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Kavita Shah
Visions

Kavita Shah — Visions (September 15, 2014)

IndiaUSA Flag Kavita Shah — Visions

 ALBUM OF THE YEAR: Kavita Shah — Visions / NOMINATED for 8th TAIS AWARDS 2015
°°   Toto impozantní debutové album ohlašuje příchod nápadně originální, globálně smýšlející zpěvačky / skladatelky, na světovou scénu. This formidable debut album heralds the arrival of a strikingly original, globally minded vocalist/composer. Co-produced by Lionel Loueke, Visions combines a jazz quintet with the Indian tablas and West African kora.
°°   Shah plays regularly in New York venues such as Joe's Pub, Cornelia Street Cafe, Rubin Museum, National Jazz Museum in Harlem, Bar Next Door, 55 Bar, Shapeshifter Lab, Minton's Playhouse, and NuBlu. She has performed as a leader at The Kennedy Center (DC), Philadelphia Museum of Art, Vermont Jazz Center, and Paris' Sunset/Sunside. Shah has collaborated with Sheila Jordan, Cecile McLorin Salvant, Peter Eldridge, Steve Wilson, Lionel Loueke, Linda Oh, Rogerio Boccato, Pierre de Bethmann, Yacouba Sissoko, Stephen Cellucci, and Samir Chatterjee.


Recommended if you like: Esperanza Spalding, Gretchen Parlato, Lionel Loueke
Location: New York City, U.S.
Album release: September 15, 2014
Record Label: Inner Circle Music/naïve jazz
Duration:     62:01
Tracks:
01. Sodade (feat. Lionel Loueke)      5:56
02. Visions      5:57
03. Little Green      5:48
04. Tabla Interlude      0:44
05. Paper Planes (feat. Steve Wilson)      5:02
06. Triste (feat. Steve Wilson)      5:14
07. Moray      5:56
08. Deluge (feat. Steve Wilson)      5:09
09. Oju Oba (feat. Lionel Loueke)      4:21
10. My Time Is When      5:12
11. Rag Desh: Alaap      2:15
12. Rag Desh: Teentaal Gat      3:03
13. Rag Desh: Meltdown      3:09
14. Sodade Postlude      1:10
15. When... (Bonus Track)      3:11
Credits:
→  Kavita Shah (voice, co-producer, arrangements)
→  Lionel Loueke (guitar/vocals, co-producer)
→  Steve Wilson (sax, flute)
→  Yacouba Sissoko (kora)
→  Michael Valeanu (guitar)
→  Steve Newcomb (piano)
→  Linda Oh (bass)
→  Guilhem Flouzat (drums)
→  Stephen Cellucci (tabla)
→  Rogerio Boccato (percussion)
→  Miho Hazama (conductor)
→  Curtis Stewart (violin)
→  Tomoko Omura (violin)
→  Nick Revel (viola)
→  Will Martina (cello)
°   Co-Produced by Loueke,
°   Album Combines Jazz Quintet
°   with Indian Tablas and West African Kora
Þ   This formidable debut album heralds the arrival of a strikingly original, globally minded vocalist/composer. Co-produced by Lionel Loueke, Visions combines a jazz quintet with the Indian tablas and West African kora.
Þ   A vivid self-portrait in mosaic form, Kavita Shah's Visions (available May 27 on Greg Osby's Inner Circle Music) heralds the arrival of a strikingly original, globally minded new voice. The gifted vocalist/composer brings together a rich variety of musical, cultural, and personal influences into a formidable debut album that combines a jazz quintet with Indian tablas and the West African kora.
____________________________________________________________________
Kavita Shah: VISIONS T RACK BY TRACK LISTING
Þ   (All songs arranged by Kavita Shah, except “Deluge,” arranged by Kavita Shah & Stephen Newcomb.)
1. SODADE (Amandio Cabral & Luis Morais) — ft. Lionel Loueke
This morna from Cape Verde speaks about a sodade, or feeling of longing, for one's homeland. One heart-wrenching line states, almost casually: “If you write me, I will write you / if you forget me, I will forget you.” This arrangement revolves around a percussive guitar ostinato, played by Lionel Loueke, adding in tablas, voice, kora, rhythm section, string quartet, and multiple vocal layers as the song progresses, thus magnifying and complicating the sentiment of sodade.
Soloists: Yacouba Sissoko (kora), Lionel Loueke (guitar), Kavita Shah (voice), Language: Cape Verdean Creole
2. VISIONS (Stevie Wonder)
Þ   This was the first song I arranged for tablas, and hence the “Visions” project was born. The word “visions” itself represents the musical concept of the album: to create a panorama of diverse musical and personal experiences, and to share that with others, hopefully inspiring new ways of seeing. The original melody and lyrics of the song were so powerful that I wanted to keep them intact, reframing them in my own “words”, so to speak. This arrangement is characterized by: a drum-and-bass, tabla-driven groove; a dissonant minor 2nd between the bass line and verse's melody; a unconventionally re-harmonized bridge; modulating time signatures; a piano solo repeated over 8 bars (as if the song were stuck there in time), and a form that concludes the song on its bridge (intentionally on the words “all things have an ending.”)
Soloist: Stephen Newcomb (piano)
3. LITTLE GREEN (Joni Mitchell)
Þ   This beautiful ballad is supposedly about Joni Mitchell's giving up her daughter for adoption. Despite the despair present, there is a lot of hope in this song. I actually wrote this arrangement in less than 30 minutes, while on deadline for a concert (it's amazing how sometimes, in those moments, we are able to conjure up inspiration from deep wells that we otherwise don't have access to). The piano ostinato at the beginning is intended to be like a toy box, a bit muted and clumsy, and the kora here brings out that sense of childlike wonder and exploration (in contrast to the bluesy, less delicate chorus).
Soloists: Yacouba Sissoko (kora), Stephen Newcomb (piano)
4. TABLA INTERLUDE
Þ   This interlude was a spontaneous improvisation in the studio by Stephen Cellucci, playing off the concept of a tihai (or pattern of threes).
5. PAPER PLANES (Thomas Wesley Pentz, M.I.A., et. al.) — ft. Steve Wilson
Þ   The tablas begin in a meter of 15 with a pitched ostinato that hints at the melody line. The simple melody and outrageous lyrics (speaking about counterfeiting and murder) lend themselves to this tongue-in-cheek arrangement. Instead of trying to imitate M.I.A.'s cavalier vocals, I wanted to ironically sing sweetly in a three-part harmony. The solo section unleashes the virtuosic power of young French guitarist Michael Valeanu and veteran alto saxophonist Steve Wilson, both of whom use fast, even chaotic, Eastern-sounding lines, going further and further “out” as the solo section progresses.
