer — Forty~Five Degrees: Bushfire Charity Flash Rec.
Veneer — Recovery (April 15, 2020)
Chris Potter — Circuits (Feb. 22, 2019)
Sara Serpa — Recognition (June 5th, 2020)
BECK — Uneventful Days (St. Vincent Remix)
God Is an Astronaut — „Ghost Tapes #10“ (Feb. 12, 2021)
Oddfellow’s Casino — Burning! Burning! (7 Aug., 2020)
This Will Destroy You — Vespertine (June 9, 2020)
Scoundrels — Music From The Arch (Sept. 11, 2020)
Teen Daze — Morning World
Sara Serpa, Ingrid Laubrock, Erik Friedlander — Close Up (2018)
Rufus Wainwright — Unfollow the Rules [Deluxe Version] (July 9,
THE DEARS — ‘Lovers Rock’ (May 15, 2020)
Greenslade — Time and Tide (2 cd, 1975/2015)
Bellows — The Rose Gardener (Feb. 22, 2019)
Ariel Pink — House Arrest (2002/Mar 2011/April 24, 2020)
The Jayhawks — XOXO (July 10, 2020)
Béla Fleck & Toumani Diabaté — The Ripple Effect [2LP, March 27,
Budokan Boys — So Broken Up About You Dying (2 Oct. 2020)
Sonny Landreth — Elemental Journey (May 22, 2012)
Laura Fell — Safe from Me (Nov. 20, 2020)
Laura Perrudin — Perspectives & Avatars (Oct. 9, 2020)
CocoRosie — Put the Shine On (6 March 2020)
Anthony Moore — Out (20 Nov., 2020)
Soho Rezanejad — „Perform and Surrender“ (Dec. 04, 2020)
Whyte Horses — Hard Times (17th of Jan., 2020)
Tindersticks — Distractions (Feb. 19, 2021)
„Mojo Presents Steve Marriott, Small Faces, Humble Pie: Afterglo
Jessie Ware — What’s Your Pleasure (June 26, 2020)
Corb Lund — Agricultural Tragic (June 26, 2020)
Scott Matthew — Ode to Others (April 20, 2018)
Thurston Moore — „screen time“ (Feb. 5, 2021)
Raed Yassin — Archeophony (Nov. 27, 2020)
Thomas Dybdahl — Fever (March 13, 2020)
Born Ruffians — Juice (April 3, 2020)
Growing Up Live — 3LP Half Speed Remaster (Nov. 27, 2020)
Michael Landau — The Michael Landau Group Live (Oct. 31, 2006)
The Weather Station — Ignorance (Feb. 5, 2021)
Marc Ribot’s Ceramic Dog — What I Did On My Long ‘Vacation’ EP
The Beths — Jump Rope Gazers (July 10th, 2020)
Coultrain — „Phantasmagoria“ (April 9, 2021)
Carissa Johnson — A Hundred Restless Thoughts (Dec. 18th, 2019)
Anna Calvi — „Hunted“
Christine Ott — Chimères (pour ondes Martenot) (May 22, 2020)
Eleanor Friedberger — Rebound (May 4th, 2018)
Smashing Pumpkins — Cyr (27th Nov., 2020)
Calexico — Seasonal Shift (Dec. 4th, 2020)
Futurebirds — Teamwork (Jan. 15th, 2020)
Emmy the Great — Second Love (March 11, 2016)
My Morning Jacket — The Waterfall II (Aug. 28, 2020)
ELEANOR FRIEDBERGER — NEW VIEW (January 22, 2016)
Negativland — The World Will Decide (Nov. 13, 2020)
Kill The Dandies! — Your Blood My Veins (Feb. 5, 2021)
Chris Brokaw — „Puritan“ (Jan. 15, 2021)
Cormons Jazz & Wine of Peace festival 2008 ©Ziga Koritnik
Andrej Šeban — Triplet (March 22, 2019) inner cover
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
Jenny Lewis — On the Line (March 22, 2019)
Dungen — Live (March 13, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Andrej Šeban — Triplet (March 22, 2019) cover
Sonny Landreth — Blacktop Run (Feb. 21, 2020)
Læetitia Shériff — Pandemonium, Solace And Stars
Gerald Cleaver — Signs (March 27, 2020)
The Crossing & Donald Nally — James Primosch: Carthage (05/2020)
The Drums — Brutalism (April 5, 2019)
