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Kevin Drew — Darlings (2014)

Kevin Drew — Darlings (March 18, 2014)

CAN Flag               Kevin Drew — Darlings
   One of the masterminds behind Toronto’s thriving Broken Social Scene ensemble, Kevin Drew is a Canadian indie-rock icon.
Born: September 9, 1976 in Toronto, Ontario, Canada
Location: Toronto, Ontario, Canada
Album release: March 18, 2014
Record Label: Arts & Crafts
Duration:     42:47
Tracks:
01 Body Butter     2:27 
02 Good Sex     3:11 
03 It's Cool     3:53 
04 Mexican After Show Party     3:29 
05 You Gotta Feel It     4:05 
06 First In Line     3:05 
07 Bullshit Ballad     4:14 
08 My God     4:47 
09 You In Your Were     4:02 
10 You Got Caught     4:08 
11 And That's All I Know     5:26
Written by:
♦   Ohad Benchetrit / Kevin Drew / Charles Spearin: 3, 6, 8
♦   Kevin Drew: 1, 2, 5, 7, 9, 10, 11
♦   Kevin Drew / Dave Hamelin: 4
CREDITS:
♦   Ohad Benchetrit  Composer, Unknown Performer Role
♦   Brendan Canning  Bass
♦   Shawn Creamer  Vocals (Background)
♦   Kevin Drew  Composer, Primary Artist, Producer, Unknown Performer Role
♦   Leslie Feist  Vocals
♦   Dave Hamelin  Composer, Engineer, Mixing, Producer, Unknown Performer Role
♦   Graham Lessard  Engineer, Producer
♦   Jeff Melanson  Vocals (Background)
♦   Benjamin Oegema  Assistant Engineer
♦   Ohad  Bass, Guitar, Guitar (Acoustic), Marimba
♦   Anthony Price  Assistant Engineer
♦   Jimmy Shaw  Vocal Samples
♦   Charles Spearin  Composer, Unknown Performer Role
♦   Nyles Spencer  Engineer, Mixing Assistant
♦   Jason Stasink  Assistant Engineer
♦   Dean Stone  Unknown Performer Role
Similar Albums: Broken Social Scene: Forgiveness Rock Record, Archer Prewitt: White Sky, The Sea and Cake: Runner, Wheat: Hope and Adams, The Album Leaf: A Chorus of Storytellers, Caribou / Manitoba: Up in Flames, The National: Trouble Will Find Me, Lambchop: Nixon..., etc.
WRITTEN:
BY JOSH TERRYON MARCH 10, 2014, 4:54PM
  Broken Social Scene frontman Kevin Drew will release his sophomore solo album Darlings on March 18th via Arts & Crafts. In anticipation, it’s streaming in full below.
  The follow-up to 2007's Spirit If.., Darlings was recorded in Alberta with co-producers Dave Hamelin (The Stills) and Graham Lessard (Stars). The 12-track album features contributions from Charles Spearin and Ohad Benchetrit of Do Make Say Think and Broken Social Scene and Dean Stone of Apostle of Hustle. It includes the singles “Good Sex” and “Mexican Aftershow Party”.
  “This record is a celebration of memories,” Drew said in a statement. “It’s about the rise and fall of love and sex, in my own life and in today’s society. This topic has been with me for years. I approached it focused purely on the songwriting, leaving all the tricks and explosions behind. I hope you like it… and if you don’t, give to someone who will.” Fortaken: http://consequenceofsound.net/
Artist Biography by Jason Lymangrover
  As a founding member of the experimental indie pop group Broken Social Scene, as well as a member of the label that puts out its music, Arts & Crafts, Kevin Drew worked with ten or more musicians in a collective that helped usher in the chamber pop movement. He grew up in Toronto and got his creative start attending high school at the prestigious Etobicoke School of the Arts along with two future members of BSS, Emily Haines and Amy Millan. After his interests changed from acting to music, he teamed up with Charles Spearin for a recording project called K.C. Accidental and released two records. The duo gradually blossomed into the more ambitious Broken Social Scene, and in 2007 he recorded his first solo release, Spirit If..., the first in a proposed series of solo records by various members of the mega-group. His second solo record came seven years later, following the success, and eventual hiatus of Broken Social Scene in 2011. Later in 2013 he began working with Canadian singer/songwriter Andy Kim, which reignited his creative flair and resulted in another solo album. Eventually, his second offering, Darlings, was recorded and expected to appear in 2014.
