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Hamilton Leithauser — The Loves of Your Life (10 April 2020)USA FLAG    Hamilton Leithauser — The Loves of Your Life (10 April 2020) Hamilton Leithauser — The Loves of Your Life (10 April 2020)♣      Jeden z mála nezávislých základních a rohových kamenů indie~rocku z let kolem roku 2000 z New Yorku, kde dědictví a důstojnost jsou nedotčeny: čtvrté sólové album člena The Walkmen (7 alb). Zde je opět Hamilton Leithauser. Nehanebně, jak tomu Amíci říkají — „old fashioned“. Určitě to není to, čemu byste říkali změna tempa. Koneckonců, debutové umělecké dílo skupiny „Everyone Who Pretended to Like Me Is Gone“ bylo uděláno sépiovou fotografií z roku 1910 a tehdy Hamiltonovi bylo necelých 24 let. Je to pouze jedna stránka ze žurnálu člověka v ateliéru pro kutily s výlučně těmito vzpomínkami na společnost. Album jako celek je poctou takovým múzám; muž, který napsal „The Rat“ (Bows + Arrows) a „In The New Year“ (You & Me) odhalil lásky svého života: do svých písní vložil tabuli lidí, kteří oživovali jeho pero a dýchal s nimi jejich životy. Je to něco jako směs mnoha různých teplých a studených jídel, které jsou uspořádány tak, abyste si mohli posloužit sami. Nezapomeňme, že jeho kolaborativní album (Rostam Batmanglij) „I Had a Dream That You Were Mine“ bylo ohodnoceno mezi The 20 Best Rock Albums of 2016 (Pitchfork, hodnocení 8.3) a podobně ho ocenili periodika American Songwriter, The A.V. Club, Paste.
♣   „Ty písně jsem napsal o konkrétních lidech. Psal jsem příběhy a hudbu a pak jsem to přizpůsobil,“ vysvětluje Hamilton. „Žádný příběh nebyl původně určen pro hudbu, která se nakonec provdala. Jsou to lidé, které znám, a cizinci, se kterými jsem se v posledních několika letech setkal. Všechny příběhy jsou založeny na nějaké pravdě, ale nebojím se uvolnit se od faktů. Většina z nich je jak skutečnost, tak fikce a někteří v příběhu se nakloní dost daleko v obou směrech. Myslím, že lidé by to mohli nazvat „kreativní fikcí“ nebo jen „nazdobenými příběhy“. Tyto písně jsem napsal a nahrál ve studiu, který jsem si pro sebe postavil v New Yorku. Je to těsný newyorský druh prostoru a zasekal jsem se nejrůznějšími nástroji a vybavením.“
Birth name: James Hamilton Leithauser
Born: April 15, 1978
Location: New York, NY
Album release: 10 April 2020
Record Label: Glassnote Music LLC
Duration:     42:29
Tracks:
01. The Garbage Men   3:18 
02. Isabella   4:10 
03. Here They Come   3:14 
04. Cross~Sound Ferry (Walk~On Ticket)   4:17 
05. Don’t Check the Score   4:55 
06. Til Your Ship Comes in    3:42 
07. The Stars of Tomorrow   3:18 
08. Wack Jack   3:24 
09. Stars & Rats   3:36 
10. The Other Half   4:30 
11. The Old King    4:05 
℗ 2020 Leithauser & Leithauser Under Exclusive Licence to Glassnote Music LLC, distributed by AWAL EDITORS’ NOTES:
♣   After writing a pair of collaborative LPs with Rostam and former Walkmen bandmate Paul Maroon — 2016’s I Had a Dream That You Were Mine and 2015’s vinyl~only Dear God, respectively — Hamilton Leithauser felt like he had nothing left. “I was spent on words,” he tells Apple Music. “I didn’t know what I wanted to sing, but I knew I wanted to.” While remodelling a home he’d purchased in Brooklyn (“the worst thing I’ve ever been involved in, in my life”), Leithauser started hearing what would become The Loves of Your Life, his second solo LP. “I felt like I had a new sort of sound and strong melodies, musical ideas that were pretty well fleshed out,” he says. “And then, the only missing piece: I just didn’t know what they should be about.” A breakthrough came from a chance encounter as Leithauser was on a ferry with his family between Connecticut and Long Island. “Me and my daughters are waiting in line at the snack bar, and there’s this sort of odd dude sitting at the bar,” Leithauser says. “And he told us his sort of long, boring life story, and later, I thought, ‘Jesus, that dude is just riding back and forth all day.’ I thought I could imagine what he was thinking, or get into his head a little bit, take a few details of things that he told me and put them into a song. It was funny, especially if it became this huge, powerful rock song, like in the vein of an old Walkmen anthem.” That conversation inspired “Cross~Sound Ferry (Walk~On Ticket)”, but it also led the way to the rest of the album, as Leithauser began filling pages with character sketches of strangers and friends, then converting them into a set of his best songs to date. “I’d never done this before,” he says. “The idea was to have each song be about an individual person. Everything is real. You got to be careful. But I think I was.” Here, Leithauser walks us through the entire album.
