1
 

Kevin Morby — Oh My God (Apr. 26, 2019)                   Kevin Morby — Oh My God (Apr. 26, 2019) Pamela MÃÃÃÃÃÃÃéndez ÃÃÃÃÃÃâ Time (22 Feb 2019)Birth name: Kevin Robert Morby
Born: April 2, 1988, Lubbock, Texas, United States
Location: New York ~ Montecito Heights, Los Angeles ~ Kansas City, Missouri
Album release: April 26th, 2019
Record Label: Dead Oceans
Duration:     49:33
Tracks:
01. Oh My God   4:05
02. No Halo   3:07
03. Nothing Sacred / All Things Wild   3:31
04. OMG Rock n Roll   2:29
05. Seven Devils   3:55
06. Hail Mary   5:38
07. Piss River   5:20
08. Savannah   3:21
09. Storm (Beneath the Weather)   1:21
10. Congratulations   2:47
11. I Want to Be Clean   3:30
12. Sing a Glad Song   4:23
13. Ballad of Faye   2:25
14. O Behold   3:42
★   25,50 €
★   Jeudi 20 Juin 2019 — 19h00
★   Cabaret Sauvage 75019 PARIS
★    With his four acclaimed solo albums and myriad records of various collaboration, Kevin Morby has become a true musical auteur. His singular vision, evocative lyrics, and aptitude for catchy, dense songwriting has placed him firmly among the ranks of modern icons like Bill Callahan, Kurt Vile, Sharon Van Etten, Will Oldham, and Jeff Tweedy. Each Morby record possesses its own unique persona and explores intriguing themes and fertile terrain through shifting, focused textures and dexterous, dedicated skill. And now, with the lavish, resplendent, career~best double LP Oh My God — with whom Morby made his 2016 breakthrough Singing Saw — Morby delivers a grandiose director’s cut of his biggest statement to date, epic in scope as well as sound.
★    Throughout his past work, Morby has noticed the ubiquity of an apparent religious theme. Though not identifying as “religious”, Morby — the globetrotting son of Kansas City who has made music while living on both coasts before recently returning to his Midwestern stomping grounds — recognizes in himself a somewhat spiritual being with a secular attitude towards the soulful. And so, in an effort to tackle that notion head~on and once~and~for~all, he sat down in his form of church — on planes and in beds — and wrote what would become his first true concept album. “This one feels full circle, my most realized record yet,” says Morby. “It’s a cohesive piece; all the songs fit under the umbrella of this weird religious theme. I was able to write and record the album I wanted to make. It’s one of those marks of a life: this is why I slept on floors for seven years. I’ve now gotten the keys to my own little kingdom, and I’m devoting so much of my life to music that I just want to keep it interesting.”
★    Morby admits he has viewed the world through a skewed spiritual lens his entire life. As a kid he was told by his working~class parents that he was a Methodist, though the family rarely if ever made good on that claim come Sunday, and he saw fire~and~brimstone billboards on Kansas roadways with the aim of scaring heathens straight. Despite his ignorance and indifference, religion seemed to be everywhere, and as Morby grew as a musician — playing bass for Woods, fronting The Babies, and with his solo career — he embraced its influence with his work. In 2016, on the heels of a trio of critically~acclaimed albums, he wrote the protest song “Beautiful Strangers” about the devastating world events of that year, and in it he inserted multiple “oh my god”s as pleas of desperation. The song became his most celebrated work to date and the phrase became a mantra for Morby, inspiring him to weave the exclamation conceptually into the fabric of an entire album. In effect, he sought to highlight how that immortal turn of phrase embodies so much of our relationship with the sacred and profane — how religion is all around us, always, and that by simply uttering an OMG we enforce its ubiquity and ability to endure while humanizing its reach.
★    “Religion is around all of us,” Morby says. “It’s a universal language and there is profound beauty in it. I’ve found it a useful tool within songwriting, as it’s something everyone can relate to on some level. There are religious themes or imagery in a lot of what I’ve done, so I wanted to get all of that out and speak only that language for a whole record. It’s not a born~again thing; it’s more that ‘oh my god’ is such a profound statement we all use multiple times a day and means so many different things. It’s not about an actual god but a perceived one, and it’s an outsider’s view of the human experience in terms of religion.”
★    In January 2017, preceding the release of his fourth solo record City Music, Morby went into producer Sam Cohen’s Brooklyn studio for four days to record a handful of material written with his usual folk~meets~lo~fi~electric~guitar sound in mind. Cohen, with whom Morby made his 2016 breakthrough Singing Saw, had started recording the new songs with a business~as~usual mentality when on the third day he was struck with an idea: Rather than create what was becoming Singing Saw: Part 2, what if they stripped everything back and instead of the entire Morby rock palette used only a few colors at a time, focusing on Morby as hyper~literate singer instead of guitar~slinging troubadour?
★    “Sam suggested that we make songs that sound like sonic pop~art that only have a few colors, like a Keith Haring piece,” Morby says. “My other records had tons of colors, so we decided to keep this stark, like a painting that’s black~and~white with one vibrant blue. We went back to the drawing board and thought about what we wanted to do conceptually across an entire piece. And for the first time I could do exactly what I wanted, as I had time and the ability to get everything precise. Sam encouraged me to let my lyrics sit on top of everything else, and that discovery and the confidence that came with making my fifth record helped me realize the new direction was exactly where we needed to be. We opened it up completely and set out to make something in its own universe.”
★    Over the remaining day~and~a~half, Morby and Cohen recorded new versions of four songs — “Oh My God,” “No Halo,” “Savannah,” and “Nothing Sacred/All Things Wild,” the latter becoming a mission statement for the new sound and featuring Morby singing, Cohen playing a subtle organ part, and Morby’s drummer Nick Kinsey on congas. Breaking the songs down into their separate parts served Morby’s religious theme perfectly, as did the blueprint of “Beautiful Strangers,” a song that would serve as a skeleton key of sorts for everything that was to come. Over the course of 2017, he wrote an album’s worth of songs modeled after “Strangers” while on tour.
★    As Morby jetted around the world playing shows, he came to realize that all that air travel was making its way into his music, too. He had always used his time in the sky to work on songs and listen to demos he had recorded, but he began noticing an aero~dynamic emerging in his lyrics as well. “Flying can be something of a religious experience for many people, myself included,” he says. “It’s unnatural, and it can be so scary being that high up — a few big bumps can even make an atheist pray. You’re anxious as you take off and thinking about death, then you level off and suddenly you’re in this kingdom above the clouds. There’s a holy feeling, and a big part of the record’s theme is being above the weather. The first song, ‘Oh My God,’ starts with chaotic hammering on a piano and then smooths out with a choir singing; it’s meant to mimic how I feel on an airplane.”
