Badge Époque Ensemble — Self Help (Nov. 20, 2020)

CANADA emoji                                                                             Badge Époque Ensemble — Self Help (Nov. 20, 2020)  Badge Époque Ensemble — Self Help (Nov. 20, 2020)⇑ «Pamatujte, že když posloucháte hudbu, vkládáte si něco do těla. Existuje 5 věcí, které byste měli vědět o albu „Self Help“ torontského bandu Badge Époque Ensemble. Více v tagu Vancouver Sun.» ♠

©PHOTO BY COLIN MEDLEY AND MEG REMYLocation: Toronto, Ontario, Canada
Genre: Jazz funk/psychedelia
Album release: Nov. 20, 2020
Record Label: Telephone Explosion
Duration:     39:49
Tracks:
1. Sing A Silent Gospel   6:19
2. Unity (It’s Up To You)   5:55
3. Cloud   0:51
4. The Sound Where My Head Was   4:34
5. Just Space For Light   6:24
6. Birds Fly Through Ancient Ruins   10:58
7. Extinct Commune   4:48
Key track: Birds Fly Through Ancient Ruins
Personnel:
Badge Époque Ensemble is:
Jay Anderson — Drum kit
Chris Bezant — Guitar
Karen Ng — Saxophone
Alia O’Brien — Flute
Ed Squires — Percussion
Giosuè Rosati — Bass
Maximilian ‘Twig’ Turnbull — Fender Rhodes, Clavinet, synthesizers, piano
Guest vocalists:
Meg Remy & Dorothea Paas on ‘Sing A Silent Gospel’.
James Baley on ‘Unity (It’s Up To You)’.
Jennifer Castle on ‘Just Space For Light’.Badge Époque Ensemble — Self Help
Credits:
All arrangements by BÉE.
All lyrics by Maximilian Turnbull.
Recorded live at Palace Sound October 2019~March 2020.
Produced & Mixed by Steve Chahley, Tony Price & Twig at That 70’s Basement.
Engineered by Steve Chahley.
Mastered by Sarah Register.
Additional production assistance / co~ordination: Jay Anderson, Jennifer Hazel, Meg Remy, Giosuè Rosati, Christopher Sandes, Ross Turnbull, Ed Squires.
Cover illustration by Nolan Pelletier.
Layout by Meg Remy.
Review
Show Thoughts & Shots // Neko Case w/ Jennifer Castle @ The Cohn — 16.04.19
♦  Na rozdíl od headlinerky (Neko Case), kterou jsem relativně znal, byla pro mě Jennifer Castle úplnou záhadou, když jsem v úterý večer vstoupil do hlediště. Její jméno jsem slyšel jen okrajově a její hudební pozadí jsem neznal. To se všechno změnilo, když kráčela po jevišti se Stetsonem, šátkem a pohodlně vypadajícím pončem s kapucí.
♦  Castle si připoutala elektrickou kytaru a vrhla se do sady, ve které vyřezávala své pohodlné místečko, zasazené někde mezi indie~pop, soul a alt~country. Její vokály mají tu sladkost, která kompenzuje některé z tmavších odrůd smutku podbarvených krás jejího materiálu. Její set byl hypnotický, neodbytný a udržel davy lidí Neko Case & The Cohn. Hudba Jennifer Castle dokonale ladila s Neko, protože její zvuk je stejně nadčasový, svěží a atmosférický. Občas mi to připomínalo Joni Mitchell, u jiných písní to znělo jako hybrid Neila Younga / Feist. Když odcházela z pódia, věděl jsem, že musím o její práci slyšet více.Jennifer Castle
Review
by Stuart Berman ⌊NOVEMBER 21 2020⌋ Score: 7.6 
♦  Alongside a roster of guest vocalists including Jennifer Castle and Meg Remy, the psychedelic Toronto outfit allows their exploratory and pop~focused impulses to work in tandem. 