The Garbage Men
♣   “I played everything I could play, but I hired people to play the sax and I hired a pedal steel guy. There are five songs on the record that started with instrumental parts that Paul Maroon from The Walkmen had sent me. The horn — the trumpet sample — at the beginning of ‘The Garbage Men’: He made that. And then I had my daughters sing on it, and I pitch~shifted it, and I got a real horn player to come in and play along. It’s about a friend of mine who moved away, and I wish he would move back and we could party and do all our fun stuff. The idea was ‘till the garbage men go by’, which is another way of saying ‘till 6:00 in the morning’. Right?”
Isabella
♣   “It’s about a friend, a girl who is maybe the kind of friend that everybody knows a lot in New York. Someone whose parents are paying the rent, and that’s maybe why they don’t have a job and can’t get things together. It’s not necessarily a bad thing, but it’s also somebody caught in a little bit of a rut. That’s my daughters’ preschool teacher [singing]. Her name’s Lacrisha Brown. She taught both of them over a couple of years, and I’d go drop them off at pre~K and Lacrisha would be in there singing to the kids, and she just had the most beautiful voice. It was almost funny how good it was. And so, I just asked if she would come sing. She lives nearby, so she came over, and we did ‘Isabella’ first and I loved it so much I was like, ‘Can we do another one?’ And she ended up doing most of the songs on the record.”
Here They Come
♣   “The whole story behind it was this friend of mine who used to live in this little apartment in the East Village with a lot of his other friends, a ton of roommates. I used to do that too, and it was just miserable. We all share a bedroom, we’re having our shower in the kitchen, and it was just a dude~y hell. And this friend used to go to the Union Square movie theatre and buy a ticket for one show in the morning and then sneak into every other show that was playing all day, whatever was on next. The idea in this song is that it’s like the moment where he’s running from his roommates, but maybe he’s also running from all his problems. So when the lights are coming on at the end of the show is when your problems are coming back into focus. You’re coming back down to earth and you’re thinking, ‘Okay, do I head out and face my problems, or do I sneak into another show and just sort of keep kicking the can down the road?’”
Cross~Sound Ferry (Walk~On Ticket)
♣   “The beginning has that 4/4 beat. Yeah, that sort of stands out on the record because I don’t have anything else like that. It’s just an excuse to have a big time change. I like that sort of walking~down~the~street dance music. Everything’s not just jacked up in your face — I don’t have to have, like, a million synthesisers just blasting in little blips and bleeps at all. It’s more like chilled~out disco, where not that much has to happen. I just wanted to emphasise that this guy was most definitely a walk~on. I figure this dude’s got to have some passion. He’s a very calm guy, sitting there, but there’s got to be a story. Either he’s estranged or he doesn’t want to go home. Maybe he’s getting a little worked up about all the bad choices he made in his life. I thought it would be kind of funny to harness whatever fire I imagine was in this guy’s belly while he’s just sitting there, take that little calm moment of meeting this guy sitting there and turn it into a real banger.”  Don’t Check the Score
♣   “It’s a ‘We still love you, maybe you did some bad stuff, but we’re still your friends’ song. It’s a long story of a friend who’s real, who had a lot of troubles. And we maybe haven’t even totally worked it out yet, but somewhere, deep down, we’re friends. When you’re writing about friends, one thing I did find is that it’s not really that fun or interesting to write a really rosy song. And it’s not really that fun to focus on the positive. You don’t have to necessarily focus on the negative, but it’s just a lot less interesting when everything’s going fine. But that’s what the song is, and now that’s the reality of that song, which I feel like it’s justified in being there. I try to tell the truth. I thought the truth was more interesting, to be honest, than inventing something. But at the same time, you are writing songs — I’m not writing prose. So taking liberties with the facts is fine. I don’t have any problem with doing that.”
Til Your Ship Comes in
♣   “I use 808 machines now. I’m not going to ever play hip~hop music, I don’t think, but I’m not afraid to. The new music that I’m working on right now sort of has even more of that feel, like ‘Til Your Ship Comes In’ and ‘Don’t Check the Score’. They both have a little bit of a pickup, almost like reggae feel to the drums, and actually, that’s going to be, I think, the launching point for the next thing I’m doing. This song is about another friend that has had a lot of problems, a very similar vibe to ‘Don’t Check the Score’. But two different people. I was very aware when I wrote both those songs that they have a very similar message, but they’re kind of bros. The songs, not the friends. No, definitely not the friends.”
The Stars of Tomorrow
♣   “I met this very strange woman on the beach who’d come up and told me her whole life story. Like, I didn’t ask, and she told me this long story about her husband abusing her and all this crap. But the story did not make any sense — so many inconsistencies in what she was saying. After she left, I thought, ‘Man, I’m going to try to do what I did with the ‘Cross~Sound Ferry’ guy and write a song about her.’”
