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William Fitzsimmons — Mission Bell (Sept. 21st, 2018)

William Fitzsimmons — Mission Bell (Sept. 21st, 2018)

       William Fitzsimmons — Mission Bell (Sept. 21st, 2018)William Fitzsimmons — Mission Bell (Sept. 21st, 2018)Location: Jacksonville, IL
Album release: Sept. 21st, 2018
Record Label: Groenland Records/Nettwerk Records
Duration:     40:01
Tracks:
01. Second Hand Smoke    3:47
02. Distant Lovers    3:24
03. 17 + Forever    3:50
04. Angela    4:40
05. In the Light    3:41
06. Lovely    5:54
07. Never Really Mine    3:52
08. Leave Her    3:27
09. Wait for Me    3:47
10. Afterlife    3:39
℗ 2018 William Fitzsimmons under exclusive license to Nettwerk Music Group Inc.
Personnel:
✹   William Fitzsimmons: lead vocals, roland pad, electric guitar, shaker, bells, floor tom, acoustic guitar
✹   Adam Landry: drums, electric guitar, tambourine, bass, baritone guitar, polysynth, producer
✹   Rosie Thomas: background vocals on Angela
✹   Abby Gundersen: Gorgeous Female Vocals on Second Hand Smoke, violin
✹   „Posledních pár let bylo ... naplněných (je obtížné popsat roky jediným slovem). Bylo to úžasné, bolestivé, dlouhé, neuvěřitelně krátké a více edukativní a obohacující, než kterékoli jiné období, jaké jsem zažil. Dokončil jsem turné na předchozí nahrávce, která byla velmi konfliktní. Čím déle si dávám skvělou příležitost psát, vytvářet věci a následně je sdílet s ostatními, tím vážněji, precizněji přijímám to úsilí a odpovědnost. Je to něco, na co se dívám s největší vděčností a respektem.“
✹   Není náhoda, že William si na podpůrném turné k albu pro Londýnská show vybral klub Nells Jazz & Blues. THURSDAY 11TH OCTOBER ~ SATURDAY 13TH OCTOBER, z nichž poslední 2 již jsou beznadějně SOLD OUT. Navíc, je to event společný: JOSHUA RADIN & WILLIAM FITZSIMMONS
✹   Album Mission Bell má tak silný a o všem vypovídající background, že stojí zato uvést zde úplné znění londýnského eventu:
✹   „Joshua Radin, born in Cleveland and now living in LA released his last studio LP, “The Fall” in 2017 and is currently working on his next LP due out late 2018 Love and the complications surrounding it have long proven to be Radin’s songwriting forte. Though he never intended to be a live performer, there was little choice when the first song he ever wrote, “Winter,” was featured on an episode of “Scrubs.”
✹   The resulting fervor around the song soon led to a record deal. Over the last decade, Radin’s toured the world countless times, sold ¾ of a million records and topped the iTunes charts. Joshua earned raves from Rolling Stone, performed on The Tonight Show, Jimmy Kimmel, Conan, Ellen, The Today Show and played at Ellen DeGeneres’ wedding at her personal request. He has had his songs featured in more than 150 different films, commercials, and TV shows. . „“The Fall” was my seventh studio album but it was the first album I had produced myself, so it felt like the most honest work I released in my twelve~year career,“ says Radin. 2018 Radin will be hitting the road. Kicking the year off with a US run in March of 2018 followed by China, Australia and New Zealand later in the spring. Joshua will end the year with a European, UK and US run. William Fitzsimmons William’s father was born to a woman who would go on to have 5 children, none of whom she raised. Some were taken into custody of the state of Pennsylvania. Others were placed for adoption.
✹   William’s father, as an infant, was returned to the hospital dangerously sick with whooping cough.
✹   He was left there for several months. No one from his family would ever return for him.
✹   Finally, many months later, he was adopted by a kind doctor who became his father.
✹   Never knowing his birth family, or why he was left, it was assumed that mystery would remain forever. And thus this story was written upon William’s father, and from him, written upon William. In 2015, after over 60 years of wondering and waiting, the family was finally found. William’s biological grandmother having deceived the remainder of the family by telling them the baby died at the hospital, William’s father was never sought out. Sadly his mother passed away several years before having a chance to ever see her lost son again.