_______________________________________________________________
REVIEW
BY: LUC RINALDI; GRID RATING: 7/10
  Kevin Drew’s 2007 solo debut, Spirit If…, was, to many people’s ears, a Broken Social Scene record. While the songs were written by Drew, the Toronto collective’s founder and frontman, the band officially “presented” the album, its umpteen members played on it, and the music had the group’s signature sound. Darlings, by contrast, is categorically a Kevin Drew album. Sure, much of the contributing cast is the same and the style is familiar, but Drew sounds like he’s in control. His voice is high in the mix right from the opening moments of intro “Body Butter.” Every layer sounds intentional and carefully selected, from the acoustic guitar to the driving kick and snare — that cohesion is an all-but-impossible challenge when you’re dealing with a dozen-plus bandmates. Simple single “Good Sex” captures the album’s lyrical subject matter (flashbulb memories and making love) and sonic core. That newfound focus gives Darlings a strong sense of self and allows Drew to be more direct with his songwriting.   Thanks to tactful instrumentation and straightforward percussion, the disc feels nicely self-contained. The flipside is that the album’s 11 tracks lack the jubilant magic and spontaneous energy of Spirit If…’s “Lucky Ones” or “Frightening Lives” (the climax of the boisterous “Bullshit Ballad” is the closest thing to an exception). In fact, Darlings might be seen as a more electronic version of Brendan Canning’s solo acoustic effort, last year’s expectedly mellow You Gots 2 Chill. But the relaxed mood is hardly a flaw.   It’s just proof that Drew can deliver, whether there are 20 people on stage or just one.
Playlist picks: “Body Butter,” “Good Sex,” “My God”
Fortaken: http://www.thegridto.com/
Also:
By piercefinchcoursey 
:: http://theindieblender.com/2014/03/11/kevin-drew-darlings/
Website: http://www.kevindrewmusic.com/
REVIEW
by TOM MOON; March 09, 201411:00 PM
  Back in 2007, Kevin Drew (of Toronto's baroque-pop collective Broken Social Scene) gazed longingly at a woman and pronounced her too beautiful for the carnal escapades swirling inside his brain. That song, "Tbtf," was among the wondrous creations on his solo debut Spirit If — a worship-dream set in a sleek, gliding tempo, and sung in a mood of melancholy wistfulness.
  Now Drew returns with the exceedingly direct "Good Sex," which looks at vanishing romantic ideals in the age of the Tinder hookup. "Good sex should never make you feel hollow," he sings, skipping up to a giddy post-coital falsetto for the last syllable. "Good sex should never make you feel clean."
  Is this progress? Going from a nuanced, image-rich reverie like "Tbtf" to a repeating series of blunt observations on the art of sex?
  In Drew's case, yes. We often measure artistic growth by focusing on the big strides, but the evolution that defines Drew's second solo album, Darlings, is most apparent in the fine print — and, notably, in what he's trimmed away to make hyper-streamlined, tightly edited songs. The songwriter and multi-instrumentalist who helped guide Broken Social Scene through several gorgeous, lushly orchestrated albums is thinking differently about the scale of his songs, pruning back whatever is unnecessary.   "Good Sex" works in part because it aims to express a simple idea, and uses few words juxtaposed against BSS-like widescreen music to do it. At the song's start, Drew's declarations seem oddly prescriptive and blunt, the mantras of a free-weekly sex columnist. But as the accompaniment gathers steam and eventually arrives at a full anthemic thrum, the tone changes, and a more personal refrain —  "I'm still breathing with you, baby" — takes over. Just like that, what began as a cheap device sprouts dimension, registering as intimate, romance-novel heroic and just a touch sarcastic all at once.
