|Connan Mockasin — Caramel|
Connan Mockasin — Caramel
◊ He hasn't listened to anyone else's music for 10 years, shuns record labels and recorded his bewitching new album in a Tokyo hotel room. We meet psych-funk oddball Connan Mockasin.
Birth name: Connan Tant Hosford
Location: Te Awanga ~ Wellington, New Zealand ~ Paris, France ~ London, UK
Album release: November 4th, 2013
Record Label: Mexican Summer (MEX179)/Because Music
01. Nothing Lasts Forever (3:03)
02. Caramel (1:55)
03. I'm The Man, That Will Find You (5:02)
04. Do I Make You Feel Shy? (3:14)
05. Why Are You Crying? (5:25)
06. It's Your Body 1 (5:25)
07. It's Your Body 2 (3:17)
08. It's Your Body 3 (1:18)
09. It's Your Body 4 (1:42)
10. It's Your Body 5 (3:51)
11. I Wanna Roll With You (5:45)
Photograph: Kristy Sparow/Getty
• Born in New Zealand's capital of Wellington, Connan Hosford was first introduced to music at a very early age by his father, who played the guitar.
• Hosford went on to record his first song aged just five; a fact that doesn't seem too far-fetched when you consider the playful, imaginative; and experimental style of his work in later years. In 2004, he formed his first group, Connan & the Mockasins, releasing a couple of EPs independently and playing shows in New Zealand before moving to England. Hosford, however, felt the band set-up didn't allow him to express his individuality and so broke the band up and moved back to New Zealand to focus on solo material under the name Connan Mockasin. Prompted by his mother to self-produce his own album, Hosford went about using his parents' house while they were at work to create what would become his debut solo album, Please Turn Me Into the Snat, a brilliantly realized record brimming with inventively oddball, psychedelic pop. • Having played shows with the likes of Crowded House and Micachu & the Shapes in 2010, his music was introduced to label owner, producer, and DJ Erol Alkan through friend and collaborator Sam Eastgate of Late of the Pier. Having initially planned to put on a handful of songs as an EP, Alkan fell in love with the entire recording and decided to make it the first full-length release on Phantasy Sound. In 2011, the album was re-released as Forever Dolphin Love on Phantasy Sound, and Because Music with a bonus disc of live content. In 2012, Connan Mockasin composed and appeared on the Charlotte Gainsbourg song "Out of Touch" before touring New Zealand in support of Radiohead. ~ Daniel Clancy
• New Zealand via Paris/London pop sprite Connan Mockasin follows up the widely acclaimed oddball-psych of 2010’s Forever Dolphin Love. Caramel boasts a unique brand of mutated, lustrous soul that was almost wholly self-recorded over a month in a Tokyo hotel room. Described by Clash Music as “a true cosmonaut of inner space,” the new album explores different regions of Mockasin’s singular galaxy, guided by his truly adventurous songwriting that favors reconfigured pop structures with a skewed funk sensibility. If Caramel wasn’t enough, Mockasin has also been writing more material for Charlotte Gainsbourg after penning the exquisite “Out Of Touch” for the actress/singer’s 2012 mini-album, Stage Whisper. It’s another sign that Mockasin is going places, but at his own pace — just as Caramel suggests the process of melting and taking on a new shape, a new taste. That is the true sound of Connan Mockasin.
• "Connan Mockasin semble inspiré par un seul et unique theme musical qu’il déshabille chanson apres chanson au gré de ses inspirations. La guitare est aussi vagabonde que l’imagination et la précision reveuse des compositions rappelle tantôt le jazz, tantôt Ariel Pink, tantôt le jeu de piano soigné de Ryuichi Sakamoto. Grand disque, grand groupe en concert, grands moments d’écoute." (source: www.lesinrocks.com)
Press: EU Laura Martin — firstname.lastname@example.org / USA Stephanie Weiss email@example.com
Agent: USA // CANADA : Tom Windish firstname.lastname@example.org/ Rest of the world: Matt Bates — email@example.com
Gen. director: Sofia Karchi — firstname.lastname@example.org
Ben Arnold; The Guardian, Friday 13 September 2013 13.00 BST
• Some musicians know where they’re from and where they’re going, and why. • Others, such as Connan Mockasin, can only work from instinct, not only disinterested in the bigger picture as unable to see it. Take Mockasin’s first album, Forever Dolphin Love, which he only wrote and recorded because his mother suggested it. Or his new album Caramel, triggered because he liked the onomatopoeic quality of the word, and the music and words just followed.
• “To me, the word ‘caramel’ sounded so nice,” Mockasin muses. “And as far as I know,” Mockasin muses, “nobody had ever used the word for an album title.”
• This helps explain the evolution from the labyrinthine, oddball-psych of Forever Dolphin Love to Caramel’s equally inventive and unique brand of mutated, lustrous soul, almost wholly self-recorded over a month in a Tokyo hotel room. Mockasin remains what Clash Music called “a true cosmonaut of inner space” but the new album explores different regions of his galaxy, not just soul but a liquefied brew of blues, funk, ambient and folk with pronounced Oriental and Gallic timbres, all laced with an uncanny air of bliss.