✹   Or ever meet the sons which came from him. In the last two years William has lost both of his grandmothers. One died only last year, the other nearly thirty years ago. Yet both losses are fresh. One was a steadfast presence in William’s life from the moment he was born, the other a ghostly figure of a long forgotten story. Yet both have in a way always been there, one in her presence the other, her absence. Loss, painful though it is, offers a unique and potent opportunity for the kind of emotional clarity that only comes a few times during our lives. It forgets that which doesn’t matter and fans the flame for what does. It burns us with the names of those who gave their good years so that we might have our own. William never had the opportunity to meet or know his grandmother Thelma. In writing these pieces he hopes to do so in some small way. She was from Charleroi, Pennsylvania. These songs are about her.
✹   „Would you bend these bars that hold you, keep you from the peace and stillness come. And lay your head beside a better burden, until the heal has come.“ — William Fitzsimmons
✹   Notes: Navíc v měsíci konání London shows před ním a po něm vystupuje například FAIRPORT CONVENTION, JOANNE SHAW TAYLOR, MARC BROUSSARD, TAMIKREST, STEVE HARLEY & COCKNEY REBEL, atd.
About album:
✹   Mlžné, nevyhnutelné, mimo svou kontrolu; to je to, co naviguje přes zakalené a bláznivé vody našeho srdce. Je jiná situace, do které se tyto tři adjektiva mohou zapojit? Bytí uvízlo v kouři z druhé ruky. Je to metafora pro záchvaty srdce, která dosud v hudebním vesmíru nebyla použita, ale je to tak perfektně umístěné, že jako úvodní skladba
„Second Hand Smoke“
✹   nového alba to nejen obstojí, ale je doslova určující celý jeho další průběh. Mission Bell obsáhne všechny výstižné poznámky z přípravy, zvlášť pokud procházíte, nebo jste prožili něco podobného. Písně Fitzsimmonse jsou stejně snadno strávitelné, protože jsou brutálně intimní, ale je těžké říct, zda tyto nesčetné hluboké ponory do bolesti pomáhají, nebo brání jeho růstu jako skladatele. Je to vzrušující směs komiksového komorního popu a něžného mixu vyběrového finger~pickingu a elektroniky, líbezných akustických písniček, které dostali propůjčené dodatečné teplo od svého tvůrce. Výsledkem jsou tlumené Sufjan Stevens~que vokály. Je to také první Fitzsimmonsovo analogové nahrávání a přirozená komprese na 2” pás. William přidává do písní značný pocit bezprostřední přítomnosti do některých odstupňovaně složitějších skladeb, jako jsou třeba výše uvedená, pak „Angela“, „Distant Lovers“ a další.
„Angela“
✹   je o tom, že svůj život někomu dáváte, a že ho dáte i někomu jinému, ale přesto se nemůžete jednoho či druhého zbavit. Je to o tom, že je člověk zaslepen realitě kvůli vlastním emocím.
✹   Zvuky jsou syrové, skutečné a hmatatelné. Známý pocit komfortu, sálajícího z akustických kytar je přítomen, ale nyní se velkoryse připojuje syntetizátory, elektrické kytary, bubnové smyčky a housle [Adam Landry: (Deer Tick, T. Hardy Morris, k.d. Lang, Vanessa Carlton): drums, electric guitar, tambourine, bass, baritone guitar, polysynth, producer/Abby Gundersen: violin]. K poslouchatelnosti velmi přispívá ženský doprovodný zpěv, který v této písni vlastní Abby Gundersen. Abby spolupracovala s WF již na albu Charleroi: Pittsburgh, Vol. 2 (2016) a na mnoha performancích. William Fitzsimmons se nikdy nevyhýbal nepříjemným pravdám. Existuje analytický smysl pro tvorbu skladatele, lyrický vkus, který vypadá, že dokáže oddělit předsudky a odhalit to, co leží pod ním. K albu bylo vytvořeno i několik videí, konkrétně 6. „Koncept k písni a videoklipu
„Second Hand Smoke“ [neděs se, že ji zde uvádím opět]
✹   to je naprosto zhuštěná ‘misijní’ nahrávka. Je přijetím a konfrontací pohřbených, hlubokých, ošklivých, podsaditých elementů sebe sama, zejména ve vztazích, že trávíme většinu našich životů snažíc se skrýt před sebou samými a před ostatními.