  This kind of distillation is an art, and Darlings suggests that Drew is becoming a master of it. Many of the songs spring from stray ideas and single moments; rather than seize and analyze the component parts of some fleeting rush, Drew just follows its path, then figures out what sorts of sounds best convey its essence. Some songs, like "It's Cool," amount to a series of vibey Lou Reed-ish whispers; others, like "You Gotta Feel It," use the propulsion of a basic four-on-the-floor bass drum to power a brave search for what matters in life. Where other songwriters obsess over the details of story, Drew zooms in on a moment and chases the full sensory experience of it — to hear perhaps the most crystalline of these freeze-frame moments, check out "First in Line."
  Then there's "You in Your Were," an unsettling reverie punctuated by vaguely math-rock guitar arpeggios. It's a look at the power of lingering memories, and what it means to hang on, perhaps obsessively, to a memory — a topic that has doomed many songs to the high-concept dungeon. Drew avoids this fate through inventive, continuously unfolding guitar and synth textures. The song is one long rousing crescendo; its surging rhythm, which recalls Neon Bible-era Arcade Fire, gathers momentum like a plane on the runway. Everything is hurtling forward, except for those words Drew is singing about looking back, and the contrast is just strange enough to sound like genius.
  There's a lot of that disarming stuff on Darlings. Though he's thinking in simpler, more earthbound terms as a lyricist, Drew can't help but write music that sprawls in satisfying, sometimes bone-rattling ways. He's on the hunt for atmospheres that allow for the expression of profound intimacy and massive sonic grandeur all at once, and when he finds one, it's a glimpse of a rare and beautiful euphoria. (http://www.npr.org/)
Discography:
Solo:
  Spirit If... (2007)
  Darlings (2014)
Broken Social Scene:
  Feel Good Lost (2001)
  You Forgot It in People (2002)
  Bee Hives (2004)
  Broken Social Scene (2005)
  Forgiveness Rock Record (2010)
K.C. Accidental:
  Captured Anthems for an Empty Bathtub — (1998)
  Anthems for the Could've Bin Pills — (2000)
_______________________________________________________________

Kevin Drew — Darlings (2014)

 

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Indoor Voices — Animal (Feb. 14, 2020)
I Break Horses — Chiaroscuro
Einstürzende Neubauten — Alles In Allem (May 29th, 2020)
100 Gecs — 1000 gecs (May 31, 2019)
Evergreen — Overseas (15 Jun 2018)
Kurt Rosenwinkel Trio — Angels Around (May 8, 2020)
The Feather — Room (10 July, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
György Ligeti — Lontano (22. Oct.,1967)
OWEN PALLETT — Heartland (March 3, 2014)
Badly Drawn Boy — Banana Skin Shoes (22nd May, 2020)
A.O. Gerber — Another Place to Need (May 22, 2020)
Kaleidoscope — Faintly Blowing (11 April 1969, Reissue, Remaster
Perfume Genius — Set My Heart On Fire Immediately (15th May 2020
Perfume Genius — No Shape (5 May, 2017) BC
Perfume Genius — No Shape (5 May, 2017) FC
Sungazers — Wasting Space (May 18, 2020)
Cermaque — Lament (22nd May, 2020)
Mountaineer — Bloodletting (May 22nd, 2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Steve Earle — Townes (May 8, 2009)
Steve Earle & The Dukes — Ghosts of West Virginia (May 22, 2020)
Sixth June ‎— Trust (17 Jan 2020)
White Tail Falls — Age of Entitlement (May 29, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
Nicole Atkins — Italian Ice (29 May 2020)
