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3648 x 2736 5. Gary solo, Gods and Monsters 20th anniversary sho

USA FLAG                             GARY LUCAS, INTERVIEW
⇔   „V Donově hlase a hudbě byla naprostá svoboda, což mi přišlo bezvýhradně přesvědčivé.“
⇔   
Něco se blíží. Mám to na radaru. Pročesali jsme hudební zálivy a nic. Co bylo dříve? Co bylo předtím? Majestátní smutek během Majálesu 1968? Prožitek tragédie, když jsme vezli matku v džípu do nemocnice? A co poté? Přesvědčení, že nejkrásnější věci na světě nejsou vidět ani nejsou hmatatelné. V této sféře je srdce osamělý lovec. Nenarážím na román Carson McCullers, i když i ten je mozaikou příběhů několika zcela odlišných lidí. Je zde tušení souvislostí a proto věřím, že umění může změnit způsob myšlení. Dialog se rozvinul. A na to jsem velmi hrdý. Když hodíte do vody kámen, začnou se šířit vlny. U každého dobrého důvodu proč lhát, existuje lepší, proč říct pravdu. 
... Zřejmě tímto nekontrolovaným postupem bylo i setkání s Gary Lucasem bylo jen otázkou času: nevyhnutelné. Proto vznikl tento rozhovor.

1.) When I hear your guitars, I feel the dialogue of generations, ages, civilizations. Why did you choose the guitar? Where did it start?
◊⇔  To tell you the truth, my late father Murray Lucas came to me one day out of the blue when I was a clueless 9 years old and said “Gary, how’d you like to play a musical instrument? How about the guitar?” “Gee Dad, that sounds great!” I mean, they knew I was a precocious musical kid because I used to spend literally 5~6 hours a day in a rocking chair in the basement of our house listening to Top 40 AM radio, and I had been collecting singles and albums for some time. He arranged for me to take possession of a rented practice guitar which was the most obstinate clunky piece of garbage, with the strings abut a half inch off the fret boards. It hurt like hell to play this thing, it tore up my tender 9 year old fingertips. So after a month or so I just chucked it. It wasn’t till my folks came back from a trip to Spain with a beautiful nylon acoustic guitar — which was a total pleasure to play — that I got back in to playing and quickly accelerated my progress.
2.) Today, almost all artists deal exclusively with themselves. I see a fundamental difference for you. It’s as if you’re dealing almost exclusively with other artists, hence people. It is so?
◊  I try and mix it up. I think collaborations are the greatest because often times work emerges that is alot bigger than the parts going into it. In other words, both players bring their skills to the table and emerge with something far cooler than what they might have been capable of coming up with on their own, On the other hand I love to perform solo, as it’s all me on the line and no one to have to lean on or hide behind or accommodate to make it work. I like both modes in other words.
3.) What was Don Van Vliet like?
◊  I never met anyone remotely like him. He definitely had “different channels on the world”. You could call it ESP maybe. A stone genius as a composer / sculptor / painter and poet. Maybe the greatest all~around artist of the last century, but man did he have difficulty with organizing his stuff, and also, relating to other people. He could be really empathetic on a one and one level as “Don Van Vliet” but when other people were around he assumed this imperious “Captain Beefheart” persona and depending on what kind of mood he was in that day — Look Out!! Sometimes he was really just a big overgrown baby, at other times a raging bully hollering at the band members in your face up close and personal — you never knew what persona would emerge on any given day. Considering he lived for years in a trailer park in the Mojave Desert, he didn’t do well in hot weather at all. He basically liked to come out when the sun went down and stay up all night — sometimes for several days on end — and then crash. He was always ON — constantly throwing out shards and sparks of genius observations, poetic imagery, drawings , sketches and paintings, song titles, whistling new musical parts, flinging paint around. A real  force of nature. I loved the guy and became very close to him, he dug me as I was devoted to him for 5 years, I thought he is work needed to be much better known considering the entire first and second wave of Punk and New Wave artists cited him as a major influence.  I was able to keep up with him mentally and also hip him to art he didn’t know about, such as the writings and paintings of Wyndham Lewis, which further cemented our relationship. I was constantly looking for new opportunities for him, and made alot of things happen for him — for instance, I was able to hook him up with Julian Schnabel and the Mary Boone and Michael Werner galleries, which resulted in him getting real art gallery representation in NYC for the first time. I got him back in Rolling Stone, on Saturday Night Live, on David Letterman twice and on and the cover of Musician Magazine — and got our video for “Ice Cream for Crow” in the MOMA’s permanent video collection when MTV refused to play.  I really miss him as when he died I knew I would never meet anyone who made me laugh as hard as he could. He was enormous fun to be around on a good day, and I am honored to have worked with him. Plenty of stories have circulated about his creative methodologies and his occasional really bad behavior, but it doesn’t subtract from his work one iota, which is singular, original and terrifically compelling. Still at the top of my list.
4.) How was Jeff Buckley?
◊  A wunderkind, a dazzling beautiful boy with a face and a voice like an angel who really could tug on the old heartstrings. His voice had a suppleness to it that pretty much equalled to me, his major influence, his father Tim Buckley, who I adored well before I knew there was a Jeff Buckley. We had one amazing year together creatively which I recall mainly with alot of fondness. He had a dark side also but I prefer to dwell on the bright side of our relationship, same as with Don Van Vliet, He was the best creative partner I ever had in the collaboration department. All our 13 songs started as my solo guitar instrumentals, which Jeff then took and created magical melodic top lines and lyrics for which fit my original guitar music like a glove. It was so easy working with him that way! I knew if I gave him his head and left him alone he would come back with lyrics and melodies that were unerring and true and elevated the music to another level entirely different from the same old same old pop formulas, which we both despised. Trust was a key factor here. I try to observe that in all my collaborations, I hate to dictate to people I make music with unless I hear something so terrible I can’t live with it. I encourage my band members to create their own parts on the spot within my own songs, Jeff was the most musical kid — he could sing or play pretty much anything, he could pick up just about any instrument and get beautiful music from it, He had a real poet’s gift for lyrics also: from the heart and enigmatic as well. 
◊  His voice was like a virtuoso jazz instrumentalist’s — he could glide and swoop with the best of them, get very deep down in the gutbucket and then soar up to the heavens in one vocal line. People like Jeff and Don dont come around very often to say the least, and I’m honored to have worked with both of them.
5.) Have you (met) you personally experienced Leonard Bernstein?
◊  Yes , Leonard Bernstein attended the rehearsals and performances of his “Mass” in Vienna in spring 1973 when I was playing the lead guitar part with the Yale Symphony Orchestra. It was the European premiere at the Wiener Konzerthaus, I loved watching Lennie’s series of televised “Young People’s Concerts” growing up in the 60’s — he was truly “Music’s Monarch”, as he was described by the NY Times in a banner headline the day after he passed away. I learned through him about Mahler, Bach, Ives and so on — so much great music. He really instilled the Joy of Music in folks, which was the title of one of his popular books. Anyway I met and spoke with him in the garden of the US Ambassador to Austria’s residence in Wien after the first night premiere, and he was exceedingly friendly. I told him I loved playing his music. In fact, “Mass” opens with an shimmering arpeggiated guitar chord high up on the neck: Brrrrrrrrrrrg! and on into the beautiful opening number “Sing God a Simple Song”. Later I got a chance to get down and dirty with some wicked heavy metal type shredding in another sung section called “I Don’t Know”, a number in the “Mass”  representing the existential angst of the modern moment. “Man, you were really wailing!” he told me approvingly when I asked if he’d heard my playing there. This made my entire year!! The best praise I’d ever received for my playing (up to that point). I asked him a bunch of questions about his love of rock music, which he’d incorporated into the “Mass”. He grabbed my arm and we took a little stroll around the Ambassador’s garden while I plied him with questions. He noticed I was wearing blue calf~length glitter socks with high stacked silver lame platform shoes. “Oh, the David Bowie look!” he exclaimed, He told me didn’t much care for The Nice’s version of “America” (which I liked), as I recall, and also that he was miffed that Pierre Boulez was getting all the modern music credit during his tenure conducting the NYPO after Bernstein left, as he had gone out of his way to program much modern symphonic music there, I’m told he wrote a letter to Don Van Vliet’s camp expressing admiration for the “Safe as Milk” album when it was released in 1967. I was really sad to hear of his passing — such an outstanding conductor, composer and educator of our time who could never be easily replaced.
6.) I extremely loved (and still is) the creation and expression of Dr. John. He even appeared on the cover of Bat magazine 7 months before his death. How was the cooperation with him?