★    All that flying also meant Morby was sleeping in a new place each night, a situation he also learned to embrace creatively — most of Oh My God’s songs were written from beds. Morby typically starts and ends each day by playing guitar or writing songs while under the covers, a practice that mimics prayer in myriad ways. “There’s something sacred about working from bed,” he says. “It’s where you make love and where you dream. I always write just before I go to sleep and right when I wake up. It’s where I can access that feeling of dreams. Any bed is always a sanctuary, but my bed at home is the Holy Grail.”
★    Morby sought to represent these sentiments visually for the release of Oh My God. In addition to using a portrait of him reclining in his own fluffy~white bed at home in Kansas City on the album cover, he also worked with the filmmaker Chris Good on a short film to accompany the release. The film stars Morby as he wanders through a dream~like series of encounters — on planes, in cars, in a diner, at home in his back yard — and presents a Gondry~esque vision of the album and its holy mood.
★    Meanwhile, in January of 2018, a full year after their initial session, Morby and Cohen returned to the studio together to complete the album’s recording. They fine~tuned the rollicking opening trio — starting with the title track, then first single “No Halo,” and “Nothing Sacred/All is Wild” — and played with various styles and techniques throughout. The ethereal “Congratulations” was written in a dream, a first for Morby. (“Someone had been singing the chorus to me over and over, and I woke up in the morning and walked to my piano and wrote it then and there.”) “Seven Devils” features a ripping guitar solo by Morby’s bandmate Meg Duffy that evokes a distorted hellfire, and “Piss River” is a stream~of~consciousness, poetic and profound tune featuring harp played by Morby’s friend Mary Lattimore while the singer has a call~and~response conversation with himself. Saxophone duties throughout the record were handled largely by Cochemea Gastelum, and a seven~member choir appears as well. Morby directed Cohen in the creation of a track called “Storm (Beneath the Weather),” a 90~second ambient instrumental piece made with synthesizers to mimic what it can feel like under the clouds. “Above the weather, you’re safe and nothing can get to you; it’s heavenly, like you achieved peace,” Morby says. “Below that you’re subject to the insanity of humanity, or Mother Nature. I wanted a weird, atonal sound on the record to represent a storm, which feels in~line with the pop~art idea.”
★    “Hail Mary” may be the album’s grandest moment and is recognizable as one of the few guitar~driven songs that hearkens back to his previous work. Its heavy scope is still apparent despite the fact that Morby and Cohen edited it down from its original 15~minute~long, multiple~verse version into a concise five minutes and three verses. And as the final song, “O Behold,” makes a familiar, just~in~case farewell from an airplane seat (“If the plane’s on fire/know I love you”), the listener can sense the credits rolling as the clouds begin to break, grips loosen, and the kingdom comes into view. At 14 tracks and four sides, Oh My God is an actualized concept album with a contemporary feel that is sure to find itself on the shelf next to classic double~LPs like Blonde on Blonde, Exile on Main St, London Calling, and Zen Arcade with its maker planted firmly in a window seat at the front of the plane. Morby has graduated from the DIY beginnings and warehouse shows of his early days to become an admired, impassioned auteur who retains firm control of his vision as his stages only continue to grow. “At the end of the day,” says Morby, “the only thing I don’t want is to be bored. If someone wants to get in my face about writing a non~religious religious record? Thank god. That’s all I gotta say.”
| Score: ★★★★★
About:
★    Musical auteur Kevin Morby shares a new song and an accompanying video, “Nothing Sacred / All Things Wild,” from Oh My God, out April 26th via Dead Oceans. Following the previously released “No Halo,” “Nothing Sacred / All Things Wild” blooms slowly, beginning with minimalistic percussion before swelling with gospel chorales and the occasional flutter of saxophone. The video, directed by frequent collaborator and filmmaker Christopher Good and produced by Andreina Byrne, presents off~kilter imagery — Morby walking barefoot through a greenhouse as children sleep on the floor, football players huddling in a cloud of smoke, a young girl’s ankles ensnared by vines. The result is a beautifully constructed exploration of oscillating time.
★    In terms of the song itself, it holds the key to the sound that Morby and producer Sam Cohen developed that ultimately would come to define the whole record. “‘Nothing Sacred’ was the moment that Sam and I stumbled into what would become the sonic landscape of Oh My God by breaking the songs down to their parts and doing away with a conventional band,” explains Kevin. “Rather than I play the song on guitar as originally intended, Sam suggested I only sing while he play organ and Nick [Kinsey], who is the drummer of my live band, play congas. Within moments of the first take it became clear what the record was to become, and how we wanted to represent the songs. What you’re hearing here is a first take and the sound of us walking into a new discovery.”
★    Throughout his past work, Morby has noticed the ubiquity of an apparent religious theme. Though not identifying as “religious” in the slightest, Morby recognizes in himself a somewhat spiritual being with a secular attitude towards the soulful. And so, in an effort to tackle that notion head~on and once~and~for~all, he sat down in his form of church — on planes and in beds — and wrote what would become his first true concept~album. If Singing Saw was Kevin’s LA record, and City Music was his ode to New York City, then Oh My God lives in the sky, above the weather, both nowhere and everywhere at once.
★    Finally, the short film “Oh My God,” directed by Christopher Good and starring Kevin Morby (and naturally featuring the music of Oh My God throughout), will premiere Wednesday, April 3rd, in Los Angeles’s Hollywood Forever Cemetery. The short film, inspired by Kevin’s music and the album’s visual companion, will be followed by a solo performance by Morby.
Twitter: https://twitter.com/kevinmorby 
Facebook: https://www.facebook.com/kevinrobertmorby 
Website: http://www.kevinmorby.com/ 
Bandcamp: https://kevinmorby.bandcamp.com/album/city-music 
Label: https://deadoceans.com/ 
_______________________________________________

ALBUM COVERS XI.