Eli Winter — „Unbecoming“ (21 Aug 2020)
Laila Sakini ‎— Into the Traffic, Under the Moonlight (10 Dec.,
DAGMAR VOŇKOVÁ — ARCHA (2020)
Immigrant Union — Judas (June 19, 2020)
KMRU — Peel (18th Sept., 2020)
Spy Machines — Spy Machines (April 3, 2020)
Negativland — True False (25 Oct., 2019)
David Cross & Peter Banks — Crossover (17 Jan., 2020)
Jake Blount — Spider Tales (May 29, 2020)
EELS — Earth To Dora (Oct. 30th, 2020)
Art Feynman — Half Price At 3:30 (June 26th, 2020)
Jerskin Fendrix — Winterreise (April 17, 2020)
Julianna Barwick — Healing Is a Miracle [Japan Edition] (2020)
Joy Division — Closer (40th Anniversary) [2020 Digital Master] (
Sophie Tassignon — Mysteries Unfold (April 24, 2020)
Anika Nilles — For a Colorful Soul (Jan. 10, 2020)
Ospalý pohyb — Ostrava (October 17, 2016)
Deradoorian — Find the Sun (Sept. 18, 2020)
All The Best, Isaac Hayes (A Spoken Word Album)
Ospalý pohyb — ø (May 24, 2016)
James Harries — Superstition (Jan. 31, 2020)
Zoongideewin — Bleached Wavves (June 19, 2020)
Nitin Sawhney — Live At Ronnie Scotts (Nov. 17, 2017)
HOUPACÍ KONĚ: SOULKOSTEL 8 11 2019 (April 25, 2020)
Recondite — Dwell (Jan. 24, 2020)
Kacey Johansing — No Better Time (Nov. 20, 2020)
Yoko Ono, Kim Gordon & Thurston Moore — YOKOKIMTHURSTON
Com Truise — Persuasion System (May 17, 2019)
Kazuomi Eshima & Masahiko Takeda — Inheritance for Soundscape
Erik Griswold — All’s Grist That Comes To The Mill (03/20, 2020)
Caspian — Dust and Disquiet (Sept. 25, 2015)
SLY & THE FAMILY DRONE FC (17, 2020)
Låpsley — Through Water (March 20th, 2020)
Sarah Longfield — Dusk (April 22, 2020)
Soundwalk Collective with Patti Smith — Peradam (Sept. 4th, 2020
M. Caye Castagnetto — „Leap Second“ (Jan. 22, 2021)
Erik Griswold — All’s Grist That Comes To The Mill (03/20 2020)
Circa Waves — Sad/Happy (March 13th, 2020)
Bob Dylan — Rough and Rowdy Ways (June 19th, 2020)
Kurt Wagner of Lambchop. ©Picture Joanna Bongard
Art d’Ecco — „In Standard Definition“ (April 23rd, 2021)
Sol Seppy — The Bells Of 12 (June 21, 2019)
930 x 827 tmavší podklad.jpg
P/\ST — /Expedice do vnitrobloku\ (Oct. 5, 2019)
Roland Tings — Salt Water (Nov. 8, 2019)
Eamon O’Leary — The Silver Sun (Jan. 15, 2021)
Martin Barre — „Live At The Factory Underground“ (Feb. 14, 2019)
M.Ward — Migration of Souls (April 3, 2020)
33EMYBW — Golem (25 Sept., 2019)
The Third Mind — The Third Mind (Feb. 14, 2020)
CocoRosie — Restless (Feb. 12th, 2020)
Sean Henry — A Jump from the High Dive (Nov. 1, 2019)
Mike Cooper — Playing With Water (Nov. 6, 2020)
Ben Featherstone — Prisoner to the Wind (Dec. 20th, 2019)
Ailbhe Reddy — Personal History (23 Oct., 2020)
Thomas Köner — Motus (Feb. 20, 2020)
Lanterns On the Lake — Spook the Herd (21 Feb., 2020)
A Winged Victory for the Sullen — The Undivided Five
The Telescopes — Songs of Love and Revolution (Feb. 5, 2021)
Of Montreal — Ur Fun (Jan. 17, 2020)
Lanterns On the Lake — Spook the Herd (21 Feb., 2020)
Seaway — Big Vibe (Oct. 16th, 2020)
Surprise Chef — Daylight Savings (Oct. 16, 2020)
Ryley Walker — „Course in Fable“ (April 2, 2021)
Sega Bodega — Salvador (Feb. 14, 2020)
Klara Lewis — Ingrid (1st May 2020)
Vivienne Wilder — Postromantic (June 12, 2020)
