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The Naked And Famous — In Rolling Waves  (2013)

 The Naked And Famous — In Rolling Waves (2013)

The Naked And Famous — In Rolling Waves 
::  New Zealand group with a sound informed by indie electronic, post-punk, and melodic pop.
Location: Auckland, New Zealand
Album release: September 13, 2013 (NZ/Aus); 17 (US); 16 (rest)
Record Label: Fiction Records
Duration:     55:37
Tracks:
01. A Stillness     5:22
02. Hearts Like Ours     4:32
03. Waltz     5:12
04. Rolling Waves     3:39
05. The Mess     4:06
06. Grow Old     6:36
07. Golden Girl     2:12
08. I Kill Giants     4:12
09. What We Want     4:19
10. We Are Leaving     4:39
11. To Move With Purpose     5:03
12. A Small Reunion     5:45
2013 Universal Music Australia Pty Ltd.
Current members:
◊  Aaron Short (born Aaron Philip Short) — keys (2008–present)
◊  Alisa Xayalith — vocals, keyboards (2008–present)
◊  Thom Powers (born Thomas Brading Powers) — vocals, guitars (2008–present)
◊  David Beadle (born David William Henry Beadle) — bass (2009–present)
◊  Jesse Wood (born Jesse Peter Wood) — drums (2009–present)
Past members:
◊  Ben Knapp — bass (2008–2009)
◊  Jordan Clark — drums (2008–2009)
CREDITS:
◊  David Beadle  Group Member
◊  Andrew Bulbrook  String Arrangements, Violin
◊  Billy Bush  Engineer
◊  Eric Byers  Cello
◊  John Catlin  Mixing
◊  Benjamin Jacobson  Violin
◊  Joel Kefali  Artwork
◊  Joe LaPorta  Mastering
◊  Max McEligott  Composer
◊  Justin Meldal-Johnsen  Producer
◊  Jonathan Moeerschel  Viola
◊  Alan Moulder  Mixing
◊  Thom Powers  Composer, Group Member, Producer, String Arrangements
◊  Daniel Schwerkolt  Assistant Engineer
◊  Aaron Short  Composer, Group Member, Producer
◊  Jesse Wood  Group Member
◊  Alisa Xzyalith  Composer, Group Member
≠  New Zealand band The Naked and Famous returns with their album In Rolling Waves on September 13. The album follows Passive Me, Aggressive You which included single ‘Punching In A Dream’ and smash hit ‘Young Blood’.
≠  Description: 2013 album from the New Zealand Alt-Rock quintet. Beyond a life hard-wired to Pop culture via the 24 hour news feed, The Naked And Famous elicit a romantic connection inspired by the golden era of Alternative Rock; a shared response to a teenage soundtrack of epic, emotionally charged mid-’90s music. By June 2012, the New Zealand quintet had played to more than 600,000 people in 24 countries, but the band chose to hit pause and embark on a second album. The resulting album, In Rolling Waves, delivers darkly nuanced, intricately rocking electro gems once again born in bedroom studio sessions.
Charts:
Chart (2013): Peak position:
≠  Australian Albums (ARIA)              #12
≠  Austrian Albums (Ö3 Austria)         #33
≠  German Albums (Media Control)     #96
≠  Irish Albums (IRMA)                    #68
≠  New Zealand Albums (RIANZ)        #4
≠  Swiss Albums (Schweizer Hitparade) #34
≠  UK Albums (OCC)                        #53
≠  US Billboard 200                          #48
Website: http://thenakedandfamous.com/
Tumblr: http://tnaf.tumblr.com/
YouTube: http://www.youtube.com/tnafofficial/
Instagram: http://instagram.com/tnaf
Soundcloud: https://soundcloud.com/tnafofficial/
Twitter: https://twitter.com/tnaf/
Facebook: https://www.facebook.com/tnafofficial
iTunes: https://itunes.apple.com/au/album/in-rolling-waves/id677269632
Discography:
≠  This Machine; EP, 05 May 2008
≠  No Light; EP, 05 Sep 2008
≠  Passive Me, Aggressive You; 06 Sep 2010
≠  Passive Me, Aggressive You (Remixes & B-Sides); 17 May 2013
≠  One Temporary Escape (Live Film); 25 May 2013
≠  In Rolling Waves; 16 Sep 2013
REVIEW
By Kyle Ryan September 17, 2013;  Rating: B
≠  Electronic-rock quintet The Naked And Famous was a sensation in its native New Zealand seemingly right away; its 2010 full-length, Passive Me, Aggressive You, debuted at No. 1 in its home country and racked up a slew of awards there over the next year. The band established itself elsewhere in part by licensing its songs to a barrage of TV shows, movies, and video games, to where it seemed The Naked And Famous was the most ubiquitous band whose name no one knew. People figured it out, and Passive Me, Aggressive You went on to sell 500,000 copies worldwide.