Wack Jack
♣   “That’s a nasty breakup song — the relationship ended and didn’t go well. You’re a little bit stuck on this person, and it lasted a really, really long time, maybe since you were a kid, till you’re an adult. I find one of the hardest things to deal with when you get older is to try to lighten things up. Because everything, especially now — the coronavirus and Donald Trump and all that stuff — everything, every day is so apocalyptic. In this context it would be referring to the hold that somebody might have on you, that you kind of wish you could shake it. Maybe you can’t.”
Stars & Rats
♣   “That’s about a real moment when I was walking down the street in New York, and I was headed home, and my friend’s band’s music was coming out of this bar. And I hadn’t heard it in so long. And it was really funny because it was, like, a flash from the past, it was so familiar, you don’t really even know what it is at first. And I thought, ‘Oh, right.’ I wrote that song about going home, and hearing that and what it sort of made me feel.”
The Other Half
♣   “When I was writing that line [‘behind the window bars as the other half lives on’], I was sitting right here on the third floor of my house with the window. But I was writing about a friend of mine who just can’t let a relationship go. And it’s kind of like, ‘You know what, man? I think it’s time. I think it's time to move on.’ The other half would be the other half of the relationship still living on, when maybe the girl has been gone for five years.”
The Old King
♣   “‘The Old King’ is about a friend who was very successful when we were younger, the kind of person who buys the castle and then lives in it alone. I originally sang that over this other song where the music never made it on the record, but it was like a waltz, a 3/4, very cold-sounding kind of ballad. And I had it that way for probably a year, or maybe even more. And then one day I just heard it and I thought, ‘This is so sad, it’s just miserable. There’s no uplifting part to it.’ It’s important to not just wallow — I mean, that’s boring. So I had my daughters come in and sing, and their voices are so sweet and small. I thought that instantly gave it an uplifting feel. It sounds sort of triumphant at the end, even though it might have a little bit of a melancholy feeling.”
Website: https://www.hamiltonleithauser.com/
Twitter: https://twitter.com/hleithauser
FB: https://www.facebook.com/jameshamiltonleithauser/

ALBUM COVERS XI.

33EMYBW — Golem (25 Sept., 2019)
First Aid Kit — Stay Gold (2014)
STEREOLAB: Oscillons from the Anti~Sun
Ronnie Godfrey — Shades of Blue (Oct. 25, 2019)
Pancrace — The Fluid Hammer (09 Sep 2019/2LP)
Stereolab — Margerine Eclipse (Nov. 29, 2019)
WaqWaq Kingdom — Essaka Hoisa (Nov. 15, 2019)
Jack Peñate — After You (29th Nov. 2019)
White Lies — To Lose My Life… [10th Anniversary Deluxe Edition]
Avey Tare — Eucalyptus (July 21, 2017)
Bonnie “Prince” Billy — I Have Made A Place (Nov. 15th, 2019)
Hallelujah the Hills — A Band Is Something to Figure Out (2016)
Hallelujah the Hills — I’m You (Nov. 15, 2019)
Philip B. Price — Bone Almanac (Nov. 8, 2019)
The Who — WHO [Deluxe Edition] (22 Nov. 2019)
Courtney Barnett — MTV Unplugged [Live In Melbourne] (2019)
Hail The Ghost — Arrhythmia (6th Dec. 2019)
The Growlers — Natural Affair (25th Oct. 2019)
Signe Marie Rustad — When Words Flew Freely (Nov. 15, 2019)
Sean Henry — A Jump from the High Dive (Nov. 1, 2019)
SOFIA TALVIK — Paws of a Bear (Sept. 27, 2019)
David Thomas Broughton & Juice Vocal Ensemble — Sliding The Same
David Thomas Broughton — The Complete Guide To Insufficiency /re
Grimes — Visions (2012)
RADEK BABORÁK a jeho ORQUESTRINA na PIAZZOLLOVSKÉ ALBUM.