◊  That was really easy because that occurred on a session for Hal Willner, my friend the beloved producer and mixmaster conceptualist, for his album “Weird Nightmare”, a tribute to the music of Charles Mingus. Mac Rebennack is one of my favorite artists, and I especially love the first album “Gris~Gris:” I over~dubbed some slide for him on the closing track and he was very genial and appreciative! 
7.) What are you preparing now?
◊  A new project called Le Beast Concrete just was released this week, a collaboration with producer and beat~master David Sisko. I love it because it puts my guitar playing in a totally fresh context with sounds I’ve never heard before. I can’t really describe the music other than “extraordinary”. It’s kind of science fiction music, actually. Check out our web page here which has music and clips: http://garylucas.com/www/lbc/
8. There are 17 + 19 songs on the last selection double album “The Essential Gary Lucas”, which has an exceptional quality. Which 5 songs do you like the most?
◊  Hmmm, this is a difficult question, I feel like the parent of a brood of children, you wouldn’t ask a mother to choose her favorites now would you? But off the top of my head: “Fata Morgana”, “Lady of Shalott”, “Let’s Go Swimming”, “King Strong” and the Cubanized version of “Out from Under”.
8.) You also play (10 — Janacek’s’ “On an Overgrown Path” No. 15 Allegro, disc 2 + 19 — “largo” from Dvorak’s Symphony No. 9

https://soundcloud.com/garylucas/janaceks-on-an-overgrown-path

9.) (From the New World), disc 2). Yes, I also know about your album “Gary Lucas Plays Bohemian Classics, Czech Republic” (2012), but I didn’t hear it. Do you love Leoš Janáček and Dvořák so much?
◊  Yes, who doesn’t? Janacek especially — a grossly overlooked and under~rated composer of the highest order, You can hear my Bohemian Classics album on Spotify:  https://open.spotify.com/album/0UPd807uqi4ljE2HzenNGU
◊  And you can view me playing my version of Janacek’s “On An Overgrown Path” live at the United Nations for Holocaust Remembrance Day here:  https://vimeo.com/201390227
10.) In your apartment you have done about 200 online performances for your fans around the world. You alternate acoustic with electric guitar. Do you combine them for yourself or your fans?
◊  Well, both. I love both forms of expression. And I try to mix it up to delight my fans, I dont want them to get bored with my playing, so I try and alternate. Sometimes I play both guitars and my National steel guitar in the same show!
10.) How were your mom and dad?
◊  They were lovely people. I have only loving thoughts about the both of them now they’ve passed away. My mother horribly died of Covid early on in the pandemic. She was in a nursing home in California and the virus swept in there and infected 16 residents. In 10 days she perished. It was so horrible. I got to see her on Facebook Messenger the day before she died and she was really suffering. I tried to say my goodbyes to her and I’m not even sure she could hear anything at that point. It was ghastly.
11.) What connects you with Europe?
◊  I feel that is my spiritual home even though I’m born in Syracuse NY. I just think the general aesthetic appreciation for art and culture is a lot finer tuned there, despite many horrible events of genocide. The Old World sensibility suits me alot better I guess. It’s always been easier for me to an find an audience abroad. Many Europeans picked up on my work right away as soon as I began touring there solo in 1988. I think the traditional cafe culture has a lot to do with it. Traditionally music and art lovers, aesthetes, and intellectuals would mull over and discuss new cultural manifestations over a leisurely meal or drink for hours on end. And these kind of folks comprise a prominent section of my fanbase. 
◊  Sadly this too is going the way of all flesh as Europe more and more has started resembling the US in so many ways, especially with the dominant American corporate culture spreading its reach worldwide, and that includes the good old business of music and music making. Digitization has certainly contributed to this as well, as in making, most of the world’s music available at your fingertips for nothing or just a pittance each month, it hasn’t exactly leveled the playing field for artists who don’t have substantial marketing and publicity clout behind them — it’s basically cheapened the music listening experience per se and rendered music into a commodity as commonplace and unexciting as water flowing from a tap. People see music as just another public utility that comes free and they don’t feel they have any ethical obligation to pay its creators for it, if they don’t have to. Don’t even get me started about the pathetically low rate for streaming royalties…
12.) You often recommend literature. Is there any of her on Gary Lucas’s album — “The Edge Of Heaven”, or exclusively from a visit to China?
◊  Sure. Literary references abound. References to T.S. Eliot and James Joyce are quite unashamedly in some of my lyrics for instance. “Ulysses” remains my favorite book of all time.
13.) Is “Skeleton at the Feast” still available? I was interested in the composition “Hitchcocked” by Bernard Herrmann. Sounds like some elements of contemporary home concerts. After “Hugh’s Graveyard Stomp” a dramaturgical twist. What would you say about this song?
◊  It is available on Spotify and also the cd can be obtained through my website Merch section: http://garylucas.com/www/merch/merchMAIN.shtml 
◊  There are plans to release a vinyl version of the album next year, stay tuned…
◊  “Hitchocked” is one of my first forays into arranging favorite film music for solo electric guitar.  In this case I combined some of the main themes from Bernard Herrmann’s “Psycho” and “Vertigo” scores, from two of my favorite Hitchcock films. This medley used to be a staple of my early live shows. Later on I did a full band version of the theme from “Psycho” with Gods and Monsters which you can find on my “Coming Clean” album, with Ernie Brooks on bass and Jonathan Kane on drums.  /// Thank you very much, Gary! Author: Ben Tais Amundssen (Original interview: BAT IN #37/2021: https://www.flipsnack.com/pindzi/bat-in-september-2021-volume-4-issue-9-37.html  
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Archív

ALBUM COVERS XI.

Human Impact — Human Impact (13 March 2020)
Johanna Warren — Chaotic Good (May 1, 2020)
Skylar Gudasz — Cinema (April 17, 2020)
Stereolab — Margerine Eclipse (Nov. 29, 2019)
Avey Tare — Eucalyptus (July 21, 2017)
Wasuremono — „Let’s Talk, Pt. 1“ (April 23rd, 2021)
Black Country, New Road — For the first time (Feb. 5, 2021)
Hearty Har — „Radio Astro“ (Feb. 19, 2021)
Richard Youngs — „Holograph“ (April 2, 2021)
Chris Cornell No One Sings Like You Anymore, Vol. 1 (03/17/2021)
