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Úvodní stránka » RECORDS II » Angel Olsen
Angel Olsen — Burn Your Fire For No Witness [2014]

Angel Olsen — Burn Your Fire For No Witness [2014]

USA Flag    Angel Olsen — Burn Your Fire For No Witness
♠   Raised in St. Louis and relocated to Chicago, this indie folk singer~songwriter worked with the Cairo Gang and Will Oldham before striking out solo.
Born & raised: in St. Louis, Missouri
Location: Chicago, Illinois
Album release: February 18, 2014
Record Label: Jagjaguwar
Duration:     44:28
Tracks:
01. Unfucktheworld      2:05
02. Forgiven / Forgotten      2:04
03. Hi~Five      2:58
04. White Fire      6:56
05. High & Wild      3:53
06. Lights Out      4:28
07. Stars      4:38
08. Iota      3:28
09. Dance Slow Decades      4:06
10. Enemy      5:44
11. Windows      4:08
2014 Jagjaguwar
Contemporaries:
♠   Joanna Newsom
♠   Laura Gibson
♠   Ruby Fray
♠   Amen Dunes
REVIEW
By Reggie Ugwu, New York | February 13, 2014 11:15 AM EST
♠   On “Burn Your Fire For No Witness,” the alternative folk singer brings in a full band and tests her artistic identity
♠   “When you finish an album, you’re not finished,” says Angel Olsen. “You have to keep writing, if that’s what you dream of doing, if that’s what you’ve always wanted to do. I try not to obsess over what I’ve done already because I know there’s still more work ahead. I’ve never been the kind of person who can say ‘OK, I’m done, that’s all I have to do. I’m done with life now.’”
♠   Olsen, the 26–year–old alternative folk singer, is about to release the best album of her career so far, but she’d rather not think too much about that. She writes as much for her own personal wellbeing as she does for anyone else, a subtle distinction that you can hear in her music. Olsen’s songs, often dealing with themes of emotional isolation and self–reliance, tend to rise and converge like the billowing smoke of a stubborn fire. As long as she can keep the flame, no one album need be definitive.
♠   “Burn Your Fire For No Witness,” out Feb 18 and streaming now at NPR, is Olsen’s third record but is otherwise marked by firsts. It’s her first for the influential independent label Jagjaguwar (Bon Iver, Dinosaur Jr.), her first produced by an outsider, John Congleton (St. Vincent, The Walkmen), and her first recorded with a backing band. Previous albums “Halfway Home” (2012) and “Strange Cacti” (2011) were essentially home recordings and felt like the products of a singular voice willing itself into existence. “Burn Your Fire” takes that same voice and puts a few hundred watts behind it.
♠   “I was pretty skeptical of working with a producer, just because I’ve always kind of done everything myself and I didn’t want it to sound overdone,” Olsen says. “But I really liked the way John interpreted my ideas without being overpowering. I knew what I wanted from the experience and he really worked with what we brought to the table instead of adding a ton of stuff to it.”
♠   On “White Fire,” the piercing and primitive emotional centerpiece of the album, Olsen hushes her dazzling, quicksilver vocals to a breathy whisper. Rueful ruminations over distant youth pour like marbles over mesmerizing acoustic guitar.
♠   “I look for you or someone who can still remind me of / the tight grip / and the sun lick / and the calm weight / of all things summer.”
♠   But Olsen says the song originally wasn’t meant to be a song at all, and almost wasn’t recorded for the album.
♠   “It was one of the last things I had written and wasn’t meant to be shared, but I ended up taking the album title from it,” she says. “A lot of the songs on the album are about knowing the self outside of everything else and I think of (“White Fire”)as being from the perspective of this character who has grown old and is going back to the beginning of who they were. They’re thinking about how many times they were defiant and confident that they were doing the right thing, but in hindsight they’re like ‘Oh, that was kind of silly. I was so fierce and yet so wrong.’”
♠   Olsen recorded “Burn Your Fire” with drummer Josh Jaeger and bass player Stewart Bronaugh at Echo Mountain in Asheville, N.C. Their presence brings new musculature and propulsion to Olsen’s signature throwback minimalism, especially on songs like lead single “Forgiven/Forgotten” and the rattling “High & Wild.”
♠   If the album is at times more fun than Olsen’s previous material, it might be because she had more fun while making it. She says she marveled at the studio’s comfortable, chapel–like atmosphere, impressively Star Trekian main console and downstairs lounge stocked with a pool table, snacks and “Freaks and Geeks” DVDs — a far cry from the kitchens and basement studios she’d been used to.