✹   Je tam mlha podvodu, nímž obklopujeme sami sebe ve snaze udržet nepoškvrněnou představu o tom, kdo je skryt. Z jasného pohledu zvenčí. Kouř je vyroben naším vlastním designem, zčásti z toho, co jsme zažili a částečně tím, co je přirozené — to vše se mísí s rozčarovanou a mlžnou představou o druhých. To vytváří atmosféru zmatku a zranění, takže se nedokážeme spojit s ostatními autentickým způsobem. Někdy přes to najdeme cestu, často se nám to nelíbí, i když právě to opakovaně stojí v cestě překážkou k lidem, s nimiž jsme se chtěli ztotožnit.“ Mezní písní je
„Never Really Mine“ ...
✹   ... a ta je o manželské nevěře. Cílem je prozkoumat výběr mezi odchodem, nebo zůstat s někým po zradě. Je na albu vůbec nějaká píseň jiná, než mezní? Kupříkladu hned další —
„Leave Her“
✹   Kolik bychom měli být ochotni obětovat za to, co milujeme? Měli bychom se vzdát našich snů, kariéry, osobního štěstí? Co je to oddaný, trvalý vztah, který má vypadat jako takový? Je dokonce možnost růstu dvou lidí individuálně a ve vztahu, aniž by se vzdali jednoho nebo druhého? Je to milostná píseň, která je stejně tak o zoufalství, jako o dávání.
„In The Light“
✹   je o příteli, který unikl hrubému, urážlivému, hanlivému, tedy zneužívajícímu vztahu. Je to o tom, že někdo nejen přežil, ale našel opravdovou svobodu před svou minulostí, lidmi a věcmi, které způsobovaly bolest a udržovaly ho na distanc od radosti.
„Distant Lovers“
✹   Snažil jsem se po celý svůj život dospělého člověka zjistit, jestli jsou lidé považováni za monogamní tvory. Většinu času přistupuji na stranu, že ano. Chtěl jsem však prozkoumat myšlenku, jestli neexistují situace a lidé, kteří mají být jen na určitou dobu blízko sebe; a to stačí. To pravda, je bez ohledu na to, jak těžkou zkoušku podrobíte nějakým vztahům, které dál nemají trvat.
✹   „Cutting to tape was new and honestly rather terrifying to me. There’s no „we’ll fix that in post“ kind of shit going on. What you play is what you’re gonna hear on the record. But there’s a specialness you get in a performance when you don’t have a parachute. You either play it like it matters to you or you don’t and I think that comes through so clearly in the recordings,“ says Fitzsimmons.
✹   »I will love you till these ghosts of Penn Hills will bring me where you are.«
Website: http://williamfitzsimmons.com/
Twitter: https://twitter.com/wfitzsimmons
Facebook: https://www.facebook.com/williamfitzsimmons
Label: https://www.groenland.com/
YouTube: https://www.youtube.com/user/williamfitzsimmons
Author: Patricia Glassman
_____________________________________________________________

William Fitzsimmons — Mission Bell (Sept. 21st, 2018)

ALBUM COVERS XI.

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First Aid Kit — Stay Gold (2014)
STEREOLAB: Oscillons from the Anti~Sun
Ronnie Godfrey — Shades of Blue (Oct. 25, 2019)
Pancrace — The Fluid Hammer (09 Sep 2019/2LP)
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WaqWaq Kingdom — Essaka Hoisa (Nov. 15, 2019)
Jack Peñate — After You (29th Nov. 2019)
White Lies — To Lose My Life… [10th Anniversary Deluxe Edition]
Avey Tare — Eucalyptus (July 21, 2017)
Bonnie “Prince” Billy — I Have Made A Place (Nov. 15th, 2019)
Hallelujah the Hills — A Band Is Something to Figure Out (2016)
Hallelujah the Hills — I’m You (Nov. 15, 2019)
Philip B. Price — Bone Almanac (Nov. 8, 2019)
The Who — WHO [Deluxe Edition] (22 Nov. 2019)
Courtney Barnett — MTV Unplugged [Live In Melbourne] (2019)
Hail The Ghost — Arrhythmia (6th Dec. 2019)
The Growlers — Natural Affair (25th Oct. 2019)
Signe Marie Rustad — When Words Flew Freely (Nov. 15, 2019)
Sean Henry — A Jump from the High Dive (Nov. 1, 2019)
SOFIA TALVIK — Paws of a Bear (Sept. 27, 2019)
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RADEK BABORÁK a jeho ORQUESTRINA na PIAZZOLLOVSKÉ ALBUM.