Fatima Yamaha — Spontaneous Order (Nov. 20, 2020)
ANDREW BIRD — CAPITAL CRIMES (April 1st, 2020)
T~Tops — „Staring at a Static Screen“ (28 May, 2021)
Bonnie “Prince” Billy — I Have Made A Place (Nov. 15th, 2019)
Merzbow .. Prurient — „Black Crows Cyborg“ (April 2021)
Narrow Head — 12th House Rock (Aug. 28th, 2020)
The Fratellis — Half Drunk Under A Full Moon (8th May, 2020)
LENKA DUSILOVÁ — ŘEKA (Nov. 6th, 2020)
LENKA DUSILOVÁ — ŘEKA (Nov. 6th, 2020)
Hen Ogledd — Free Humans
Moondog — On The Streets Of New York (Feb. 14, 2020)
MoE/Mette Rasmussen — Tolerancia Picante (March 25, 2019)
The Fratellis — Half Drunk Under A Full Moon (8th May, 2020)
ULRICH SCHNAUSS — A Long Way To Fall — Rebound (3rd April, 2020)
Telex — „This Is Telex“ (April 16, 2021)
Allegra Krieger — The Joys of Forgetting (August 7, 2020)
Scorn — Cafe Mor (Nov. 15, 2019)
Bo Ningen — Sudden Fictions (26th June, 2020)
Grey Daze — Amends [Deluxe Edition] (July 3, 2020)
Bill Callahan — Gold Record (Sept. 4, 2020)
John Frusciante — Maya (Oct. 23, 2020)
Vertigo Metamorphosis
Mary Lattimore — Silver Ladders (Oct. 9, 2020)
Woods — „Strange to Explain [More Strange]“ (July 23, 2021)
The Orb — „Abolition Of The Royal Familia — Guillotine Mixes“ (A
Christian Kjellvander — „About Love and Loving Again“ (Oct. 30,
The Adobe Collective — All the Space That There Is (10 Jan 2020)
Andy Statman — Old Brooklyn (2011)
Endless Field — Alive in the Wilderness (June 12, 2020)
Big Red Machine — „How Long Do You Think It’s Gonna Last“
Sarathy Korwar & Upaj Collective — Night Dreamer Direct​~​
The Warriors Of The Wonderful Sound — SOUNDPATH (Nov. 6, 2020)
Juana Molina — Halo (May 5th, 2017)
Grey Daze ©Photo credit: Anjella / Sakiphotography
Mike Cooper — Playing With Water (Nov. 6, 2020)
Juana Molina — „Segundo“ [21st Anniversary] (June 4, 2021)
Les Filles de Illighadad — Eghass Malan (Oct. 28, 2017)
Bernice — „Eau De Bonjourno“ (March 5, 2021)
Khruangbin — Mordechai (June 26, 2020)
Caribou — Our Love (October 14, 2014)
Vijay Iyer, Linda May Han Oh, Tyshawn Sorey — „Uneasy“ 04/09/21
Hornscape — Hornscape (March 6th, 2020)
Lo Tom — LP2 (September 11, 2020)
Maja S. K. Ratkje — Sult (31 March 2019)
Alan Vega — „After Dark“ (July 30, 2021)
St. Vincent — Masseduction
Orchards — Lovecore (March 13th, 2020)
Drive~By Truckers — The Unraveling (Jan. 30, 2020)
Sarah Harmer — Are You Gone (Feb. 21st, 2020)
OWEN PALLETT — „ISLAND“ (May 22, 2020/March 5, 2021)
Modest Mouse — „The Golden Casket“ (6th August 2021)
Albertine Sarges — The Sticky Fingers (29 Jan., 2021)
Woods — City Sun Eater in the River of Light (April 8, 2016)
Fairport Convention — 50:50@50 (June 9, 2017)
The Flaming Lips — American Head (Sept. 11, 2020)
Nina Kohoutová — Blue Sunray (Feb. 6th, 2020)
Ballrogg — Rogging Ball (Oct. 30th, 2020)
Buju Banton — Upside Down (June 26, 2020)
Alberto Posadas : Poética del Laberinto, cycle pour quatuor de s
Maria Muldaur & Tuba Skinny — „Let’s Get Happy Together“ (2021)
The Gray Havens — She Waits (Nov. 7, 2018)
Vladislav Delay — „Rakka II“ (April 2, 2021)
Orlando Weeks — A Quickening (June 12, 2020)
Hibiscus Biscuit — Reflection of Mine (March 1st, 2020)
Anna Calvi — „Hunted“ (2020)
Matthew E. White & Lonnie Holley — „Broken Mirror: A Selfie Refl
Dumpstaphunk — „Where Do We Go from Here“ (2020)
Elysian Fields — Transience of Life (Sept. 4, 2020)
Anna Calvi — „ANNA CALVI“ (10TH ANNIVERSARY EDITION) (2021)
Molina — Vanilla Shell (Jan. 24, 2020)
Bruce Ackley, Fred Frith, Henry Kaiser, Aram Shelton — Unexpecte
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
Devin B. Thompson — Tales of the Soul (Oct. 30, 2020)
Chrissie Hynde — „Standing in the Doorway: Chrissie Hynde Sings
The Men — Mercy (Feb. 14, 2020)
Julia Holter — Never Rarely Sometimes Always (March 13, 2020)
Still House Plants — Fast Edit (Aug. 14, 2020)
Lydia Ainsworth — Darling Of The Afterglow (2019)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
Woods — With Light and with Love (April 15, 2014)
Ketil Bjørnstad — „Seafarer’s Song“ (2004)
Lydia Ainsworth — Phantom Forest (May 10, 2019)
William Parker — „Mayan Space Station“ (July 23, 2021)
Fairport Convention — Shuffle and Go (29 Feb., 2020)
Pierre Favre DrumSights — Now (Apr 2016)
Philip B. Price — Bone Almanac (Nov. 8, 2019)
NEØV — „Picture Of A Good Life“ (15 Jan., 2021)
MORCHEEBA Blackest Blue (May 14, 2021)
Debashish Bhattacharya JOY!guru cover
Mark Lanegan — The Winding Sheet (May 11, 1990)
Gemma Ray — Psychogeology [Feb. 15th, 2019, Deluxe Edition, 2020
Stereolab — „Mars Audiac Quintet“ (Expanded Edition)
Courtney Barnett — MTV Unplugged [Live In Melbourne] (2019)
Badly Drawn Boy — Banana Skin Shoes (22nd May, 2020)
Arbouretum — Let It All In (March 20, 2020)
Laura Veirs — MY ECHO (23rd Oct., 2020)
emozpěv — Spolu (1st May 2020)
Whyte Horses — Empty Words (March 9, 2018)
Ajimal — As It Grows Dark / Light (June 26, 2020)
Hail The Ghost — Arrhythmia (6th Dec. 2019)
CECILIA BARTOLI — Opera Proibita (Sept. 13, 2005)
Tim Heidecker — Fear of Death (Sept. 25, 2020)
Markus Reuter — TRUCE (Jan. 17, 2020) cover
The Who — WHO [Deluxe Edition] (22 Nov. 2019)
Childcare — Wabi~Sabi (31st May, 2019)
THE LEAGUE OF ASSHOLES — UNPLUGGED (1st May 2020)
Whyte Horses — Hard Times (17th of Jan., 2020)
FRÀNÇOIS & THE ATLAS MOUNTAINS — BANANE BLEUE (26th Feb., 2021)
Bacchae — Pleasure Vision (March 6, 2020)
PVRIS — Use Me (March 3, 2020)
CLT DRP — Without The Eyes (Aug. 28th, 2020)
Morgan1
Ajimal — As It Grows Dark Light (June 26, 2020)
Joywave — Possession (March 13, 2020)
Sufjan Stevens — Aporia (March 27, 2020)
Midnight Sister — Painting the Roses (Jan. 15, 2021)
John Cale — „Artificial Intelligence“ (6 Sept. 1985)
Anna Burch — Quit The Curse (Feb 2, 2018)
Wolf Parade — Thin Mind (Jan. 24, 2020)
Work Drugs — Delta (December 5, 2012)
Deserta — Black Aura My Sun (Jan. 17, 2020)
John Zorn — „Nostradamus: The Death of Satan“ (Aug. 6, 2021)
Sink Ya Teeth — Two (28th Feb. 2020)
Georgia — Seeking Thrills (10th Jan., 2020)
MARTIN GORE ‘THE THIRD CHIMPANZEE E.P.’ 12”
A.O. Gerber — Another Place to Need (May 22, 2020)
Deerhoof — Future Teenage Cave Artists (May 29, 2020)
MATT SWEENEY AND BONNIE ‘PRINCE’ BILLY — „SUPERWOLVES“ (18TH JUN
The Growlers — Natural Affair (25th Oct. 2019)
His Name Is Alive — Ghost Tape EXP (Dec. 8, 2020).png
James Taylor — American Standard (Feb. 28th, 2020)
Namgar — „Nayan Navaa“ (March 20, 2021)
Alogte Oho and his Sounds of Joy — Mam Yinne Wa (Nov. 8, 2019)
Sam Gendel — Satin Doll (13 Mar 2020)
Kaleidoscope — Faintly Blowing (11 April 1969, Reissue, Remaster
Motorpsycho — The All Is One (2CD) (28 Aug., 2020)
Ryan Adams — Ryan Adams (September 8, 2014)
Roman Hampacher — Bílá Vrána (December 6, 2020)
Trees Speak — Ohms (3rd April, 2020)
Peter Murphy — „The Last and Only Star“ (25th June, 2021)
Nadine Shah — Kitchen Sink (June 5, 2020)
Skinny Pelembe — Dreaming Is Dead Now (May 24, 2019)
