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Wall of Death
Loveland (March 4, 2016)

Wall of Death — Loveland (March 4, 2016)

               Wall of Death — Loveland (March 4, 2016) Wall of Death — Loveland (March 4, 2016)Genre: Psychedelic Rock
Location: Paris, France
Album release: March 4, 2016
Record Label: Innovative Leisure
Duration:     46:41
Tracks:
01 Loveland     5:05
02 For A Lover     3:13
03 Mother Tongue     2:50
04 How Many Kinds     3:41
05 Blow The Cloud     7:56
06 Dreamland     2:32
07 All Mighty     4:01
08 Little Joe     4:07
09 Chainless Man     2:31
10 Memory Pt. 1 & Pt.     10:45
♦   Paris based Wall of Death, together since April 2010, are one of the principal exponents of the new European post–psychedelic rock scene. Inspired by the scintillating understatement of the Velvet Underground, the aesthetics of Pink Floyd, the stridency of Neu and the Silver Apples, this trio of Gabriel Matringe (vocals, guitar), Brice Borredon (keyboard, vocals) and Adam Ghoubali (drums) draws us into their sombre, troubling world of uncertainty, perpetually seeking the keys to its future in the ruins of the past. With help from Hanni El Khatib and engineers Jonny Bell (Crystal Antlers) and Sonny DiPerri (Portugal.The Man), Wall of Death has created a dense and deeply individual album that makes an instant into a lifetime and more. “Loveland is like the last steps you take in the desert”, says Matringe. “Dry and exhausted, one minute before dying”. And so Loveland became a psychedelic album unlike the psychedelic albums of today: the definition of a slow–burn, it has a cinematic pace and limitless space and a mellotron that’s practically another member of the band. Deeply indebted to Pink Floyd’s transcendental Meddle and La Plan ©te Sauvage, Loveland’s sound is exactly what Wall Of Death know they needed on this album: “The sound between love, paradise and fantasy,” he says, “with songs about love, freedom, youth and hope. For me, it’s the spectrum of what we love.”
Description:
♦   There’s so much that went into French psychedelic trio Wall of Death’s new album Loveland. There’s the band itself: Gabriel Matringe, the guitarist and ex–cello player, and Brice Borredon, who grew up in the country in the south of France and who dedicated himself completely to the piano at age 6, and Adam Ghoubali, who taught himself drums after hearing the Doors. Then there’s Innovative Leisure’s Hanni El Khatib, the genre–smashing guitarist who shares songs with GZA and who’d devote his most ambitious production work yet to Wall of Death. There’s the giant stack of vintage equipment — organ, synthesizer, electric piano and a positively luscious Mellotron. There’s the live chicken named Chickpea, who guarded the outside of the Jazzcats studio in Long Beach and wouldn’t let anyone pet her except Borredon. (“We directly understood and respected each other,” he explains.)
♦   And of course there are the decades of inspiration and dedication that push Loveland past the limits of what “psychedelic” means in 2015 — a connection that sparks to life with 60s groundbreakers like Soft Machine and King Crimson and leaves a comet trail across Creation Records on its way to Radiohead (and past Tame Impala!) to a destination beyond the horizon. With able and agile studio help from El Khatib and engineers Jonny Bell (also of Innovative Leisure’s Crystal Antlers) and Sonny DiPerri, Wall of Death have created a dense and deeply individual album that makes an instant into a lifetime and more: “Loveland is like the last steps you do in the desert,” says Matringe. “Dry and exhausted, one minute before dying.”
♦   Produced by Black Angels compatriot (and BBQ expert) Texan Brett Orrison, their 2012 debut Main Obsessions on France’s Born Bad label was like if Ennio Morricone had taken over for John Cale on that first Stooges LP — an album as desolate as it was heavy. But for their new album, Wall of Death wanted something ... well, new, in every way. They wanted to take that extra step — to make modern music with the most exquisitely vintage equipment possible, explains Ghoubali, and to seek out a new producer with unfamiliar ideas to make it happen. The idea, says Matringe, was pure and simple: “I was interested in getting lost in some uncomfortable ways.”
♦   Enter Hanni El Khatib, who met Wall of Death on tour in 2013. El Khatib was then fresh off his Head In The Dirt album and full of his own ideas about music production, thanks to particularly instructional sessions with Dirt producer Dan Auerbach. That same year, he’d do his first official production work on California psych–garage band Feeding People’s LP, and then in the spring of 2014, he’d lock himself in L.A. studio the Lair for 30 days and emerge with his ferociously experimental and album Moonlight. While on tour, he discovered that Wall of Death were just as ready to break the rules, he says: “I saw a fresh group that was open–minded and ready to do something drastically different. They talked about risk and experimentation and that’s what drew me to working on this record.” And when Wall of Death heard Moonlight, that sealed the deal: “It’s hard sometimes to let people touch your music,” says Matringe. “But he found what we were looking for.”
♦   And so Loveland became a psychedelic album, but in its own irreproducibly unique way — and not like the usual bled–dry psychedelic albums of 2015, which smear reverb across almost everything and put fuzz on whatever’s left. Instead, Loveland is a work of art or even architecture, a castle–slash–cathedral built on catacombs and caverns and secret passages, where the way in is also the way out. Precisely one minute into Loveland, Matringe’s vocals suddenly explode into infinity, and then the bottom drops out of the song — and from there, Wall of Death dive into the void. There are no brutish garage ragers here, and no plotless jam sessions, either. Loveland is the definition of a slow–burn, with cinematic pace and limitless space and a mellotron that’s practically another member of the band. The idea, says el Khatib, was to make Loveland sound like a dream come true: “Although I played quite a great deal on this album, I wanted to make sure that first and foremost it sounded like Wall of Death. This wasn’t about me trying to put my personal stamp on it, but rather to help my friends make an album they were dreaming about in their heads.”
♦   If there’s one album everyone in Wall of Death owns, they say, it’s Pink Floyd’s transcendental Meddle, and that underwater sound — as depicted on Meddle’s famous album cover — is everywhere on Loveland, especially on nod–along songs like “For A Lover” or “Blow The Clouds.” (They probably all also own the soundtrack to trip–out film extraordinaire La Planéte Sauvage, too.) But then there’s suddenly an unexpected Terry Riley–style synthesizer fractalization, and then suddenly an unexpected Pink Fairies–style guitar–break, and then the song itself powers down to make space for “Dreamland,” which plays like This Heat miraculously allowed to remix slivers of My Bloody Valentine. (Yes, it’s as hypnotic as the title promises.) Listen close and hear how the final moments of closer song “Memory Pt. 1 and 2” slip seamlessly into the title–track opener — that means this album is endless, if you’d like it to be. And in between, says Matringe, is exactly everything Wall of Death knew they really needed on this album: “The sound between love, paradise and fantasy,” he says, “with songs about love, freedom, youth and hope. For me, it’s the spectrum of what we love.”
Bandcamp: https://wallofdeath.bandcamp.com/
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Wall of Death
Loveland (March 4, 2016)

