José Contreras — At the Slaughterhouse (September 12, 2019)      José Contreras — At the Slaughterhouse (Sept. 12, 2019) Pamela MÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃéndez ÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃâ Time (22 Feb 2019)
♣    José Contreras has a knack for picking collaborators, tapping Feist and musicians who eventually formed Broken Social Scene, Holy Fuck and Sheezer for early contributions to his long~running indie rock band By Divine Right. In addition to being a go~to record producer and movie scorer, he’s also recently established himself for his solo songwriting. Following an album and an EP that reimagined songs from throughout BDR’s career as solo affairs, he’ll put out a new solo LP, At The Slaughterhouse, on Headless Owl this fall. On At 45, Contreras is in a differently reflective mode, offering an original track questioning everything he knows before a great serene landscape.
Location: Toronto, Ontario, Canada
Album release: September 12, 2019
Record Label: Headless Owl Records
Duration:     42:11
01. Grand Central Station   4:33
02. At 45   2:44
03. Crackers and Ginger Ale   2:27
04. You   3:20
05. At The Slaughterhouse   2:51
06. Epiphany in St Johns   3:36
07. Last Night I Dreamt That Somebody Loved Me   3:32
08. Jan 2007   4:24
09. This Is Real   3:02
10. I Think The World Is Coming True   4:21
11. Popular Flower   3:30
12. When I Was Dead   3:51
By Vish Khanna, Published Sep 25, 2019. Score: 9
♣    Even when he’s stripping things down with minimal and acoustic instrumentation, José Contreras can’t help but write the most alluring hooks. On the sparse, direct and reflective At the Slaughterhouse, by a dad and a person of this world, Contreras is a dreamy realist whose very voice is an off~kilter lullaby.
♣    The rock charge of his beloved band, By Divine Right, is tucked in for the night so that Contreras can sing these past~midnight ruminations that employ artful metaphors to convey personal thoughts. Opener “Grand Central Station” feels more like a centerpiece — one of the most compelling songs Contreras has ever written. It has the stark feeling and poetic tone of John Lennon’s early solo work, like his “Isolation,” and similarly talks bigger picture stuff while showing you a selfie.
♣    Indeed, “At 45” confronts Contreras’s own middle age, as a father and ex~husband who admits he “don’t have anything figured out,” but revels in rather than runs from the uncertainty of life choices and how love can be this thing that’s always in flux somehow. Things feel more upbeat in the endearingly soothing and catchy “Crackers and Ginger Ale” and there are darkly comic things like the title track and the Jim Guthrie vibe of “Epiphany in St. John’s,” which exemplifies the subtle orchestration at play throughout.
♣    Occasionally heartbreaking but always insightful in its confessional impulses, At the Slaughterhouse shows off José Contreras for what he is: one of North American indie rock’s finest vocalists and most authentic and romantic artistic minds.