CLT DRP — Without The Eyes (Aug. 28th, 2020)
Broken Social Scene — Live at Third Man Records (Feb. 28, 2020)
Perfume Genius — Set My Heart On Fire Immediately (15th May 2020
Devendra Banhart | Noah Georgeson — „Refuge“ (Aug. 13, 2021)
Ryan Adams — Wednesdays (Dec. 11, 2020)
Deerborn — Where Demons Hide (Aug. 28, 2020)
Brendan Benson — Dear Life (April 24, 2020)
Harvestman — Music for Megaliths (May 19, 2017)
Kolna — Smrtí zatepla (Nov. 30, 2020)
Marc Ribot’s Ceramic Dog — „Hope“ (June 25th, 2021)
Lucia Cadotsch — Speak Low (Feb. 26, 2016)
Perfume Genius — No Shape (5 May, 2017) BC
Dinosaur Jr — „Sweep It Into Space“ (April 23rd, 2021)
Perfume Genius — No Shape (5 May, 2017) FC
Cocteau Twins — Victorialand (April, 1986, Reissue 2020)
Wolf Alice — „Blue Weekend“ (4th June, 2021)
Isbells — Sosei (March 1, 2019)
Sons of Kemet — „Black to the Future“ (May 14, 2021)
The Feather — Room (10 July, 2020)
Songs for the Late Night Drive Home (Feb. 5, 2016)
Last Days of April — „Even the Good Days Are Bad“ (May 7, 2021)
Benoît Pioulard & Sean Curtis Patrick — Avocationals (2019)
Spc Eco — Dark Matter (Nov. 20, 2015)
Juliana Hatfield — Weird (Bonus Edition) (Jan. 18, 2019)
Caribou — Suddenly (Feb. 28th, 2020)
Sam Tudor — „Two Half Words“ (May 7, 2021)
SPC ECO — June (June 1, 2020)
Waxahatchee — Saint Cloud (March 27, 2020)
Florist — Emily Alone (July 26, 2019)
Chapelier Fou — Deltas (Sept. 22, ​2014)
The Boomtown Rats — Citizens of Boomtown (13 March, 2020)
The Flaming Lips — The Soft Bulletin (Nov. 29, 2019)
Emile — The Black Spider / Det Kollektive Selvmord (May 1, 2020)
Larkin Poe — Self Made Man (June 12th, 2020)
Delilah Montagu — „This Is Not a Love Song EP“ (Feb. 5th, 2021)
Wesley Gonzalez — Appalling Human (June 12, 2020)
Pottery — Welcome to Bobby’s Motel (June 26th, 2020)
Mint Field — Sentimiento Mundial (25 Sept., 2020)
The Killers — „Pressure Machine“ (13th Aug., 2021)
Art d’Ecco — „In Standard Definition“ (April 23rd, 2021)
Cosmo Sheldrake — Galapagos [Original Soundtrack] 2019
The Telescopes — Hidden Fields (August 7th, 2015)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Django Django — „Glowing in the Dark“ (2021)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
The Antlers — „Green To Gold“ (March 26, 2021)
Kyrie Kristmanson — Lady Lightly (Jan. 10, 2020)
Yorkston/Thorne/Khan — Navarasa : Nine Emotions (24th Jan. 2020)
Hey Colossus — Dances / Curses (Nov. 6, 2020)
OWEN PALLETT — ISLAND
Ralph of London — The Potato Kingdom (19th June, 2020)
Kilbey Kennedy — „Jupiter 13“ (March 5, 2021)
Sigur Rós — Odin’s Raven Magic (Dec. 4, 2020)
Arca — „Madre“ (22 Jan., 2021)
Cotatcha Orchestra — Bigbandová elektronika / Bigband Electronic
Locate S,1 — Personalia (April 3, 2020
HMLTD — West of Eden (7 Feb., 2020)
OLYMPIC — „Kaťata“ (October 30, 2020)
Noveller — Arrow (June 12, 2020)
Sugai Ken | Lieven Martens — „KAGIROI“ (March 29, 2021)
Chapelier Fou — Meridiens (Feb. 28, 2020)
HMLTD ©Dean Hoy
Cathedral Bells — Velvet Spirit (March 6, 2020)
Vladislav Delay, Sly Dunbar, Robbie Shakespeare — 500~Push~Up
Orwell — Parcelle brillante (24 April 2020)
Peter Murphy — „Lion“ (June 2nd, 2014)
Tarotplane — „Horizontology“ (February 8, 2021)
Tame Impala — The Slow Rush (Feb 14, 2020)
REBECCA FOON — WAXING MOON (21st Feb., 2020)
Noveller — Arrow (June 7, 2020)
Virginia Plain — Strange Game (Dec. 13, 2019)
Blinker the Star — Juvenile Universe (20 Nov., 2020)
Teho Teardo — Ellipsis dans l’harmonie (March 6th, 2020)
Signe Marie Rustad — When Words Flew Freely (Nov. 15, 2019)
Angel Olsen — „Aisles“ EP (20 Aug., 2021)
Stian Westerhus — Redundance (March 5, 2020)
Beck — Deep Cuts (March 2020)
Keeley Forsyth — Debris (17 Jan., 2020)
KeiyaA — Forever, Ya Girl (March 27, 2020)
John Craigie — Asterisk the Universe (June 12, 2020)
Ellipsis dans l’harmonie BACK COVER
Paul Weller — „Fat Pop (Volume 1)“ (14th May, 2021)
Horse Lords — „The Common Task“ (March 13, 2020)
Half Japanese — Crazy Hearts (4th Dec., 2020)
Lavender Diamond — Incorruptible Heart (Sept. 2012)
MARY — Die Before Death (September 4, 2020)
The Belmondos — Memory Lane (Nov. 20, 2020)
Troi Irons — Flowers (Sept. 25, 2020)
Ryuichi Sakamoto — „Black Mirror: Smithereens“ (Oct. 24, 2020)
The Dears — Times Infinity Volume One (September 25, 2015)
The Album Leaf — OST (March 20, 2020)
Joensuu 1685 — ÖB (09 Oct., 2020)
Black Tape For A Blue Girl — „Ashes In The Brittle Air“ [Remaste
Jack Peñate — After You [Expanded Edition] (2020)
Thomas Dybdahl — The Great Plains (Feb 24, 2017)
Lavender Diamond — Now Is the Time (Dec. 4, 2020)
Bowerbirds — „becalmyounglovers“ (April 30th, 2021)
Grimes — Visions (2012)
Grandbrothers — All the Unknown (15 Jan., 2021)
Jessie Ware — Glasshouse (Deluxe; 20 Oct 2017)
Kavus Torabi — Hip to the Jag (May 22, 2020)
Josienne Clarke — „A Small Unknowable Thing“
Adrian Crowley — „The Watchful Eye of the Stars“ (30th April, 20
Bella White — Just Like Leaving (Sept. 25, 2020)
Pharoah Sanders — „Live In Paris (1975): Lost ORTF Recordings“
Oddfellow’s Casino — The Raven’s Empire (2012)
Calexico / Iron & Wine — Years to Burn (2019)
Chris Potter — There Is a Tide (Dec. 4, 2020)
L’Rain — „Fatigue“ (June 25, 2021)
Amanda Palmer — Forty~Five Degrees: Bushfire Charity Flash Rec.
Veneer — Recovery (April 15, 2020)
Chris Potter — Circuits (Feb. 22, 2019)
Sara Serpa — Recognition (June 5th, 2020)
BECK — Uneventful Days (St. Vincent Remix)
The Flaming Lips — „The Soft Bulletin Companion“ (4 March 1999/J
God Is an Astronaut — „Ghost Tapes #10“ (Feb. 12, 2021)
Oddfellow’s Casino — Burning! Burning! (7 Aug., 2020)
This Will Destroy You — Vespertine (June 9, 2020)
Scoundrels — Music From The Arch (Sept. 11, 2020)
Teen Daze — Morning World
Gary Lucas — „The Edge Of Heaven: ...“ (April 1, 2002)
Lingua Ignota — „SINNER GET READY“ (Aug. 6, 2021/2 LP)
Sara Serpa, Ingrid Laubrock, Erik Friedlander — Close Up (2018)
The Wallflowers — „Exit Wounds“ [July 9, 2021, Vinyl LP]
Rufus Wainwright — Unfollow the Rules [Deluxe Version] (July 9,
THE DEARS — ‘Lovers Rock’ (May 15, 2020)
Greenslade — Time and Tide (2 cd, 1975/2015)
Bellows — The Rose Gardener (Feb. 22, 2019)
Ariel Pink — House Arrest (2002/Mar 2011/April 24, 2020)
The Jayhawks — XOXO (July 10, 2020)
Béla Fleck & Toumani Diabaté — The Ripple Effect [2LP, March 27,
Budokan Boys — So Broken Up About You Dying (2 Oct. 2020)
John Vanderslice — „Time Time is Lonely“ (June 12th, 2001)
Sonny Landreth — Elemental Journey (May 22, 2012)
Laura Fell — Safe from Me (Nov. 20, 2020)
Laura Perrudin — Perspectives & Avatars (Oct. 9, 2020)
CocoRosie — Put the Shine On (6 March 2020)
Anthony Moore — Out (20 Nov., 2020)
Soho Rezanejad — „Perform and Surrender“ (Dec. 04, 2020)
Whyte Horses — Hard Times (17th of Jan., 2020)
Tindersticks — Distractions (Feb. 19, 2021)
„Mojo Presents Steve Marriott, Small Faces, Humble Pie: Afterglo
