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Liz Green — Haul Away! (2014)

 Liz Green — Haul Away! (April 22, 2014)

GBR Flag Liz Green — Haul Away!

≡   Manchester singer/songwriter whose stripped-back material recalls vintage folk, blues, and cabaret.
≡   Tragi–comic pop clown.
≡   LIZ GREEN dévoile le teaser de son deuxième album “Haul Away!“. Enregistré dans l’atmosphère du mythique studio londonien Toe Rag, LIZ GREEN apporte une nouvelle dimension à sa musique, désormais sublimée par la présence du piano. Le résultat est plus que probant, puisqu’elle signe sur ce deuxième disque certaines de ses compositions les plus entraînantes.
Location: Manchester, England
Album release: April 14th & 22nd, 2014
Record Label: Play It Again Sam
Duration:     39:08
Tracks:
01 Battle     3:03
02 Haul Away!     4:57
03 Rybka     2:42
04 River Runs Deep     1:09
05 Where the River Don't Flow     3:45
06 Empty Handed Blues     3:51
07 Into My Arms     3:21
08 Island Song     3:37
09 Little I     3:41
10 Penelope     3:44
11 Bikya     5:18

•≡   It is said that no (wo) man is an island, entire of itself, but if Liz Green‘s highly acclaimed debut album O, Devotion! says anything it’s that she exists in a certain kind of isolation, as a uniquely exceptional, “eccentric and rather magical” artist, (to borrow words from The Guardian). Now she returns with a new album, Haul Away! which is due out on 14th April via PIAS.
REVIEW
By Jim Fletcher; February 2, 2014
•≡   She’s come a long way since winning the 2007 Glastonbury Emerging Artists accolade. A long way even since her debut long player, 2011's O, Devotion. 
•≡   Like all her work, its full of stories, and words and escapism, and mythology and, well, death. “Obviously, I like to throw some death in there. I don’t want anyone to think I’ve changed too much. Actually, I think only one person dies on the album. The rest is open for debate. I’ve certainly shown them the way out. If they can’t find it, it’s their own fault!”, says Green.
•≡   Musically, the eleven song record floats through a myriad of styles, nodding their head at folk and blues and the theatrical and the cinematic, even prog gets a look in, as Liz Green casts her magical musical net far and wide.
Fortaken: http://backseatmafia.com/
REVIEW
CLASHMUSIC / REVIEWS / 06 · 04 · 2014 · SCORE: 6/10
Words: Shahzaib Hussain
Manchester singer revels in her own quirkiness…
•≡   ‘Haul Away!’ was recorded at London’s Toe Rag Studios, and this environment permeates Manchester singer Liz Green’s retro–folk leanings, lending them a lo–fi, vintage feel.
•≡   Unlike her debut, 2011’s ‘O, Devotion!’ (listen on Deezer), this set is home to perkier piano arrangements featuring sea–faring characters depicted in grainy, cartoon–like quality.
•≡   Green revels in her own quirkiness, flitting between melancholy and spryness, effectively so on ‘Where The River Don’t Flow’. ‘Little I’, a mournful piano ballad, is a wordless number more evocative than lyrical tracks on offer.
•≡   At times her deliberate vocal style disconnects the listener, and one hopes as Green’s career progresses, she trades in the allegories for something a bit more emotionally inclusive. (http://www.clashmusic.com/)
Website: http://www.lizgreenmusic.co.uk
MySpace: https://myspace.com/lizgreenmusic
YouTube: http://www.youtube.com/lizgreenmusic
Twitter: https://twitter.com/lizgreenmusic
Facebook: https://www.facebook.com/lizgreenmusic
REVIEW
•≡   “No man is, no man is, no man is an island / We’ll haul away, haul away, haul away, haul away my love.”
•≡   It is said that no (wo) man is an island, entire of itself, but if Liz Green’s highly acclaimed debut album ‘O, Devotion!’ says anything it’s that she exists in a certain kind of isolation, as a uniquely exceptional, “eccentric and rather magical” artist, (to borrow words from The Guardian). One does not just stumble across her music to be left unmarked. She gives too much for that. Her first musical missives in 2007, set afloat like so many bottled messages, saw her win Glastonbury’s Emerging Talent Competition before finding land in 2011′s full length, and now its emboldened follow up ‘Haul Away!’, due out via [PIAS] Australia on 14 April 2014, is set to reach the most distant of shores.
•≡   “’Haul Away!’ is about Communication. Language. The Insufficiency of Words. Home. How to Fit in. Escape. Sea. Elemental Forces. The Edge of Something. Travel. The End of Something. Mythology. Love Lost. And Death.” And “Obviously, I like to throw some death in there. I don’t want anyone to think I’ve changed too much. Actually, I think only one person dies on the album. The rest is open for debate. I’ve certainly shown them the way out. If they can’t find it, it’s their own fault!” Green jokes. Her second album then continues to speak to her unique character (as droll as it is dark) while it also finds her becoming a piece of the continent, a part of the main by realising that these “Lonely little songs need some company”. Luckily they have it in the form of a band of friends, who accompany her voice — a wonderfully warm melange of styles — and newly grounded piano compositions, surrounding them in bass, saxophone, drums, tuba, trombone, cello and flute “like a life raft or armbands.” Some of them even sound like her “most cheerful” songs to date.
