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Úvodní stránka » RECORDS » Terje Rypdal — Melodic Warrior
Terje Rypdal — Melodic Warrior (2013)

 Terje Rypdal — Melodic Warrior (2013)

            Terje Rypdal — Melodic Warrior

New logo NOMINATED 7th TA14 
Δ  Eclectic, inventive Norwegian electric jazz guitarist and classical composer who has been recording since the late 1960s.
Born: August 23, 1947 in Oslo, Norway
Location: Tresfjord, Norway
Album release: July 2, 2013
Recording Date: December, 2003
Genre: Avant-Garde/Classical
Styles: Choral/Vocal Music/Avant-Garde Music/Modern Composition/Orchestral
Record Label: ECM
Duration:     71:27
Tracks:
Melodic Warrior 
01. Awakening     3:05
Terje Rypdal
Δ  feat: Dennis Russell Davies / The Hilliard Ensemble / Bruckner Orchester Linz / Sebastian Perlowski
02. Easy Now     4:31
Terje Rypdal
Δ  feat: Dennis Russell Davies / The Hilliard Ensemble / Bruckner Orchester Linz / Sebastian Perlowski
03. Song Of Thunders     2:55
Terje Rypdal
Δ  feat: Dennis Russell Davies / The Hilliard Ensemble / Bruckner Orchester Linz / Sebastian Perlowski
04. The Secret File     5:49
Terje Rypdal
Δ  feat: Dennis Russell Davies / The Hilliard Ensemble / Bruckner Orchester Linz / Sebastian Perlowski
05. My Music Reaches To The Sky     4:26
Terje Rypdal
Δ  feat: Dennis Russell Davies / The Hilliard Ensemble / Bruckner Orchester Linz / Sebastian Perlowski
06. But Then Again     3:40
Terje Rypdal
Δ  feat: Dennis Russell Davies / The Hilliard Ensemble / Bruckner Orchester Linz / Sebastian Perlowski
07. A Prayer     6:14
Terje Rypdal
Δ  feat: Dennis Russell Davies / The Hilliard Ensemble / Bruckner Orchester Linz / Sebastian Perlowski
08. Magician Song     9:17
Terje Rypdal
Δ  feat: Dennis Russell Davies / The Hilliard Ensemble / Bruckner Orchester Linz / Sebastian Perlowski
09. The Morning Star     4:18
Terje Rypdal
Δ  feat: Dennis Russell Davies / The Hilliard Ensemble / Bruckner Orchester Linz / Sebastian Perlowski