♦  On their 2019 debut album, Toronto’s Badge Époque Ensemble named one of their instrumentals “You Can Build a Palace, or You Can Please People” — a title that speaks to the ever~fraught tension between capitalism and socialism in the current geopolitical landscape, but also to the aesthetic tug~of~war playing out within the band itself. Founded by Max Turnbull — the avant~rock chameleon formerly known as Slim Twig, and the creative and matrimonial partner of U.S. Girls’ Meg Remy — Badge Époque Ensemble was originally an outlet for him and his fellow Toronto DIY veterans to indulge their love of acid rock, funk, jazz, prog, and other early~’70s record~collector subgenres. At the same time, they’ve shown themselves to be, if not pop~friendly, then at least pop~conscious, whether packing complex compositions into tidy four~minute packages or using classic-rock touchstones as a jumping~off point into the great beyond.
♦  But on their third release in just over a year, Badge Époque Ensemble refuse to choose between free~form psychedelic explorations and pop pleasures. With Self Help, they prove they can have it both ways, by allowing their experimental and melodic tendencies to work more in tandem rather than in opposition. Each of the group’s previous records has featured a vocal cameo, but here they’ve assembled a veritable Toronto dream team of lead singers that includes Remy and indie~folk enigma Jennifer Castle alongside returning collaborators Dorothea Paas and James Baley (who also delivered the disco~tinged hook on U.S. Girls’ 2018 single “Pearly Gates”).
♦  Collectively, their presence transforms Badge Époque Ensemble from the sort of group that would’ve gotten played on an overnight pirate~radio broadcast in 1971 to one that could’ve conceivably snuck onto an AM station’s Top 40 countdown. And with the singers in tow, Badge Époque tap into the spiritual uplift and righteous activism coursing through popular music at the time. “Sing a Silent Gospel” is a gorgeous swirl of Fender Rhodes chords, Ethio~jazz sax melodies, and conga fury that’s anchored by Remy and Paas’ alternating vocals. And when the song transitions into an elaborate instrumental passage halfway through, it doesn’t so much drift away from its sturdy melodic foundation as fortify it, with the band eventually locking into a climactic circular progression that acquires cyclonic force. Baley’s street-soul empowerment anthem “Unity (It’s Up to You)” slides even more fluidly between formalism and freedom, with guitarist Chris Bezant intuitively using the singer’s extended high note as a launchpad into a wah~wahed solo as if he were finishing his sentence.
♦  But where these songs feel like extensions of Badge Époque Ensemble’s sound, centerpiece track “Just Space for Light” is the kind of move that would’ve been hard to imagine this band attempting a year ago. Guided by Alia O’Brien’s elegant flute lines, the song begins as a windchimed, candlelit quiet~storm stunner, with Castle seizing the spotlight as if she were performing on a primetime awards~show telecast. And while the song’s sudden shift into an acid~funk groove feels jarring at first, Castle retains her calming presence throughout, guiding you safely through its twists and turns.
♦  Despite the focus on melody, Self Help still affords Badge Époque Ensemble plenty of space to stretch out and freak out. The 10~minute “Birds Fly Through Ancient Ruins” is a creeping exercise in desert~scorched dub that turns downright apocalyptic near its climax, as if the landscape were being covered in ice. In response, the closing instrumental “Extinct Commune” triggers the slow thaw. As a solo~piano showcase for Turnbull, the track is Self Help’s extreme outlier, landing somewhere between an early~‘70s Elton John demo and after~hours jazz~bar improvisation. Yet in its own subtle way, it soundly reaffirms the album’s mission, blurring the line between pop classicism and free exploration until they’re one and the same.
 https://pitchfork.com/reviews/albums/badge-epoque-ensemble-self-help/
Words by: Jazz Monroe:
 http://www.killbeatmusic.com/badgeepoqueensemble
Label: https://www.telephoneexplosion.com/products/badge-epoque-ensemble-self-help-lp
Stuart Derdeyn ⌊Nov 25, 2020⌋: ♠  https://vancouversun.com/entertainment/new-music-5-things-to-know-about-self-help-by-badge-epoque-ensemble
Twitter: https://twitter.com/badgeepoque
Bandcamp: https://badgeepoque.bandcamp.com/album/self-help