Human Impact — Human Impact (13 March 2020)
Johanna Warren — Chaotic Good (May 1, 2020)
Stereolab — Margerine Eclipse (Nov. 29, 2019)
Avey Tare — Eucalyptus (July 21, 2017)
Chris Cornell No One Sings Like You Anymore, Vol. 1 (03/17/2021)
Fatima Yamaha — Spontaneous Order (Nov. 20, 2020)
ANDREW BIRD — CAPITAL CRIMES (April 1st, 2020)
Bonnie “Prince” Billy — I Have Made A Place (Nov. 15th, 2019)
Narrow Head — 12th House Rock (Aug. 28th, 2020)
The Fratellis — Half Drunk Under A Full Moon (8th May, 2020)
LENKA DUSILOVÁ — ŘEKA (Nov. 6th, 2020)
LENKA DUSILOVÁ — ŘEKA (Nov. 6th, 2020)
1600 x 1224 Hen Ogledd — Free Humans.png
Moondog — On The Streets Of New York (Feb. 14, 2020)
MoE/Mette Rasmussen — Tolerancia Picante (March 25, 2019)
The Fratellis — Half Drunk Under A Full Moon (8th May, 2020)
ULRICH SCHNAUSS — A Long Way To Fall — Rebound (3rd April, 2020)
Allegra Krieger — The Joys of Forgetting (August 7, 2020)
Scorn — Cafe Mor (Nov. 15, 2019)
Bo Ningen — Sudden Fictions (26th June, 2020)
Grey Daze — Amends [Deluxe Edition] (July 3, 2020)
Bill Callahan — Gold Record (Sept. 4, 2020)
John Frusciante — Maya (Oct. 23, 2020)
Vertigo Metamorphosis
Mary Lattimore — Silver Ladders (Oct. 9, 2020)
Christian Kjellvander — „About Love and Loving Again“ (Oct. 30,
The Adobe Collective — All the Space That There Is (10 Jan 2020)
Andy Statman — Old Brooklyn (2011)
Endless Field — Alive in the Wilderness (June 12, 2020)
#643: Sarathy Korwar & Upaj Collective — Night Dreamer Direct​~​
The Warriors Of The Wonderful Sound — SOUNDPATH (Nov. 6, 2020)
Grey Daze ©Photo credit: Anjella / Sakiphotography
Mike Cooper — Playing With Water (Nov. 6, 2020)
Les Filles de Illighadad — Eghass Malan (Oct. 28, 2017)
Khruangbin — Mordechai (June 26, 2020)
Caribou — Our Love (October 14, 2014)
Hornscape — Hornscape (March 6th, 2020)
Lo Tom — LP2 (September 11, 2020)
Maja S. K. Ratkje — Sult (31 March 2019)
Orchards — Lovecore (March 13th, 2020)
Drive~By Truckers — The Unraveling (Jan. 30, 2020)
Sarah Harmer — Are You Gone (Feb. 21st, 2020)
Fairport Convention — 50:50@50 (June 9, 2017)
The Flaming Lips — American Head (Sept. 11, 2020)
Nina Kohoutová — Blue Sunray (Feb. 6th, 2020)
Ballrogg — Rogging Ball (Oct. 30th, 2020)
Buju Banton — Upside Down (June 26, 2020)
Alberto Posadas : Poética del Laberinto, cycle pour quatuor de s
The Gray Havens — She Waits (Nov. 7, 2018)
Orlando Weeks — A Quickening (June 12, 2020)
Hibiscus Biscuit — Reflection of Mine (March 1st, 2020)
Elysian Fields — Transience of Life (Sept. 4, 2020)
Molina — Vanilla Shell (Jan. 24, 2020)
Bruce Ackley, Fred Frith, Henry Kaiser, Aram Shelton — Unexpecte
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
Devin B. Thompson — Tales of the Soul (Oct. 30, 2020)
The Men — Mercy (Feb. 14, 2020)
Julia Holter — Never Rarely Sometimes Always (March 13, 2020)
Still House Plants — Fast Edit (Aug. 14, 2020)
Lydia Ainsworth — Darling Of The Afterglow (2019)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
Lydia Ainsworth — Phantom Forest (May 10, 2019)
Fairport Convention — Shuffle and Go (29 Feb., 2020)
Pierre Favre DrumSights — Now (Apr 2016)
Philip B. Price — Bone Almanac (Nov. 8, 2019)
NEØV — „Picture Of A Good Life“ (15 Jan., 2021)
MORCHEEBA Blackest Blue (May 14, 2021)
Debashish Bhattacharya JOY!guru cover
Mark Lanegan — The Winding Sheet (May 11, 1990)
Gemma Ray — Psychogeology [Feb. 15th, 2019, Deluxe Edition, 2020
Courtney Barnett — MTV Unplugged [Live In Melbourne] (2019)
Badly Drawn Boy — Banana Skin Shoes (22nd May, 2020)
Arbouretum — Let It All In (March 20, 2020)
Laura Veirs — MY ECHO (23rd Oct., 2020)
emozpěv — Spolu (1st May 2020)
Whyte Horses — Empty Words (March 9, 2018)
Ajimal — As It Grows Dark / Light (June 26, 2020)
Hail The Ghost — Arrhythmia (6th Dec. 2019)
CECILIA BARTOLI — Opera Proibita (Sept. 13, 2005)
Tim Heidecker — Fear of Death (Sept. 25, 2020)
Markus Reuter — TRUCE (Jan. 17, 2020) cover
The Who — WHO [Deluxe Edition] (22 Nov. 2019)
Childcare — Wabi~Sabi (31st May, 2019)
THE LEAGUE OF ASSHOLES — UNPLUGGED (1st May 2020)
Whyte Horses — Hard Times (17th of Jan., 2020)
Bacchae — Pleasure Vision (March 6, 2020)
PVRIS — Use Me (March 3, 2020)
CLT DRP — Without The Eyes (Aug. 28th, 2020)
Morgan1
Ajimal — As It Grows Dark Light (June 26, 2020)
Joywave — Possession (March 13, 2020)
Sufjan Stevens — Aporia (March 27, 2020)
Midnight Sister — Painting the Roses (Jan. 15, 2021)
Anna Burch — Quit The Curse (Feb 2, 2018)
Wolf Parade — Thin Mind (Jan. 24, 2020)
Work Drugs — Delta (December 5, 2012)
Deserta — Black Aura My Sun (Jan. 17, 2020)