Soloists: Michael Valeanu (guitar), Steve Wilson (soprano sax)
6. TRISTE (Antônio Carlos Jobim) — ft. Steve Wilson
Þ   This arrangement is a complete reharmonization of the Jobim classic “Triste,” which I arrived at by sitting at the piano with the melody and organically seeing where my ear would lead me. The modern, laid back groove harkens an R&B flavor, and features Steve Wilson on alto flute.
Soloists: Kavita Shah (voice), Steve Wilson (alto flute); Language: Portuguese
7. MORAY (Kavita Shah)
Þ   * Recipient of the ASCAP Herb Alpert Young Jazz Composers Award, 2012
This song was named after Moray, an Incan ruin in Peru's Sacred Valley made up of terraced, concentric circles. I first visited it in 2004 while studying Incan architecture in Peru, and it immediately struck me as a magical site. While visiting it in 2011, I sat in its center and began composing this melody. I then explored the idea of concentric circles in the composition, stretching the melody simultaneously in two directions, while complicating the harmony through the development of the tune. This track shows off two soloists for the first time on Visions: bassist Linda Oh and drummer Guilhem Flouzat, who plays over a challenging passage of displaced hits by the rhythm section.
Þ   The lyrics here were inspired by Pablo Neruda's epic poem “Las Alturas de Macchu Picchu,” and they say: “Where are the Indians of the valley? / Where are the Indians of the sea? / Where are they and where have they gone? / Where are they and where could they be?”
Soloists: Linda Oh (bass), Guilhem Flouzat (drums), Language: Spanish
8. DELUGE (Wayne Shorter & Kavita Shah) — ft. Steve Wilson
Þ   Wayne Shorter is perhaps my biggest musical and compositional influence. The lyrics to “Deluge” came to me naturally one day (while I was actually trying to write lyrics to another Shorter tune!), and are very personal for me, as they deal with finding out about my father's death while.
_______________________________________________________________________________________________________________________
Þ   Visions interweaves Shah's multicultural background (she's a native New Yorker of Indian descent fluent in Spanish, Portuguese, and French) with her wide-ranging musical tastes (reared on 90s hip-hop, Afro-Cuban music, and bossa nova, she studied jazz voice and classical piano) and her fascination with ethnomusicology (which she studied at Harvard). The album was co-produced by the renowned Benin-born guitarist Lionel Loueke, a kindred spirit who shares the singer's cohesive view of a multi-hued musical experience.
Þ   "My experience of diaspora has not exactly been linear, but more like a kaleidoscope. So musically, I wanted to bring together different elements that I love, and combine them in a way that may be surprising to others but makes sense to me," Shah says. "We have one sound," adds Loueke. "You listen to the album from the beginning to the end, and even if the textures are different, it has a unity."
Þ   Shah's own cultural heritage pointed to some unexpected directions. Her paternal grandfather moved from Mumbai to New York in the 1940s, a full generation before immigration from South Asia became common. After witnessing the birth of the United Nations, he returned to India as the first publisher to bring American books to the country, and Shah's father later retraced his path to New York to attend college. Shah's mother was one of 13 children, born to a father who insisted on educating his daughters rather than simply marrying them off; music, seen as a distraction, was forbidden.
Þ   "I didn't grow up in a traditional household," Shah recalls. "My parents wanted to expose me to music, an opportunity they didn't have growing up, but not just to Hindi film songs or Indian classical music. They immigrated to New York in the 1970s, so there was a lot of pop in the house: The Beatles, Michael Jackson, Frank Sinatra." Both sides of that early musical diversity are represented on Visions: Shah sings Joni Mitchell's "Little Green" and Stevie Wonder's "Visions," while one of her first collaborators on the project was tabla player Stephen Cellucci. The two met while working on tabla virtuoso Samir Chatterjee's project "Rabi Thakur."
Þ   Fourteen musicians from around the world ultimately contributed to breathing life into Shah's Visions, including keyboardist Stephen Newcomb, guitarist Michael Valeanu, bassist Linda Oh, drummer Guilhem Flouzat, percussionist Rogério Boccato, and a string quartet conducted by Miho Hazama. The album follows an engaging
narrative sweep, tracing the cycle of a day or, from a more melancholy angle, stages of grief (Shah's father died when she was 18). But through Shah's restless searching, it possesses a geographic as well as emotional sweep, made cohesive by her singular, prodigiously confident vision.
Þ   "I haven't been so excited about a project like this in a long time," states Loueke.  "Kavita is a real, true musician. She's a great singer, but the way she writes music, she's not really thinking just about the voice. It sounds like she could be a horn player, a saxophone player."
Þ   Shah spent her childhood with the radio dial parked on HOT 97, New York's leading hip-hop station, which is echoed in her tabla-driven cover of British rapper M.I.A's hit "Paper Planes." Perhaps her most formative musical experience came at the age of 10 when she joined the Young People's Chorus of New York City, an award-winning youth chorus with whom she regularly performed in more than 15 languages in venues like Carnegie Hall and Lincoln Center.
Þ   It was in the YPC where Shah was first exposed to jazz, and it stuck. "We sang everything from standards to opera to pop to folk music to contemporary pieces by major composers like Meredith Monk," Shah recalls. "For me, that all these types of music could co-exist was quite normal, and in a way, I've been trying to replicate that experience ever since."
Þ   Shah majored in Latin American Studies at Harvard, living abroad in Peru and then Brazil, where she conducted research on Afro-Brazilian music in a Bahian favela. That period is reflected in her rhythmically intoxicating duo with Lionel Loueke on Edil Pacheco/P. C. Pinheiro's "Oju Oba" as well as in her own composition "Moray" (winner of ASCAP's Young Jazz Composers Award), named for an Incan archeological site and inspired by Pablo Neruda's epic poem "Las Alturas de Macchu Picchu."
Þ   After college, Shah found herself working day jobs at nonprofits like Human Rights Watch until she received advice from an unexpected, brassy guardian angel: legendary vocalist Sheila Jordan. "I was on my way to work when the subway doors opened," Shah recalls, "and there was Sheila Jordan in front of me. At that time, I didn't have a mentor in jazz and I was a little lost. In 15 minutes on the train, Sheila basically gave me all of her mantras for life — she took me in and really encouraged me."
Þ   With Jordan's support, Shah went on to receive her Masters in Jazz Voice from Manhattan School of Music while studying privately with Theo Bleckmann, Peter Eldridge, Steve Wilson, and Jim McNeely. Wilson's supple reed playing is featured on three tracks on Visions, while McNeely proved instrumental in nurturing Shah's innovative arrangements.
Þ   While at MSM, Shah was named by DownBeat as Best Graduate Jazz Vocalist, and she has since become an active member of New York's thriving jazz community, performing regularly at such venues as Cornelia Street Café, Bar Next Door, 55 Bar, Shapeshifter Lab, Kitano, and Minton's Playhouse.