•≡   Returning to the venerated and legendary Toe Rag studios to work with ‘O, Devotion!’ producer Liam Watson because there is no denying Liz and Liam is a winning combination and because she “learnt from the last time round that it’s hard to find somewhere to record that I feel at home in.”. And although two people found themselves in the same space as they were three years ago, it has been used differently. As far as possible, everything was done live, with all of them in the same room, Green believing “that’s how Toe Rag should be used. I like working with the recording devices that are in there. They are tangible and have presence, everything has a history. It makes the whole thing seem more alive. Tape machines will always be slightly different. Over time they develop their own idiosyncrasies. Like humans. Even the mixing is done live to tape. No two mixes will ever be the same. You can’t save and carry on a bit later. Everything has life.”
•≡   “Like ‘O, Devotion!’” she notes “some of the songs on it have had a pretty long gestation period. Things creep around my brain for a long time before I can catch them. I don’t write quickly. I am not, and will never be, a prolific artist. I am a very slow artist.” A quality that can be forgiven when the results are so special. Recording wise this results in a less claustrophobic affair “ I feel ‘O, Devotion!’ was a dry bitter earth of an album” says Green. “And ‘Haul Away!’ is a breath of the edge of the world. The Ground vs The Sea I suppose. There’s more life and more going on. Not so much a homage to what I like. Hopefully it sounds a little more like me.”
•≡   One of the marked differences between this record and the last comes from the fact Green started playing the piano (set up next to the bed for quick fire midnight dream melodies), tracks like ‘Little i’, named after the Little Eye in West Kirby and created around a soothing key driven refrain signifying her “first foray into no-word music.” “I did listen to a lot of music with pianos on” she adds. “Like Thelonious Monk and Nina Simone. I can’t play piano like any of them. But I did like listening. Also to a lot of music without words. That’s quite different. Usually I listen to music because of the words. Lately I’ve been listening because of the music.” Amongst other musicians gracing her ears lately she notes Baby Dee, David Bowie and Bill Ryder–Jones’s ‘If…’ album as influences but stresses that it’s mainly friends’ bands like the Moulettes that impact her. “You learn the most from the people you tour with and the people who are closest to you. I often feel like The Fraudster of the bunch. I work more off gut instinct and emotion than any kind of serviceable talent.” We beg to differ. As will others.
•≡   An eleven song set that begins with the swelling organs of drone–blues love song ‘Battle’ (sounding like a “distant whirring of a helicopter come to rescue you from the battlefield”) and ends, appropriately, with the last song written and recorded by Green and her band ‘Bikya’, ‘Haul Away!’ finds its centre in the Etgar Keret–style escapism inspired title track (a short story that’s like “Narnia for adults, without the talking animals or heavy Christian references”). “It’s my favourite song on the album” explains Green of its sea shanty like rhythms and Greek mythology explorations. “It’s the idea of being the loud and brightly coloured clown in a sea of grey. Feeling like nobody really gets the joke. And wondering if there’s somewhere you can go where everyone’s a clown. And no-one will look at you weird if you keep falling over. Or your trousers don’t fit properly. Or your hair’s a bit funny and you keep saying odd things at inappropriate times. And laughing at funerals.”
•≡   It’s also the song that’s responsible for the main imagery on the album. “The face of tears and the song names in bottles, where every name in every bottle has its place. I imagined a land where all those messages that get sent in bottles ended up. And presented the song titles as such. I was really quite panicked as to what would be the cover. Until the sea face image popped into my head. Just playing on the idea of being filled up with sadness. So much so it overflows and creates a sea. You could drown in it. That happens in ‘Alice In Wonderland’ doesn’t it? She almost drowns in her own tears.”
•≡   Tears are never quite as they seem with Green, a happiness lining her saddest creations, staving off maudlin sighs and celebrating life. The first track lifted from the album ‘Where The River Don’t Flow’ is apparently “a happy song, really” even though it is born from her fascination with “the rituals and business of death” and Dante’s Inferno, its woozy, wonky, circus sounds inspiring visions of rowdy wakes rather than tearful mourners: “A chapter closes. A chapter opens.”
•≡   Even though she is reluctant to say so, ‘Haul Away!’ is also of course about love, a glorious glass–half–full love, (one which sees anti-love stake its claim in unintentionally Nick Cave named album highlight ‘Into My Arms’) which she is destined to be on the receiving end of the moment people hear the it — from those already enamoured (Jo Whiley, Gilles Peterson, Marc Riley, Nemone, John Kennedy to The Sunday Times calling her debut “sensational”) to the people waiting on those distant shores. And with that, another Liz Green chapter opens. (http://mushroompromotions.com/)
_______________________________________________________________

