Při poskytování služeb nám pomáhají soubory cookie. Používáním našich služeb vyjadřujete souhlas s naším používáním souborů cookie. Více informací

Úvodní stránka » ARCHIVE » Aoife O'Donovan
Aoife O'Donovan — Fossils (2013)

 Aoife O'Donovan — Fossils (2013)

Aoife O'Donovan Fossils
Location: Boston, Maryland ~ New York City
Album release: June 11th, 2013
Record Label: Yep Roc Records
Duration:     39:39
01. Lay My Burden Down     3:37
02. Briar Rose     3:17
03. Thursday's Child     3:53    
04. Red & White & Blue & Gold     3:21
05. Beekeeper     4:24
06. Fire Engine     3:31
07. Pearls     4:06
08. Glowing Heart     5:21    
09. I'm Alone     3:51
10. Oh, Mama     4:18
+ 1 Digital-Only Bonus Track
¶  In the decade since Aoife O’Donovan founded the acclaimed progressive string band Crooked Still, she has collaborated with some of the most eminent names across roots, classical, bluegrass, and jazz, from Alison Krauss and Chris Thile to Yo-Yo Ma and Dave Douglas. Aoife will step to the fore with her debut solo album, Fossils, that features 10 original songs by O'Donovan and contributions from friends and frequent collaborators like Sam Amidon and Dave Douglas. The album was recorded in Portland, OR, and Aoife's adopted home of New York City. Album opener "Lay My Burden Down" may already be familiar to music fans via Alison Krauss' interpretation of the track on her 2011 album Paper Airplane, but the swirling arrangements and glistening harmonies on Fossils hold many surprises. The intimate "Thursday's Child" and languid, wistful "Red & White & Blue & Gold" are hypnotic in their delicacy, while "Beekeeper" and "Fire Engine" show the forceful power and resolute grace drawn from the deep well of emotion in Aoife's voice.
¶  Alison Krauss recorded "Lay My Burden Down" a couple of years ago for her No. 1 country album Paper Airplane, but the song was written by Aoife O'Donovan. The singer, best known as the voice of the alt-bluegrass band Crooked Still, is releasing her first solo album this week.
¶  Fossils will include O'Donovan's own version of the song Krauss made famous, as well as lots of songs from and inspired by the Irish folk tradition she grew up with. The title of the record, O'Donovan explains, owes partly to the origins of the music it contains.
¶  "Fossils and fables, both of which are beautiful images to me, are things of old, but they continue to be relevant. Some of these tunes on the album are older than others, yet they're still relevant songs that I love to sing. They're old folk songs that I grew up singing," she says.
Link: http://www.npr.org/2013/06/08/189636949/aoife-odonovan-digging-up-musical-fossilsAoife O'Donovan — Fossils (2013)
Editorial Reviews by Amazon:
¶  Americana singer-songwriter Aoife O'Donovan spent the last 10 years playing in the celebrated progressive string band, Crooked Still, and has been collaborating with numerous other artists including Yo-Yo Ma, Chris Thile, Ollabelle, Sometymes Why, Jerry Douglas, Jim Lauderdale, Sara Watkins, and Kathy Mattea to name a few. Aoife's writing came to the attention of Alison Krauss, when she recorded Aoife's "Lay My Burden Down" in 2011 for her album Paper Airplane. This is a priority release, with several things planned: An aggressive radio promo tour the entire month of May, dedicated solely to station visits and performances at the likes of Mountain Stage, Woodsongs and Music City Roots.
Website: http://aoifeodonovan.com/
Facebook: https://www.facebook.com/aoifeodonovanofficial
Press contact: Matt Hanks, Shore Fire Media
Yep Roc: http://yeproc.11spot.com/aoife-o-donovan-fossils.html © Aoife O'Donovan performs in the Soundcheck studio. Photo credit: Michael Katzif
¶  The thing about fossils is that they take a very long time in the making, and it’s not an entirely intentional process. The making of Aoife O’Donovan’s debut album Fossils has hardly been a glacial affair, but it has spent rather more than a decade forming about in her creative subconscious. It was time well spent, for she’s crafted a beautiful, timeless record, the natural evolution of an accomplished singer and songwriter.
¶  The album’s roots stretch back to Aoife’s time at the New England Conservatory, where she dreamed of one day recording an album with celebrated producer Tucker Martine (My Morning Jacket, Tift Merritt). Upon graduation, Aoife (pronounced “ee-fuh”) hit the road as the lead singer and principal songwriter/song-finder of Crooked Still, which grew into one of the world’s most acclaimed progressive string groups over the ensuing decade. The stunning versatility and appeal of her voice brought her to the attention of some of the most eminent names in music and led to collaborations across a wide variety of genres with everyone from Alison Krauss to Dave Douglas, along with a role as vocalist on the Grammy-winning Goat Rodeo Sessions alongside Chris Thile, Yo-Yo Ma, Edgar Meyer and Stuart Duncan.
¶  O’Donovan never forgot the call of that solo record, though, and last year she headed to Portland, OR, to fulfill her dream and record with Martine. Rich in songs and unexpected textures, the resulting album bears the remarkable fruits of their creative partnership. Both joyously open and profoundly private, the album is at all times an opportunity to enjoy O’Donovan’s thoroughly modern and deeply rooted vocals.
¶  The album opens with “Lay My Burden Down,” perhaps O’Donovan’s best-known song simply because Alison Krauss recorded it on Paper Airplane. O’Donovan acknowledges the risk in this choice, and the reward. “One of my uncles loves to say that nobody owns songs, and I think that’s true. My version is so different from hers, and it really sets a nice tone for the record,” she says.
¶  O’Donovan and Martine have carefully placed her songs in a variety of musical settings, from the chorus of horns which opens “Thursday’s Child” to the country-rock of “Fire Engine,” from Charlie Rose’s pedal steel, running throughout Fossils, to the sometimes squalling electric guitar on “Beekeeper.” It is a rooted album, to be sure, but not precisely a roots album.
¶  O’Donovan chuckles a little. “I guess it just feels totally natural,” she says. “It’s how a lot of these songs have just come to life over the years.”
¶  Most of O’Donovan’s songs are character-driven, and many of them resemble portions of the folk traditions in which she was raised. The second track, “Briar Rose,” for example, is based on an Anne Sexton poem, a recontextualized fairytale. Though she will concede that a couple tracks are somewhat more personal.
¶  And that she is quite properly proud of Fossils. “This solo album seems like it was a long time coming to me,” she says, the sounds of an airport in the background. “I’ve been thinking about it since I was 18 years old.”
¶  Time well-spent. Fossils, after all, are among nature’s most durable, lasting creations.11Spot eCommerce
Also: Hal Horowitz at merican Songwriter (Rating: 4 out of 5 stars); link:

Aoife O'Donovan — Fossils (2013)



26. 3. 2020


26. 3. 2020

The Dandy Warhols

26. 3. 2020

Pearl Jam — Gigaton

24. 3. 2020

Beck — Deep Cuts



These New Puritans — The Cut (2016~2019) (14 Feb. 2020)
Tais Awards & Harvest Prize
Strachovská 520, Pelhřimov, CZE