Martin Barre — Roads Less Travelled (26 Oct. 2018)
No~Man — Love You To Bits (Nov. 22, 2019)
Martin Barre — Away With Words
Guranfoe — Sum of Erda (Dec. 13, 2019)
Virginia Plain — Strange Game (Dec. 13, 2019)
Cold Chisel — Blood Moon (6 Dec., 2019)
930 x 827 tmavší podklad.jpg
CECILIA BARTOLI — Opera Proibita (Sept. 13, 2005)
Bruce Ackley, Fred Frith, Henry Kaiser, Aram Shelton — Unexpecte
Benoît Pioulard & Sean Curtis Patrick — Avocationals (2019)
Florist — Emily Alone (July 26, 2019)
The Flaming Lips — The Soft Bulletin (Nov. 29, 2019)
Cosmo Sheldrake — Galapagos [Original Soundtrack] 2019
Ben Featherstone — Prisoner to the Wind (Dec. 20th, 2019)
Oiseaux~Tempęte — From Somewhere Invisible (19 Dec., 2019)
Nonlocal Forecast — Bubble Universe! (March 1, 2019)
ROBERT FRIPP — THE KITCHEN (New York, NY) — 05 FEB 1978
KING CRIMSON, The Night Watch
Juraj Griglák, From The Bottom (Sept. 16, 2019)
Juraj Griglák — From the Bottom (Sept. 16, 2019)
Lilien Rosarian ~ A Day in Bel Bruit (June 9, 2019)
Jim Noir — A.M Jazz (Dec. 20, 2019)
Sean O’Hagan — Radum Calls, Radum Calls (2019)
Bill MacKay and Katinka Kleijn — STIR (Oct. 17, 2019)
Alice Peacock — Minnesota (Sept. 20th, 2019)
Sean McMahon ― You Will Know When You’re There (March 1, 2019)
Tylor Dory Trio — Unsought Salvation (Dec. 21, 2019)
Intocable ― Percepcion (March 15, 2019)
Third Coast Percussion & Devonté Hynes — Fields (Oct. 11, 2019)
Scorn — Cafe Mor (Nov. 15, 2019)
Alogte Oho and his Sounds of Joy — Mam Yinne Wa (Nov. 8, 2019)
P/\ST — /Expedice do vnitrobloku\ (Oct. 5, 2019)
Destroyer — Have We Met (Jan. 31, 2020)
Devendra Banhart — Ma (September 13, 2019)
Bellows — The Rose Gardener (Feb. 22, 2019)
Roland Tings — Salt Water (Nov. 8, 2019)
A Winged Victory for the Sullen — The Undivided Five
Alessandra Leão ‎— Macumbas e Catimbós (24/05/2019)
Stephen Duffy — I Love My Friends [Expanded Ed] (10 May 2019)
Carissa Johnson — A Hundred Restless Thoughts (Dec. 18th, 2019)
Georgia — Seeking Thrills (10th Jan., 2020)
The Chap — Digital Technology (10 Jan., 2020)
Field Music — Making a New World (Jan. 10, 2020)
Lydia Ainsworth — Darling Of The Afterglow (2019)
Lydia Ainsworth — Phantom Forest (May 10, 2019)
Circa Waves — Sad/Happy (March 13th, 2020)
Hawktail — Formations (Jan. 10, 2020)
Moonchild — Little Ghost (6th Sept. 2019)
Susanne Sundfør — Self Portrait (Original Score, 10th Jan. 2020)
Frances Quinlan — Likewise (Jan. 31, 2020)
Harvestman — Music for Megaliths (May 19, 2017)
Anika Nilles — For a Colorful Soul (Jan. 10, 2020)
Of Montreal — Ur Fun (Jan. 17, 2020)
Drive~By Truckers — The Unraveling (Jan. 30, 2020)
Wolf Parade — Thin Mind (Jan. 24, 2020)
Lucia Cadotsch — Speak Low (Feb. 26, 2016)
The Adobe Collective — All the Space That There Is (10 Jan 2020)
David Cross & Peter Banks — Crossover (17 Jan., 2020)
Whyte Horses — Empty Words (March 9, 2018)
Whyte Horses — Hard Times (17th of Jan., 2020)
Bombay Bicycle Club — Everything Else Has Gone Wrong (01/24/20)
John McLaughlin, Shankar Mahadevan, Zakir Hussain — Is That So?
Keeley Forsyth — Debris (17 Jan., 2020)
Gemma Ray — Psychogeology [Feb. 15th, 2019, Deluxe Edition, 2020
Deserta — Black Aura My Sun (Jan. 17, 2020)
Broken Social Scene — Live at Third Man Records (Feb. 28, 2020)
Kyrie Kristmanson — Lady Lightly (Jan. 10, 2020)
Futurebirds — Teamwork (Jan. 15th, 2020)
Ospalý pohyb — Ostrava (October 17, 2016)
Ospalý pohyb — ø (May 24, 2016)
Caspian — Dust and Disquiet (Sept. 25, 2015)
Caspian — On Circles (January 24, 2020)
Jennifer Curtis & Tyshawn Sorey: Invisible Ritual (2020)
The Innocence Mission — See You Tomorrow (Jan. 17, 2020)
The Sufis — Double Exposure (Jan. 24, 2020)
Blackbird & Crow — Ailm (17 Jan 2020)
Blackbird & Crow © 2020 Author: Megan Doherty
Torres — Three Futures (29th Sept. 2017)