Þ   The final piece of the Visions puzzle fell into place from passion rather than experience. Shah's love for the music of master Malian musicians like Ali Farka Touré and Toumani Diabaté inspired her to call kora player Yacouba Sissoko, who eagerly responded to the challenge of her musical mélange.
Þ   "It is so against who I am to pick just one style of music," Shah says. "Being a global citizen in the 21st century means  having a somewhat disjointed life — scattered memories, connections, and experiences that can be enriching but also isolating. Visions is my small universe of all the parts that make me whole."
Þ   Shah had never met Lionel Loueke when she called on him to co-produce the album, but she recognized a fellow traveler in his own globetrotting sonic collage. "Lionel went above and beyond as a co-producer. He and I share the same vision for how we approach music, so I think there was an automatic trust, respect, and appreciation there. He has a really beautiful spirit and we formed a special relationship; he's been incredibly generous and supportive of my music."
Þ   "I see myself as a cultural interlocutor. A singer can play an almost mystical role, connecting these different elements on stage with an audience through the human voice, through words. With the Visions project, it's amazing to see the Joni Mitchell fan who has never before seen a kora standing next to the hardcore jazz fan who would not expect to hear tablas on a Wayne Shorter tune. I hope that people find something familiar in the music that draws them in, but then discover something new that might change, even for a second, how they see the world."
Kavita Shah · Visions
Inner Circle Music · Release Date: May 27, 2014
For more information on Kavita Shah, please visit: KavitaShahMusic.com
For media information, please contact:
DL Media · 610-667-0501
Matthew Jurasek ·
Don Lucoff ·
Serving the Finest in Jazz Since 1988
Information and press materials (including album covers, promotional photos
and bios) on all DL Media artists can be found at our website: dlmediamusic.com
NOTES:
Album Notes
Þ   "Kavita is a musician's singer. She thinks like an instrumentalist, always taking risks and searching for new levels of understanding. Her music defies categorization." — Steve Wilson, jazz saxophonist
Þ   "Kavita Shah has set forth on a beautiful journey into uncharted waters. Her songwriting and her voice merge centuries and continents into music which touches antiquity and leads into the future in the same moment.” — Robert Sadin, Grammy award-winning producer
Þ   A vivid self-portrait in mosaic form, Kavita Shah's Visions (available May 27 on Greg Osby's Inner Circle Music) heralds the arrival of a strikingly original, globally minded new voice. The gifted vocalist/composer brings together a rich variety of musical, cultural, and personal influences into a formidable debut album that combines a jazz quintet with Indian tablas and the West African kora.
Þ   Visions interweaves Shah's multicultural background (she's a native New Yorker of Indian descent fluent in Spanish, Portuguese, and French) with her wide-ranging musical tastes (reared on 90s hip-hop, Afro-Cuban music, and bossa nova, she studied jazz voice and classical piano) and her fascination with ethnomusicology (which she studied at Harvard). The album was co-produced by the renowned Benin-born guitarist Lionel Loueke, a kindred spirit who shares the singer's cohesive view of a multi-hued musical experience.
Þ   "My experience of diaspora has not exactly been linear, but more like a kaleidoscope. So musically, I wanted to bring together different elements that I love, and combine them in a way that may be surprising to others but makes sense to me," Shah says. "We have one sound," adds Loueke. "You listen to the album from the beginning to the end, and even if the textures are different, it has a unity."
Þ   Shah's own cultural heritage pointed to some unexpected directions. Her paternal grandfather moved from Mumbai to New York in the 1940s, a full generation before immigration from South Asia became common. After witnessing the birth of the United Nations, he returned to India as the first publisher to bring American books to the country, and Shah's father later retraced his path to New York to attend college. Shah's mother was one of 13 children, born to a father who insisted on educating his daughters rather than simply marrying them off; music, seen as a distraction, was forbidden.
Þ   "I didn't grow up in a traditional household," Shah recalls. "My parents wanted to expose me to music, an opportunity they didn't have growing up, but not just to Hindi film songs or Indian classical music. They immigrated to New York in the 1970s, so there was a lot of pop in the house: The Beatles, Michael Jackson, Frank Sinatra." Both sides of that early musical diversity are represented on Visions: Shah sings Joni Mitchell's "Little Green" and Stevie Wonder's "Visions," while one of her first collaborators on the project was tabla player Stephen Cellucci. The two met while working on tabla virtuoso Samir Chatterjee's project "Rabi Thakur."
Þ   Fourteen musicians from around the world ultimately contributed to breathing life into Shah's Visions, including keyboardist Stephen Newcomb, guitarist Michael Valeanu, bassist Linda Oh, drummer Guilhem Flouzat, percussionist Rogério Boccato, and a string quartet conducted by Miho Hazama. The album follows an engaging narrative sweep, tracing the cycle of a day or, from a more melancholy angle, stages of grief (Shah's father died when she was 18). But through Shah's restless searching, it possesses a geographic as well as emotional sweep, made cohesive by her singular, prodigiously confident vision.
Þ   "I haven't been so excited about a project like this in a long time," states Loueke.   "Kavita is a real, true musician. She's a great singer, but the way she writes music, she's not really thinking just about the voice. It sounds like she could be a horn player, a saxophone player."
Þ   Shah spent her childhood with the radio dial parked on HOT 97, New York's leading hip-hop station, which is echoed in her tabla-driven cover of British rapper M.I.A's hit "Paper Planes." Perhaps her most formative musical experience came at the age of 10 when she joined the Young People's Chorus of New York City, an award-winning youth chorus with whom she regularly performed in more than 15 languages in venues like Carnegie Hall and Lincoln Center. It was in the YPC where Shah was first exposed to jazz, and it stuck. "We sang everything from standards to opera to pop to folk music to contemporary pieces by major composers like Meredith Monk," Shah recalls. "For me, that all these types of music could co-exist was quite normal, and in a way, I've been trying to replicate that experience ever since."
Þ   Shah majored in Latin American Studies at Harvard, living abroad in Peru and then Brazil, where she conducted research on Afro-Brazilian music in a Bahian favela. That period is reflected in her rhythmically intoxicating duo with Lionel Loueke on Edil Pacheco/P. C. Pinheiro's "Oju Oba" as well as in her own composition "Moray" (winner of ASCAP's Young Jazz Composers Award), named for an Incan archeological site and inspired by Pablo Neruda's epic poem "Las Alturas de Macchu Picchu."
Þ   After college, Shah found herself working day jobs at nonprofits like Human Rights Watch until she received advice from an unexpected, brassy guardian angel: legendary vocalist Sheila Jordan. "I was on my way to work when the subway doors opened," Shah recalls, "and there was Sheila Jordan in front of me. At that time, I didn't have a mentor in jazz and I was a little lost. In 15 minutes on the train, Sheila basically gave me all of her mantras for life — she took me in and really encouraged me."