Prophecy Playground — Comfort Zone (Feb. 15, 2020)
Kurt Vile — Speed, Sound, Lonely KV EP (2nd Oct., 2020)
Steve Earle — Townes (May 8, 2009)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Oiseaux~Tempęte — From Somewhere Invisible (19 Dec., 2019)
Hamilton Leithauser (The Walkmen) — Dear God (Aug. 2015)
Steve Earle & The Dukes — Ghosts of West Virginia (May 22, 2020)
Nitin Sawhney — „Immigrants“ (19 March, 2021)
Real Estate — The Main Thing (28th Feb., 2020)
Myopia Exclusive Crystal Clear Vinyl
The Kills — Ash And Ice (June 3, 2016)
James Harries — Before We Were Lovers
Irena and Vojtěch Havlovi — „Melodies in the Sand“ (March 5, 202
ANNA CALVI — HUNTED (March 6, 2020)
Elysian Fields — Transience Of Life (May 7, 2020)
SOFIA TALVIK — Paws of a Bear (Sept. 27, 2019)
Badge Époque Ensemble — Self Help (Nov. 20, 2020)
Ali Holder — Uncomfortable Truths (April 10, 2020)
Sungazers — Wasting Space (May 18, 2020)
Really From — „Really From“ (March 12, 2021)
Neil Young — Homegrown (19th June, 2020)
Lightning Bolt — Hypermagic Mountain (October 18, 2005, March
Sixth June ‎— Trust (17 Jan 2020)
Bellows — The Rose Gardener (Feb. 22, 2019)
Tatsuhisa Yamamoto 山本達久 — Ashioto (Oct. 21, 2020)
From Atomic — Deliverance (April 2020)
Cermaque — Lament (22nd May, 2020)
Tatsuhisa Yamamoto 山本達久 — Ashioto (Oct. 21, 2020)
Laurel Halo — Raw Silk Uncut Wood (July 13, 2018)
Anna von Hausswolff — Dead Magic (March 2018)
Moses Sumney — græ Part 1 & 2 (May 15, 2020)
Lauren Lakis — Daughter Language (Jan. 22, 2021)
Elizabeth And The Catapult — Like It Never Happened (24/01/2014)
David Thomas Broughton & Juice Vocal Ensemble — Sliding The Same
Marissa Nadler — unearthed (March 20, 2020)
Lake Street Dive — „Obviously“ (March 12th, 2021)
Jaye Jayle — Prisyn (Aug. 7, 2020)
Sweet Trip — You Will Never Know Why (Jan. 22, 2021)
PETR KALANDRA — Petr Kalandra & ASPM 1982 — 1990 (Feb. 26, 2020)
Justine Vandergrift — Stay (Feb. 7th, 2019)
Hamilton Leithauser — The Loves of Your Life (10 April 2020)
Bombay Bicycle Club — Everything Else Has Gone Wrong (01/24/20)
Gráinne Duffy — Where I Belong (Sept. 19, 2017)
Anthony Gomes — Containment Blues (2020)
Sports Team — Deep Down Happy (5th June, 2020)
Nonlocal Forecast — Bubble Universe! (March 1, 2019)
Lionel Loueke — HH (Sept. 11, 2020)
Al Di Meola — Across the Universe: The Beatles, Vol. 2 (2020)
LENKA NOVÁ — DOPISY (21.03./24.04., 2020)
Genesis Revisited: Live at The Royal Albert Hall — 2020 Remaster
Tedeschi Trucks Band — „The Fireside Sessions [Episode One / Epi
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Veronica Swift — „This Bitter Earth“ (March 19, 2021)
The Electric Soft Parade — Stages (Jan. 8, 2020)
Villagers — The Art Of Pretending To Swim (03/19, 2020) DELUXE E
Mountaineer — Bloodletting (May 22nd, 2020)
Ólafur Arnalds — Some Kind Of Peace (6 Nov., 2020)
Steve Hackett — Under A Mediterranean Sky (Jan. 22, 2021)
Anna von Hausswolff — All Thoughts Fly (Sept. 25, 2020)
Tara Fuki — Motyle (Nov. 13th, 2020)
Peel Dream Magazine — Agitprop Alterna (3rd April 2020)
Nicholas Cords — Touch Harmonious (Nov. 6, 2020)
Destroyer — Have We Met (Jan. 31, 2020)
John McLaughlin, Shankar Mahadevan, Zakir Hussain — Is That So?