Torres — Silver Tongue (Jan. 31, 2020)
Andy Statman — Old Brooklyn (2011)
Recondite — Dwell (Jan. 24, 2020)
Silkworm — In The West (24 Jan., 2020)
James Harries — Superstition (Jan. 31, 2020)
James Harries — Before We Were Lovers
Yorkston | Thorne | Khan — Navarasa : Nine Emotions (2020)
Fruition — Broken At The Break Of Day (Jan. 23, 2020)
Loveblind / Sleeping Visions (March 27, 2020)
Rizan Said — Saz û Dîlan (Oct. 11, 2019)
HMLTD — West of Eden (7 Feb., 2020)
HMLTD ©Dean Hoy
ÁSGEIR: IN THE SILENCE
Ásgeir — Bury the Moon (7 Feb., 2020)
Frazey Ford — U kin B the Sun (Feb. 7th, 2020)
Erlend Apneseth — Fragmentarium (Jan. 31, 2020)
Les Filles de Illighadad — Eghass Malan (Oct. 28, 2017)
Nina Kohoutová — Blue Sunray (Feb. 6th, 2020)
Alphaxone — Dystopian Gate (Jan. 14, 2020)
Cheerleader — Almost Forever (Feb. 7, 2020)
Oh Wonder — No One Else Can Wear Your Crown [Deluxe Edition]
Tame Impala — The Slow Rush (Feb 14, 2020)
REBECCA FOON — WAXING MOON (21st Feb., 2020)
Thomas Köner — Motus (Feb. 20, 2020)
Julianna Barwick — Circumstance Synthesis (Dec. 20, 2019)
ELYSIAN FIELDS — Pink Air
The Men — Mercy (Feb. 14, 2020)
Le Butcherettes — DON’T BLEED EP (14 Feb 2020)
The Gray Havens — She Waits (Nov. 7, 2018)
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
Caribou — Our Love (October 14, 2014)
Caribou — Suddenly (Feb. 28th, 2020)
Jack Peñate — After You [Expanded Edition] (2020)
These New Puritans — The Cut (2016~2019) (14 Feb. 2020)
Sarah Harmer — Are You Gone (Feb. 21st, 2020)
Sonny Landreth — Elemental Journey (May 22, 2012)
Sonny Landreth — Blacktop Run (Feb. 21, 2020)
Lanterns On the Lake — Spook the Herd (21 Feb., 2020)
Lanterns On the Lake — Spook the Herd (21 Feb., 2020)
Humanist — Humanist (21 Feb., 2020)
Sega Bodega — Salvador (Feb. 14, 2020)
Myopia Exclusive Crystal Clear Vinyl
Molina — Vanilla Shell (Jan. 24, 2020)
Debashish Bhattacharya JOY!guru cover
Cate Le Bon — Here It Comes Again (2020)
CocoRosie — Restless (Feb. 12th, 2020)
Wrekmeister Harmonies — We Love to Look at the Carnage (2020)
Calexico / Iron & Wine — Years to Burn (2019)
Fairport Convention — 50:50@50 (June 9, 2017)
Fairport Convention — Shuffle and Go (29 Feb., 2020)
James Taylor — American Standard (Feb. 28th, 2020)
The Magnetic Fields — Quickies (May 15, 2020)
Moses Sumney — græ Part 1 & 2 (May 15, 2020)
The Dream Syndicate — „The Universe Inside“ (April 10, 2020)
The Third Mind — The Third Mind (Feb. 14, 2020)
ANNA CALVI — HUNTED (March 6, 2020)
Jonathan Wilson — Rare Birds (March 2nd, 2018)
Jonathan Wilson — Dixie Blur (March 6, 2020)
Luke Haines — Beat Poetry For Survivalists (6 Mar. 2020)
Sink Ya Teeth — Two (28th Feb. 2020)
Stian Westerhus — Redundance (March 5, 2020)
Thomas Dybdahl — The Great Plains (Feb 24, 2017)
Thomas Dybdahl — Fever (March 13, 2020)
PETR KALANDRA — Petr Kalandra & ASPM 1982 — 1990 (Feb. 26, 2020)
Al Di Meola — Across the Universe: The Beatles, Vol. 2 (2020)
Sam Gendel — Satin Doll (13 Mar 2020)
Chapelier Fou — Deltas (Sept. 22, ​2014)
Chapelier Fou — Meridiens (Feb. 28, 2020)
CocoRosie — Put the Shine On (6 March 2020)
Dungen — Live (March 13, 2020)
Queer Jane — Home (Dec. 1, 2016)
Hornscape — Hornscape (March 6th, 2020)
Joywave — Possession (March 13, 2020)
Walter Martin — The World at Night (Jan. 31, 2020)
Morrissey — I Am Not a Dog On a Chain (March 20th, 2020)
Human Impact — Human Impact (13 March 2020)
Hibiscus Biscuit — Reflection of Mine (March 1st, 2020)
Markus Reuter — TRUCE (Jan. 17, 2020) cover
Orchards — Lovecore (March 13th, 2020)
Julia Holter — Never Rarely Sometimes Always (March 13, 2020)
Cathedral Bells — Velvet Spirit (March 6, 2020)
Bacchae — Pleasure Vision (March 6, 2020)
The Dears — Times Infinity Volume One (September 25, 2015)
Amanda Palmer — Forty~Five Degrees: Bushfire Charity Flash Rec.