Jessie Ware — What’s Your Pleasure (June 26, 2020)
Corb Lund — Agricultural Tragic (June 26, 2020)
Scott Matthew — Ode to Others (April 20, 2018)
Thurston Moore — „screen time“ (Feb. 5, 2021)
Raed Yassin — Archeophony (Nov. 27, 2020)
Thomas Dybdahl — Fever (March 13, 2020)
Born Ruffians — Juice (April 3, 2020)
Growing Up Live — 3LP Half Speed Remaster (Nov. 27, 2020)
Michael Landau — The Michael Landau Group Live (Oct. 31, 2006)
The Weather Station — Ignorance (Feb. 5, 2021)
Marc Ribot’s Ceramic Dog — What I Did On My Long ‘Vacation’ EP
The Beths — Jump Rope Gazers (July 10th, 2020)
Coultrain — „Phantasmagoria“ (April 9, 2021)
Carissa Johnson — A Hundred Restless Thoughts (Dec. 18th, 2019)
Anna Calvi — „Hunted“
Christine Ott — Chimères (pour ondes Martenot) (May 22, 2020)
Eleanor Friedberger — Rebound (May 4th, 2018)
Smashing Pumpkins — Cyr (27th Nov., 2020)
Ryuichi Sakamoto — „Minamata“
Calexico — Seasonal Shift (Dec. 4th, 2020)
Futurebirds — Teamwork (Jan. 15th, 2020)
Emmy the Great — Second Love (March 11, 2016)
My Morning Jacket — The Waterfall II (Aug. 28, 2020)
ELEANOR FRIEDBERGER — NEW VIEW (January 22, 2016)
Cornershop — „England Is a Garden“ (6th March, 2020)
Negativland — The World Will Decide (Nov. 13, 2020)
Kill The Dandies! — Your Blood My Veins (Feb. 5, 2021)
Chris Brokaw — „Puritan“ (Jan. 15, 2021)
Cormons Jazz & Wine of Peace festival 2008 ©Ziga Koritnik
Andrej Šeban — Triplet (March 22, 2019) inner cover
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
Jenny Lewis — On the Line (March 22, 2019)
Dungen — Live (March 13, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Andrej Šeban — Triplet (March 22, 2019) cover
Sonny Landreth — Blacktop Run (Feb. 21, 2020)
Læetitia Shériff — Pandemonium, Solace And Stars
Gerald Cleaver — Signs (March 27, 2020)
The Crossing & Donald Nally — James Primosch: Carthage (05/2020)
The Drums — Brutalism (April 5, 2019)
Eli Winter — „Unbecoming“ (21 Aug 2020)
Laila Sakini ‎— Into the Traffic, Under the Moonlight (10 Dec.,
DAGMAR VOŇKOVÁ — ARCHA (2020)
Immigrant Union — Judas (June 19, 2020)
KMRU — Peel (18th Sept., 2020)
Spy Machines — Spy Machines (April 3, 2020)
Negativland — True False (25 Oct., 2019)
David Cross & Peter Banks — Crossover (17 Jan., 2020)
Jake Blount — Spider Tales (May 29, 2020)
EELS — Earth To Dora (Oct. 30th, 2020)
Art Feynman — Half Price At 3:30 (June 26th, 2020)
Jorge Elbrecht — „Presentable Corpse — 002“ (28th May 2021)
Jerskin Fendrix — Winterreise (April 17, 2020)
Julianna Barwick — Healing Is a Miracle [Japan Edition] (2020)
Joy Division — Closer (40th Anniversary) [2020 Digital Master] (
Jorge Elbrecht — „Presentable Corpse — 002“ (28th May 2021)
Sophie Tassignon — Mysteries Unfold (April 24, 2020)
Anika Nilles — For a Colorful Soul (Jan. 10, 2020)
Ospalý pohyb — Ostrava (October 17, 2016)
Deradoorian — Find the Sun (Sept. 18, 2020)
Donovan — “Atlantis”
Noveller — „Red Room“ (Sept. 3, 2021)
All The Best, Isaac Hayes (A Spoken Word Album)
Ospalý pohyb — ø (May 24, 2016)
James Harries — Superstition (Jan. 31, 2020)
Zoongideewin — Bleached Wavves (June 19, 2020)
Nitin Sawhney — Live At Ronnie Scotts (Nov. 17, 2017)
HOUPACÍ KONĚ: SOULKOSTEL 8 11 2019 (April 25, 2020)
Recondite — Dwell (Jan. 24, 2020)
Kacey Johansing — No Better Time (Nov. 20, 2020)
Yoko Ono, Kim Gordon & Thurston Moore — YOKOKIMTHURSTON
Com Truise — Persuasion System (May 17, 2019)
Kazuomi Eshima & Masahiko Takeda — Inheritance for Soundscape
Erik Griswold — All’s Grist That Comes To The Mill (03/20, 2020)
Caspian — Dust and Disquiet (Sept. 25, 2015)
SLY & THE FAMILY DRONE FC (17, 2020)
Låpsley — Through Water (March 20th, 2020)
Sarah Longfield — Dusk (April 22, 2020)
Soundwalk Collective with Patti Smith — Peradam (Sept. 4th, 2020
M. Caye Castagnetto — „Leap Second“ (Jan. 22, 2021)
Erik Griswold — All’s Grist That Comes To The Mill (03/20 2020)
Circa Waves — Sad/Happy (March 13th, 2020)
Bob Dylan — Rough and Rowdy Ways (June 19th, 2020)
Kurt Wagner of Lambchop. ©Picture Joanna Bongard
Art d’Ecco — „In Standard Definition“ (April 23rd, 2021)
Sol Seppy — The Bells Of 12 (June 21, 2019)
930 x 827 tmavší podklad.jpg
P/\ST — /Expedice do vnitrobloku\ (Oct. 5, 2019)
Roland Tings — Salt Water (Nov. 8, 2019)
Eamon O’Leary — The Silver Sun (Jan. 15, 2021)
Martin Barre — „Live At The Factory Underground“ (Feb. 14, 2019)
Paul McCartney — „McCartney III Imagined“ (23rd July, 2021)
M.Ward — Migration of Souls (April 3, 2020)
33EMYBW — Golem (25 Sept., 2019)
The Third Mind — The Third Mind (Feb. 14, 2020)
CocoRosie — Restless (Feb. 12th, 2020)
Sean Henry — A Jump from the High Dive (Nov. 1, 2019)
Mike Cooper — Playing With Water (Nov. 6, 2020)
Ben Featherstone — Prisoner to the Wind (Dec. 20th, 2019)
Ailbhe Reddy — Personal History (23 Oct., 2020)
Thomas Köner — Motus (Feb. 20, 2020)
Lanterns On the Lake — Spook the Herd (21 Feb., 2020)
Darkside — „Spiral“ [Japan Edition] (July 23, 2021)
A Winged Victory for the Sullen — The Undivided Five
Nick Hakim | Roy Nathanson — „Small Things“ (April 16, 2021)
The Telescopes — Songs of Love and Revolution (Feb. 5, 2021)
Send Medicine — „By Telepathy And Reputation“ (July 16, 2021)
Of Montreal — Ur Fun (Jan. 17, 2020)
Ryan Adams — „Big Colors!“ (June 11, 2021)
Lanterns On the Lake — Spook the Herd (21 Feb., 2020)
Seaway — Big Vibe (Oct. 16th, 2020)
Surprise Chef — Daylight Savings (Oct. 16, 2020)
Ryley Walker — „Course in Fable“ (April 2, 2021)
Sega Bodega — Salvador (Feb. 14, 2020)
Klara Lewis — Ingrid (1st May 2020)
Vivienne Wilder — Postromantic (June 12, 2020)
Prophecy Playground — Comfort Zone (Feb. 15, 2020)
Kurt Vile — Speed, Sound, Lonely KV EP (2nd Oct., 2020)
Steve Earle — Townes (May 8, 2009)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Oiseaux~Tempęte — From Somewhere Invisible (19 Dec., 2019)
Hamilton Leithauser (The Walkmen) — Dear God (Aug. 2015)
Steve Earle & The Dukes — Ghosts of West Virginia (May 22, 2020)
Nitin Sawhney — „Immigrants“ (19 March, 2021)
Real Estate — The Main Thing (28th Feb., 2020)
Myopia Exclusive Crystal Clear Vinyl
The Kills — Ash And Ice (June 3, 2016)
James Harries — Before We Were Lovers
Irena and Vojtěch Havlovi — „Melodies in the Sand“ (March 5, 202
ANNA CALVI — HUNTED (March 6, 2020)
Elysian Fields — Transience Of Life (May 7, 2020)
SOFIA TALVIK — Paws of a Bear (Sept. 27, 2019)
Badge Époque Ensemble — Self Help (Nov. 20, 2020)
Ali Holder — Uncomfortable Truths (April 10, 2020)
Sungazers — Wasting Space (May 18, 2020)
Really From — „Really From“ (March 12, 2021)
Neil Young — Homegrown (19th June, 2020)
Lightning Bolt — Hypermagic Mountain (October 18, 2005, March
Craig Fortnam — „Ark“ (16 July, 2021)
Sixth June ‎— Trust (17 Jan 2020)
Bellows — The Rose Gardener (Feb. 22, 2019)
Tatsuhisa Yamamoto 山本達久 — Ashioto (Oct. 21, 2020)
From Atomic — Deliverance (April 2020)
Cermaque — Lament (22nd May, 2020)
Fuzzy Lights — „Burials“ (July 2nd, 2021)