Þ   With Jordan's support, Shah went on to receive her Masters in Jazz Voice from Manhattan School of Music while studying privately with Theo Bleckmann, Peter Eldridge, Steve Wilson, and Jim McNeely. Wilson's supple reed playing is featured on three tracks on Visions, while McNeely proved instrumental in nurturing Shah's innovative arrangements. While at MSM, Shah was named by DownBeat as Best Graduate Jazz Vocalist, and she has since become an active member of New York's thriving jazz community, performing regularly at such venues as Cornelia Street Café, Þ   Bar Next Door, 55 Bar, Shapeshifter Lab, Kitano, and Minton's Playhouse.
The final piece of the Visions puzzle fell into place from passion rather than experience. Shah's love for the music of master Malian musicians like Ali Farka Touré and Toumani Diabaté inspired her to call kora player Yacouba Sissoko, who eagerly responded to the challenge of her musical mélange.
Þ   "It is so against who I am to pick just one style of music," Shah says. "Being a global citizen in the 21st century means having a somewhat disjointed life — scattered memories, connections, and experiences that can be enriching but also isolating. Visions is my small universe of all the parts that make me whole."
Þ   Shah had never met Lionel Loueke when she called on him to co-produce the album, but she recognized a fellow traveler in his own globetrotting sonic collage. "Lionel went above and beyond as a co-producer. He and I share the same vision for how we approach music, so I think there was an automatic trust, respect, and appreciation there. He has a really beautiful spirit and we formed a special relationship; he's been incredibly generous and supportive of my music."
Þ   "I see myself as a cultural interlocutor. A singer can play an almost mystical role, connecting these different elements on stage with an audience through the human voice, through words. With the Visions project, it's amazing to see the Joni Mitchell fan who has never before seen a kora standing next to the hardcore jazz fan who would not expect to hear tablas on a Wayne Shorter tune. I hope that people find something familiar in the music that draws them in, but then discover something new that might change, even for a second, how they see the world."
ABOUT:
Þ   Hailed by Downbeat Magazine as the "Best Graduate Jazz Vocalist" (2012) and winner of the ASCAP Herb Alpert Young Jazz Composers Award (2013), Kavita Shah is gaining a reputation as a visionary young singer, composer, and arranger. A native New Yorker of Indian origin fluent in Spanish, Portuguese, and French, Ms. Shah incorporates elements of Indian, Brazilian, and Malian music into her jazz-based repertoire. Her debut CD VISIONS–produced by Benin-born jazz guitarist Lionel Loueke — combines the sounds of the traditional Indian tablas and West African kora with those of a jazz quintet.
Þ   "Visions," which includes special guests Loueke (guitar, vocals), Steve Wilson (saxophone, flute), and Rogerio Boccato (percussion), was released to critical acclaim in the US & Canada on May 27, 2014 on Greg Osby's Inner Circle Music label. (It will be released September 15, 2014 in Europe & Japan on the French label Naïve).
Ms. Shah grew up in Manhattan, studying classical piano from age 5 and performing regularly at Carnegie Hall and Lincoln Center from age 10 as a member of the award-winning Young People's Chorus of NYC. She was a semifinalist in the 2011 Voicingers International Jazz Competition held in Zory, Poland, and she has since performed as a leader in France, Belgium, and Germany. She plays frequently in the New York metro area at such venues as National Jazz Museum in Harlem, Rubin Museum, Cornelia Street Café, Bar Next Door, 55 Bar, Shapeshifter Lab, Minton's Playhouse, NuBlu, Nuyorican Poets Café, University Club, Harvard Club, New Jersey Performing Arts Center, and in the greater Northeast at The Kennedy Center (DC) and Vermont Jazz Center. Ms. Shah has had the pleasure of collaborating with such artists as Sheila Jordan, Peter Eldridge, Steve Wilson, Lionel Loueke, Linda Oh, Gilad Hekselman, Rogerio Boccato, Pierre de Bethmann, Yacouba Sissoko, Stephen Cellucci, and Samir Chatterjee, among others.
Þ   In addition to the "Visions" project, Ms. Shah leads the Brazil Trio, a jazz quintet, and the 3rd World Orquestra, a 13-piece ensemble with tabla, kora, rhythm section, and strings. She regularly works with contemporary composers and has premiered over 12 works in ensembles ranging from chamber groups to big band to jazz philharmonic. She is a member of the Steve Newcomb Orchestra ("Caterpillar Chronicles," Listen/Hear Collective 2012), and is the lead voice for tabla virtuoso Samir Chatterjee's project "Rabi Thakur."
Þ   Ms. Shah received her Master's in Jazz Voice from Manhattan School of Music, where she studied with Theo Bleckmann, Peter Eldridge, Steve Wilson, and Jim McNeely. She holds a B.A. from Harvard College in Latin American Studies, where she was the recipient of the Cultural Agents Thesis Prize and the Kenneth D. Maxwell Prize in Brazilian Studies for her ethnomusicology research on contemporary Afro-Brazilian music and politics.
