Při poskytování služeb nám pomáhají soubory cookie. Používáním našich služeb vyjadřujete souhlas s naším používáním souborů cookie. Více informací

Eszter Balint — Airless Midnight (August 7th, 2015)

Eszter Balint — Airless Midnight (August 7th, 2015)

       Eszter Balint — Airless Midnight (August 7th, 2015) Eszter Balint — Airless Midnight (August 7th, 2015)♣  Deset dobře realizovaných skladeb, které mají nádech tajemství, zlověstných podtónů, smyslnosti a záblesků pop brilancí. Album je úchvatné v houslových sólových partech Eszter, jako dárkový balíček soudržné a celé zní jako nejlepší kusy ’70, zejména v “Long Gone (This Is War)” a následující “All You Need”. Nesmírně progresivní věc, smísená s avant−gardou. Přítomnost JD Fostera, Marca Ribota a dalších kavalýrů je znát. Vaše hlava bude naprosto otáčet vánek do vrtule, až si poslechnete Airless Midnight. SINGER–SONGWRITER ESZTER BALINT’S FIRST ALBUM IN MORE THAN A DECADE, WHILE ECLECTIC, RETAINS A REMARKABLE CONSISTENCY THROUGHOUT.Location: Tatabánya, Budapest, Hungary ~~ Brooklyn, Richmond, NY
Album release: August 7th, 2015
Recorded: It was recorded between 2014 and early 2015 in New York’s Brooklyn Recording and Richmond’s Montrose Recording.
Record Label: Red Herring/eOne.
Duration:     44:58
01 The Mother     4:30  
02 Let’s Tonight It     3:15  
03 Departure Song     4:44  
04 Calls At 3am     4:59  
05 Long Gone (This is War)     3:57  
06 All You Need     3:46  
07 Trouble You Don’t See     4:59  
08 Exit At 63     5:16  
09 Silence (Afer the Phonecall)     3:48  
10 Lullaby For Tonight, Lullaby For No One     5:44
¬  All tracks written by Eszter Balint
¬  Record release show at Joe’s Pub, Wed July 15th with
¬  Chris Cochrane guitar
¬  Kato Hideki bass
¬  Brian Wilson drums
¬  special guest Marc Ribot on guitar
♠  Adrian Olsen Drums, Engineer, Mixing
♠  Eszter Balint Composer, Guitar, Mandolin, Melodica, Mixing, Sounds, Violin, Whistle
♠  Marianne Bongolan Executive Producer
♠  Thomas Bongolan Executive Producer
♠  Chris Cochrane Guitar, Guitar (Acoustic)
♠  Michael Fossenkemper Mastering
♠  JD Foster Bass, Farfisa Organ, Guitar (12 String), Mellotron, Mixing, Percussion, Piano, Producer, Programming, Sounds
♠  Devonne Harris Piano
♠  Ariadne Kimberly Huque Executive Producer
♠  Jade Lee Design
♠  John Leon Pedal Steel
♠  Sam Phillips Vocals
♠  Don Piper Engineer
♠  Rochelle Redfield Artwork
♠  Marc Ribot Banjo, Guitar
♠  Dave Schramm Guitar, Guitar (Electric)
♠  Andy Taub Engineer
♠  Brian Wilson Drums, Organ, Percussion
♣  If the name Eszter Balint doesn’t ring a bell, if you’re a regular viewer of Louie CK’s acclaimed series Louie, you’ll remember her as his character’s love interest Amia last season. In addition to being an actress, though — she’s appeared in films by Jim Jarmusch, Woddy Allen, and Steve Buscemi — the Hungarian–born Balint is an accomplished musician, and has played on albums by Marc Ribot, Angels of Light, and Swans. As you can tell, she’s clearly highly regarded by some of the biggest talents in two different mediums.
♣  Her new album Airless Midnight is her first since 2004’s Mud, and PopMatters is pleased to premiere it here. Featuring appearances by Ribot and Sam Phillips, Balint, who plays guitar, mandolin, violin, and more, creates an eclectic collection of songs, but retains a remarkable consistent tone and theme throughout.
♣  “There’s not a concrete or literal ‘concept’ behind this album per se, but a feeling which binds it all together, for sure,” Balint tells PopMatters. “There was this one funny moment, when I was reviewing the words of all these songs and went, ‘Oh. I see. So this record is about death. Okay, well then.’ It was never an agenda at the outset, nor was it an agenda to adhere to once I realized what was at work. Yet it did set a tone, a palette to work from. Also, it feels like a collection of stories. That’s what really resonates for me with this: a group of stories, which are connected, some more, some less, but they all somehow stumbled into this exact collection for a reason.”
♣  Alternately sultry, playful, and visceral, the album veers from singer–songwriter contemplation to percussive intensity that hints at a Swans influence, with Balint’s distinct persona bringing it all together. Beautifully produced by bassist JD Foster, Airless Midnight is the perfect soundtrack to a dusky summer night, be it sweltering or stormy. Give it a listen, and lose yourself in her strange world.
♦   http://www.popmatters.com/
Artist Biography by Jason Ankeny
♣  Singer/actress Eszter Balint first emerged as a member of the avant–garde Squat Theater troupe before making a memorable cinematic debut in 1984 in director Jim Jarmusch’s seminal indie film Stranger Than Paradise. From there she seemed to drop out of sight for the remainder of the decade, not reappearing on–screen until 1990’s little–seen Bail Jumper. Small roles in The Linguini Incident and Trees Lounge followed as Balint instead focused more and more of her energies on music, and in 1999 she released her full–length debut Flicker.
♦   http://ghettoblastermagazine.com/2015/from-the-horses-mouth-eszter-balint-on-airless-midnight/
Website: http://www.eszterbalint.com/
By Jane Roser
♦   http://www.thatmusicmag.com/index.php/2015/07/eszter-balint-the-soulful-songstress-returns-with-airless-midnight/
Written by Rob Ross
♦   http://popdose.com/album-review-eszter-balint-airless-midnight/
♣  Eszter Balint will be releasing her new album Airless Midnight on June 24. It was recorded in late 2014 and early 2015 in New York’s Brooklyn Recording and Richmond's Montrose Recording, produced by JD Foster, and features Chris Cochrane, Marc Ribot, Dave Schramm on guitar as well as well as singer songwriter Sam Phillips on harmonies.