THE SHAKING SENSATIONS — “How Are We to Fight the Blight” 2xLP
Alphaxone — Dystopian Gate (Jan. 14, 2020)
Lanterns On The Lake — The Realist (Dec. 18, 2020)
A Certain Ratio — ACR Loco (25th Sept., 2020)
THE SCHRAMMS — “Omnidirectional” (June 21st, 2019)
David Thomas Broughton — The Complete Guide To Insufficiency /re
Aimee Mann — Bachelor No. 2 (20th Anniversary Edition) (Nov. 27,
The Chap — Digital Technology (10 Jan., 2020)
Joan As Police Woman — Cover Two (May 1, 2020)
Isobutane — Mementos (Jan. 29, 2021)
The Shivas — “Dark Thoughts” (October 25, 2019)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Lucy Railton — Paradise 94 (22 Mar 2018)
Drive~By Truckers — The Unraveling (cover)
The Shins — “Heartworms” (March 10, 2017)
Elizabeth & The Catapult — „Sincerely, E“ (March 5, 2021)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
M. Ward — Think of Spring (Dec. 11, 2020)
The Shins — “The Worms Heart” (Jan. 18, 2018)
Psychic Markers — Psychic Markers (29 May, 2020)
Julianna Barwick — Circumstance Synthesis (Dec. 20, 2019)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
Meredith Monk & Bang on a Can All~Stars — Memory Game (03/27/20)
Drive~By Truckers — The Unraveling (cover)
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
JACKSON VANHORN: “AFTER THE REHEARSAL”
Eivind Aarset & Jan Bang — Snow Catches On Her Eyelashes (2020)
Richard Barbieri ‎— Past Imperfect / Future Tense (Mar 2020)
Kevin Morby — Sundowner (October 16, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
EVA ROHLEDER — Babské ucho (Nov. 9th, 2020)
Laurel Halo — Possessed (April 10, 2020)
Helena Deland — Someone New (16 Oct., 2020)
Stereolab — „Electrically Possessed [Switched On Volume 4]“ (Feb
Devendra Banhart — Ma (September 13, 2019)
Field Music — Making a New World (Jan. 10, 2020)
Gráinne Duffy — Voodoo Blues (Oct. 15, 2020)
The Memories — Pickles & Pies (May 29, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Highasakite — Uranium Heart (Feb. 1st, 2019)
Pearl Jam — Gigaton (March 27, 2020)
Walter Martin — The World at Night (Jan. 31, 2020)
The Tiger Lillies — Cold Night in Soho (10 Feb. 2017)
Silkworm — In The West (24 Jan., 2020)
Marillion — „Marbles“ (30th April, 2021, 3 LP)
Chavez — Gone Glimmering [Expanded Edition] (Oct. 23, 2020)
FRÀNÇOIS & THE ATLAS MOUNTAINS — BANANE BLEUE (26th Feb., 2021)
Kamaal Williams — Wu Hen (July 24, 2020)
Caspian — On Circles (January 24, 2020)
Jennifer Curtis & Tyshawn Sorey: Invisible Ritual (2020)
DAVID POMAHAČ — DO TMY JE DALEKO (Feb. 7, 2020)
Don Gallardo — The Lonesome Wild (April 2, 2020)
Damon Locks Black Monument Ensemble — Where Future Unfolds (2019
The Tiger Lillies — Edgar Allan Poe’s Haunted Palace
Mark Lanegan — Straight Songs Of Sorrow (8th May, 2020)
I Break Horses — Warnings (08 May 2020)
Maxïmo Park — „Nature Always Wins“ (26th Feb., 2021)
Avishai Cohen — „Two Roses“ (April 16, 2021)
Spiritualized — „Lazer Guided Melodies“ (March 30, 1992, Remaste
Cocteau Twins — Head Over Heels
Cocteau Twins — Treasure
Sarah Jarosz — World On The Ground (June 5, 2020)
The Innocence Mission — See You Tomorrow (Jan. 17, 2020)