≠  While The Naked And Famous recorded Passive Me, Aggressive You at band members’ homes and a local studio, the band decamped to Laurel Canyon this summer to record In Rolling Waves. The “Laurel Canyon sound” couldn’t have less in common with the group’s style, and thankfully The Naked And Famous didn’t dally with the folky mellowness that typifies it. In Rolling Waves follows the precedent of Passive Me, Aggressive You into moodier territory, with fewer outright rockers (“Hearts Like Ours,” “The Mess,” “I Kill Giants,” “What We Want”) in favor of longer songs that take their time to build and release (“Rolling Waves,” “Grow Old,” “We Are Leaving,” “A Small Reunion”). “Longer” being the operative word; more than five of the album’s 12 tracks go beyond the five-minute mark (“Grow Old” clocks in at 6:36), and another five last more than four minutes.
≠  The Naked And Famous seems to be using its success as an opportunity to stretch out a bit, and for the most part it works. “Rolling Waves,” probably the album’s most rock-oriented song, tumbles like its namesake, with chiming guitars that swell into a distorted three-chord wash of sound as singer-keyboardist Alisa Xayalith stretches out “like rolling waves” into five syllables. Album-closer “A Small Reunion” builds to a string-laden crescendo.
≠  “Grow Old” simmers to a similar crescendo before powering down again for its final minute, then segues into the brief, but similarly restrained “Golden Girl.” Their nearly nine-minute combined running time makes the album sag at its midpoint, until “I Kill Giants” picks it back up again with its big hooks, stuttering keyboards, and three-note chorus. Those are In Rolling Waves’ best moments, because the slow build and release of some of the other tracks can feel repetitious, even if the band executes it well.
≠  More immediately ingratiating songs like “I Kill Giants” and “Hearts Like Ours” (the album’s first single) would seem to guarantee The Naked And Famous’ ascent into stardom, but In Rolling Waves requires a bit more patience on the whole. That’s actually a good sign; the band doesn’t seem to feel beholden to making a breakthrough — and In Rolling Waves may provide it regardless. (http://www.avclub.com/)
Also:
Kate Hutchinson; theguardian.com, Thursday 12 September 2013 22.15 BST;  Rating: ****
  http://www.theguardian.com/music/2013/sep/12/naked-and-famous-in-rolling-waves-review
By Andy Baber | 15 September 2013 |  Rating: ***½
  http://www.musicomh.com/reviews/albums/naked-famous-rolling-waves
Review by Matt CollarRating: ****
≠  New Zealand's the Naked and Famous made a big neon-colored splash in 2010 with their full-length debut album, Passive Me Aggressive You. That album showcased the group's catchy, dance-oriented sound that mixed gigantic analog synths with the group's dual male/female lead vocals from guitarist Thom Powers and keyboardist Alisa Xayalith. The group's 2013 sophomore effort, In Rolling Waves, still features Powers and Xayalith, but finds the band experimenting with a more moody, somewhat serious tone that makes room for some welcome acoustic guitar. Part of this move toward a more organic sound was purportedly due to the bandmembers' desire to record an album they could more easily play live. Which isn't to say the keyboards are gone. On the contrary, there are still plenty of fuzzy, old-school synthesizers all over the album. ≠  The acoustic moments simply add yet another tonal color to the band's palette, which is clearly expanding. Working with engineer Billy Bush, Powers and keyboardist Aaron Short took on the production duties, as did Justin Meldal-Johnsen (Beck, Paramore), who lent his sophisticated, pop-oriented ears to two tracks. One of those tracks, "I Kill Giants," is particularly epic in proportion and cinematic in its emotional momentum. In minor contrast to the band's previous effort, the moments of pared-down instrumentation here seem to offer a necessary respite from the intensity, providing necessary moments of calm as we anticipate the next joyous sonic wave. (www.allmusic.com)
Awards and nominations:
Year: Organisation: Nominated work: Award: Result:

:: 2010 APRA Silver Scroll:
≠  "Young Blood"                                                                   Won
New Zealand Music Awards: 
≠  Passive Me, Aggressive You Critics' Choice Prize                        Nominated
:: 2011 New Zealand Music Awards: 

≠  Passive Me, Aggressive You MAINZ Best Producers                    Won
≠  Passive Me, Aggressive You MAINZ Best Engineers                    Won
≠  Passive Me, Aggressive You Album of the Year                          Won
≠  Passive Me, Aggressive You Best Alternative Album                    Won
≠  "Young Blood" Single of the Year                                            Won
≠  The Naked and Famous Best Group                                         Won
≠  The Naked and Famous Breakthrough Artist                              Won
≠  The Naked and Famous People's Choice Award                          Nominated
:: 2011 Taite Music Prize:   Passive Me, Aggressive You     Nominated                                  ________________________________________________________________

The Naked And Famous — In Rolling Waves  (2013)

 

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100 Gecs — 1000 gecs (May 31, 2019)
Evergreen — Overseas (15 Jun 2018)
Kurt Rosenwinkel Trio — Angels Around (May 8, 2020)
The Feather — Room (10 July, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
György Ligeti — Lontano (22. Oct.,1967)
OWEN PALLETT — Heartland (March 3, 2014)
Badly Drawn Boy — Banana Skin Shoes (22nd May, 2020)
A.O. Gerber — Another Place to Need (May 22, 2020)
Kaleidoscope — Faintly Blowing (11 April 1969, Reissue, Remaster
Perfume Genius — Set My Heart On Fire Immediately (15th May 2020
Perfume Genius — No Shape (5 May, 2017) BC
Perfume Genius — No Shape (5 May, 2017) FC
Sungazers — Wasting Space (May 18, 2020)
Cermaque — Lament (22nd May, 2020)
Mountaineer — Bloodletting (May 22nd, 2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Steve Earle — Townes (May 8, 2009)
Steve Earle & The Dukes — Ghosts of West Virginia (May 22, 2020)
Sixth June ‎— Trust (17 Jan 2020)
White Tail Falls — Age of Entitlement (May 29, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
Nicole Atkins — Italian Ice (29 May 2020)
Deerhoof — Future Teenage Cave Artists (May 29, 2020)
Deradoorian — Find the Sun (Sept. 18, 2020)
Bob Dylan — Rough and Rowdy Ways (June 19th, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
This Will Destroy You — Vespertine (June 9, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Yoko Ono, Kim Gordon & Thurston Moore — YOKOKIMTHURSTON
Psychic Markers — Psychic Markers (29 May, 2020)
The Memories — Pickles & Pies (May 29, 2020)
Songs for the Late Night Drive Home (Feb. 5, 2016)
Spc Eco — Dark Matter (Nov. 20, 2015)
SPC ECO — June (June 1, 2020)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Larkin Poe — Self Made Man (June 12th, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Endless Field — Alive in the Wilderness (June 12, 2020)
Wesley Gonzalez — Appalling Human (June 12, 2020)
Noveller — Arrow (June 12, 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Andrej Šeban — Triplet (March 22, 2019) inner cover
Andrej Šeban — Triplet (March 22, 2019) cover
The Crossing & Donald Nally — James Primosch: Carthage (05/2020)
Jerskin Fendrix — Winterreise (April 17, 2020)
Zoongideewin — Bleached Wavves (June 19, 2020)
ULRICH SCHNAUSS — A Long Way To Fall — Rebound (3rd April, 2020)
Sports Team — Deep Down Happy (5th June, 2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
Midlake — Antiphon (Nov. 4, 2013)
ANASTASIA MINSTER — Father ©Michael Haley
Jessie Ware — Glasshouse (Deluxe; 20 Oct 2017)
Teen Daze — Morning World
Jessie Ware — What’s Your Pleasure (June 26, 2020)
Art Feynman — Half Price At 3:30 (June 26th, 2020)
Bo Ningen — Sudden Fictions (26th June, 2020)
Khruangbin — Mordechai (June 26, 2020)
Pottery — Welcome to Bobby’s Motel (June 26th, 2020)
Orlando Weeks — A Quickening (June 12, 2020)
John Craigie — Asterisk the Universe (June 12, 2020)
Kavus Torabi — Hip to the Jag (May 22, 2020)
Nadine Shah — Kitchen Sink (June 5, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
Corb Lund — Agricultural Tragic (June 26, 2020)
Christine Ott — Chimères (pour ondes Martenot) (May 22, 2020)
The Beths — Jump Rope Gazers (July 10th, 2020)
Ashley Paul — Window Flower (May 13, 2020)
Grey Daze — Amends [Deluxe Edition] (July 3, 2020)
Grey Daze ©Photo credit: Anjella / Sakiphotography
Ajimal — As It Grows Dark / Light (June 26, 2020)
Ajimal — As It Grows Dark Light (June 26, 2020)
Eleanor Friedberger — Rebound (May 4th, 2018)
ELEANOR FRIEDBERGER — NEW VIEW (January 22, 2016)
Immigrant Union — Judas (June 19, 2020)
Julianna Barwick — Healing Is a Miracle [Japan Edition] (2020)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Neil Young — Homegrown (19th June, 2020)
The Jayhawks — XOXO (July 10, 2020)
Joy Division — Closer (40th Anniversary) [2020 Digital Master] (
Daniel Bachman — The Morning Star (July 27, 2018)
Daniel Bachman — Green Alum Springs (June 6, 2020)
Becca Mancari — The Greatest Part (June 26, 2020)
Ytamo — Vacant (June 12, 2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Thin Lear — Wooden Cave (24th July, 2020)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Sara Serpa — Recognition (June 5th, 2020)
Sara Serpa, Ingrid Laubrock, Erik Friedlander — Close Up (2018)
Klara Lewis — Ingrid (1st May 2020)
Buju Banton — Upside Down (June 26, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
learning structures, vol. 2: end firma
learning structures, vol. 3: distance between us
The Boomtown Rats — Citizens of Boomtown (13 March, 2020)
Ralph of London — The Potato Kingdom (19th June, 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
Land of Talk — Indistinct Conversations (July 31, 2020)
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
TANYA DONELLY: Swan Song Series bonus tracks (FC)
The Heliocentrics — Telemetric Sounds (Aug. 7, 2020)