THE DEARS — ‘Lovers Rock’ (May 15, 2020)
Eivind Aarset & Jan Bang — Snow Catches On Her Eyelashes (2020)
Waxahatchee — Saint Cloud (March 27, 2020)
Michael Landau — The Michael Landau Group Live (Oct. 31, 2006)
Låpsley — Through Water (March 20th, 2020)
Elysian Fields — Transience Of Life (May 7, 2020)
Baxter Dury — The Night Chancers (20 March 2020)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
The Album Leaf — OST (March 20, 2020)
Real Estate — The Main Thing (28th Feb., 2020)
Villagers — The Art Of Pretending To Swim (03/19, 2020) DELUXE E
Villagers — Darling Arithmetic [Deluxe Version] (April 10, 2015)
Noveller — Arrow (June 7, 2020)
Justine Vandergrift — Stay (Feb. 7th, 2019)
The Electric Soft Parade — Stages (Jan. 8, 2020)
Ben Watt — Storm Damage (31st Jan., 2020)
Anoushka Shankar — Love Letters (7 Feb., 2020)
Roger Eno | Brian Eno — Mixing Colours (20 March, 2020)
Alberto Posadas : Poética del Laberinto, cycle pour quatuor de s
Sufjan Stevens — Aporia (March 27, 2020)
Beck — Deep Cuts (March 2020)
BECK — Uneventful Days (St. Vincent Remix)
Béla Fleck & Toumani Diabaté — The Ripple Effect [2LP, March 27,
Arbouretum — Let It All In (March 20, 2020)
Pearl Jam — Gigaton (March 27, 2020)
Loveblind: Visions
Loveblind: Visions
San Fermin — San Fermin (Nov. 11, 2013)
San Fermin — The Cormorant I & II (Oct. 4, 2019/April 3, 2020)
Stove — ‘s Favorite Friend (Oct. 31, 2018)
Queer Jane — Amen Dolores (March 27, 2020)
Rory Block — Prove It On Me (March 27, 2020)
Lizzy Farrall — Bruise (March 27, 2020)
Lilly Hiatt — Walking Proof (27 March, 2020)
The Chats — High Risk Behaviour (March 27, 2020)
Kazuomi Eshima & Masahiko Takeda — Inheritance for Soundscape
Marissa Nadler — unearthed (March 20, 2020)
Lucy Railton — Paradise 94 (22 Mar 2018)
BECCA STEVENS — WONDERBLOOM (March 20th 20, 2020)
Trees Speak — Ohms (3rd April, 2020)
Teho Teardo — Ellipsis dans l’harmonie (March 6th, 2020)
Ellipsis dans l’harmonie BACK COVER
Cocteau Twins — Head Over Heels
Cocteau Twins — Treasure
Cocteau Twins — Garlands (1982, Reissue 2020)
1600 x 1600 High Violet (10th Anniversary Expanded Edition).jpg
Riva Taylor — ‘This Woman’s Heart .1’ (27 Mar 2020)
Amy LaVere — Painting Blue (27 Mar 2020)
Sea Wolf — Through a Dark Wood (March 20, 2020)
Locate S,1 — Personalia (April 3, 2020
Anna Burch — Quit The Curse (Feb 2, 2018)
M.Ward — Migration of Souls (April 3, 2020)
Peel Dream Magazine — Agitprop Alterna (3rd April 2020)
ANDREW BIRD — CAPITAL CRIMES (April 1st, 2020)
Spy Machines — Spy Machines (April 3, 2020)
Richard Barbieri ‎— Past Imperfect / Future Tense (Mar 2020)
DAVID POMAHAČ — DO TMY JE DALEKO (Feb. 7, 2020)
KIESLOWSKI Tiché lásky
Born Ruffians — Juice (April 3, 2020)
LENKA NOVÁ — DOPISY (21.03./24.04., 2020)
Ezra Bell — This Way to Oblivion (3rd April, 2020)
Songdog — Happy Ending (27th March, 2020)
Laurel Halo — Raw Silk Uncut Wood (July 13, 2018)
Laurel Halo — Possessed (April 10, 2020)
Laura Marling — Song for Our Daughter (April 10th, 2020)
Hamilton Leithauser (The Walkmen) — Dear God (Aug. 2015)
Hamilton Leithauser — The Loves of Your Life (10 April 2020)
Don Gallardo — The Lonesome Wild (April 2, 2020)
Cowboy Junkies — Ghosts (30 Mar 2020)
The Mountain Goats — Songs for Pierre Chuvin (April 10, 2020)
Darnielle, Jon Wurster, Matt Douglas, Pete Hughes. ©Josh Sanseri
Erik Griswold — All’s Grist That Comes To The Mill (03/20, 2020)
Erik Griswold — All’s Grist That Comes To The Mill (03/20 2020)
Varga Marián — Solo in Concert (1. feb. 2018)
Joe Bonamassa & The Sleep Eazys — Easy To Buy, Hard To Sell
Midwife — Forever (April 10, 2020)
Moondog — On The Streets Of New York (Feb. 14, 2020)
Damon Locks Black Monument Ensemble — Where Future Unfolds (2019
Meredith Monk & Bang on a Can All~Stars — Memory Game (03/27/20)
Pharoah Sanders — „Live In Paris (1975): Lost ORTF Recordings“
I Like to Sleep — Daymare (April 17, 2020)
MoE/Mette Rasmussen — Tolerancia Picante (March 25, 2019)
The Tiger Lillies — Cold Night in Soho (10 Feb. 2017)
The Tiger Lillies — Edgar Allan Poe’s Haunted Palace