Label: http://en.naive.fr/
Website: http://www.kavitashahmusic.com/
Twitter: https://twitter.com/cantakavita
YouTube: http://www.youtube.com/playlist?list=PLhBfdg93cijvmQweDrvw95RnT1nqMw8Nj
Facebook: https://www.facebook.com/KavitaShahMusic
Press: Don Lucoff: 610-667-0501,
CD Baby: http://www.cdbaby.com/cd/kavitashah
DL Media Music: http://dlmediamusic.com/artist/kavita-shah/
____________________________________________________________

Kavita Shah
Visions

 

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Ajimal — As It Grows Dark / Light (June 26, 2020)
Hail The Ghost — Arrhythmia (6th Dec. 2019)
CECILIA BARTOLI — Opera Proibita (Sept. 13, 2005)
Tim Heidecker — Fear of Death (Sept. 25, 2020)
Markus Reuter — TRUCE (Jan. 17, 2020) cover
The Who — WHO [Deluxe Edition] (22 Nov. 2019)
THE LEAGUE OF ASSHOLES — UNPLUGGED (1st May 2020)
Whyte Horses — Hard Times (17th of Jan., 2020)
Bacchae — Pleasure Vision (March 6, 2020)
PVRIS — Use Me (March 3, 2020)
Morgan1
Ajimal — As It Grows Dark Light (June 26, 2020)
Joywave — Possession (March 13, 2020)
Sufjan Stevens — Aporia (March 27, 2020)
Anna Burch — Quit The Curse (Feb 2, 2018)
Wolf Parade — Thin Mind (Jan. 24, 2020)
Work Drugs — Delta (December 5, 2012)
Deserta — Black Aura My Sun (Jan. 17, 2020)
Sink Ya Teeth — Two (28th Feb. 2020)
Georgia — Seeking Thrills (10th Jan., 2020)
A.O. Gerber — Another Place to Need (May 22, 2020)
Deerhoof — Future Teenage Cave Artists (May 29, 2020)
The Growlers — Natural Affair (25th Oct. 2019)
James Taylor — American Standard (Feb. 28th, 2020)
Alogte Oho and his Sounds of Joy — Mam Yinne Wa (Nov. 8, 2019)
Sam Gendel — Satin Doll (13 Mar 2020)
Kaleidoscope — Faintly Blowing (11 April 1969, Reissue, Remaster
Trees Speak — Ohms (3rd April, 2020)
Nadine Shah — Kitchen Sink (June 5, 2020)
Broken Social Scene — Live at Third Man Records (Feb. 28, 2020)
Perfume Genius — Set My Heart On Fire Immediately (15th May 2020
Deerborn — Where Demons Hide (Aug. 28, 2020)
Brendan Benson — Dear Life (April 24, 2020)
Harvestman — Music for Megaliths (May 19, 2017)
Lucia Cadotsch — Speak Low (Feb. 26, 2016)
Perfume Genius — No Shape (5 May, 2017) BC
Perfume Genius — No Shape (5 May, 2017) FC
Cocteau Twins — Victorialand (April, 1986, Reissue 2020)
The Feather — Room (10 July, 2020)
Songs for the Late Night Drive Home (Feb. 5, 2016)
Benoît Pioulard & Sean Curtis Patrick — Avocationals (2019)
Spc Eco — Dark Matter (Nov. 20, 2015)
Caribou — Suddenly (Feb. 28th, 2020)
SPC ECO — June (June 1, 2020)
Waxahatchee — Saint Cloud (March 27, 2020)
Florist — Emily Alone (July 26, 2019)
Chapelier Fou — Deltas (Sept. 22, ​2014)
The Boomtown Rats — Citizens of Boomtown (13 March, 2020)
The Flaming Lips — The Soft Bulletin (Nov. 29, 2019)
Larkin Poe — Self Made Man (June 12th, 2020)
Wesley Gonzalez — Appalling Human (June 12, 2020)
Pottery — Welcome to Bobby’s Motel (June 26th, 2020)
Mint Field — Sentimiento Mundial (25 Sept., 2020)
Cosmo Sheldrake — Galapagos [Original Soundtrack] 2019
The Telescopes — Hidden Fields (August 7th, 2015)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Kyrie Kristmanson — Lady Lightly (Jan. 10, 2020)
Yorkston/Thorne/Khan — Navarasa : Nine Emotions (24th Jan. 2020)
Ralph of London — The Potato Kingdom (19th June, 2020)
Locate S,1 — Personalia (April 3, 2020
HMLTD — West of Eden (7 Feb., 2020)
Noveller — Arrow (June 12, 2020)
Chapelier Fou — Meridiens (Feb. 28, 2020)
HMLTD ©Dean Hoy
Cathedral Bells — Velvet Spirit (March 6, 2020)
Vladislav Delay, Sly Dunbar, Robbie Shakespeare — 500~Push~Up
Tame Impala — The Slow Rush (Feb 14, 2020)
REBECCA FOON — WAXING MOON (21st Feb., 2020)
Noveller — Arrow (June 7, 2020)
Virginia Plain — Strange Game (Dec. 13, 2019)
Teho Teardo — Ellipsis dans l’harmonie (March 6th, 2020)
Signe Marie Rustad — When Words Flew Freely (Nov. 15, 2019)
Stian Westerhus — Redundance (March 5, 2020)
Beck — Deep Cuts (March 2020)
Keeley Forsyth — Debris (17 Jan., 2020)
John Craigie — Asterisk the Universe (June 12, 2020)
Ellipsis dans l’harmonie BACK COVER
Troi Irons — Flowers (Sept. 25, 2020)
The Dears — Times Infinity Volume One (September 25, 2015)
The Album Leaf — OST (March 20, 2020)
Jack Peñate — After You [Expanded Edition] (2020)
Thomas Dybdahl — The Great Plains (Feb 24, 2017)
Grimes — Visions (2012)
Jessie Ware — Glasshouse (Deluxe; 20 Oct 2017)
Kavus Torabi — Hip to the Jag (May 22, 2020)
Pharoah Sanders — „Live In Paris (1975): Lost ORTF Recordings“
Oddfellow’s Casino — The Raven’s Empire (2012)
Calexico / Iron & Wine — Years to Burn (2019)
Amanda Palmer — Forty~Five Degrees: Bushfire Charity Flash Rec.
Veneer — Recovery (April 15, 2020)
Sara Serpa — Recognition (June 5th, 2020)
BECK — Uneventful Days (St. Vincent Remix)
Oddfellow’s Casino — Burning! Burning! (7 Aug., 2020)
This Will Destroy You — Vespertine (June 9, 2020)
Teen Daze — Morning World
Sara Serpa, Ingrid Laubrock, Erik Friedlander — Close Up (2018)
THE DEARS — ‘Lovers Rock’ (May 15, 2020)
Bellows — The Rose Gardener (Feb. 22, 2019)
Ariel Pink — House Arrest (2002/Mar 2011/April 24, 2020)
The Jayhawks — XOXO (July 10, 2020)
Béla Fleck & Toumani Diabaté — The Ripple Effect [2LP, March 27,
Sonny Landreth — Elemental Journey (May 22, 2012)
Laura Perrudin — Perspectives & Avatars (Oct. 9, 2020)
CocoRosie — Put the Shine On (6 March 2020)
Whyte Horses — Hard Times (17th of Jan., 2020)
Jessie Ware — What’s Your Pleasure (June 26, 2020)
Corb Lund — Agricultural Tragic (June 26, 2020)
Thomas Dybdahl — Fever (March 13, 2020)
Born Ruffians — Juice (April 3, 2020)