And The Sky Was Coloured With Waterfalls And Angels 
10. Waterfalls 1     6:51
Terje Rypdal
Δ  feat: Dennis Russell Davies / The Hilliard Ensemble / Bruckner Orchester Linz / Sebastian Perlowski / Wroclaw Philharmonic
11. Waterfalls 2     7:01
Terje Rypdal
Δ  feat: Dennis Russell Davies / The Hilliard Ensemble / Bruckner Orchester Linz / Sebastian Perlowski / Wroclaw Philharmonic
12. Waterfalls 3     7:50
Terje Rypdal
Δ  feat: Dennis Russell Davies / The Hilliard Ensemble / Bruckner Orchester Linz / Sebastian Perlowski / Wroclaw Philharmonic
13. Waterfalls 4     5:30
Terje Rypdal
Δ  feat: Dennis Russell Davies / The Hilliard Ensemble / Bruckner Orchester Linz / Sebastian Perlowski / Wroclaw Philharmonic
CREDITS:
Δ  Bruckner Orchester Linz  Featured Artist, Orchestra, Primary Artist
Δ  Dennis Russell Davies  Conductor, Featured Artist, Primary Artist
Δ  Manfred Eicher  Mixing, Producer
Δ  Alice Ertlbauer  Engineer
Δ  Max Franosch  Cover Photo
Δ  Tyran Grillo  Liner Notes
Δ  The Hilliard Ensemble  Ensemble, Featured Artist, Primary Artist
Δ  Alois Hummer  Engineer
Δ  Maurycy Kin  Engineer
Δ  Sascha Kleis  Design
Δ  Jan Erik Kongshaug  Mixing
Δ  Roberto Masotti  Photography
Δ  Sebastian Perlowski  Conductor, Featured Artist, Primary Artist
Δ  Terje Rypdal  Composer, Guitar (Electric), Mixing, Primary Artist
Δ  Wrocław Philharmonic Orchestra, Primary Artist
Album Moods: Atmospheric Boisterous Brassy Brooding Celebratory Dramatic Dreamy Hypnotic Literate Meditative Mysterious Philosophical Poignant Refined Somber Sophisticated Tense/Anxious Turbulent Uncompromising Unsettling Uplifting
Themes: Maverick  The Creative Side 
Δ  Two large compositions, ‘Melodic Warrior’ and ‘And the Sky Was Coloured with Waterfalls and Angels’ constitute one of Terje Rypdal‘s most adventurous albums. The title piece, a 45 minute epic, was commissioned by The Hilliard Ensemble and recorded in 2003 with the British vocal group and the Bruckner Orchester Linz under Dennis Russell Davies. The Hilliards sing texts drawn from Native American poetry powerfully echoing the natural world, from Chippewa, Navajo, Pima, and Papago sources, and Rypdal’s sustained electric guitar lines soar melodically and dramatically above the strings’ broad planes of sound.
Δ  ‘And the Sky Was Coloured with Waterfalls And Angels’ meanwhile, documents the premiere of Terje’s op. 97. Composed in 2009, inspired by Cannes’ International Fireworks Festival and recorded with the Wroclaw Philharmonic, it is a darkly-expressive piece of concentrated, explosive power. Both pieces could only have been written by Terje Rypdal, a musician who has spent much of his creative life in the spaces between the genres.
Review by Blair Sanderson  Score: ****
Δ  This 2013 ECM release brings together the talents of composer and guitarist Terje Rypdal, the Hilliard Ensemble, and the Bruckner Orchester Linz, conducted by Dennis Russell Davies, in a performance of Rypdal's expansive tone poem, Melodic Warrior. Rypdal's sonorities incorporate dense, rumbling clusters with transparent vocal settings of Chippewa, Navajo, Pima, and Papago texts, underpinned by lush orchestral textures and embellished by Rypdal's soaring electric guitar lines. The effort is clearly ambitious and nearly overwhelming, with so many bands of sound overlapping the choral harmonies, in a montage of voices and instrumental textures that are in a constant state of flux. This piece is followed by another Rypdal work, And the Sky was Coloured with Waterfalls and Angels, performed by Sebastian Perlowski and the Wroclaw Philharmonic Orchestra, a compressed study of clusters composed under the influence of Ligeti and Penderecki. Melodic Warrior is perhaps most conveniently labeled as crossover, due to Rypdal's involvement in jazz and classical fields, but also because the target audience seems to be casual listeners who are flexible about categories and open to novel approaches. However, And the Sky was Coloured with Waterfalls and Angels is firmly in the experimental vein.
© Terje Rypdal / Photo credit: Lars Opstad at Rikskonsertane

Artist Biography by Thom Jurek
Δ  Norwegian guitarist Terje Rypdal has an instantly recognizable, difficult to peg style, both an as ensemble player and as a soloist. He has directly or indirectly influenced virtually every one of his countrymen who followed him on the instrument. He is also a virtuoso multi-instrumentalist and, perhaps most importantly, a world-class composer. Δ  He has written six symphonies, numerous chamber works, and sonatas.