Alfie Templeman — „Forever Isn’t Long Enough“ (May 7th, 2021)
Tatsuhisa Yamamoto 山本達久 — Ashioto (Oct. 21, 2020)
Laurel Halo — Raw Silk Uncut Wood (July 13, 2018)
Anna von Hausswolff — Dead Magic (March 2018)
Moses Sumney — græ Part 1 & 2 (May 15, 2020)
Lauren Lakis — Daughter Language (Jan. 22, 2021)
Elizabeth And The Catapult — Like It Never Happened (24/01/2014)
David Thomas Broughton & Juice Vocal Ensemble — Sliding The Same
Marissa Nadler — unearthed (March 20, 2020)
Lake Street Dive — „Obviously“ (March 12th, 2021)
Jaye Jayle — Prisyn (Aug. 7, 2020)
Sweet Trip — You Will Never Know Why (Jan. 22, 2021)
PETR KALANDRA — Petr Kalandra & ASPM 1982 — 1990 (Feb. 26, 2020)
Justine Vandergrift — Stay (Feb. 7th, 2019)
Iceage — „Seek Shelter“ (May 7th, 2021)
Hamilton Leithauser — The Loves of Your Life (10 April 2020)
Bombay Bicycle Club — Everything Else Has Gone Wrong (01/24/20)
Gráinne Duffy — Where I Belong (Sept. 19, 2017)
Anthony Gomes — Containment Blues (2020)
Sports Team — Deep Down Happy (5th June, 2020)
Evan Wright — „Sound From Out The Window“ (Aug. 25, 2021)
Nonlocal Forecast — Bubble Universe! (March 1, 2019)
Lionel Loueke — HH (Sept. 11, 2020)
Al Di Meola — Across the Universe: The Beatles, Vol. 2 (2020)
LENKA NOVÁ — DOPISY (21.03./24.04., 2020)
Genesis Revisited: Live at The Royal Albert Hall — 2020 Remaster
Tedeschi Trucks Band — „The Fireside Sessions [Episode One / Epi
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Veronica Swift — „This Bitter Earth“ (March 19, 2021)
The Electric Soft Parade — Stages (Jan. 8, 2020)
Villagers — The Art Of Pretending To Swim (03/19, 2020) DELUXE E
Mountaineer — Bloodletting (May 22nd, 2020)
Ólafur Arnalds — Some Kind Of Peace (6 Nov., 2020)
SUUNS — „The Witness“ (Sept. 3, 2021)
Steve Hackett — Under A Mediterranean Sky (Jan. 22, 2021)
Anna von Hausswolff — All Thoughts Fly (Sept. 25, 2020)
Tara Fuki — Motyle (Nov. 13th, 2020)
Peel Dream Magazine — Agitprop Alterna (3rd April 2020)
Nicholas Cords — Touch Harmonious (Nov. 6, 2020)
Destroyer — Have We Met (Jan. 31, 2020)
John McLaughlin, Shankar Mahadevan, Zakir Hussain — Is That So?
THE SHAKING SENSATIONS — “How Are We to Fight the Blight” 2xLP
Alphaxone — Dystopian Gate (Jan. 14, 2020)
Lanterns On The Lake — The Realist (Dec. 18, 2020)
A Certain Ratio — ACR Loco (25th Sept., 2020)
THE SCHRAMMS — “Omnidirectional” (June 21st, 2019)
David Thomas Broughton — The Complete Guide To Insufficiency /re
Aimee Mann — Bachelor No. 2 (20th Anniversary Edition) (Nov. 27,
The Chap — Digital Technology (10 Jan., 2020)
Joan As Police Woman — Cover Two (May 1, 2020)
Isobutane — Mementos (Jan. 29, 2021)
The Shivas — “Dark Thoughts” (October 25, 2019)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Lucy Railton — Paradise 94 (22 Mar 2018)
Drive~By Truckers — The Unraveling (cover)
The Shins — “Heartworms” (March 10, 2017)
Elizabeth & The Catapult — „Sincerely, E“ (March 5, 2021)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
M. Ward — Think of Spring (Dec. 11, 2020)
The Shins — “The Worms Heart” (Jan. 18, 2018)
Psychic Markers — Psychic Markers (29 May, 2020)
Julianna Barwick — Circumstance Synthesis (Dec. 20, 2019)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
Meredith Monk & Bang on a Can All~Stars — Memory Game (03/27/20)
Drive~By Truckers — The Unraveling (cover)
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
JACKSON VANHORN: “AFTER THE REHEARSAL”
Blanck Mass — „Mind Killer“ (May 14th, 2021)
Eivind Aarset & Jan Bang — Snow Catches On Her Eyelashes (2020)
Richard Barbieri ‎— Past Imperfect / Future Tense (Mar 2020)
Kevin Morby — Sundowner (October 16, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
EVA ROHLEDER — Babské ucho (Nov. 9th, 2020)
Laurel Halo — Possessed (April 10, 2020)
Helena Deland — Someone New (16 Oct., 2020)
Stereolab — „Electrically Possessed [Switched On Volume 4]“ (Feb
Devendra Banhart — Ma (September 13, 2019)
Field Music — Making a New World (Jan. 10, 2020)
Gráinne Duffy — Voodoo Blues (Oct. 15, 2020)
The Memories — Pickles & Pies (May 29, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Highasakite — Uranium Heart (Feb. 1st, 2019)
Pearl Jam — Gigaton (March 27, 2020)
Walter Martin — The World at Night (Jan. 31, 2020)
Foxing — „Draw Down the Moon“ (Aug. 6, 2021)
The Tiger Lillies — Cold Night in Soho (10 Feb. 2017)
Silkworm — In The West (24 Jan., 2020)
Marillion — „Marbles“ (30th April, 2021, 3 LP)
Chavez — Gone Glimmering [Expanded Edition] (Oct. 23, 2020)
FRÀNÇOIS & THE ATLAS MOUNTAINS — BANANE BLEUE (26th Feb., 2021)
Kamaal Williams — Wu Hen (July 24, 2020)
Caspian — On Circles (January 24, 2020)
Jennifer Curtis & Tyshawn Sorey: Invisible Ritual (2020)
Hypnotic Brass Ensemble
DAVID POMAHAČ — DO TMY JE DALEKO (Feb. 7, 2020)
Don Gallardo — The Lonesome Wild (April 2, 2020)
Damon Locks Black Monument Ensemble — Where Future Unfolds (2019
The Tiger Lillies — Edgar Allan Poe’s Haunted Palace
Mark Lanegan — Straight Songs Of Sorrow (8th May, 2020)
I Break Horses — Warnings (08 May 2020)
Maxïmo Park — „Nature Always Wins“ (26th Feb., 2021)
Avishai Cohen — „Two Roses“ (April 16, 2021)
Spiritualized — „Lazer Guided Melodies“ (March 30, 1992, Remaste
Cocteau Twins — Head Over Heels
Angel Olsen — „Song of the Lark and Other Far Memories“ (May 7,
Cocteau Twins — Treasure
Sarah Jarosz — World On The Ground (June 5, 2020)
The Innocence Mission — See You Tomorrow (Jan. 17, 2020)
Daniel Lanois — „Heavy Sun“ (March 19, 2021)
Father John Misty — „Off~Key In Hamburg“ (March 23, 2020)
M G Boulter — „Clifftown“ (April 23rd, 2021)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
The Tiger Lillies — Covid~19 (April 10, 2020)
Portico Quartet — „Terrain“ (May 28, 2021)
Hawkwind — Acoustic Daze (25 Oct. 2019)
I Am Planet — „Záznamy ticha“ (30 April, 2021)
The Avalanches — We Will Always Love You (11 Dec., 2020)
Beautify Junkyards — Cosmorama (15th Jan., 2021)
Portico Quartet — „Terrain“ (May 28, 2021)
Wendy Eisenberg — Auto (Oct. 16, 2020)
I Am Planet — „Záznamy ticha“ (30 April, 2021)
TANYA DONELLY: Swan Song Series bonus tracks (FC)
Kate Amrine — This Is My Letter to the World (Jan. 24, 2020)
Liz Phair — „Soberish“ (4th June 2021)
CONCEPT ART ORCHESTRA — „100 YEARS“ (11.12.2020)
Juliana Hatfield — „Blood“ (May 14, 2021)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
WHITE TAIL FALLS — Age Of Entitlement (May 29, 2020)
Susan Alcorn Quintet — Pedernal (Nov. 13, 2020)
Coloured Clocks — Flora (May 2, 2020)
Daniel Knox — Won’t You Take Me with You (Jan. 15, 2021)
Indoor Voices — Animal (Feb. 14, 2020)
Jane Weaver — „Flock“ (March 5, 2021)
ELYSIAN FIELDS — Pink Air
Midlake — Antiphon (Nov. 4, 2013)
Jonathan Wilson — Rare Birds (March 2nd, 2018)
KIESLOWSKI Tiché lásky
Fiona Apple — Fetch The Bolt Cutters (17 Apr., 2020)
Lucrecia Dalt — Syzygy (Oct. 15, 2013)
Hayden Thorpe — Diviner (24 May 2019)