Liz Green — Haul Away! (2014)

 

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Zuzana Mikulcová — Slová
The Fratellis — Half Drunk Under A Full Moon (8th May, 2020)
The Fratellis — Half Drunk Under A Full Moon (8th May, 2020)
Cocteau Twins — Victorialand (April, 1986, Reissue 2020)
Coloured Clocks — Flora (May 2, 2020)
I Break Horses — Warnings (08 May 2020)
Hawkwind — Acoustic Daze (25 Oct. 2019)
Indoor Voices — Animal (Feb. 14, 2020)
I Break Horses — Chiaroscuro
Einstürzende Neubauten — Alles In Allem (May 29th, 2020)
100 Gecs — 1000 gecs (May 31, 2019)
Evergreen — Overseas (15 Jun 2018)
Kurt Rosenwinkel Trio — Angels Around (May 8, 2020)
The Feather — Room (10 July, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
György Ligeti — Lontano (22. Oct.,1967)
OWEN PALLETT — Heartland (March 3, 2014)
Badly Drawn Boy — Banana Skin Shoes (22nd May, 2020)
A.O. Gerber — Another Place to Need (May 22, 2020)
Kaleidoscope — Faintly Blowing (11 April 1969, Reissue, Remaster
Perfume Genius — Set My Heart On Fire Immediately (15th May 2020
Perfume Genius — No Shape (5 May, 2017) BC
Perfume Genius — No Shape (5 May, 2017) FC
Sungazers — Wasting Space (May 18, 2020)
Cermaque — Lament (22nd May, 2020)
Mountaineer — Bloodletting (May 22nd, 2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Steve Earle — Townes (May 8, 2009)
Steve Earle & The Dukes — Ghosts of West Virginia (May 22, 2020)
Sixth June ‎— Trust (17 Jan 2020)
White Tail Falls — Age of Entitlement (May 29, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
Nicole Atkins — Italian Ice (29 May 2020)
Deerhoof — Future Teenage Cave Artists (May 29, 2020)
Deradoorian — Find the Sun (Sept. 18, 2020)
Bob Dylan — Rough and Rowdy Ways (June 19th, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
This Will Destroy You — Vespertine (June 9, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Yoko Ono, Kim Gordon & Thurston Moore — YOKOKIMTHURSTON
Psychic Markers — Psychic Markers (29 May, 2020)
The Memories — Pickles & Pies (May 29, 2020)
Songs for the Late Night Drive Home (Feb. 5, 2016)
Spc Eco — Dark Matter (Nov. 20, 2015)
SPC ECO — June (June 1, 2020)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Larkin Poe — Self Made Man (June 12th, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Endless Field — Alive in the Wilderness (June 12, 2020)
Wesley Gonzalez — Appalling Human (June 12, 2020)
Noveller — Arrow (June 12, 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Andrej Šeban — Triplet (March 22, 2019) inner cover
Andrej Šeban — Triplet (March 22, 2019) cover
The Crossing & Donald Nally — James Primosch: Carthage (05/2020)
Jerskin Fendrix — Winterreise (April 17, 2020)