Daniel Lanois — „Heavy Sun“ (March 19, 2021)
Father John Misty — „Off~Key In Hamburg“ (March 23, 2020)
M G Boulter — „Clifftown“ (April 23rd, 2021)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
The Tiger Lillies — Covid~19 (April 10, 2020)
Hawkwind — Acoustic Daze (25 Oct. 2019)
I Am Planet — „Záznamy ticha“ (30 April, 2021)
The Avalanches — We Will Always Love You (11 Dec., 2020)
Beautify Junkyards — Cosmorama (15th Jan., 2021)
Wendy Eisenberg — Auto (Oct. 16, 2020)
I Am Planet — „Záznamy ticha“ (30 April, 2021)
TANYA DONELLY: Swan Song Series bonus tracks (FC)
Kate Amrine — This Is My Letter to the World (Jan. 24, 2020)
CONCEPT ART ORCHESTRA — „100 YEARS“ (11.12.2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
WHITE TAIL FALLS — Age Of Entitlement (May 29, 2020)
Susan Alcorn Quintet — Pedernal (Nov. 13, 2020)
Coloured Clocks — Flora (May 2, 2020)
Daniel Knox — Won’t You Take Me with You (Jan. 15, 2021)
Indoor Voices — Animal (Feb. 14, 2020)
Jane Weaver — „Flock“ (March 5, 2021)
ELYSIAN FIELDS — Pink Air
Midlake — Antiphon (Nov. 4, 2013)
Jonathan Wilson — Rare Birds (March 2nd, 2018)
KIESLOWSKI Tiché lásky
Fiona Apple — Fetch The Bolt Cutters (17 Apr., 2020)
Lucrecia Dalt — Syzygy (Oct. 15, 2013)
Hayden Thorpe — Diviner (24 May 2019)
Cocteau Twins — Garlands (1982, Reissue 2020)
Alessandra Leão ‎— Macumbas e Catimbós (24/05/2019)
Cowboy Junkies — Ghosts (30 Mar 2020)
Liz Simmons — „Poets“ (March 1, 2021)
Laura Marling — Song for Our Daughter (April 10th, 2020)
Wendy Eisenberg — Its Shape Is Your Touch (Oct. 2018)
Baxter Dury — The Night Chancers (20 March 2020)
San Fermin — San Fermin (Nov. 11, 2013)
Sara Bareilles — What’s Inside Songs From Waitress (11/06, 2015)
The Heliocentrics — Telemetric Sounds (Aug. 7, 2020)
JAMES YORKSTONE — The Wide, Wide River (22nd Jan., 2021)
The Dream Syndicate — „The Universe Inside“ (April 10, 2020)
Black Sabbath: Black Sabbath (13 Feb., 1970)
Third Coast Percussion & Devonté Hynes — Fields (Oct. 11, 2019)
White Tail Falls — Age of Entitlement (May 29, 2020)
MUFF — Fatalust (Nov. 1, 2019) cover
Ben Watt — Storm Damage (31st Jan., 2020)
San Fermin — The Cormorant I & II (Oct. 4, 2019/April 3, 2020)
Saša Niklíčková — Zmačkaná žena (Oct. 26, 2020)
Stephen Duffy — I Love My Friends [Expanded Ed] (10 May 2019)
I Break Horses — Chiaroscuro
Sea Wolf — Through a Dark Wood (March 20, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Tom Petty — „Southern Accents“ (March 26, 1985/2006)
Dan Blake — „Da Fé“ (March 12, 2021)
Yorkston | Thorne | Khan — Navarasa : Nine Emotions (2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Anupam Shobhakar — „Dawn of Paradise“ (Nov. 13, 2020)
Genghis Tron — „Dream Weapon“ (March 26, 2021)
HAIM — „Women in Music Pt. III“ [Expanded Edition] (June 26, 202
Stove — ‘s Favorite Friend (Oct. 31, 2018)
ANASTASIA MINSTER — Father ©Michael Haley
Jonathan Wilson — Dixie Blur (March 6, 2020)
Ethel Cain — „Inbred“ (April 23, 2021)
Fruition — Broken At The Break Of Day (Jan. 23, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