Cocteau Twins — Garlands (1982, Reissue 2020)
Alessandra Leão ‎— Macumbas e Catimbós (24/05/2019)
Cowboy Junkies — Ghosts (30 Mar 2020)
Liz Simmons — „Poets“ (March 1, 2021)
Laura Marling — Song for Our Daughter (April 10th, 2020)
Wendy Eisenberg — Its Shape Is Your Touch (Oct. 2018)
Nite Jewel — „No Sun“ (Aug. 27, 2021)
Baxter Dury — The Night Chancers (20 March 2020)
San Fermin — San Fermin (Nov. 11, 2013)
Sara Bareilles — What’s Inside Songs From Waitress (11/06, 2015)
Joe Strummer — „Assembly“ (26 March, 2021)
The Heliocentrics — Telemetric Sounds (Aug. 7, 2020)
JAMES YORKSTONE — The Wide, Wide River (22nd Jan., 2021)
The Dream Syndicate — „The Universe Inside“ (April 10, 2020)
Black Sabbath: Black Sabbath (13 Feb., 1970)
Third Coast Percussion & Devonté Hynes — Fields (Oct. 11, 2019)
White Tail Falls — Age of Entitlement (May 29, 2020)
MUFF — Fatalust (Nov. 1, 2019) cover
Ben Watt — Storm Damage (31st Jan., 2020)
San Fermin — The Cormorant I & II (Oct. 4, 2019/April 3, 2020)
Saša Niklíčková — Zmačkaná žena (Oct. 26, 2020)
Stephen Duffy — I Love My Friends [Expanded Ed] (10 May 2019)
I Break Horses — Chiaroscuro
Sea Wolf — Through a Dark Wood (March 20, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Maya Beiser — „Maya Beiser x Philip Glass“ (July 23, 2021)
Tom Petty — „Southern Accents“ (March 26, 1985/2006)
Dan Blake — „Da Fé“ (March 12, 2021)
Yorkston | Thorne | Khan — Navarasa : Nine Emotions (2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Anupam Shobhakar — „Dawn of Paradise“ (Nov. 13, 2020)
Genghis Tron — „Dream Weapon“ (March 26, 2021)
HAIM — „Women in Music Pt. III“ [Expanded Edition] (June 26, 202
Stove — ‘s Favorite Friend (Oct. 31, 2018)
ANASTASIA MINSTER — Father ©Michael Haley
Jonathan Wilson — Dixie Blur (March 6, 2020)
Ethel Cain — „Inbred“ (April 23, 2021)
Fruition — Broken At The Break Of Day (Jan. 23, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
1600 x 1600 High Violet (10th Anniversary Expanded Edition).jpg
ROBERT FRIPP — THE KITCHEN (New York, NY) — 05 FEB 1978
Sara Bareilles — More Love: Songs from Little Voice Season One (
The Sufis — Double Exposure (Jan. 24, 2020)
ÁSGEIR: IN THE SILENCE
Martin Barre — Roads Less Travelled (26 Oct. 2018)
Loney dear — „A Lantern and a Bell“ (March 26, 2021)
Loveblind / Sleeping Visions (March 27, 2020)
Jon Regen — Higher Ground (October 4, 2019)
Walter Martin — The World at Night (Jan. 31, 2020)
Asher Gamedze – Dialectic Soul (July 10, 2020)
Frances Quinlan — Likewise (Jan. 31, 2020)
Jon Regen — Higher Ground (October 4, 2019)
Motorpsycho — „Kingdom of Oblivion“ (April 16th, 2021)
KING CRIMSON, The Night Watch
Brooklyn Raga Massive — In D (Nov. 21, 2020)
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Matt Berninger — Serpentine Prison (Oct. 16, 2020)
Susan Alcorn, Leila Bordreuil, Ingrid Laubrock
Rizan Said — Saz û Dîlan (Oct. 11, 2019)
Nick Cave | Warren Ellis — „Carnage“ (Feb. 25, 2021)
Ásgeir — Bury the Moon (7 Feb., 2020)
Sharon Van Etten — „epic Ten“ (April 16, 2021)
Riva Taylor — ‘This Woman’s Heart .1’ (27 Mar 2020)
Wrangler — A Situation (28 Feb., 2020)
Juraj Griglák, From The Bottom (Sept. 16, 2019)
Half Moon Run — A Blemish in the Great Light (Nov. 1, 2019)
Cheerleader — Almost Forever (Feb. 7, 2020)
Queer Jane — Amen Dolores (March 27, 2020)
BECCA STEVENS — WONDERBLOOM (March 20th 20, 2020)
Mogwai — „As the Love Continues“ [Deluxe Edition] (19/02/2021)
John Medeski — „Crawlspace“ (Aug. 6, 2021)
Juraj Griglák — From the Bottom (Sept. 16, 2019)
Einstürzende Neubauten — Alles In Allem (May 29th, 2020)
Torres — Three Futures (29th Sept. 2017)
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Bison Bone — Find Your Way Out (Sept. 25, 2020)
Oh Wonder — No One Else Can Wear Your Crown [Deluxe Edition]
These New Puritans — The Cut (2016~2019) (14 Feb. 2020)
Vennart — „In The Dead, Dead Wood“ (6th Nov., 2020)
Laetitia Shériff — Stillness (Nov. 6, 2020)
Gillian Frame — „Pendulum“
Thin Lear — Wooden Cave (24th July, 2020)
Torres — Silver Tongue (Jan. 31, 2020)
Dot Allison — „Heart~Shaped Scars“ (July 30, 2021)
Kings of Leon — „When You See Yourself“ (March 5, 2021)
King Khan — The Infinite Ones (Oct. 30, 2020)
Anoushka Shankar — Love Letters (7 Feb., 2020)
Free To Grow — Imperfection (Aug. 7, 2020)
Dan Croll — Grand Plan (21 Aug., 2020)
Andrej Šeban — „Zep Tepi“ (May 21, 2021)
Lilien Rosarian ~ A Day in Bel Bruit (June 9, 2019)
Form and Chaos — „Gateways“ (March 16, 2021)
Jim Noir — A.M Jazz (Dec. 20, 2019)
Ehsan Matoori & Alireza Ghorbani — „The Voices and Bridges“ (Jul
Brad Mehldau & Orpheus Chamber Orchestra — „Variations on a Mela
Shemekia Copeland — Uncivil War (October 23rd, 2020)
I Like to Sleep — Daymare (April 17, 2020)
Psychedelic Porn Crumpets — SHYGA! The Sunlight Mound (5th Feb.,
Kaki King — Modern Yesterdays (Oct. 23, 2020)
Bill MacKay and Katinka Kleijn — STIR (Oct. 17, 2019)
VARIOUS ARTISTS: IN THE MOOD FOR LOVE (Import)
The Mountain Goats — Getting Into Knives (Oct. 23, 2020)
Ben Sidran — Blue Camus (Oct. 2014)
Varga Marián — Solo in Concert (1. feb. 2018)
Peter Bruntnell — „Journey to the Sun“ (June 11, 2021)
Paris Jackson — Wilted (Nov. 13, 2020)
No~Man — Love You To Bits (Nov. 22, 2019)
Death Cab for Cutie — The Georgia EP (Dec. 4th, 2020)
Blackbird & Crow — Ailm (17 Jan 2020)
Liz Longley — Liz Longley (March 17, 2015)
Van der Graaf Generator — Recorded Live in Concert
Bruce Springsteen — Letter to You (Oct. 23, 2020)
Amy LaVere — Painting Blue (27 Mar 2020)
The Chills — „Scatterbrain“ (May 14, 2021)
100 Gecs — 1000 gecs (May 31, 2019)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cold Chisel — Blood Moon (6 Dec., 2019)
Cold War Kids — New Age Norms 1 (Nov. 1, 2019)
Blackbird & Crow © 2020 Author: Megan Doherty
WaqWaq Kingdom — Essaka Hoisa (Nov. 15, 2019)
The Mountain Goats — Songs for Pierre Chuvin (April 10, 2020)
Hawktail — Formations (Jan. 10, 2020)
Morrissey — I Am Not a Dog On a Chain (March 20th, 2020)
Minus the Bear — „Farewell“ (October 21, 2021/3xLP)
Jack Peñate — After You (29th Nov. 2019)
Villagers — Darling Arithmetic [Deluxe Version] (April 10, 2015)
Ashley Paul — Window Flower (May 13, 2020)
Daniel Bachman — The Morning Star (July 27, 2018)
Roger Eno | Brian Eno — Mixing Colours (20 March, 2020)
Darnielle, Jon Wurster, Matt Douglas, Pete Hughes. ©Josh Sanseri
Joe Bonamassa & The Sleep Eazys — Easy To Buy, Hard To Sell
Axel Flóvent — You Stay by the Sea (15 Jan., 2021)
Preston Lovinggood — Consequences (June 10, 2018)
Martin Barre — Away With Words
Ezra Bell — This Way to Oblivion (3rd April, 2020)
All Them Witches — Nothing as the Ideal (Sept. 4, 2020)
Shafiq Husayn — The Loop (March 29, 2019)
Sinikka Langeland — „Wolf Rune“ (April 9, 2021)
Queer Jane — Home (Dec. 1, 2016)
Minus the Bear — „Farewell“ (October 21, 2021/3xLP)
RADEK BABORÁK a jeho ORQUESTRINA na PIAZZOLLOVSKÉ ALBUM.