♣  Eszter has been very busy for the past few years. In 2014 she was making progress gathering material for the new album when out of the blue–after a long hiatus from acting she was offered a part she couldn't refuse. She agreed to star in a six–episode arc of Louis C.K.’s F/X series Louie, Season 4, a performance which would earn her considerable critical praise. Eszter also improvised compositions, sang and played violin for the episodes which featured her performance. As soon as filming wrapped, Eszter returned to work on her album.
♣  The album boasts three of New York’s most distinguished and original guitarists: Chris Cochrane (John Zorn, Zena Parkins, long time EB alumni) Dave Schramm (The Schramms, Yo La Tengo, others) and Marc Ribot (too many to name!). They are joined by drummer Brian Wilson (Johnny Dowd, Neko Case), JD Foster on bass, and Sam Phillips on vocal harmonies. Andy Taub and Don Piper engineered at Brooklyn Recording, and Adrian Olsen mixed with JD and Eszter at Montrose Recording. This is Eszter's third album working with Cochrane, producer Foster, and engineer Taub, and her second with Ribot, with whom she has also worked on a number of other projects over the years. Eszter is featured on vocals, guitar, violin, melodica, mandolin, random sounds, whistling, and she wrote all the songs.
♣  After releasing her second album Mud in 2004 on Bar/None, Eszter took a break and focused on parenting. Once her son started attending school, she began writing again. After a number of years spent writing and polishing these songs, doing studio sessions with other artists and resuming live performance, Balint felt she had a body of work worth capturing in the studio.
♣  Eszter relates, “The songs were ripening. They were just at that point where they were starting to feel like they needed to be picked. And my desire to record was starting to burn me up. Not all of the tunes were completed when I decided to make a record, but the ones which were, it felt like they were going to be neglected in an unkind way if they didn't get recorded very soon.”
♣  What resulted is Balint’s most confident effort to date. The lyrics are cohesive and support strong, if mysterious, narratives with a decisive cinematic feel. The accompanying tunes are varied and strategically eclectic in approach. There’s more rock and punk influence here, which gives way to an eerie, calm spaciousness. These songs are artful, sophisticated yet earthy, there's guts and grit and beauty too; it's an eloquent expression of her life experiences to date.
♣  “My artistic education was first and foremost formed by growing up in an extended family of avant–garde theater makers, originally from Hungary, who created adventurous, surprising works and devoted their lives to taking artistic risks,” recalls Eszter. “My father was one of the founders and my mother was also involved for a time. We settled in New York in 1977, when I was 11, and sometimes set W. 23rd Street a little bit on fire with our performances which literally spilled out onto the street through the storefront where we lived and performed. My home during these formative years was not only where the company created and performed their plays, but it was also an open and revolving door welcoming the most adventurous musicians, filmmakers, visual artists, performers, and writers and painters of the time, as well as some of the renegades of hip hop culture. When we weren’t performing, our space would be transformed into a music venue where among other jazz and blues greats, bands such as The Lounge Lizards, DNA, Sun Ra, Defunkt, and The Contortions regularly performed.”
♣  “By age 13 I had taken on my role as the house DJ, spinning records between sets. I believe these years were a pivotal moment in defining my sensibilities; I carried the blood of Central European artists, with all of their rich history, while during this time also becoming a full–fledged New Yorker, absorbing and integrating all around me with ease. It was during these years that I made my recording debut at age 15 playing violin on a track produced by artist Jean Michel Basquiat and featuring rapper Rammellzee. This life in the theater eventually also led to my being cast and appearing in a few films, mostly indie works, some of them quite memorable, and  a few of which garnered much acclaim.”
♣  Eszter starred in Jim Jarmusch’s classic Stranger than Paradise, and was featured in Steve Buscemi's Trees Lounge,and worked alongside Mia Farrow and John Malkovich in Woody Allen's Shadows and Fog, among other film appearances.
♣  She continues, “In 1995, while living in Los Angeles, I decided to fully devote my artistic energies to music–making and words writing, more specifically to becoming a performing and recording songwriter. I have two albums out, Flicker (1999) and Mud (2004), both produced by JD Foster, who has made wonderful records with Richard Buckner and Marc Ribot among many others, which were both received with critical praise.”
♣  “I have since been fortunate enough to have been asked to lend my violin playing and singing to works by people I consider true artists, most notably guitarist Marc Ribot, and Michael Gira of Swans fame,” Eszter can be heard on violins on two Angels of Light albums as well as Swans’ The Seer, and on vocals and other instruments on multiple Marc Ribot projects including Ceramic Dog’s Your Turn, — a band she was a guest member of through 2009 — and on an upcoming album of Mr. Ribot’s songs.
♣  “But I'm most grateful of all that with the help of an incredible group of musicians I was able to finally build a home for these new songs. The process was such a joy.”

Eszter Balint — Airless Midnight (August 7th, 2015)


13. 5. 2020

The Feather — Room



Pearl Jam — Gigaton (March 27, 2020)
Tais Awards & Harvest Prize
Strachovská 520, Pelhřimov, CZE