1600 x 1600 High Violet (10th Anniversary Expanded Edition).jpg
ROBERT FRIPP — THE KITCHEN (New York, NY) — 05 FEB 1978
Sara Bareilles — More Love: Songs from Little Voice Season One (
The Sufis — Double Exposure (Jan. 24, 2020)
ÁSGEIR: IN THE SILENCE
Martin Barre — Roads Less Travelled (26 Oct. 2018)
Loney dear — „A Lantern and a Bell“ (March 26, 2021)
Loveblind / Sleeping Visions (March 27, 2020)
Jon Regen — Higher Ground (October 4, 2019)
Walter Martin — The World at Night (Jan. 31, 2020)
Asher Gamedze – Dialectic Soul (July 10, 2020)
Frances Quinlan — Likewise (Jan. 31, 2020)
Jon Regen — Higher Ground (October 4, 2019)
Motorpsycho — „Kingdom of Oblivion“ (April 16th, 2021)
KING CRIMSON, The Night Watch
Brooklyn Raga Massive — In D (Nov. 21, 2020)
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Matt Berninger — Serpentine Prison (Oct. 16, 2020)
Rizan Said — Saz û Dîlan (Oct. 11, 2019)
Nick Cave | Warren Ellis — „Carnage“ (Feb. 25, 2021)
Ásgeir — Bury the Moon (7 Feb., 2020)
Sharon Van Etten — „epic Ten“ (April 16, 2021)
Riva Taylor — ‘This Woman’s Heart .1’ (27 Mar 2020)
Wrangler — A Situation (28 Feb., 2020)
Juraj Griglák, From The Bottom (Sept. 16, 2019)
Cheerleader — Almost Forever (Feb. 7, 2020)
Queer Jane — Amen Dolores (March 27, 2020)
BECCA STEVENS — WONDERBLOOM (March 20th 20, 2020)
Mogwai — „As the Love Continues“ [Deluxe Edition] (19/02/2021)
Juraj Griglák — From the Bottom (Sept. 16, 2019)
Einstürzende Neubauten — Alles In Allem (May 29th, 2020)
Torres — Three Futures (29th Sept. 2017)
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Bison Bone — Find Your Way Out (Sept. 25, 2020)
Oh Wonder — No One Else Can Wear Your Crown [Deluxe Edition]
These New Puritans — The Cut (2016~2019) (14 Feb. 2020)
Vennart — „In The Dead, Dead Wood“ (6th Nov., 2020)
Laetitia Shériff — Stillness (Nov. 6, 2020)
Gillian Frame — „Pendulum“
Thin Lear — Wooden Cave (24th July, 2020)
Torres — Silver Tongue (Jan. 31, 2020)
Kings of Leon — „When You See Yourself“ (March 5, 2021)
King Khan — The Infinite Ones (Oct. 30, 2020)
Anoushka Shankar — Love Letters (7 Feb., 2020)
Free To Grow — Imperfection (Aug. 7, 2020)
Dan Croll — Grand Plan (21 Aug., 2020)
Lilien Rosarian ~ A Day in Bel Bruit (June 9, 2019)
Form and Chaos — „Gateways“ (March 16, 2021)
Jim Noir — A.M Jazz (Dec. 20, 2019)
Shemekia Copeland — Uncivil War (October 23rd, 2020)
I Like to Sleep — Daymare (April 17, 2020)
Psychedelic Porn Crumpets — SHYGA! The Sunlight Mound (5th Feb.,
Kaki King — Modern Yesterdays (Oct. 23, 2020)
Bill MacKay and Katinka Kleijn — STIR (Oct. 17, 2019)
VARIOUS ARTISTS: IN THE MOOD FOR LOVE (Import)
The Mountain Goats — Getting Into Knives (Oct. 23, 2020)
Ben Sidran — Blue Camus (Oct. 2014)
Varga Marián — Solo in Concert (1. feb. 2018)
Paris Jackson — Wilted (Nov. 13, 2020)
No~Man — Love You To Bits (Nov. 22, 2019)
Death Cab for Cutie — The Georgia EP (Dec. 4th, 2020)
Blackbird & Crow — Ailm (17 Jan 2020)
Liz Longley — Liz Longley (March 17, 2015)
Van der Graaf Generator — Recorded Live in Concert
Bruce Springsteen — Letter to You (Oct. 23, 2020)
Amy LaVere — Painting Blue (27 Mar 2020)