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Nonlocal Forecast — Bubble Universe! (March 1, 2019)
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Morrissey — I Am Not a Dog On a Chain (March 20th, 2020)
Human Impact — Human Impact (13 March 2020)
Hibiscus Biscuit — Reflection of Mine (March 1st, 2020)
Markus Reuter — TRUCE (Jan. 17, 2020) cover
Orchards — Lovecore (March 13th, 2020)
Julia Holter — Never Rarely Sometimes Always (March 13, 2020)
Cathedral Bells — Velvet Spirit (March 6, 2020)
Bacchae — Pleasure Vision (March 6, 2020)
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Amanda Palmer — Forty~Five Degrees: Bushfire Charity Flash Rec.
THE DEARS — ‘Lovers Rock’ (May 15, 2020)
Eivind Aarset & Jan Bang — Snow Catches On Her Eyelashes (2020)
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Elysian Fields — Transience Of Life (May 7, 2020)
Baxter Dury — The Night Chancers (20 March 2020)
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The Album Leaf — OST (March 20, 2020)
Real Estate — The Main Thing (28th Feb., 2020)
Villagers — The Art Of Pretending To Swim (03/19, 2020) DELUXE E
Villagers — Darling Arithmetic [Deluxe Version] (April 10, 2015)
Noveller — Arrow (June 7, 2020)
Justine Vandergrift — Stay (Feb. 7th, 2019)
The Electric Soft Parade — Stages (Jan. 8, 2020)
Ben Watt — Storm Damage (31st Jan., 2020)
Anoushka Shankar — Love Letters (7 Feb., 2020)
Roger Eno | Brian Eno — Mixing Colours (20 March, 2020)
Alberto Posadas : Poética del Laberinto, cycle pour quatuor de s
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Beck — Deep Cuts (March 2020)
BECK — Uneventful Days (St. Vincent Remix)
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Rory Block — Prove It On Me (March 27, 2020)
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M.Ward — Migration of Souls (April 3, 2020)
Peel Dream Magazine — Agitprop Alterna (3rd April 2020)
ANDREW BIRD — CAPITAL CRIMES (April 1st, 2020)
Spy Machines — Spy Machines (April 3, 2020)
Richard Barbieri ‎— Past Imperfect / Future Tense (Mar 2020)
DAVID POMAHAČ — DO TMY JE DALEKO (Feb. 7, 2020)
KIESLOWSKI Tiché lásky
Born Ruffians — Juice (April 3, 2020)
LENKA NOVÁ — DOPISY (21.03./24.04., 2020)
Ezra Bell — This Way to Oblivion (3rd April, 2020)
Songdog — Happy Ending (27th March, 2020)
Laurel Halo — Raw Silk Uncut Wood (July 13, 2018)
Laurel Halo — Possessed (April 10, 2020)
Laura Marling — Song for Our Daughter (April 10th, 2020)
Hamilton Leithauser (The Walkmen) — Dear God (Aug. 2015)
Hamilton Leithauser — The Loves of Your Life (10 April 2020)
Don Gallardo — The Lonesome Wild (April 2, 2020)
Cowboy Junkies — Ghosts (30 Mar 2020)
The Mountain Goats — Songs for Pierre Chuvin (April 10, 2020)
Darnielle, Jon Wurster, Matt Douglas, Pete Hughes. ©Josh Sanseri
Erik Griswold — All’s Grist That Comes To The Mill (03/20, 2020)
Erik Griswold — All’s Grist That Comes To The Mill (03/20 2020)
Varga Marián — Solo in Concert (1. feb. 2018)
Joe Bonamassa & The Sleep Eazys — Easy To Buy, Hard To Sell
Midwife — Forever (April 10, 2020)
Moondog — On The Streets Of New York (Feb. 14, 2020)
Damon Locks Black Monument Ensemble — Where Future Unfolds (2019
Meredith Monk & Bang on a Can All~Stars — Memory Game (03/27/20)
Pharoah Sanders — „Live In Paris (1975): Lost ORTF Recordings“