Zoongideewin — Bleached Wavves (June 19, 2020)
ULRICH SCHNAUSS — A Long Way To Fall — Rebound (3rd April, 2020)
Sports Team — Deep Down Happy (5th June, 2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
Midlake — Antiphon (Nov. 4, 2013)
ANASTASIA MINSTER — Father ©Michael Haley
Jessie Ware — Glasshouse (Deluxe; 20 Oct 2017)
Teen Daze — Morning World
Jessie Ware — What’s Your Pleasure (June 26, 2020)
Art Feynman — Half Price At 3:30 (June 26th, 2020)
Bo Ningen — Sudden Fictions (26th June, 2020)
Khruangbin — Mordechai (June 26, 2020)
Pottery — Welcome to Bobby’s Motel (June 26th, 2020)
Orlando Weeks — A Quickening (June 12, 2020)
John Craigie — Asterisk the Universe (June 12, 2020)
Kavus Torabi — Hip to the Jag (May 22, 2020)
Nadine Shah — Kitchen Sink (June 5, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
Corb Lund — Agricultural Tragic (June 26, 2020)
Christine Ott — Chimères (pour ondes Martenot) (May 22, 2020)
The Beths — Jump Rope Gazers (July 10th, 2020)
Ashley Paul — Window Flower (May 13, 2020)
Grey Daze — Amends [Deluxe Edition] (July 3, 2020)
Grey Daze ©Photo credit: Anjella / Sakiphotography
Ajimal — As It Grows Dark / Light (June 26, 2020)
Ajimal — As It Grows Dark Light (June 26, 2020)
Eleanor Friedberger — Rebound (May 4th, 2018)
ELEANOR FRIEDBERGER — NEW VIEW (January 22, 2016)
Immigrant Union — Judas (June 19, 2020)
Julianna Barwick — Healing Is a Miracle [Japan Edition] (2020)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Neil Young — Homegrown (19th June, 2020)
The Jayhawks — XOXO (July 10, 2020)
Joy Division — Closer (40th Anniversary) [2020 Digital Master] (
Daniel Bachman — The Morning Star (July 27, 2018)
Daniel Bachman — Green Alum Springs (June 6, 2020)
Becca Mancari — The Greatest Part (June 26, 2020)
Ytamo — Vacant (June 12, 2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Thin Lear — Wooden Cave (24th July, 2020)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Sara Serpa — Recognition (June 5th, 2020)
Sara Serpa, Ingrid Laubrock, Erik Friedlander — Close Up (2018)
Klara Lewis — Ingrid (1st May 2020)
Buju Banton — Upside Down (June 26, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
learning structures, vol. 2: end firma
learning structures, vol. 3: distance between us
The Boomtown Rats — Citizens of Boomtown (13 March, 2020)
Ralph of London — The Potato Kingdom (19th June, 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
Land of Talk — Indistinct Conversations (July 31, 2020)
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
TANYA DONELLY: Swan Song Series bonus tracks (FC)
The Heliocentrics — Telemetric Sounds (Aug. 7, 2020)