Get Dreamy: Rypdal was born in Oslo in 1947, the son of a conductor and clarinetist for a military band. He began his musical studies on the piano by the age of five, and at eight added trumpet. He abandoned both instruments at age 13 for the guitar. On his chosen instrument, Rypdal was self-taught. Between 1962 and 1967 he was part of the Vanguards, a Norwegian instrumental rock group modeled on the Ventures and the British Shadows, but all that changed when he heard Jimi Hendrix for the first time. Rypdal started the psychedelic rock band Dream in late 1967; they recorded their sole album, Get Dreamy, for Polydor in 1968. That same year he formed another band with saxophonist Jan Garbarek and drummer Jon Christensen, and released his first ambitious meld of rock, classical, and jazz with Bleak House for Polydor under his own name.
Afric Pepperbird: Rypdal originally attended the Technical University in Trondheim to become an electrical engineer, but left to study musicology at the University of Oslo. He later attended the Music Conservatory in Oslo (later renamed the Norwegian State Academy of Music) from 1970-1972, where he studied with composers Finn Mortensen and George Russell. Rypdal was part of Garbarek's quartet for Afric Pepperbird, the saxophonist's debut for ECM in 1970. He made his debut as a composer with Eternal Circulation in 1971, which was performed with by the Garbarek Quartet and the Oslo Philharmonic Orchestra. Rypdal also played with Russell in concert and in the studio, resulting in several offerings including George Russell Presents the Esoteric Circle, and Electric Sonata for Souls Loved by Nature, both issued in 1971. He appeared on Garbarek's sophomore ECM date Sart, and recorded his self-titled debut for the label (he has been there ever since) that same year. Some of his sidemen for the date included Garbarek, bassist Arild Andersen, and pianist Bobo Stenson. This album walked a generous line between free jazz, progressive, psychedelic rock, and more avant-garde classical music. It established Rypdal as a composer and guitarist throughout Europe.
Δ  Whenever I Seem to Be Far Away In 1972, he appeared on the live, star-studded session that was released as Morning Glory in 1973 on Antilles; the other players included John Surman, John Marshall, Chris Laurence, John Taylor, and Malcolm Griffiths. In 1973, Rypdal recorded with Russell again; the ensuing offering was entitled Listen to the Silence. He also composed Concerto for Violbasso and Orchestra for Barre Phillips. He released two of his own albums for ECM in 1974, Whenever I Seem to Be Far Away and What Comes After.
Odyssey:  The year 1975 proved monumental for Rypdal. His Symphony No. 1 was commissioned by Norwegian Television, and he released the widely acclaimed double-album Odyssey, which was regarded as the pinnacle of jazz-rock fusion. The Odyssey Band toured the globe and was especially successful in the U.S.A. In 1976, Rypdal did a turnabout, and released the musically impressionistic After the Rain, on which he performed all instruments. He also recorded with Russell but went back to his ensemble work with 1978's Waves. Rypdal finished the '70s with a trio date, co-billed with collaborators bassist Miroslav Vitous and drummer Jack DeJohnette.
Descendre:  He commenced the new decade with Descendre, a trio session with Christensen and trumpeter Palle Mikkelborg. Rypdal played keyboards and flute in addition to guitar. To Be Continued, the second album with Vitous and DeJohnette, appeared in 1981. After touring and an extended break during which he worked on his classical composing, Rypdal emerged with his first duet album for ECM, the vanguard classical, electro-acoustic work, Eos in 1984. The guitarist returned to a trio format for The Chaser and Blue in 1985 and 1986, respectively. The latter year also saw the release of a 1970 date he and Garbarek had recorded with the George Russell Sextet, A Trip to Prillargui, released on Soul Note. Rypdal also recorded his groundbreaking modern classical work, Undisonus in 1986 (though it wouldn't see release for four more years) and composed two more symphonies. In 1989 he released The Singles Collection, a jazz-rock quartet date that focused on exceedingly brief compositions.
Undisonus: The album, Undisonus for Violin and Orchestra / Ineo for Choir and Chamber Orchestra, was finally released in 1990 to massive critical acclaim, and received the "Work of the Year" prize from the Society of Norwegian Composers. It was followed by the long-form work Q.E.D. in 1993, and the jazz-cum-neo-classical fusion set If Mountains Could Sing in 1995. Also that year, Rypdal recorded as a session player with pianist and composer Ketil Bjornstad's group on The Sea, and as part of Surman's ensemble on Nordic Quartet, both issued on ECM. In 1997, the guitarist issued Skywards, a sextet date that walked the line between formal jazz composition and free improvisation. He finished the decade with Bjornstad on The Sea II, and a guitar duet recording with Ronni Le Tekro entitled Tekro II on the Grappa label, both in 1998.
Karta: Rypdal began the 21st century busier than ever. In addition to receiving commissions to compose, he was part of Markus Stockhausen's ensemble on Karta, and saw his own Double Concerto/Fifth Symphony issued by ECM. In 2002, his five-movement work, Lux Aterna for soprano, chamber ensemble, organ, trumpet, and guitar, a second album with Tekro entitled The Radiosong, and his Sonata Op. 73/Nimbus Op. 76 with violinist Birgitte Starnes, were all released on different labels. Δ  In 2006, Vossabrygg, a live sextet date from 2003 inspired by Miles Davis' Bitches Brew group and early Weather Report, was released by ECM. The date also featured an appearance by Rypdal's son Marius on turntables and samplers. Life in Leipzig, a duet offering with Bjornstad, followed in 2008. The large-ensemble tribute to film noir, Crime Scene, appeared in 2010, as did Very Much Alive, a mammoth six-disc concert run by jazz drummer Paolo Vinaccia that featured the guitarist Stale Storlokken and Mikkelborg. After several festival appearances, the completion of commissions, and some time off, Rypdal returned to recording with 2013's The Melodic Warrior and large-scale ensemble work conducted by Dennis Russell Davies.
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Terje Rypdal — Melodic Warrior (2013)

 

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