I Like to Sleep — Daymare (April 17, 2020)
MoE/Mette Rasmussen — Tolerancia Picante (March 25, 2019)
The Tiger Lillies — Cold Night in Soho (10 Feb. 2017)
The Tiger Lillies — Edgar Allan Poe’s Haunted Palace
Sarah Jarosz — World On The Ground (June 5, 2020)
Kate Amrine — This Is My Letter to the World (Jan. 24, 2020)
Fiona Apple — Fetch The Bolt Cutters (17 Apr., 2020)
The Tiger Lillies — Covid~19 (April 10, 2020)
Veneer — Recovery (April 15, 2020)
Siobhan Wilson — The Departure (10 May, 2019)
BC Camplight — Shortly After Takeoff (24 April 2020)
Siobhan Wilson — There Are No Saints (14 Jul, 2017)
Brendan Benson — Dear Life (April 24, 2020)
Ali Holder — Uncomfortable Truths (April 10, 2020)
From Atomic — Deliverance (April 2020)
Whyte Horses — Hard Times (17th of Jan., 2020)
Gerald Cleaver — Signs (March 27, 2020)
Sophie Tassignon — Mysteries Unfold (April 24, 2020)
HOUPACÍ KONĚ: SOULKOSTEL 8 11 2019 (April 25, 2020)
Sarah Longfield — Dusk (April 22, 2020)
Ariel Pink — House Arrest (2002/Mar 2011/April 24, 2020)
All The Best, Isaac Hayes (A Spoken Word Album)
Prophecy Playground — Comfort Zone (Feb. 15, 2020)
Mark Lanegan — Straight Songs Of Sorrow (8th May, 2020)
Genesis Revisited: Live at The Royal Albert Hall — 2020 Remaster
Joan As Police Woman — Cover Two (May 1, 2020)
Kuře v hodinkách — Flamengo
Kuře v hodinkách — Flamengo
Devon Williams — A Tear in the Fabric (May 1, 2020)
Johanna Warren — Chaotic Good (May 1, 2020)
emozpěv — Spolu (1st May 2020)
THE LEAGUE OF ASSHOLES — UNPLUGGED (1st May 2020)
Morgan1
Zuzana Mikulcová — Slová
The Fratellis — Half Drunk Under A Full Moon (8th May, 2020)
The Fratellis — Half Drunk Under A Full Moon (8th May, 2020)
Cocteau Twins — Victorialand (April, 1986, Reissue 2020)
Coloured Clocks — Flora (May 2, 2020)
I Break Horses — Warnings (08 May 2020)
Hawkwind — Acoustic Daze (25 Oct. 2019)
Indoor Voices — Animal (Feb. 14, 2020)
I Break Horses — Chiaroscuro
Einstürzende Neubauten — Alles In Allem (May 29th, 2020)
100 Gecs — 1000 gecs (May 31, 2019)
Evergreen — Overseas (15 Jun 2018)
Kurt Rosenwinkel Trio — Angels Around (May 8, 2020)
The Feather — Room (10 July, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
György Ligeti — Lontano (22. Oct.,1967)
OWEN PALLETT — Heartland (March 3, 2014)
Badly Drawn Boy — Banana Skin Shoes (22nd May, 2020)
A.O. Gerber — Another Place to Need (May 22, 2020)
Kaleidoscope — Faintly Blowing (11 April 1969, Reissue, Remaster
Perfume Genius — Set My Heart On Fire Immediately (15th May 2020
Perfume Genius — No Shape (5 May, 2017) BC
Perfume Genius — No Shape (5 May, 2017) FC
Sungazers — Wasting Space (May 18, 2020)
Cermaque — Lament (22nd May, 2020)
Mountaineer — Bloodletting (May 22nd, 2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Steve Earle — Townes (May 8, 2009)
Steve Earle & The Dukes — Ghosts of West Virginia (May 22, 2020)
Sixth June ‎— Trust (17 Jan 2020)
White Tail Falls — Age of Entitlement (May 29, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
Nicole Atkins — Italian Ice (29 May 2020)
Deerhoof — Future Teenage Cave Artists (May 29, 2020)
Deradoorian — Find the Sun (Sept. 18, 2020)
Bob Dylan — Rough and Rowdy Ways (June 19th, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
This Will Destroy You — Vespertine (June 9, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Yoko Ono, Kim Gordon & Thurston Moore — YOKOKIMTHURSTON