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Spc Eco — Dark Matter (Nov. 20, 2015)
SPC ECO — June (June 1, 2020)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Larkin Poe — Self Made Man (June 12th, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Endless Field — Alive in the Wilderness (June 12, 2020)
Wesley Gonzalez — Appalling Human (June 12, 2020)
Noveller — Arrow (June 12, 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Andrej Šeban — Triplet (March 22, 2019) inner cover
Andrej Šeban — Triplet (March 22, 2019) cover
The Crossing & Donald Nally — James Primosch: Carthage (05/2020)
Jerskin Fendrix — Winterreise (April 17, 2020)
Zoongideewin — Bleached Wavves (June 19, 2020)
ULRICH SCHNAUSS — A Long Way To Fall — Rebound (3rd April, 2020)
Sports Team — Deep Down Happy (5th June, 2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
Midlake — Antiphon (Nov. 4, 2013)
ANASTASIA MINSTER — Father ©Michael Haley
Jessie Ware — Glasshouse (Deluxe; 20 Oct 2017)
Teen Daze — Morning World
Jessie Ware — What’s Your Pleasure (June 26, 2020)
Art Feynman — Half Price At 3:30 (June 26th, 2020)
Bo Ningen — Sudden Fictions (26th June, 2020)
Khruangbin — Mordechai (June 26, 2020)
Pottery — Welcome to Bobby’s Motel (June 26th, 2020)
Orlando Weeks — A Quickening (June 12, 2020)
John Craigie — Asterisk the Universe (June 12, 2020)
Kavus Torabi — Hip to the Jag (May 22, 2020)
Nadine Shah — Kitchen Sink (June 5, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
Corb Lund — Agricultural Tragic (June 26, 2020)
Christine Ott — Chimères (pour ondes Martenot) (May 22, 2020)
The Beths — Jump Rope Gazers (July 10th, 2020)
Ashley Paul — Window Flower (May 13, 2020)
Grey Daze — Amends [Deluxe Edition] (July 3, 2020)
Grey Daze ©Photo credit: Anjella / Sakiphotography
Ajimal — As It Grows Dark / Light (June 26, 2020)
Ajimal — As It Grows Dark Light (June 26, 2020)
Eleanor Friedberger — Rebound (May 4th, 2018)
ELEANOR FRIEDBERGER — NEW VIEW (January 22, 2016)
Immigrant Union — Judas (June 19, 2020)
Julianna Barwick — Healing Is a Miracle [Japan Edition] (2020)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Neil Young — Homegrown (19th June, 2020)
The Jayhawks — XOXO (July 10, 2020)
Joy Division — Closer (40th Anniversary) [2020 Digital Master] (
Daniel Bachman — The Morning Star (July 27, 2018)
Daniel Bachman — Green Alum Springs (June 6, 2020)
Becca Mancari — The Greatest Part (June 26, 2020)
Ytamo — Vacant (June 12, 2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Thin Lear — Wooden Cave (24th July, 2020)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Sara Serpa — Recognition (June 5th, 2020)
Sara Serpa, Ingrid Laubrock, Erik Friedlander — Close Up (2018)
Klara Lewis — Ingrid (1st May 2020)
Buju Banton — Upside Down (June 26, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
learning structures, vol. 2: end firma
learning structures, vol. 3: distance between us
The Boomtown Rats — Citizens of Boomtown (13 March, 2020)
Ralph of London — The Potato Kingdom (19th June, 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
Land of Talk — Indistinct Conversations (July 31, 2020)
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
TANYA DONELLY: Swan Song Series bonus tracks (FC)
The Heliocentrics — Telemetric Sounds (Aug. 7, 2020)