Sink Ya Teeth — Two (28th Feb. 2020)
Georgia — Seeking Thrills (10th Jan., 2020)
A.O. Gerber — Another Place to Need (May 22, 2020)
Deerhoof — Future Teenage Cave Artists (May 29, 2020)
The Growlers — Natural Affair (25th Oct. 2019)
His Name Is Alive — Ghost Tape EXP (Dec. 8, 2020).png
James Taylor — American Standard (Feb. 28th, 2020)
Alogte Oho and his Sounds of Joy — Mam Yinne Wa (Nov. 8, 2019)
Sam Gendel — Satin Doll (13 Mar 2020)
Kaleidoscope — Faintly Blowing (11 April 1969, Reissue, Remaster
Motorpsycho — The All Is One (2CD) (28 Aug., 2020)
Ryan Adams — Ryan Adams (September 8, 2014)
Roman Hampacher — Bílá Vrána (December 6, 2020)
Trees Speak — Ohms (3rd April, 2020)
Nadine Shah — Kitchen Sink (June 5, 2020)
Skinny Pelembe — Dreaming Is Dead Now (May 24, 2019)
CLT DRP — Without The Eyes (Aug. 28th, 2020)
Broken Social Scene — Live at Third Man Records (Feb. 28, 2020)
Perfume Genius — Set My Heart On Fire Immediately (15th May 2020
Ryan Adams — Wednesdays (Dec. 11, 2020)
Deerborn — Where Demons Hide (Aug. 28, 2020)
Brendan Benson — Dear Life (April 24, 2020)
Harvestman — Music for Megaliths (May 19, 2017)
Lucia Cadotsch — Speak Low (Feb. 26, 2016)
Perfume Genius — No Shape (5 May, 2017) BC
Perfume Genius — No Shape (5 May, 2017) FC
Cocteau Twins — Victorialand (April, 1986, Reissue 2020)
Isbells — Sosei (March 1, 2019)
The Feather — Room (10 July, 2020)
Songs for the Late Night Drive Home (Feb. 5, 2016)
Benoît Pioulard & Sean Curtis Patrick — Avocationals (2019)
Spc Eco — Dark Matter (Nov. 20, 2015)
Juliana Hatfield — Weird (Bonus Edition) (Jan. 18, 2019)
Caribou — Suddenly (Feb. 28th, 2020)
SPC ECO — June (June 1, 2020)
Waxahatchee — Saint Cloud (March 27, 2020)
Florist — Emily Alone (July 26, 2019)
Chapelier Fou — Deltas (Sept. 22, ​2014)
The Boomtown Rats — Citizens of Boomtown (13 March, 2020)
The Flaming Lips — The Soft Bulletin (Nov. 29, 2019)
Emile — The Black Spider / Det Kollektive Selvmord (May 1, 2020)
Larkin Poe — Self Made Man (June 12th, 2020)
Wesley Gonzalez — Appalling Human (June 12, 2020)
Pottery — Welcome to Bobby’s Motel (June 26th, 2020)
Mint Field — Sentimiento Mundial (25 Sept., 2020)
Cosmo Sheldrake — Galapagos [Original Soundtrack] 2019
The Telescopes — Hidden Fields (August 7th, 2015)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Kyrie Kristmanson — Lady Lightly (Jan. 10, 2020)
Yorkston/Thorne/Khan — Navarasa : Nine Emotions (24th Jan. 2020)
Hey Colossus — Dances / Curses (Nov. 6, 2020)
Ralph of London — The Potato Kingdom (19th June, 2020)
Sigur Rós — Odin’s Raven Magic (Dec. 4, 2020)
Cotatcha Orchestra — Bigbandová elektronika / Bigband Electronic
Locate S,1 — Personalia (April 3, 2020
HMLTD — West of Eden (7 Feb., 2020)
OLYMPIC — „Kaťata“ (October 30, 2020)
Noveller — Arrow (June 12, 2020)
Chapelier Fou — Meridiens (Feb. 28, 2020)
HMLTD ©Dean Hoy
Cathedral Bells — Velvet Spirit (March 6, 2020)
Vladislav Delay, Sly Dunbar, Robbie Shakespeare — 500~Push~Up
Orwell — Parcelle brillante (24 April 2020)
Tame Impala — The Slow Rush (Feb 14, 2020)
REBECCA FOON — WAXING MOON (21st Feb., 2020)
Noveller — Arrow (June 7, 2020)
Virginia Plain — Strange Game (Dec. 13, 2019)
Blinker the Star — Juvenile Universe (20 Nov., 2020)
Teho Teardo — Ellipsis dans l’harmonie (March 6th, 2020)
Signe Marie Rustad — When Words Flew Freely (Nov. 15, 2019)
Stian Westerhus — Redundance (March 5, 2020)
Beck — Deep Cuts (March 2020)
Keeley Forsyth — Debris (17 Jan., 2020)
KeiyaA — Forever, Ya Girl (March 27, 2020)
John Craigie — Asterisk the Universe (June 12, 2020)
Ellipsis dans l’harmonie BACK COVER
Half Japanese — Crazy Hearts (4th Dec., 2020)
Lavender Diamond — Incorruptible Heart (Sept. 2012)
MARY — Die Before Death (September 4, 2020)
The Belmondos — Memory Lane (Nov. 20, 2020)
Troi Irons — Flowers (Sept. 25, 2020)
The Dears — Times Infinity Volume One (September 25, 2015)
The Album Leaf — OST (March 20, 2020)
Joensuu 1685 — ÖB (09 Oct., 2020)
Jack Peñate — After You [Expanded Edition] (2020)
Thomas Dybdahl — The Great Plains (Feb 24, 2017)
Lavender Diamond — Now Is the Time (Dec. 4, 2020)
Grimes — Visions (2012)
Grandbrothers — All the Unknown (15 Jan., 2021)
Jessie Ware — Glasshouse (Deluxe; 20 Oct 2017)
Kavus Torabi — Hip to the Jag (May 22, 2020)
Bella White — Just Like Leaving (Sept. 25, 2020)
Pharoah Sanders — „Live In Paris (1975): Lost ORTF Recordings“
Oddfellow’s Casino — The Raven’s Empire (2012)
Calexico / Iron & Wine — Years to Burn (2019)
Chris Potter — There Is a Tide (Dec. 4, 2020)
Amanda Palmer — Forty~Five Degrees: Bushfire Charity Flash Rec.