100 Gecs — 1000 gecs (May 31, 2019)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cold Chisel — Blood Moon (6 Dec., 2019)
Cold War Kids — New Age Norms 1 (Nov. 1, 2019)
Blackbird & Crow © 2020 Author: Megan Doherty
WaqWaq Kingdom — Essaka Hoisa (Nov. 15, 2019)
The Mountain Goats — Songs for Pierre Chuvin (April 10, 2020)
Hawktail — Formations (Jan. 10, 2020)
Morrissey — I Am Not a Dog On a Chain (March 20th, 2020)
Jack Peñate — After You (29th Nov. 2019)
Villagers — Darling Arithmetic [Deluxe Version] (April 10, 2015)
Ashley Paul — Window Flower (May 13, 2020)
Daniel Bachman — The Morning Star (July 27, 2018)
Roger Eno | Brian Eno — Mixing Colours (20 March, 2020)
Darnielle, Jon Wurster, Matt Douglas, Pete Hughes. ©Josh Sanseri
Joe Bonamassa & The Sleep Eazys — Easy To Buy, Hard To Sell
Axel Flóvent — You Stay by the Sea (15 Jan., 2021)
Preston Lovinggood — Consequences (June 10, 2018)
Martin Barre — Away With Words
Ezra Bell — This Way to Oblivion (3rd April, 2020)
All Them Witches — Nothing as the Ideal (Sept. 4, 2020)
Shafiq Husayn — The Loop (March 29, 2019)
Sinikka Langeland — „Wolf Rune“ (April 9, 2021)
Queer Jane — Home (Dec. 1, 2016)
RADEK BABORÁK a jeho ORQUESTRINA na PIAZZOLLOVSKÉ ALBUM.
Moonchild — Little Ghost (6th Sept. 2019)
Evergreen — Overseas (15 Jun 2018)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
Real Estate — „Half A Human“ (March 26, 2021)
The Waterboys — Good Luck, Seeker (Deluxe) (Aug. 21, 2020)
Dave Scanlon — Pink in each, bright blue, bright green (Jan. 15,
Ani DiFranco — „Revolutionary Love“ (Jan. 29, 2021)
CYHSY, New Fragility (Coke Bottle Clear) 2021
Maarja Nuut & Ruum — World Inverted (11th Sept., 2020)
Richard Youngs — Dissident (Jan. 25, 2019)
Kuře v hodinkách — Flamengo
Daniel Bachman — Green Alum Springs (June 6, 2020)
Midwife — Forever (April 10, 2020)
MORCHEEBA: Blackest Blue (May 14, 2021) (blue vinyl)
Kamasi Washington — Becoming (Music from the Netflix Original Do
Michal Mihok — „The Imprint“ (April 29, 2019)
Siobhan Wilson — The Departure (10 May, 2019)
Steve Harley — „Uncovered“ (21 Feb., 2020)
Kris Delmhorst — Blood Test
Martin Burlas & Musica falsa et ficta — Hexenprozesse
I Don’t Know How but They Found Me — Razzmatazz (Oct. 23, 2020)
Songdog — Happy Ending (27th March, 2020)
Zuzana Mikulcová — Slová
Holly Herndon — PROTO (Winner of Tais Awards 2020)
Rory Block — Prove It On Me (March 27, 2020)
Cate Le Bon — Here It Comes Again (2020)
Tunng — Tunng Presents…DEAD CLUB (Nov. 6, 2020)
Sean O’Hagan — Radum Calls, Radum Calls (2019)
Lost Horizons — In Quiet Moments (Dec. 4, 2020/2021)
Nicey Nice World — Obelisks and Asterisks (Sept. 22, 2020)
Pink Floyd — Delicate Sound of Thunder (1988)
Robert Plant — Carry Fire (2 LP, 13/10/2017)
Ben Sidran — Who’s the Old Guy Now (Nov. 20, 2020)
Le Butcherettes — DON’T BLEED EP (14 Feb 2020)
Devin Sinha — The Seventh Season (Oct. 21, 2014)
Marillion — „With Friends At St David’s“ (Nov. 13, 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
Typhoon — „Sympathetic Magic“ (Jan. 22nd, 2021)
Arab Strap — „As Days Get Dark“ (March 5, 2021)