Sarah Jarosz — World On The Ground (June 5, 2020)
Kate Amrine — This Is My Letter to the World (Jan. 24, 2020)
Fiona Apple — Fetch The Bolt Cutters (17 Apr., 2020)
The Tiger Lillies — Covid~19 (April 10, 2020)
Veneer — Recovery (April 15, 2020)
Siobhan Wilson — The Departure (10 May, 2019)
BC Camplight — Shortly After Takeoff (24 April 2020)
Siobhan Wilson — There Are No Saints (14 Jul, 2017)
Brendan Benson — Dear Life (April 24, 2020)
Ali Holder — Uncomfortable Truths (April 10, 2020)
From Atomic — Deliverance (April 2020)
Whyte Horses — Hard Times (17th of Jan., 2020)
Gerald Cleaver — Signs (March 27, 2020)
Sophie Tassignon — Mysteries Unfold (April 24, 2020)
HOUPACÍ KONĚ: SOULKOSTEL 8 11 2019 (April 25, 2020)
Sarah Longfield — Dusk (April 22, 2020)
Ariel Pink — House Arrest (2002/Mar 2011/April 24, 2020)
All The Best, Isaac Hayes (A Spoken Word Album)
Prophecy Playground — Comfort Zone (Feb. 15, 2020)
Mark Lanegan — Straight Songs Of Sorrow (8th May, 2020)
Genesis Revisited: Live at The Royal Albert Hall — 2020 Remaster
Joan As Police Woman — Cover Two (May 1, 2020)
Kuře v hodinkách — Flamengo
Kuře v hodinkách — Flamengo
Devon Williams — A Tear in the Fabric (May 1, 2020)
Johanna Warren — Chaotic Good (May 1, 2020)
emozpěv — Spolu (1st May 2020)
THE LEAGUE OF ASSHOLES — UNPLUGGED (1st May 2020)
Morgan1
Zuzana Mikulcová — Slová
The Fratellis — Half Drunk Under A Full Moon (8th May, 2020)
The Fratellis — Half Drunk Under A Full Moon (8th May, 2020)
Cocteau Twins — Victorialand (April, 1986, Reissue 2020)
Coloured Clocks — Flora (May 2, 2020)
I Break Horses — Warnings (08 May 2020)
Hawkwind — Acoustic Daze (25 Oct. 2019)
Indoor Voices — Animal (Feb. 14, 2020)
I Break Horses — Chiaroscuro
Einstürzende Neubauten — Alles In Allem (May 29th, 2020)
100 Gecs — 1000 gecs (May 31, 2019)
Evergreen — Overseas (15 Jun 2018)
Kurt Rosenwinkel Trio — Angels Around (May 8, 2020)
The Feather — Room (10 July, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
György Ligeti — Lontano (22. Oct.,1967)
OWEN PALLETT — Heartland (March 3, 2014)
Badly Drawn Boy — Banana Skin Shoes (22nd May, 2020)
A.O. Gerber — Another Place to Need (May 22, 2020)
Kaleidoscope — Faintly Blowing (11 April 1969, Reissue, Remaster
Perfume Genius — Set My Heart On Fire Immediately (15th May 2020
Perfume Genius — No Shape (5 May, 2017) BC
Perfume Genius — No Shape (5 May, 2017) FC
Sungazers — Wasting Space (May 18, 2020)
Cermaque — Lament (22nd May, 2020)
Mountaineer — Bloodletting (May 22nd, 2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Steve Earle — Townes (May 8, 2009)
Steve Earle & The Dukes — Ghosts of West Virginia (May 22, 2020)
Sixth June ‎— Trust (17 Jan 2020)
White Tail Falls — Age of Entitlement (May 29, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
Nicole Atkins — Italian Ice (29 May 2020)
Deerhoof — Future Teenage Cave Artists (May 29, 2020)
Deradoorian — Find the Sun (Sept. 18, 2020)
Bob Dylan — Rough and Rowdy Ways (June 19th, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
This Will Destroy You — Vespertine (June 9, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Yoko Ono, Kim Gordon & Thurston Moore — YOKOKIMTHURSTON
Psychic Markers — Psychic Markers (29 May, 2020)
The Memories — Pickles & Pies (May 29, 2020)
Songs for the Late Night Drive Home (Feb. 5, 2016)
Spc Eco — Dark Matter (Nov. 20, 2015)
SPC ECO — June (June 1, 2020)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Larkin Poe — Self Made Man (June 12th, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Endless Field — Alive in the Wilderness (June 12, 2020)
Wesley Gonzalez — Appalling Human (June 12, 2020)
Noveller — Arrow (June 12, 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Andrej Šeban — Triplet (March 22, 2019) inner cover
Andrej Šeban — Triplet (March 22, 2019) cover
The Crossing & Donald Nally — James Primosch: Carthage (05/2020)
Jerskin Fendrix — Winterreise (April 17, 2020)
Zoongideewin — Bleached Wavves (June 19, 2020)
ULRICH SCHNAUSS — A Long Way To Fall — Rebound (3rd April, 2020)