Veneer — Recovery (April 15, 2020)
Chris Potter — Circuits (Feb. 22, 2019)
Sara Serpa — Recognition (June 5th, 2020)
BECK — Uneventful Days (St. Vincent Remix)
Oddfellow’s Casino — Burning! Burning! (7 Aug., 2020)
This Will Destroy You — Vespertine (June 9, 2020)
Scoundrels — Music From The Arch (Sept. 11, 2020)
Teen Daze — Morning World
Sara Serpa, Ingrid Laubrock, Erik Friedlander — Close Up (2018)
Rufus Wainwright — Unfollow the Rules [Deluxe Version] (July 9,
THE DEARS — ‘Lovers Rock’ (May 15, 2020)
Greenslade — Time and Tide (2 cd, 1975/2015)
Bellows — The Rose Gardener (Feb. 22, 2019)
Ariel Pink — House Arrest (2002/Mar 2011/April 24, 2020)
The Jayhawks — XOXO (July 10, 2020)
Béla Fleck & Toumani Diabaté — The Ripple Effect [2LP, March 27,
Budokan Boys — So Broken Up About You Dying (2 Oct. 2020)
Sonny Landreth — Elemental Journey (May 22, 2012)
Laura Fell — Safe from Me (Nov. 20, 2020)
Laura Perrudin — Perspectives & Avatars (Oct. 9, 2020)
CocoRosie — Put the Shine On (6 March 2020)
Anthony Moore — Out (20 Nov., 2020)
Soho Rezanejad — „Perform and Surrender“ (Dec. 04, 2020)
Whyte Horses — Hard Times (17th of Jan., 2020)
Jessie Ware — What’s Your Pleasure (June 26, 2020)
Corb Lund — Agricultural Tragic (June 26, 2020)
Scott Matthew — Ode to Others (April 20, 2018)
Raed Yassin — Archeophony (Nov. 27, 2020)
Thomas Dybdahl — Fever (March 13, 2020)
Born Ruffians — Juice (April 3, 2020)
Growing Up Live — 3LP Half Speed Remaster (Nov. 27, 2020)
Michael Landau — The Michael Landau Group Live (Oct. 31, 2006)
Marc Ribot’s Ceramic Dog — What I Did On My Long ‘Vacation’ EP
The Beths — Jump Rope Gazers (July 10th, 2020)
Carissa Johnson — A Hundred Restless Thoughts (Dec. 18th, 2019)
Christine Ott — Chimères (pour ondes Martenot) (May 22, 2020)
Eleanor Friedberger — Rebound (May 4th, 2018)
Smashing Pumpkins — Cyr (27th Nov., 2020)
Calexico — Seasonal Shift (Dec. 4th, 2020)
Futurebirds — Teamwork (Jan. 15th, 2020)
Emmy the Great — Second Love (March 11, 2016)
My Morning Jacket — The Waterfall II (Aug. 28, 2020)
ELEANOR FRIEDBERGER — NEW VIEW (January 22, 2016)
Negativland — The World Will Decide (Nov. 13, 2020)
Cormons Jazz & Wine of Peace festival 2008 ©Ziga Koritnik
Andrej Šeban — Triplet (March 22, 2019) inner cover
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
Jenny Lewis — On the Line (March 22, 2019)
Dungen — Live (March 13, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Andrej Šeban — Triplet (March 22, 2019) cover
Sonny Landreth — Blacktop Run (Feb. 21, 2020)
Læetitia Shériff — Pandemonium, Solace And Stars
Gerald Cleaver — Signs (March 27, 2020)
The Crossing & Donald Nally — James Primosch: Carthage (05/2020)
The Drums — Brutalism (April 5, 2019)
Eli Winter — „Unbecoming“ (21 Aug 2020)
DAGMAR VOŇKOVÁ — ARCHA (2020)
Immigrant Union — Judas (June 19, 2020)
KMRU — Peel (18th Sept., 2020)
Spy Machines — Spy Machines (April 3, 2020)
Negativland — True False (25 Oct., 2019)
David Cross & Peter Banks — Crossover (17 Jan., 2020)
Jake Blount — Spider Tales (May 29, 2020)
EELS — Earth To Dora (Oct. 30th, 2020)
Art Feynman — Half Price At 3:30 (June 26th, 2020)
Jerskin Fendrix — Winterreise (April 17, 2020)
Julianna Barwick — Healing Is a Miracle [Japan Edition] (2020)
Joy Division — Closer (40th Anniversary) [2020 Digital Master] (
Sophie Tassignon — Mysteries Unfold (April 24, 2020)
Anika Nilles — For a Colorful Soul (Jan. 10, 2020)
Ospalý pohyb — Ostrava (October 17, 2016)
Deradoorian — Find the Sun (Sept. 18, 2020)
All The Best, Isaac Hayes (A Spoken Word Album)
Ospalý pohyb — ø (May 24, 2016)
James Harries — Superstition (Jan. 31, 2020)
Zoongideewin — Bleached Wavves (June 19, 2020)
HOUPACÍ KONĚ: SOULKOSTEL 8 11 2019 (April 25, 2020)
Recondite — Dwell (Jan. 24, 2020)
Kacey Johansing — No Better Time (Nov. 20, 2020)
Yoko Ono, Kim Gordon & Thurston Moore — YOKOKIMTHURSTON
Com Truise — Persuasion System (May 17, 2019)
Kazuomi Eshima & Masahiko Takeda — Inheritance for Soundscape
Erik Griswold — All’s Grist That Comes To The Mill (03/20, 2020)
Caspian — Dust and Disquiet (Sept. 25, 2015)
SLY & THE FAMILY DRONE FC (17, 2020)
Låpsley — Through Water (March 20th, 2020)
Sarah Longfield — Dusk (April 22, 2020)
Soundwalk Collective with Patti Smith — Peradam (Sept. 4th, 2020
Erik Griswold — All’s Grist That Comes To The Mill (03/20 2020)
Circa Waves — Sad/Happy (March 13th, 2020)
Bob Dylan — Rough and Rowdy Ways (June 19th, 2020)
Kurt Wagner of Lambchop. ©Picture Joanna Bongard
Sol Seppy — The Bells Of 12 (June 21, 2019)
930 x 827 tmavší podklad.jpg
P/\ST — /Expedice do vnitrobloku\ (Oct. 5, 2019)
Roland Tings — Salt Water (Nov. 8, 2019)
Eamon O’Leary — The Silver Sun (Jan. 15, 2021)
M.Ward — Migration of Souls (April 3, 2020)
33EMYBW — Golem (25 Sept., 2019)
The Third Mind — The Third Mind (Feb. 14, 2020)
CocoRosie — Restless (Feb. 12th, 2020)
Sean Henry — A Jump from the High Dive (Nov. 1, 2019)
Mike Cooper — Playing With Water (Nov. 6, 2020)
Ben Featherstone — Prisoner to the Wind (Dec. 20th, 2019)
Ailbhe Reddy — Personal History (23 Oct., 2020)
Thomas Köner — Motus (Feb. 20, 2020)
Lanterns On the Lake — Spook the Herd (21 Feb., 2020)
A Winged Victory for the Sullen — The Undivided Five
Of Montreal — Ur Fun (Jan. 17, 2020)
Lanterns On the Lake — Spook the Herd (21 Feb., 2020)
Seaway — Big Vibe (Oct. 16th, 2020)
Surprise Chef — Daylight Savings (Oct. 16, 2020)
Sega Bodega — Salvador (Feb. 14, 2020)
Klara Lewis — Ingrid (1st May 2020)
Vivienne Wilder — Postromantic (June 12, 2020)
Prophecy Playground — Comfort Zone (Feb. 15, 2020)
Kurt Vile — Speed, Sound, Lonely KV EP (2nd Oct., 2020)
Steve Earle — Townes (May 8, 2009)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Oiseaux~Tempęte — From Somewhere Invisible (19 Dec., 2019)