Psychic Markers — Psychic Markers (29 May, 2020)
The Memories — Pickles & Pies (May 29, 2020)
Songs for the Late Night Drive Home (Feb. 5, 2016)
Spc Eco — Dark Matter (Nov. 20, 2015)
SPC ECO — June (June 1, 2020)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Larkin Poe — Self Made Man (June 12th, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Endless Field — Alive in the Wilderness (June 12, 2020)
Wesley Gonzalez — Appalling Human (June 12, 2020)
Noveller — Arrow (June 12, 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Andrej Šeban — Triplet (March 22, 2019) inner cover
Andrej Šeban — Triplet (March 22, 2019) cover
The Crossing & Donald Nally — James Primosch: Carthage (05/2020)
Jerskin Fendrix — Winterreise (April 17, 2020)
Zoongideewin — Bleached Wavves (June 19, 2020)
ULRICH SCHNAUSS — A Long Way To Fall — Rebound (3rd April, 2020)
Sports Team — Deep Down Happy (5th June, 2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
Midlake — Antiphon (Nov. 4, 2013)
ANASTASIA MINSTER — Father ©Michael Haley
Jessie Ware — Glasshouse (Deluxe; 20 Oct 2017)
Teen Daze — Morning World
Jessie Ware — What’s Your Pleasure (June 26, 2020)
Art Feynman — Half Price At 3:30 (June 26th, 2020)
Bo Ningen — Sudden Fictions (26th June, 2020)
Khruangbin — Mordechai (June 26, 2020)
Pottery — Welcome to Bobby’s Motel (June 26th, 2020)
Orlando Weeks — A Quickening (June 12, 2020)
John Craigie — Asterisk the Universe (June 12, 2020)
Kavus Torabi — Hip to the Jag (May 22, 2020)
Nadine Shah — Kitchen Sink (June 5, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
Corb Lund — Agricultural Tragic (June 26, 2020)
Christine Ott — Chimères (pour ondes Martenot) (May 22, 2020)
The Beths — Jump Rope Gazers (July 10th, 2020)
Ashley Paul — Window Flower (May 13, 2020)
Grey Daze — Amends [Deluxe Edition] (July 3, 2020)
Grey Daze ©Photo credit: Anjella / Sakiphotography
Ajimal — As It Grows Dark / Light (June 26, 2020)
Ajimal — As It Grows Dark Light (June 26, 2020)
Eleanor Friedberger — Rebound (May 4th, 2018)
ELEANOR FRIEDBERGER — NEW VIEW (January 22, 2016)
Immigrant Union — Judas (June 19, 2020)
Julianna Barwick — Healing Is a Miracle [Japan Edition] (2020)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Neil Young — Homegrown (19th June, 2020)
The Jayhawks — XOXO (July 10, 2020)
Joy Division — Closer (40th Anniversary) [2020 Digital Master] (
Daniel Bachman — The Morning Star (July 27, 2018)
Daniel Bachman — Green Alum Springs (June 6, 2020)
Becca Mancari — The Greatest Part (June 26, 2020)
Ytamo — Vacant (June 12, 2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Thin Lear — Wooden Cave (24th July, 2020)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Sara Serpa — Recognition (June 5th, 2020)
Sara Serpa, Ingrid Laubrock, Erik Friedlander — Close Up (2018)
Klara Lewis — Ingrid (1st May 2020)
Buju Banton — Upside Down (June 26, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
learning structures, vol. 2: end firma
learning structures, vol. 3: distance between us
The Boomtown Rats — Citizens of Boomtown (13 March, 2020)
Ralph of London — The Potato Kingdom (19th June, 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
Land of Talk — Indistinct Conversations (July 31, 2020)