First Aid Kit — Stay Gold (2014)
Land of Talk — Indistinct Conversations (July 31, 2020)
Kuře v hodinkách — Flamengo
The League Of Assholes — „CODA“ (Jan. 20, 2021)
Luke Haines — Beat Poetry For Survivalists (6 Mar. 2020)
Suzi Quatro — „The Devil in Me“ [Japan Edition] (Jan. 22, 2021)
Devin Sinha — Liminal Space (Oct. 23, 2020)
Nicole Atkins — Italian Ice (29 May 2020)
Maria Schneider Orchestra — Data Lords (24th July, 2020)
Lambchop — TRIP (Nov. 13th, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
BC Camplight — Shortly After Takeoff (24 April 2020)
Delta Spirit — What Is There (Sept. 11th, 2020)
The Hold Steady — „Open Door Policy“ (Feb. 19, 2021)
The Magnetic Fields — Quickies (May 15, 2020)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
Cold War Kids — New Age Norms 2 (Aug. 21, 2020)
learning structures, vol. 2: end firma
Suns Of The Tundra — „Murmuration“ (Nov. 15, 2019)
Becca Mancari — The Greatest Part (June 26, 2020)
learning structures, vol. 3: distance between us
Severin Bells — A Brighter Side to the Unknown (24th Oct., 2020)
The Apache Relay — Apache Relay (April 22, 2014)
Thurston Moore — By The Fire (Sept. 25, 2020)
Kurt Rosenwinkel Trio — Angels Around (May 8, 2020)
Frazey Ford — U kin B the Sun (Feb. 7th, 2020)
Lizzy Farrall — Bruise (March 27, 2020)
Alice Peacock — Minnesota (Sept. 20th, 2019)
Devon Williams — A Tear in the Fabric (May 1, 2020)
Gwenifer Raymond — Strange Lights Over Garth Mountain (2020)
LENKA DUSILOVÁ — ŘEKA (Nov. 6th, 2020)
STEREOLAB: Oscillons from the Anti~Sun
Hallelujah the Hills — A Band Is Something to Figure Out (2016)
Loveblind: Visions
Lilly Hiatt — Walking Proof (27 March, 2020)
Mekons — Deserted (March 29, 2019)
Loveblind: Visions
Throwing Muses — Sun Racket (Sept. 4, 2020)
Sean McMahon ― You Will Know When You’re There (March 1, 2019)
Deradoorian — Find the Sun (Sept. 18, 2020)
The Chats — High Risk Behaviour (March 27, 2020)
Tylor Dory Trio — Unsought Salvation (Dec. 21, 2019)
György Ligeti — Lontano (22. Oct.,1967)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Guranfoe — Sum of Erda (Dec. 13, 2019)
Susanne Sundfør — Self Portrait (Original Score, 10th Jan. 2020)
Ronnie Godfrey — Shades of Blue (Oct. 25, 2019)
Intocable ― Percepcion (March 15, 2019)
Father John Misty — God’s Favorite Customer (June 1st, 2018)
Ytamo — Vacant (June 12, 2020)
Pancrace — The Fluid Hammer (09 Sep 2019/2LP)
Humanist — Humanist (21 Feb., 2020)
White Lies — To Lose My Life… [10th Anniversary Deluxe Edition]
Slow Pulp — Moveys (Oct. 9, 2020)
Andrej Šeban — Rock and Roll z Rači (11. Sept., 2020)
The Go Betweens — „Liberty Belle And The Black Diamond Express“
Wrekmeister Harmonies — We Love to Look at the Carnage (2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Hallelujah the Hills — I’m You (Nov. 15, 2019)
OWEN PALLETT — Heartland (March 3, 2014)
Siobhan Wilson — There Are No Saints (14 Jul, 2017)
Erlend Apneseth — Fragmentarium (Jan. 31, 2020)
Paul McCartney — McCartney III (18 Dec., 2020)
Amaarae — The Angel You Don’t Know (Nov. 12, 2020)
Delta Spirit — Into The Wide (Deluxe Edition, Sept. 9, 2014)