Hamilton Leithauser (The Walkmen) — Dear God (Aug. 2015)
Steve Earle & The Dukes — Ghosts of West Virginia (May 22, 2020)
Real Estate — The Main Thing (28th Feb., 2020)
Myopia Exclusive Crystal Clear Vinyl
The Kills — Ash And Ice (June 3, 2016)
James Harries — Before We Were Lovers
ANNA CALVI — HUNTED (March 6, 2020)
Elysian Fields — Transience Of Life (May 7, 2020)
SOFIA TALVIK — Paws of a Bear (Sept. 27, 2019)
Badge Époque Ensemble — Self Help (Nov. 20, 2020)
Ali Holder — Uncomfortable Truths (April 10, 2020)
Sungazers — Wasting Space (May 18, 2020)
Neil Young — Homegrown (19th June, 2020)
Lightning Bolt — Hypermagic Mountain (October 18, 2005, March
Sixth June ‎— Trust (17 Jan 2020)
Bellows — The Rose Gardener (Feb. 22, 2019)
Tatsuhisa Yamamoto 山本達久 — Ashioto (Oct. 21, 2020)
From Atomic — Deliverance (April 2020)
Cermaque — Lament (22nd May, 2020)
Tatsuhisa Yamamoto 山本達久 — Ashioto (Oct. 21, 2020)
Laurel Halo — Raw Silk Uncut Wood (July 13, 2018)
Anna von Hausswolff — Dead Magic (March 2018)
Moses Sumney — græ Part 1 & 2 (May 15, 2020)
David Thomas Broughton & Juice Vocal Ensemble — Sliding The Same
Marissa Nadler — unearthed (March 20, 2020)
Jaye Jayle — Prisyn (Aug. 7, 2020)
Sweet Trip — You Will Never Know Why (Jan. 22, 2021)
PETR KALANDRA — Petr Kalandra & ASPM 1982 — 1990 (Feb. 26, 2020)
Justine Vandergrift — Stay (Feb. 7th, 2019)
Hamilton Leithauser — The Loves of Your Life (10 April 2020)
Bombay Bicycle Club — Everything Else Has Gone Wrong (01/24/20)
Gráinne Duffy — Where I Belong (Sept. 19, 2017)
Anthony Gomes — Containment Blues (2020)
Sports Team — Deep Down Happy (5th June, 2020)
Nonlocal Forecast — Bubble Universe! (March 1, 2019)
Lionel Loueke — HH (Sept. 11, 2020)
Al Di Meola — Across the Universe: The Beatles, Vol. 2 (2020)
LENKA NOVÁ — DOPISY (21.03./24.04., 2020)
Genesis Revisited: Live at The Royal Albert Hall — 2020 Remaster
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
The Electric Soft Parade — Stages (Jan. 8, 2020)
Villagers — The Art Of Pretending To Swim (03/19, 2020) DELUXE E
Mountaineer — Bloodletting (May 22nd, 2020)
Ólafur Arnalds — Some Kind Of Peace (6 Nov., 2020)
Steve Hackett — Under A Mediterranean Sky (Jan. 22, 2021)
Anna von Hausswolff — All Thoughts Fly (Sept. 25, 2020)
Tara Fuki — Motyle (Nov. 13th, 2020)
Peel Dream Magazine — Agitprop Alterna (3rd April 2020)
Nicholas Cords — Touch Harmonious (Nov. 6, 2020)
Destroyer — Have We Met (Jan. 31, 2020)
John McLaughlin, Shankar Mahadevan, Zakir Hussain — Is That So?
THE SHAKING SENSATIONS — “How Are We to Fight the Blight” 2xLP
Alphaxone — Dystopian Gate (Jan. 14, 2020)
Lanterns On The Lake — The Realist (Dec. 18, 2020)
A Certain Ratio — ACR Loco (25th Sept., 2020)
THE SCHRAMMS — “Omnidirectional” (June 21st, 2019)
David Thomas Broughton — The Complete Guide To Insufficiency /re
Aimee Mann — Bachelor No. 2 (20th Anniversary Edition) (Nov. 27,
The Chap — Digital Technology (10 Jan., 2020)
Joan As Police Woman — Cover Two (May 1, 2020)
The Shivas — “Dark Thoughts” (October 25, 2019)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Lucy Railton — Paradise 94 (22 Mar 2018)
Drive~By Truckers — The Unraveling (cover)
The Shins — “Heartworms” (March 10, 2017)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
M. Ward — Think of Spring (Dec. 11, 2020)
The Shins — “The Worms Heart” (Jan. 18, 2018)
Psychic Markers — Psychic Markers (29 May, 2020)
Julianna Barwick — Circumstance Synthesis (Dec. 20, 2019)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
Meredith Monk & Bang on a Can All~Stars — Memory Game (03/27/20)
Drive~By Truckers — The Unraveling (cover)
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
JACKSON VANHORN: “AFTER THE REHEARSAL”
Eivind Aarset & Jan Bang — Snow Catches On Her Eyelashes (2020)
Richard Barbieri ‎— Past Imperfect / Future Tense (Mar 2020)
Kevin Morby — Sundowner (October 16, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
EVA ROHLEDER — Babské ucho (Nov. 9th, 2020)
Laurel Halo — Possessed (April 10, 2020)
Helena Deland — Someone New (16 Oct., 2020)
Devendra Banhart — Ma (September 13, 2019)
Field Music — Making a New World (Jan. 10, 2020)
Gráinne Duffy — Voodoo Blues (Oct. 15, 2020)
The Memories — Pickles & Pies (May 29, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Highasakite — Uranium Heart (Feb. 1st, 2019)
Pearl Jam — Gigaton (March 27, 2020)
Walter Martin — The World at Night (Jan. 31, 2020)
The Tiger Lillies — Cold Night in Soho (10 Feb. 2017)
Silkworm — In The West (24 Jan., 2020)
Chavez — Gone Glimmering [Expanded Edition] (Oct. 23, 2020)
Kamaal Williams — Wu Hen (July 24, 2020)
Caspian — On Circles (January 24, 2020)
Jennifer Curtis & Tyshawn Sorey: Invisible Ritual (2020)
DAVID POMAHAČ — DO TMY JE DALEKO (Feb. 7, 2020)
Don Gallardo — The Lonesome Wild (April 2, 2020)
Damon Locks Black Monument Ensemble — Where Future Unfolds (2019
The Tiger Lillies — Edgar Allan Poe’s Haunted Palace
Mark Lanegan — Straight Songs Of Sorrow (8th May, 2020)
I Break Horses — Warnings (08 May 2020)
Cocteau Twins — Head Over Heels
Cocteau Twins — Treasure
Sarah Jarosz — World On The Ground (June 5, 2020)
The Innocence Mission — See You Tomorrow (Jan. 17, 2020)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
The Tiger Lillies — Covid~19 (April 10, 2020)
Hawkwind — Acoustic Daze (25 Oct. 2019)
The Avalanches — We Will Always Love You (11 Dec., 2020)
Beautify Junkyards — Cosmorama (15th Jan., 2021)
Wendy Eisenberg — Auto (Oct. 16, 2020)
TANYA DONELLY: Swan Song Series bonus tracks (FC)
Kate Amrine — This Is My Letter to the World (Jan. 24, 2020)