Sports Team — Deep Down Happy (5th June, 2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
Midlake — Antiphon (Nov. 4, 2013)
ANASTASIA MINSTER — Father ©Michael Haley
Jessie Ware — Glasshouse (Deluxe; 20 Oct 2017)
Teen Daze — Morning World
Jessie Ware — What’s Your Pleasure (June 26, 2020)
Art Feynman — Half Price At 3:30 (June 26th, 2020)
Bo Ningen — Sudden Fictions (26th June, 2020)
Khruangbin — Mordechai (June 26, 2020)
Pottery — Welcome to Bobby’s Motel (June 26th, 2020)
Orlando Weeks — A Quickening (June 12, 2020)
John Craigie — Asterisk the Universe (June 12, 2020)
Kavus Torabi — Hip to the Jag (May 22, 2020)
Nadine Shah — Kitchen Sink (June 5, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
Corb Lund — Agricultural Tragic (June 26, 2020)
Christine Ott — Chimères (pour ondes Martenot) (May 22, 2020)
The Beths — Jump Rope Gazers (July 10th, 2020)
Ashley Paul — Window Flower (May 13, 2020)
Grey Daze — Amends [Deluxe Edition] (July 3, 2020)
Grey Daze ©Photo credit: Anjella / Sakiphotography
Ajimal — As It Grows Dark / Light (June 26, 2020)
Ajimal — As It Grows Dark Light (June 26, 2020)
Eleanor Friedberger — Rebound (May 4th, 2018)
ELEANOR FRIEDBERGER — NEW VIEW (January 22, 2016)
Immigrant Union — Judas (June 19, 2020)
Julianna Barwick — Healing Is a Miracle [Japan Edition] (2020)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Neil Young — Homegrown (19th June, 2020)
The Jayhawks — XOXO (July 10, 2020)
Joy Division — Closer (40th Anniversary) [2020 Digital Master] (
Daniel Bachman — The Morning Star (July 27, 2018)
Daniel Bachman — Green Alum Springs (June 6, 2020)
Becca Mancari — The Greatest Part (June 26, 2020)
Ytamo — Vacant (June 12, 2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Thin Lear — Wooden Cave (24th July, 2020)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Sara Serpa — Recognition (June 5th, 2020)
Sara Serpa, Ingrid Laubrock, Erik Friedlander — Close Up (2018)
Klara Lewis — Ingrid (1st May 2020)
Buju Banton — Upside Down (June 26, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
learning structures, vol. 2: end firma
learning structures, vol. 3: distance between us
The Boomtown Rats — Citizens of Boomtown (13 March, 2020)
Ralph of London — The Potato Kingdom (19th June, 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
Land of Talk — Indistinct Conversations (July 31, 2020)
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
TANYA DONELLY: Swan Song Series bonus tracks (FC)
The Heliocentrics — Telemetric Sounds (Aug. 7, 2020)
KMRU — Peel (18th Sept., 2020)
Kris Delmhorst — Blood Test
Bill Callahan — Gold Record (Sept. 4, 2020)
MUFF — Fatalust (Nov. 1, 2019) cover
Asher Gamedze – Dialectic Soul (July 10, 2020)
Allegra Krieger — The Joys of Forgetting (August 7, 2020)
Still House Plants — Fast Edit (Aug. 14, 2020)
Vladislav Delay, Sly Dunbar, Robbie Shakespeare — 500~Push~Up
The Waterboys — Good Luck, Seeker (Deluxe) (Aug. 21, 2020)
Martin Burlas & Musica falsa et ficta — Hexenprozesse
Holly Herndon — PROTO (Winner of Tais Awards 2020)
Maria Schneider Orchestra — Data Lords (24th July, 2020)
Cold War Kids — New Age Norms 1 (Nov. 1, 2019)
Cold War Kids — New Age Norms 2 (Aug. 21, 2020)
Free To Grow — Imperfection (Aug. 7, 2020)
Throwing Muses — Sun Racket (Sept. 4, 2020)
Narrow Head — 12th House Rock (Aug. 28th, 2020)
Laura Veirs — MY ECHO (23rd Oct., 2020)
PVRIS — Use Me (March 3, 2020)
Dan Croll — Grand Plan (21 Aug., 2020)
All Them Witches — Nothing as the Ideal (Sept. 4, 2020)
The Flaming Lips — American Head (Sept. 11, 2020)
Elysian Fields — Transience of Life (Sept. 4, 2020)
Sara Bareilles — What’s Inside Songs From Waitress (11/06, 2015)
Sara Bareilles — More Love: Songs from Little Voice Season One (
Delta Spirit — Into The Wide (Deluxe Edition, Sept. 9, 2014)
Lo Tom — LP2 (September 11, 2020)
The Telescopes — Hidden Fields (August 7th, 2015)
Slow Pulp — Moveys (Oct. 9, 2020)
Deerborn — Where Demons Hide (Aug. 28, 2020)
Deradoorian — Find the Sun (Sept. 18, 2020)