Michael Landau — The Michael Landau Group Live (Oct. 31, 2006)
Marc Ribot’s Ceramic Dog — What I Did On My Long ‘Vacation’ EP
The Beths — Jump Rope Gazers (July 10th, 2020)
Carissa Johnson — A Hundred Restless Thoughts (Dec. 18th, 2019)
Christine Ott — Chimères (pour ondes Martenot) (May 22, 2020)
Eleanor Friedberger — Rebound (May 4th, 2018)
Futurebirds — Teamwork (Jan. 15th, 2020)
Emmy the Great — Second Love (March 11, 2016)
My Morning Jacket — The Waterfall II (Aug. 28, 2020)
ELEANOR FRIEDBERGER — NEW VIEW (January 22, 2016)
Cormons Jazz & Wine of Peace festival 2008 ©Ziga Koritnik
Andrej Šeban — Triplet (March 22, 2019) inner cover
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
Dungen — Live (March 13, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Andrej Šeban — Triplet (March 22, 2019) cover
Sonny Landreth — Blacktop Run (Feb. 21, 2020)
Gerald Cleaver — Signs (March 27, 2020)
The Crossing & Donald Nally — James Primosch: Carthage (05/2020)
Immigrant Union — Judas (June 19, 2020)
KMRU — Peel (18th Sept., 2020)
Spy Machines — Spy Machines (April 3, 2020)
David Cross & Peter Banks — Crossover (17 Jan., 2020)
Jake Blount — Spider Tales (May 29, 2020)
EELS — Earth To Dora (Oct. 30th, 2020)
Art Feynman — Half Price At 3:30 (June 26th, 2020)
Jerskin Fendrix — Winterreise (April 17, 2020)
Julianna Barwick — Healing Is a Miracle [Japan Edition] (2020)
Joy Division — Closer (40th Anniversary) [2020 Digital Master] (
Sophie Tassignon — Mysteries Unfold (April 24, 2020)
Anika Nilles — For a Colorful Soul (Jan. 10, 2020)
Ospalý pohyb — Ostrava (October 17, 2016)
Deradoorian — Find the Sun (Sept. 18, 2020)
All The Best, Isaac Hayes (A Spoken Word Album)
Ospalý pohyb — ø (May 24, 2016)
James Harries — Superstition (Jan. 31, 2020)
Zoongideewin — Bleached Wavves (June 19, 2020)
HOUPACÍ KONĚ: SOULKOSTEL 8 11 2019 (April 25, 2020)
Recondite — Dwell (Jan. 24, 2020)
Kacey Johansing — No Better Time (Nov. 20, 2020)
Yoko Ono, Kim Gordon & Thurston Moore — YOKOKIMTHURSTON
Kazuomi Eshima & Masahiko Takeda — Inheritance for Soundscape
Erik Griswold — All’s Grist That Comes To The Mill (03/20, 2020)
Caspian — Dust and Disquiet (Sept. 25, 2015)
SLY & THE FAMILY DRONE FC (17, 2020)
Låpsley — Through Water (March 20th, 2020)
Sarah Longfield — Dusk (April 22, 2020)
Soundwalk Collective with Patti Smith — Peradam (Sept. 4th, 2020
Erik Griswold — All’s Grist That Comes To The Mill (03/20 2020)
Circa Waves — Sad/Happy (March 13th, 2020)
Bob Dylan — Rough and Rowdy Ways (June 19th, 2020)
930 x 827 tmavší podklad.jpg
P/\ST — /Expedice do vnitrobloku\ (Oct. 5, 2019)
Roland Tings — Salt Water (Nov. 8, 2019)
M.Ward — Migration of Souls (April 3, 2020)
33EMYBW — Golem (25 Sept., 2019)
The Third Mind — The Third Mind (Feb. 14, 2020)
CocoRosie — Restless (Feb. 12th, 2020)
Sean Henry — A Jump from the High Dive (Nov. 1, 2019)
Ben Featherstone — Prisoner to the Wind (Dec. 20th, 2019)
Ailbhe Reddy — Personal History (23 Oct., 2020)
Thomas Köner — Motus (Feb. 20, 2020)
Lanterns On the Lake — Spook the Herd (21 Feb., 2020)
A Winged Victory for the Sullen — The Undivided Five
Of Montreal — Ur Fun (Jan. 17, 2020)
Lanterns On the Lake — Spook the Herd (21 Feb., 2020)
Sega Bodega — Salvador (Feb. 14, 2020)
Klara Lewis — Ingrid (1st May 2020)
Prophecy Playground — Comfort Zone (Feb. 15, 2020)
Kurt Vile — Speed, Sound, Lonely KV EP (2nd Oct., 2020)
Steve Earle — Townes (May 8, 2009)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Oiseaux~Tempęte — From Somewhere Invisible (19 Dec., 2019)
Hamilton Leithauser (The Walkmen) — Dear God (Aug. 2015)
Steve Earle & The Dukes — Ghosts of West Virginia (May 22, 2020)
Real Estate — The Main Thing (28th Feb., 2020)
Myopia Exclusive Crystal Clear Vinyl
James Harries — Before We Were Lovers
ANNA CALVI — HUNTED (March 6, 2020)
Elysian Fields — Transience Of Life (May 7, 2020)
SOFIA TALVIK — Paws of a Bear (Sept. 27, 2019)
Ali Holder — Uncomfortable Truths (April 10, 2020)
Sungazers — Wasting Space (May 18, 2020)
Neil Young — Homegrown (19th June, 2020)
Sixth June ‎— Trust (17 Jan 2020)
Bellows — The Rose Gardener (Feb. 22, 2019)
From Atomic — Deliverance (April 2020)
Cermaque — Lament (22nd May, 2020)
Laurel Halo — Raw Silk Uncut Wood (July 13, 2018)
Anna von Hausswolff — Dead Magic (March 2018)
Moses Sumney — græ Part 1 & 2 (May 15, 2020)
David Thomas Broughton & Juice Vocal Ensemble — Sliding The Same
Marissa Nadler — unearthed (March 20, 2020)
PETR KALANDRA — Petr Kalandra & ASPM 1982 — 1990 (Feb. 26, 2020)
Justine Vandergrift — Stay (Feb. 7th, 2019)
Hamilton Leithauser — The Loves of Your Life (10 April 2020)
Bombay Bicycle Club — Everything Else Has Gone Wrong (01/24/20)
Gráinne Duffy — Where I Belong (Sept. 19, 2017)
Anthony Gomes — Containment Blues (2020)
Sports Team — Deep Down Happy (5th June, 2020)
Nonlocal Forecast — Bubble Universe! (March 1, 2019)
Lionel Loueke — HH (Sept. 11, 2020)
Al Di Meola — Across the Universe: The Beatles, Vol. 2 (2020)
LENKA NOVÁ — DOPISY (21.03./24.04., 2020)
Genesis Revisited: Live at The Royal Albert Hall — 2020 Remaster
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
The Electric Soft Parade — Stages (Jan. 8, 2020)
Villagers — The Art Of Pretending To Swim (03/19, 2020) DELUXE E
Mountaineer — Bloodletting (May 22nd, 2020)
Anna von Hausswolff — All Thoughts Fly (Sept. 25, 2020)
Peel Dream Magazine — Agitprop Alterna (3rd April 2020)
Destroyer — Have We Met (Jan. 31, 2020)
John McLaughlin, Shankar Mahadevan, Zakir Hussain — Is That So?