• Oh, and it’s a concept album. Of sorts. “The concept is that it’s actually an album,” says Mockasin. “It starts with the dolphin [from the debut album] leaving, and the boss (the man) who is so in with love with the dolphin is sad, and then it kicks into the new album, and he is happier. But there’s a car race and a crash…”
• In track terms, Mockasin’s narrative starts with album intro ‘Nothing Lasts Forever’, shifts to ‘Caramel’ and later on, crash-emulating guitar shrieks that constitute part three of the five-part ‘It’s Your Body’. Part four, however, is all tranquil and Zen. “That was when I heard my friend was dying and I felt sad,” Mockasin explains. ”It’s just ideas in my head that I put together, and later on it might make more sense. But I don’t think about the meaning at the time. Or I’m not aware of it.”
• Mockasin is also unaware of the possibility that Caramel has hints of Scritti Politti’s exquisitely stitched soul, or of Prince — if the Minneapolis legend had spent time in Canterbury, the learned epicentre of South East England’s progressive psychedelia during the late ‘60s and early ‘70s, where the likes of Syd Barrett and Kevin Ayers began their own musical journeys. “Prince goes to Canterbury, that’s a good one!” Mockasin retorts. “Maybe Caramel is a little bit soul. Maybe it comes a smidge more from hip hop, which to me sounds much fresher than what’s called ‘indie’. Sometimes I’m ashamed to be in a band, or a musician, at this point in time.”
• Being a musician has always been a vexed issue for the man born Connan Tant Hosford in Te Awanga on the east coast of New Zealand’s north island. Hearing his dad’s Jimi Hendrix album set him on a course to play guitar, “to be the best in school,” he recalls. “I was obsessed. But I went off music during high school, and I wanted nothing to do with guitar. I didn’t even want to be noticed. Maybe that was puberty.”
• Instead, the teenage Connan got a welder and built his own version of carnival rides and beach vehicles, and surfed, until high school was over, “and music came back.” One of his formative bands was Grampa Moff (also a track title on Forever Dolphin Love) but it was Connan And The Mockasins (named by a friend after Connan’s hobby of making moccasins out of sheepskin and motorbike tyre) that first made a mark, when the quartet decided to try their luck in London in 2006. Without friends or contacts, they initially slept on park benches (luckily it was a great summer), but once settled, and with bar jobs, they found interests from record labels, but Connan backed out of an album deal. “All labels we met with began by saying we could record any way we liked, but then started saying, ‘use this studio, with this producer’…I could see where that was heading.”
• Disillusioned with the record industry, and the limitations of a band set-up, Mockasin returned, alone, to New Zealand. “I decided to do nothing, or nothing to do with music. But my mum said I should just make a record. I didn’t know how to record but we had a few tape machines lying around the house, so I did. I didn’t expect to release it, just wanted to make a record I liked, for my ears and my mum’s.”
• With renewed passion, Mockasin retained the band name as his new surname because he liked the sound of “Connan Mockasin” and self-released his own mum-triggered album in 2010 as Please Turn Me Into the Snat.
• Mockasin returned to the UK before discovering that DJ/producer Erol Alkan had discovered the album and wanted to make the first release on his new Phantasy Sound label. The album was re-released, under the new title Forever Dolphin Love after its magnificently meandering ten-minute centrepiece.
• Ecstatic reviews followed, alongside live shows, where Mockasin would eschew set lists, “so that it felt new every time we play. The band has a couple of rehearsals to begin with, but we don’t practise after that. I’d rather follow the mood of the audience… playing the same songs in the same way, every night, would be so boring.”
• Mockasin was about to record what became Caramel with his band when he rushed home when his father was suddenly taken ill. In the aftermath, he decided to retreat to Tokyo — whose aura can be heard in tracks such as ‘It’s Your Body (Part Five)’ and the chatter of young Japanese voices dotting the album, adding more levels of intrigue and imagination. “Too much of the music that I do get to hear, I find too aware, or processed,” he says. “I just want to capture the first idea I have, which is always the most mysterious and attractive part.”
• If Caramel wasn’t enough, Mockasin has also been writing more material for Charlotte Gainsbourg after penning the exquisite ‘Out Of Touch’ for the actress/singer’s 2012 mini-album Stage Whisper. Connan was already popular in France — “it felt like they immediately understood what I was doing” — and their ongoing collaboration will only endear him more to the French. It’s another sign that Mockasin is going places, but at his own pace, just as Caramel suggests the process of melting and taking on a new shape, a new taste. That is the true sound of Connan Mockasin.
• 2004 Naughty Holidays
• 2006 Uuu It's Teasy
• 2007 Sneaky Sneaky Dogfriend
• 2010 Please Turn Me Into The Snat
• 2011 Forever Dolphin Love..... Re-Issue of ("Please Turn Me Into The Snat")
• 2013 Caramel
• Mockasin and band have been touring with Charlotte Gainsbourg as her live band after Mockasin composed the song 'Out Of Touch' for her latest album Stage Whisper.
• Mockasin toured with Radiohead in Australia and New Zealand throughout November 2012, playing sold out shows in Auckland, Brisbane, Sydney and Melbourne.
|Connan Mockasin — Caramel|