♠   On tour starting late this month, Olsen will have to combine her past and present selves into an integrated whole. She’ll alternate between playing by herself on stage and playing with the band, mixing softer moments with more boisterous ones.
♠   “When you’re just by yourself, even if you’re playing an electric guitar, people will always assume you’re just a folk singer,” Olsen says. “I wanted to try something else because I don’t know if that’s what I am or if that’s all that I want to be.”
♠   Figuring out that question, who she wants to be, is a task for the road as well as her notebook. Olsen says she’s already started writing again, soaking up new experiences and jotting them down. All the better. Albums get released, tours end, but the fire flickers on. Fortaken: http://www.billboard.com/
REVIEW
♠  On her 2014 LP, Burn Your Fire for No Witness, Angel Olsen sings with full–throated exultation, admonition, and bold, expressive melody. With the help of producer John Congleton, her music now crackles with a churning, rumbling low end and a brighter energy. Angel Olsen began singing as a young girl in St. Louis. Her self–released debut EP, Strange Cacti, belied both that early period of discovery and her Midwestern roots. Olsen then went further on Half Way Home, her first full–length album (released on Bathetic Records), which mined essential themes while showcasing a more developed voice. Olsen dared to be more personal. After extensive touring, Olsen eventually settled for a time in Chicago s Logan Square neighborhood, where she created “a collection of songs grown in a year of heartbreak, travel, and transformation,” that would become Burn Your Fire For No Witness. Many of them remain essentially unchanged from their bare beginnings. In leaving them so intact, a more self–assured Olsen allows us to be in the room with her at the very genesis of these songs. Our reward for entering this room is many a head–turning moment and the powerful, unsettling recognition of ourselves in the weave of her songs.”
In french:
Après un premier album bluffant, en 2012, Angel Olsen récidive et c’est tout aussi bien.
REVIEW
First listen | By BOB BOILEN | February 09, 201411:00 PM
♠   Angel Olsen has made an unforgettable and entrancing record. Burn Your Fire for No Witness is the musical equivalent of a deep, questioning stare from a lover, and what draws me to her voice is its peaceful, subtle touch. It has me leaning in to listen. ♠   Leonard Cohen does that, too, and it’s a fine line to walk between pale and enchanting. These are delicate songs, with lyrics stripped to their essence. “White Fire,” the song that has the title of the album buried deep within, dispenses one killer line after another, including this:
I heard my mother thinking me right back into my birth
I laughed so loud inside myself it all began to hurt
♠   John Congleton produced Burn Your Fire for No Witness, a record full of songs that took shape in Asheville, N.C., last summer. Olsen is working with a new band, including Josh Jaeger on drums and bass player Stewart Bronaugh. With Congleton’s help, the trio found ways to make these songs calm and combustible. I’ve been living with this music for a few months, and it’s become my friend, my comfort; it shakes me, saddens me and lifts me. (http://www.npr.org/)
Artist Biography by Fred Thomas
♠   Raised in St. Louis, Missouri and later relocating to Chicago, Illinois, indie folk singer/songwriter Angel Olsen began performing in St. Louis coffee shops in her teenage years, eventually branching out and tapping into a network of like–minded artists. Olsen worked with California musician Emmett Kelly as part of his collective the Cairo Gang, singing harmonies on Bonnie “Prince” Billy’s 2010 album The Wonder Show of the World, as well as its 2011 follow–up, Wolfroy Goes to Town. In 2010 Olsen released Strange Cacti, a cassette of original Americana songs that was later reissued as a 12”. Half Way Home, a gorgeously spare album with understated arrangements and a homespun approach somewhere between ‘50s country crooners and her indie contemporaries, was issued in 2012. In early 2013 Olsen added drummer Josh Jaeger and bassist Stewart Bronaugh to flesh out her stripped–back sound, which added a broodier, garage rock appeal to her intimate music. Soon after forming the trio, Olsen returned to the studio with producer John Congleton (St. Vincent, Joanna Newsom) to track sessions for her sophomore album, Burn Your Fire for No Witness, which saw release in early 2014. 
Website: http://angelolsen.com/
Facebook: https://www.facebook.com/angelolsenmusic
Press: jessica@pitchperfectpr.com
Agent: North American Booking: Andrew@Billions.com//// UK/EUROPEAN BOOKING: Nikita@paperandironbooking.com
Gen. dir.: Mark Capon; minmaxmanagement@gmail.com

Angel Olsen — Burn Your Fire For No Witness [2014]

 

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