THE SHAKING SENSATIONS — “How Are We to Fight the Blight” 2xLP
Alphaxone — Dystopian Gate (Jan. 14, 2020)
A Certain Ratio — ACR Loco (25th Sept., 2020)
THE SCHRAMMS — “Omnidirectional” (June 21st, 2019)
David Thomas Broughton — The Complete Guide To Insufficiency /re
The Chap — Digital Technology (10 Jan., 2020)
Joan As Police Woman — Cover Two (May 1, 2020)
The Shivas — “Dark Thoughts” (October 25, 2019)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Lucy Railton — Paradise 94 (22 Mar 2018)
Drive~By Truckers — The Unraveling (cover)
The Shins — “Heartworms” (March 10, 2017)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
The Shins — “The Worms Heart” (Jan. 18, 2018)
Psychic Markers — Psychic Markers (29 May, 2020)
Julianna Barwick — Circumstance Synthesis (Dec. 20, 2019)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
Meredith Monk & Bang on a Can All~Stars — Memory Game (03/27/20)
Drive~By Truckers — The Unraveling (cover)
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
Eivind Aarset & Jan Bang — Snow Catches On Her Eyelashes (2020)
Richard Barbieri ‎— Past Imperfect / Future Tense (Mar 2020)
Kevin Morby — Sundowner (October 16, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
Laurel Halo — Possessed (April 10, 2020)
Helena Deland — Someone New (16 Oct., 2020)
Devendra Banhart — Ma (September 13, 2019)
Field Music — Making a New World (Jan. 10, 2020)
Gráinne Duffy — Voodoo Blues (Oct. 15, 2020)
The Memories — Pickles & Pies (May 29, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Pearl Jam — Gigaton (March 27, 2020)
Walter Martin — The World at Night (Jan. 31, 2020)
The Tiger Lillies — Cold Night in Soho (10 Feb. 2017)
Silkworm — In The West (24 Jan., 2020)
Kamaal Williams — Wu Hen (July 24, 2020)
Caspian — On Circles (January 24, 2020)
Jennifer Curtis & Tyshawn Sorey: Invisible Ritual (2020)
DAVID POMAHAČ — DO TMY JE DALEKO (Feb. 7, 2020)
Don Gallardo — The Lonesome Wild (April 2, 2020)
Damon Locks Black Monument Ensemble — Where Future Unfolds (2019
The Tiger Lillies — Edgar Allan Poe’s Haunted Palace
Mark Lanegan — Straight Songs Of Sorrow (8th May, 2020)
I Break Horses — Warnings (08 May 2020)
Cocteau Twins — Head Over Heels
Cocteau Twins — Treasure
Sarah Jarosz — World On The Ground (June 5, 2020)
The Innocence Mission — See You Tomorrow (Jan. 17, 2020)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
The Tiger Lillies — Covid~19 (April 10, 2020)
Hawkwind — Acoustic Daze (25 Oct. 2019)
Wendy Eisenberg — Auto (Oct. 16, 2020)
TANYA DONELLY: Swan Song Series bonus tracks (FC)
Kate Amrine — This Is My Letter to the World (Jan. 24, 2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
Coloured Clocks — Flora (May 2, 2020)
Indoor Voices — Animal (Feb. 14, 2020)
ELYSIAN FIELDS — Pink Air
Midlake — Antiphon (Nov. 4, 2013)
Jonathan Wilson — Rare Birds (March 2nd, 2018)
KIESLOWSKI Tiché lásky
Fiona Apple — Fetch The Bolt Cutters (17 Apr., 2020)
Lucrecia Dalt — Syzygy (Oct. 15, 2013)
Hayden Thorpe — Diviner (24 May 2019)
Cocteau Twins — Garlands (1982, Reissue 2020)
Alessandra Leão ‎— Macumbas e Catimbós (24/05/2019)
Cowboy Junkies — Ghosts (30 Mar 2020)
Laura Marling — Song for Our Daughter (April 10th, 2020)
Wendy Eisenberg — Its Shape Is Your Touch (Oct. 2018)
Baxter Dury — The Night Chancers (20 March 2020)
San Fermin — San Fermin (Nov. 11, 2013)
Sara Bareilles — What’s Inside Songs From Waitress (11/06, 2015)
The Heliocentrics — Telemetric Sounds (Aug. 7, 2020)
The Dream Syndicate — „The Universe Inside“ (April 10, 2020)
Third Coast Percussion & Devonté Hynes — Fields (Oct. 11, 2019)
White Tail Falls — Age of Entitlement (May 29, 2020)
MUFF — Fatalust (Nov. 1, 2019) cover
Ben Watt — Storm Damage (31st Jan., 2020)
San Fermin — The Cormorant I & II (Oct. 4, 2019/April 3, 2020)
Stephen Duffy — I Love My Friends [Expanded Ed] (10 May 2019)
I Break Horses — Chiaroscuro
Sea Wolf — Through a Dark Wood (March 20, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Yorkston | Thorne | Khan — Navarasa : Nine Emotions (2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Stove — ‘s Favorite Friend (Oct. 31, 2018)
ANASTASIA MINSTER — Father ©Michael Haley
Jonathan Wilson — Dixie Blur (March 6, 2020)
Fruition — Broken At The Break Of Day (Jan. 23, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
1600 x 1600 High Violet (10th Anniversary Expanded Edition).jpg
ROBERT FRIPP — THE KITCHEN (New York, NY) — 05 FEB 1978
Sara Bareilles — More Love: Songs from Little Voice Season One (
The Sufis — Double Exposure (Jan. 24, 2020)
ÁSGEIR: IN THE SILENCE
Martin Barre — Roads Less Travelled (26 Oct. 2018)
Loveblind / Sleeping Visions (March 27, 2020)
Walter Martin — The World at Night (Jan. 31, 2020)
Asher Gamedze – Dialectic Soul (July 10, 2020)
Frances Quinlan — Likewise (Jan. 31, 2020)
KING CRIMSON, The Night Watch
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Matt Berninger — Serpentine Prison (Oct. 16, 2020)
Rizan Said — Saz û Dîlan (Oct. 11, 2019)
Ásgeir — Bury the Moon (7 Feb., 2020)
Riva Taylor — ‘This Woman’s Heart .1’ (27 Mar 2020)
Juraj Griglák, From The Bottom (Sept. 16, 2019)
Cheerleader — Almost Forever (Feb. 7, 2020)
Queer Jane — Amen Dolores (March 27, 2020)
BECCA STEVENS — WONDERBLOOM (March 20th 20, 2020)
Juraj Griglák — From the Bottom (Sept. 16, 2019)
Einstürzende Neubauten — Alles In Allem (May 29th, 2020)