CONCEPT ART ORCHESTRA — „100 YEARS“ (11.12.2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
WHITE TAIL FALLS — Age Of Entitlement (May 29, 2020)
Susan Alcorn Quintet — Pedernal (Nov. 13, 2020)
Coloured Clocks — Flora (May 2, 2020)
Daniel Knox — Won’t You Take Me with You (Jan. 15, 2021)
Indoor Voices — Animal (Feb. 14, 2020)
ELYSIAN FIELDS — Pink Air
Midlake — Antiphon (Nov. 4, 2013)
Jonathan Wilson — Rare Birds (March 2nd, 2018)
KIESLOWSKI Tiché lásky
Fiona Apple — Fetch The Bolt Cutters (17 Apr., 2020)
Lucrecia Dalt — Syzygy (Oct. 15, 2013)
Hayden Thorpe — Diviner (24 May 2019)
Cocteau Twins — Garlands (1982, Reissue 2020)
Alessandra Leão ‎— Macumbas e Catimbós (24/05/2019)
Cowboy Junkies — Ghosts (30 Mar 2020)
Laura Marling — Song for Our Daughter (April 10th, 2020)
Wendy Eisenberg — Its Shape Is Your Touch (Oct. 2018)
Baxter Dury — The Night Chancers (20 March 2020)
San Fermin — San Fermin (Nov. 11, 2013)
Sara Bareilles — What’s Inside Songs From Waitress (11/06, 2015)
The Heliocentrics — Telemetric Sounds (Aug. 7, 2020)
JAMES YORKSTONE — The Wide, Wide River (22nd Jan., 2021)
The Dream Syndicate — „The Universe Inside“ (April 10, 2020)
Black Sabbath: Black Sabbath (13 Feb., 1970)
Third Coast Percussion & Devonté Hynes — Fields (Oct. 11, 2019)
White Tail Falls — Age of Entitlement (May 29, 2020)
MUFF — Fatalust (Nov. 1, 2019) cover
Ben Watt — Storm Damage (31st Jan., 2020)
San Fermin — The Cormorant I & II (Oct. 4, 2019/April 3, 2020)
Saša Niklíčková — Zmačkaná žena (Oct. 26, 2020)
Stephen Duffy — I Love My Friends [Expanded Ed] (10 May 2019)
I Break Horses — Chiaroscuro
Sea Wolf — Through a Dark Wood (March 20, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Yorkston | Thorne | Khan — Navarasa : Nine Emotions (2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Stove — ‘s Favorite Friend (Oct. 31, 2018)
ANASTASIA MINSTER — Father ©Michael Haley
Jonathan Wilson — Dixie Blur (March 6, 2020)
Fruition — Broken At The Break Of Day (Jan. 23, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
1600 x 1600 High Violet (10th Anniversary Expanded Edition).jpg
ROBERT FRIPP — THE KITCHEN (New York, NY) — 05 FEB 1978
Sara Bareilles — More Love: Songs from Little Voice Season One (
The Sufis — Double Exposure (Jan. 24, 2020)
ÁSGEIR: IN THE SILENCE
Martin Barre — Roads Less Travelled (26 Oct. 2018)
Loveblind / Sleeping Visions (March 27, 2020)
Walter Martin — The World at Night (Jan. 31, 2020)
Asher Gamedze – Dialectic Soul (July 10, 2020)
Frances Quinlan — Likewise (Jan. 31, 2020)
KING CRIMSON, The Night Watch
Brooklyn Raga Massive — In D (Nov. 21, 2020)
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Matt Berninger — Serpentine Prison (Oct. 16, 2020)
Rizan Said — Saz û Dîlan (Oct. 11, 2019)
Ásgeir — Bury the Moon (7 Feb., 2020)
Riva Taylor — ‘This Woman’s Heart .1’ (27 Mar 2020)
Wrangler — A Situation (28 Feb., 2020)
Juraj Griglák, From The Bottom (Sept. 16, 2019)
Cheerleader — Almost Forever (Feb. 7, 2020)
Queer Jane — Amen Dolores (March 27, 2020)
BECCA STEVENS — WONDERBLOOM (March 20th 20, 2020)
Juraj Griglák — From the Bottom (Sept. 16, 2019)
Einstürzende Neubauten — Alles In Allem (May 29th, 2020)
Torres — Three Futures (29th Sept. 2017)
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Bison Bone — Find Your Way Out (Sept. 25, 2020)
Oh Wonder — No One Else Can Wear Your Crown [Deluxe Edition]
These New Puritans — The Cut (2016~2019) (14 Feb. 2020)
Laetitia Shériff — Stillness (Nov. 6, 2020)
Thin Lear — Wooden Cave (24th July, 2020)
Torres — Silver Tongue (Jan. 31, 2020)
King Khan — The Infinite Ones (Oct. 30, 2020)
Anoushka Shankar — Love Letters (7 Feb., 2020)
Free To Grow — Imperfection (Aug. 7, 2020)
Dan Croll — Grand Plan (21 Aug., 2020)
Lilien Rosarian ~ A Day in Bel Bruit (June 9, 2019)
Jim Noir — A.M Jazz (Dec. 20, 2019)
Shemekia Copeland — Uncivil War (October 23rd, 2020)
I Like to Sleep — Daymare (April 17, 2020)
Kaki King — Modern Yesterdays (Oct. 23, 2020)
Bill MacKay and Katinka Kleijn — STIR (Oct. 17, 2019)
The Mountain Goats — Getting Into Knives (Oct. 23, 2020)
Ben Sidran — Blue Camus (Oct. 2014)
Varga Marián — Solo in Concert (1. feb. 2018)
Paris Jackson — Wilted (Nov. 13, 2020)
No~Man — Love You To Bits (Nov. 22, 2019)
Death Cab for Cutie — The Georgia EP (Dec. 4th, 2020)
Blackbird & Crow — Ailm (17 Jan 2020)
Liz Longley — Liz Longley (March 17, 2015)
Van der Graaf Generator — Recorded Live in Concert
Bruce Springsteen — Letter to You (Oct. 23, 2020)
Amy LaVere — Painting Blue (27 Mar 2020)
100 Gecs — 1000 gecs (May 31, 2019)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cold Chisel — Blood Moon (6 Dec., 2019)
Cold War Kids — New Age Norms 1 (Nov. 1, 2019)
Blackbird & Crow © 2020 Author: Megan Doherty
WaqWaq Kingdom — Essaka Hoisa (Nov. 15, 2019)
The Mountain Goats — Songs for Pierre Chuvin (April 10, 2020)
Hawktail — Formations (Jan. 10, 2020)
Morrissey — I Am Not a Dog On a Chain (March 20th, 2020)
Jack Peñate — After You (29th Nov. 2019)
Villagers — Darling Arithmetic [Deluxe Version] (April 10, 2015)
Ashley Paul — Window Flower (May 13, 2020)
Daniel Bachman — The Morning Star (July 27, 2018)
Roger Eno | Brian Eno — Mixing Colours (20 March, 2020)
Darnielle, Jon Wurster, Matt Douglas, Pete Hughes. ©Josh Sanseri
Joe Bonamassa & The Sleep Eazys — Easy To Buy, Hard To Sell
Axel Flóvent — You Stay by the Sea (15 Jan., 2021)
Preston Lovinggood — Consequences (June 10, 2018)
Martin Barre — Away With Words
Ezra Bell — This Way to Oblivion (3rd April, 2020)
All Them Witches — Nothing as the Ideal (Sept. 4, 2020)
Shafiq Husayn — The Loop (March 29, 2019)
Queer Jane — Home (Dec. 1, 2016)
RADEK BABORÁK a jeho ORQUESTRINA na PIAZZOLLOVSKÉ ALBUM.