Deerhoof — Future Teenage Cave Artists (May 29, 2020)
Deradoorian — Find the Sun (Sept. 18, 2020)
Bob Dylan — Rough and Rowdy Ways (June 19th, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
This Will Destroy You — Vespertine (June 9, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Yoko Ono, Kim Gordon & Thurston Moore — YOKOKIMTHURSTON
Psychic Markers — Psychic Markers (29 May, 2020)
The Memories — Pickles & Pies (May 29, 2020)
Songs for the Late Night Drive Home (Feb. 5, 2016)
Spc Eco — Dark Matter (Nov. 20, 2015)
SPC ECO — June (June 1, 2020)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Larkin Poe — Self Made Man (June 12th, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Endless Field — Alive in the Wilderness (June 12, 2020)
Wesley Gonzalez — Appalling Human (June 12, 2020)
Noveller — Arrow (June 12, 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Andrej Šeban — Triplet (March 22, 2019) inner cover
Andrej Šeban — Triplet (March 22, 2019) cover
The Crossing & Donald Nally — James Primosch: Carthage (05/2020)
Jerskin Fendrix — Winterreise (April 17, 2020)
Zoongideewin — Bleached Wavves (June 19, 2020)
ULRICH SCHNAUSS — A Long Way To Fall — Rebound (3rd April, 2020)
Sports Team — Deep Down Happy (5th June, 2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
Midlake — Antiphon (Nov. 4, 2013)
ANASTASIA MINSTER — Father ©Michael Haley
Jessie Ware — Glasshouse (Deluxe; 20 Oct 2017)
Teen Daze — Morning World
Jessie Ware — What’s Your Pleasure (June 26, 2020)
Art Feynman — Half Price At 3:30 (June 26th, 2020)
Bo Ningen — Sudden Fictions (26th June, 2020)
Khruangbin — Mordechai (June 26, 2020)
Pottery — Welcome to Bobby’s Motel (June 26th, 2020)
Orlando Weeks — A Quickening (June 12, 2020)
John Craigie — Asterisk the Universe (June 12, 2020)
Kavus Torabi — Hip to the Jag (May 22, 2020)
Nadine Shah — Kitchen Sink (June 5, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
Corb Lund — Agricultural Tragic (June 26, 2020)
Christine Ott — Chimères (pour ondes Martenot) (May 22, 2020)
The Beths — Jump Rope Gazers (July 10th, 2020)
Ashley Paul — Window Flower (May 13, 2020)
Grey Daze — Amends [Deluxe Edition] (July 3, 2020)
Grey Daze ©Photo credit: Anjella / Sakiphotography
Ajimal — As It Grows Dark / Light (June 26, 2020)
Ajimal — As It Grows Dark Light (June 26, 2020)
Eleanor Friedberger — Rebound (May 4th, 2018)
ELEANOR FRIEDBERGER — NEW VIEW (January 22, 2016)
Immigrant Union — Judas (June 19, 2020)
Julianna Barwick — Healing Is a Miracle [Japan Edition] (2020)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Neil Young — Homegrown (19th June, 2020)
The Jayhawks — XOXO (July 10, 2020)
Joy Division — Closer (40th Anniversary) [2020 Digital Master] (
Daniel Bachman — The Morning Star (July 27, 2018)
Daniel Bachman — Green Alum Springs (June 6, 2020)
Becca Mancari — The Greatest Part (June 26, 2020)
Ytamo — Vacant (June 12, 2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Thin Lear — Wooden Cave (24th July, 2020)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Sara Serpa — Recognition (June 5th, 2020)
Sara Serpa, Ingrid Laubrock, Erik Friedlander — Close Up (2018)
Klara Lewis — Ingrid (1st May 2020)
Buju Banton — Upside Down (June 26, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
learning structures, vol. 2: end firma
learning structures, vol. 3: distance between us
The Boomtown Rats — Citizens of Boomtown (13 March, 2020)
Ralph of London — The Potato Kingdom (19th June, 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
Land of Talk — Indistinct Conversations (July 31, 2020)