Torres — Three Futures (29th Sept. 2017)
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Bison Bone — Find Your Way Out (Sept. 25, 2020)
Oh Wonder — No One Else Can Wear Your Crown [Deluxe Edition]
These New Puritans — The Cut (2016~2019) (14 Feb. 2020)
Thin Lear — Wooden Cave (24th July, 2020)
Torres — Silver Tongue (Jan. 31, 2020)
Anoushka Shankar — Love Letters (7 Feb., 2020)
Free To Grow — Imperfection (Aug. 7, 2020)
Dan Croll — Grand Plan (21 Aug., 2020)
Lilien Rosarian ~ A Day in Bel Bruit (June 9, 2019)
Jim Noir — A.M Jazz (Dec. 20, 2019)
Shemekia Copeland — Uncivil War (October 23rd, 2020)
I Like to Sleep — Daymare (April 17, 2020)
Kaki King — Modern Yesterdays (Oct. 23, 2020)
Bill MacKay and Katinka Kleijn — STIR (Oct. 17, 2019)
The Mountain Goats — Getting Into Knives (Oct. 23, 2020)
Varga Marián — Solo in Concert (1. feb. 2018)
No~Man — Love You To Bits (Nov. 22, 2019)
Blackbird & Crow — Ailm (17 Jan 2020)
Bruce Springsteen — Letter to You (Oct. 23, 2020)
Amy LaVere — Painting Blue (27 Mar 2020)
100 Gecs — 1000 gecs (May 31, 2019)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cold Chisel — Blood Moon (6 Dec., 2019)
Cold War Kids — New Age Norms 1 (Nov. 1, 2019)
Blackbird & Crow © 2020 Author: Megan Doherty
WaqWaq Kingdom — Essaka Hoisa (Nov. 15, 2019)
The Mountain Goats — Songs for Pierre Chuvin (April 10, 2020)
Hawktail — Formations (Jan. 10, 2020)
Morrissey — I Am Not a Dog On a Chain (March 20th, 2020)
Jack Peñate — After You (29th Nov. 2019)
Villagers — Darling Arithmetic [Deluxe Version] (April 10, 2015)
Ashley Paul — Window Flower (May 13, 2020)
Daniel Bachman — The Morning Star (July 27, 2018)
Roger Eno | Brian Eno — Mixing Colours (20 March, 2020)
Darnielle, Jon Wurster, Matt Douglas, Pete Hughes. ©Josh Sanseri
Joe Bonamassa & The Sleep Eazys — Easy To Buy, Hard To Sell
Martin Barre — Away With Words
Ezra Bell — This Way to Oblivion (3rd April, 2020)
All Them Witches — Nothing as the Ideal (Sept. 4, 2020)
Queer Jane — Home (Dec. 1, 2016)
RADEK BABORÁK a jeho ORQUESTRINA na PIAZZOLLOVSKÉ ALBUM.
Moonchild — Little Ghost (6th Sept. 2019)
Evergreen — Overseas (15 Jun 2018)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
The Waterboys — Good Luck, Seeker (Deluxe) (Aug. 21, 2020)
Maarja Nuut & Ruum — World Inverted (11th Sept., 2020)
Kuře v hodinkách — Flamengo
Daniel Bachman — Green Alum Springs (June 6, 2020)
Midwife — Forever (April 10, 2020)
Siobhan Wilson — The Departure (10 May, 2019)
Kris Delmhorst — Blood Test
Martin Burlas & Musica falsa et ficta — Hexenprozesse
Songdog — Happy Ending (27th March, 2020)
Zuzana Mikulcová — Slová
Holly Herndon — PROTO (Winner of Tais Awards 2020)
Rory Block — Prove It On Me (March 27, 2020)
Cate Le Bon — Here It Comes Again (2020)
Sean O’Hagan — Radum Calls, Radum Calls (2019)
Nicey Nice World — Obelisks and Asterisks (Sept. 22, 2020)
Robert Plant — Carry Fire (2 LP, 13/10/2017)
Le Butcherettes — DON’T BLEED EP (14 Feb 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
First Aid Kit — Stay Gold (2014)
Land of Talk — Indistinct Conversations (July 31, 2020)
Kuře v hodinkách — Flamengo
Luke Haines — Beat Poetry For Survivalists (6 Mar. 2020)
Nicole Atkins — Italian Ice (29 May 2020)
Maria Schneider Orchestra — Data Lords (24th July, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
BC Camplight — Shortly After Takeoff (24 April 2020)
Delta Spirit — What Is There (Sept. 11th, 2020)
The Magnetic Fields — Quickies (May 15, 2020)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
Cold War Kids — New Age Norms 2 (Aug. 21, 2020)
learning structures, vol. 2: end firma
Becca Mancari — The Greatest Part (June 26, 2020)
learning structures, vol. 3: distance between us
Thurston Moore — By The Fire (Sept. 25, 2020)
Kurt Rosenwinkel Trio — Angels Around (May 8, 2020)
Frazey Ford — U kin B the Sun (Feb. 7th, 2020)
Lizzy Farrall — Bruise (March 27, 2020)
Alice Peacock — Minnesota (Sept. 20th, 2019)
Devon Williams — A Tear in the Fabric (May 1, 2020)
LENKA DUSILOVÁ — ŘEKA (Nov. 6th, 2020)
STEREOLAB: Oscillons from the Anti~Sun
Hallelujah the Hills — A Band Is Something to Figure Out (2016)
Loveblind: Visions
Lilly Hiatt — Walking Proof (27 March, 2020)
Loveblind: Visions
Throwing Muses — Sun Racket (Sept. 4, 2020)
Sean McMahon ― You Will Know When You’re There (March 1, 2019)
Deradoorian — Find the Sun (Sept. 18, 2020)
The Chats — High Risk Behaviour (March 27, 2020)
Tylor Dory Trio — Unsought Salvation (Dec. 21, 2019)
György Ligeti — Lontano (22. Oct.,1967)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Guranfoe — Sum of Erda (Dec. 13, 2019)
Susanne Sundfør — Self Portrait (Original Score, 10th Jan. 2020)
Ronnie Godfrey — Shades of Blue (Oct. 25, 2019)
Intocable ― Percepcion (March 15, 2019)
Ytamo — Vacant (June 12, 2020)
Pancrace — The Fluid Hammer (09 Sep 2019/2LP)
Humanist — Humanist (21 Feb., 2020)
White Lies — To Lose My Life… [10th Anniversary Deluxe Edition]
Slow Pulp — Moveys (Oct. 9, 2020)
Wrekmeister Harmonies — We Love to Look at the Carnage (2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Hallelujah the Hills — I’m You (Nov. 15, 2019)
OWEN PALLETT — Heartland (March 3, 2014)
Siobhan Wilson — There Are No Saints (14 Jul, 2017)
Erlend Apneseth — Fragmentarium (Jan. 31, 2020)
Delta Spirit — Into The Wide (Deluxe Edition, Sept. 9, 2014)