Moonchild — Little Ghost (6th Sept. 2019)
Evergreen — Overseas (15 Jun 2018)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
The Waterboys — Good Luck, Seeker (Deluxe) (Aug. 21, 2020)
Dave Scanlon — Pink in each, bright blue, bright green (Jan. 15,
Maarja Nuut & Ruum — World Inverted (11th Sept., 2020)
Richard Youngs — Dissident (Jan. 25, 2019)
Kuře v hodinkách — Flamengo
Daniel Bachman — Green Alum Springs (June 6, 2020)
Midwife — Forever (April 10, 2020)
Kamasi Washington — Becoming (Music from the Netflix Original Do
Siobhan Wilson — The Departure (10 May, 2019)
Kris Delmhorst — Blood Test
Martin Burlas & Musica falsa et ficta — Hexenprozesse
I Don’t Know How but They Found Me — Razzmatazz (Oct. 23, 2020)
Songdog — Happy Ending (27th March, 2020)
Zuzana Mikulcová — Slová
Holly Herndon — PROTO (Winner of Tais Awards 2020)
Rory Block — Prove It On Me (March 27, 2020)
Cate Le Bon — Here It Comes Again (2020)
Tunng — Tunng Presents…DEAD CLUB (Nov. 6, 2020)
Sean O’Hagan — Radum Calls, Radum Calls (2019)
Lost Horizons — In Quiet Moments (Dec. 4, 2020/2021)
Nicey Nice World — Obelisks and Asterisks (Sept. 22, 2020)
Robert Plant — Carry Fire (2 LP, 13/10/2017)
Ben Sidran — Who’s the Old Guy Now (Nov. 20, 2020)
Le Butcherettes — DON’T BLEED EP (14 Feb 2020)
Devin Sinha — The Seventh Season (Oct. 21, 2014)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
First Aid Kit — Stay Gold (2014)
Land of Talk — Indistinct Conversations (July 31, 2020)
Kuře v hodinkách — Flamengo
Luke Haines — Beat Poetry For Survivalists (6 Mar. 2020)
Devin Sinha — Liminal Space (Oct. 23, 2020)
Nicole Atkins — Italian Ice (29 May 2020)
Maria Schneider Orchestra — Data Lords (24th July, 2020)
Lambchop — TRIP (Nov. 13th, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
BC Camplight — Shortly After Takeoff (24 April 2020)
Delta Spirit — What Is There (Sept. 11th, 2020)
The Magnetic Fields — Quickies (May 15, 2020)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
Cold War Kids — New Age Norms 2 (Aug. 21, 2020)
learning structures, vol. 2: end firma
Becca Mancari — The Greatest Part (June 26, 2020)
learning structures, vol. 3: distance between us
Severin Bells — A Brighter Side to the Unknown (24th Oct., 2020)
The Apache Relay — Apache Relay (April 22, 2014)
Thurston Moore — By The Fire (Sept. 25, 2020)
Kurt Rosenwinkel Trio — Angels Around (May 8, 2020)
Frazey Ford — U kin B the Sun (Feb. 7th, 2020)
Lizzy Farrall — Bruise (March 27, 2020)
Alice Peacock — Minnesota (Sept. 20th, 2019)
Devon Williams — A Tear in the Fabric (May 1, 2020)
Gwenifer Raymond — Strange Lights Over Garth Mountain (2020)
LENKA DUSILOVÁ — ŘEKA (Nov. 6th, 2020)
STEREOLAB: Oscillons from the Anti~Sun
Hallelujah the Hills — A Band Is Something to Figure Out (2016)
Loveblind: Visions
Lilly Hiatt — Walking Proof (27 March, 2020)
Mekons — Deserted (March 29, 2019)
Loveblind: Visions
Throwing Muses — Sun Racket (Sept. 4, 2020)
Sean McMahon ― You Will Know When You’re There (March 1, 2019)
Deradoorian — Find the Sun (Sept. 18, 2020)
The Chats — High Risk Behaviour (March 27, 2020)
Tylor Dory Trio — Unsought Salvation (Dec. 21, 2019)
György Ligeti — Lontano (22. Oct.,1967)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Guranfoe — Sum of Erda (Dec. 13, 2019)
Susanne Sundfør — Self Portrait (Original Score, 10th Jan. 2020)
Ronnie Godfrey — Shades of Blue (Oct. 25, 2019)
Intocable ― Percepcion (March 15, 2019)
Ytamo — Vacant (June 12, 2020)
Pancrace — The Fluid Hammer (09 Sep 2019/2LP)
Humanist — Humanist (21 Feb., 2020)
White Lies — To Lose My Life… [10th Anniversary Deluxe Edition]
Slow Pulp — Moveys (Oct. 9, 2020)
Andrej Šeban — Rock and Roll z Rači (11. Sept., 2020)
Wrekmeister Harmonies — We Love to Look at the Carnage (2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Hallelujah the Hills — I’m You (Nov. 15, 2019)
OWEN PALLETT — Heartland (March 3, 2014)
Siobhan Wilson — There Are No Saints (14 Jul, 2017)
Erlend Apneseth — Fragmentarium (Jan. 31, 2020)
Paul McCartney — McCartney III (18 Dec., 2020)
Amaarae — The Angel You Don’t Know (Nov. 12, 2020)
Delta Spirit — Into The Wide (Deluxe Edition, Sept. 9, 2014)