Damien Jurado — „The Monster Who Hated Pennsylvania“ (2021)
Moonchild — Little Ghost (6th Sept. 2019)
Evergreen — Overseas (15 Jun 2018)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
Real Estate — „Half A Human“ (March 26, 2021)
The Waterboys — Good Luck, Seeker (Deluxe) (Aug. 21, 2020)
Dave Scanlon — Pink in each, bright blue, bright green (Jan. 15,
Ani DiFranco — „Revolutionary Love“ (Jan. 29, 2021)
CYHSY, New Fragility (Coke Bottle Clear) 2021
Maarja Nuut & Ruum — World Inverted (11th Sept., 2020)
Richard Youngs — Dissident (Jan. 25, 2019)
Kuře v hodinkách — Flamengo
Daniel Bachman — Green Alum Springs (June 6, 2020)
Midwife — Forever (April 10, 2020)
MORCHEEBA: Blackest Blue (May 14, 2021) (blue vinyl)
Kamasi Washington — Becoming (Music from the Netflix Original Do
Michal Mihok — „The Imprint“ (April 29, 2019)
Siobhan Wilson — The Departure (10 May, 2019)
Twin Shadow — „Twin Shadow“ (July 9th, 2021)
Steve Harley — „Uncovered“ (21 Feb., 2020)
Kris Delmhorst — Blood Test
Martin Burlas & Musica falsa et ficta — Hexenprozesse
I Don’t Know How but They Found Me — Razzmatazz (Oct. 23, 2020)
Songdog — Happy Ending (27th March, 2020)
Zuzana Mikulcová — Slová
Holly Herndon — PROTO (Winner of Tais Awards 2020)
Rory Block — Prove It On Me (March 27, 2020)
Cate Le Bon — Here It Comes Again (2020)
Tunng — Tunng Presents…DEAD CLUB (Nov. 6, 2020)
Sean O’Hagan — Radum Calls, Radum Calls (2019)
Lost Horizons — In Quiet Moments (Dec. 4, 2020/2021)
The Black Keys — „Delta Kream“ (May 14th, 2021)
Sweet Trip — „A Tiny House, in Secret Speeches, Polar Equals“ (M
Nicey Nice World — Obelisks and Asterisks (Sept. 22, 2020)
Pink Floyd — Delicate Sound of Thunder (1988)
Robert Plant — Carry Fire (2 LP, 13/10/2017)
Ben Sidran — Who’s the Old Guy Now (Nov. 20, 2020)
Le Butcherettes — DON’T BLEED EP (14 Feb 2020)
Lee Ranaldo, Jim Jarmusch, Marc Urselli, Balázs Pándi — „Churnin
Devin Sinha — The Seventh Season (Oct. 21, 2014)
Marillion — „With Friends At St David’s“ (Nov. 13, 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
Typhoon — „Sympathetic Magic“ (Jan. 22nd, 2021)
Arab Strap — „As Days Get Dark“ (March 5, 2021)
First Aid Kit — Stay Gold (2014)
Land of Talk — Indistinct Conversations (July 31, 2020)
Kuře v hodinkách — Flamengo
The League Of Assholes — „CODA“ (Jan. 20, 2021)
Luke Haines — Beat Poetry For Survivalists (6 Mar. 2020)
Suzi Quatro — „The Devil in Me“ [Japan Edition] (Jan. 22, 2021)
Aki Takase Daniel Erdmann — „Isn’t It Romantic“ (March 18, 2021)
Halsey — „If I Can’t Have Love, I Want Power“ (Aug. 27, 2021)
Devin Sinha — Liminal Space (Oct. 23, 2020)
Sarah Neufeld — „Detritus“ (May 14, 2021)
Nicole Atkins — Italian Ice (29 May 2020)
Maria Schneider Orchestra — Data Lords (24th July, 2020)
Lambchop — TRIP (Nov. 13th, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
BC Camplight — Shortly After Takeoff (24 April 2020)
Delta Spirit — What Is There (Sept. 11th, 2020)
The Hold Steady — „Open Door Policy“ (Feb. 19, 2021)
John Mclaughlin — „Liberation Time“ (July 16th, 2021)
BOB DYLAN — „SPRINGTIME IN NEW YORK: THE BOOTLEG SERIES VOL. 16
The Magnetic Fields — Quickies (May 15, 2020)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
Cold War Kids — New Age Norms 2 (Aug. 21, 2020)
learning structures, vol. 2: end firma
Suns Of The Tundra — „Murmuration“ (Nov. 15, 2019)
Arushi Jain — „Under the Lilac Sky“ (July 9th, 2021)
Becca Mancari — The Greatest Part (June 26, 2020)
learning structures, vol. 3: distance between us
Severin Bells — A Brighter Side to the Unknown (24th Oct., 2020)
The Apache Relay — Apache Relay (April 22, 2014)
Thurston Moore — By The Fire (Sept. 25, 2020)
Kurt Rosenwinkel Trio — Angels Around (May 8, 2020)
Frazey Ford — U kin B the Sun (Feb. 7th, 2020)
Lizzy Farrall — Bruise (March 27, 2020)
Alice Peacock — Minnesota (Sept. 20th, 2019)
Devon Williams — A Tear in the Fabric (May 1, 2020)
Gwenifer Raymond — Strange Lights Over Garth Mountain (2020)
LENKA DUSILOVÁ — ŘEKA (Nov. 6th, 2020)
STEREOLAB: Oscillons from the Anti~Sun
Hallelujah the Hills — A Band Is Something to Figure Out (2016)
Loveblind: Visions
Lilly Hiatt — Walking Proof (27 March, 2020)
Mekons — Deserted (March 29, 2019)
Loveblind: Visions
Throwing Muses — Sun Racket (Sept. 4, 2020)
Sean McMahon ― You Will Know When You’re There (March 1, 2019)
Deradoorian — Find the Sun (Sept. 18, 2020)
The Chats — High Risk Behaviour (March 27, 2020)
Tylor Dory Trio — Unsought Salvation (Dec. 21, 2019)
György Ligeti — Lontano (22. Oct.,1967)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Guranfoe — Sum of Erda (Dec. 13, 2019)
Susanne Sundfør — Self Portrait (Original Score, 10th Jan. 2020)
Ronnie Godfrey — Shades of Blue (Oct. 25, 2019)
Intocable ― Percepcion (March 15, 2019)
Kibby — „Blabracadabra“ (May 14, 2021)
Father John Misty — God’s Favorite Customer (June 1st, 2018)
Ytamo — Vacant (June 12, 2020)
Pancrace — The Fluid Hammer (09 Sep 2019/2LP)
Gary Lucas — „Cinefantastique“ (Oct. 1, 2013)
k.d. lang — „makeover“ (May 28, 2021)
Humanist — Humanist (21 Feb., 2020)
White Lies — To Lose My Life… [10th Anniversary Deluxe Edition]
Slow Pulp — Moveys (Oct. 9, 2020)
Andrej Šeban — Rock and Roll z Rači (11. Sept., 2020)
The Go Betweens — „Liberty Belle And The Black Diamond Express“
Wrekmeister Harmonies — We Love to Look at the Carnage (2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Hallelujah the Hills — I’m You (Nov. 15, 2019)
Robben Ford — „Pure“ (Aug. 27th, 2021)
OWEN PALLETT — Heartland (March 3, 2014)
Siobhan Wilson — There Are No Saints (14 Jul, 2017)
Erlend Apneseth — Fragmentarium (Jan. 31, 2020)
Paul McCartney — McCartney III (18 Dec., 2020)
Amaarae — The Angel You Don’t Know (Nov. 12, 2020)
Delta Spirit — Into The Wide (Deluxe Edition, Sept. 9, 2014)