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Mama Kin — The Magician's Daughter (2013)

Mama Kin — The Magician's Daughter (2013)

Mama Kin — The Magician's Daughter
≈   One of six children Mama Kin grew up in a house filled to the brim with music and musicians. Her Grandfather was a musician, and her mother his assistant, hence the title of the album.
≈   "The Magician’s Daughter is an exciting and intricate record, worth a listen if only to feel dwarfed by the knowledge, the nature and the power that seems to radiate from Mama Kin". [Madeleine Rebbechi, ToneDeaf]
≈   "We can tackle most of everything in the moment," she says. "It's when we try to think too far ahead of how we're going to problem-solve something that's coming up in a month's time it becomes overwhelming."
Location:  Fremantle, Western Australia, Australia
Album release: February 22, 2013
Record Label: MGM Australia
Duration:     43:19
Tracks:
01. Rescue      4:17
02. One Too Many      3:24
03. Red Wood River      3:51
04. Bosom Of Our Bed      4:26
05. Was It Worth It      3:30
06. Give Me A Reason      3:57
07. The Fire      3:59
08. The River As She Runs      4:56
09. Cherokee Boy      4:59
10. I'll Be Ready       6:00
Members: Danielle Caruana, Michael Caruana, Matty Witney & George Servanis
≈   "The result is words and music that are poetic and honest and a voice that is soulful and true.
≈   Mama Kin’s album ‘The Magician’s Daughter’ is one to be savoured and it’s our album of the week." — http://www.radioaustralia.net.au/
Website: http://www.mamakin.com
Facebook: https://www.facebook.com/mamakinband
General director: Clara Iaccarino
Press: Stacey Piggott
REVIEW
By Carley Hall
≈   Having grown up in a large musical family then found love and built a family of her own with husband John Butler, not to mention contributing to their many social and musical business endeavours, it’s little wonder WA soulstress Mama Kin – aka Danielle Cuarana – navigated her way back to a calling she was at one point ready to relinquish. Lucky for us the call was too strong and her will to ignore it subsided.
≈   What The Magician’s Daughter does so well is take all and sundry on a deeply personal journey, touching on the many age-old and universal emotional torments of loss, love and spirituality, with a suite of talented players backing her and a knack for creating a cohesive album that offers so much in just ten tracks. It basically picks up where 2010’s Beat And Holler left off; there’s still that nod to that earthy but pop-friendly sound but here Cuarana sets out on a more soulful journey, lyrically and sonically, from the get go. The track, Rescue, instantly takes hold, and as the opener it’s hard to beat, flavoured with a steady, retro dancefloor-like beat and strummed guitar and tinkly keys, allowing her voice, which is a perfect blend of pop prettiness with a husky edge, to lilt over the top. It’s a treasure, but there’s more to be hunted.
≈   Red Wood River and The Fire capture that mystical feel of the album namesake with atmospheric offbeat glock, but it’s Bosom Of Our Bed and I’ll Be Ready that match the great heights of the opener, both with restrained but melodic accompanying lines and the rending attack of her upper vocal notes. An enthralling and soul-pleasing listen.
Fortaken: http://themusic.com.au/
REVIEW
By Arne Sjostedt; April 18, 2013  Score: ****
≈   Imbued with rock'n'roll's romance and mystery, and informed by Mama Kin's deep, womanly spirit - this is a rich, creative and rewarding album.
≈   There is an abiding, spiritual awareness to Mama Kin, one feels astutely connected to a kind of new age, womanly awareness of the world. In this album of predominantly luscious, human, somehow ancient tracks, there are fables about loss, being loved, being tempted, being hurt.
≈   Guided by hypnotic drumming, there is a rhythmic, tidal pull to The Magician's Daughter - like a river current. It is deep in sections, or gently meandering - yet with an inquisitive, even knowing awareness of what lies within and around us.
≈   Not only for the alternate set to appreciate, this album has a haunting Amy Winehouse (had she lived in a commune) kind of vibe, and the gentle music sets up Mama Kin's vocal, giving ample room to weave her special, lilting magic.
≈   Opening the 10-track ride, the astral soul groove of Rescue bleeds sultry contemplation.
≈   This mood laps about your feet for the intense One Too Many,Red Wood River, and the intimate Bosom of Our Bed, before changing it up for Was it Worth It then Give Me a Reason.
≈   Though she creates bold pictures for many of her subjects, it's tempting to think about her marriage and family with John Butler when you read the lyrics. There is certainly fiction within the folds of each narrative but, at its core, the love between a man and a woman runs deep, at times shuddering through this release.
≈   With an artful hand pulling it together and artwork that echoes the mysteries within - this offering invites you to linger and ponder Mama Kin's poetry. This is best seen in Rescue, where she sings:
≈   ''I built this tower quite some time ago/A wild bull guards the door/I expected much too much from you/My darling matador.''
≈   It is just these lines that leave me willing to ask if Butler had played an influence on at least some of Kin's lyrics, which are sung with such synergy with her content.
≈   ''If you come in all swinging now/You'll find the battle won/The bull's been slain and darling I am/The triumphant one.''
≈   All in all, this release is about the music and Mama Kin's superb vocal. But it's more than that.
≈   It exists in the soulful place where art meets the world.
Read more: http://www.theage.com.au/
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INTERVIEW
by Ruth Dunn
≈   The new album from Mama Kin, The Magician’s Daughter, will be releasing it’s alchemic mixture of soul, energy and beautiful compositions on February 22. Following Mama Kin’s critically acclaimed album Beat and Holler, The Magician’s Daughter is an  exploration and expansion in story-telling, composition and production, a breaking of boundaries and a revolution of Mama Kin’s song-writing. I had a chat with Mama Kin about her new album, the challenges she faced and her inspirations and motivation.
:: Something exciting is happening for you soon—you have your new album, The Magician’s Daughter, coming out on February 22. Can you tell me what we can expect from this album?
≈   I suppose it’s a kind of broadening and deepening from Beat and Holler. It’s a revolution of my song writing and it feels like the next step for me. I’m really excited that I have made an album that is so different from my last album because I feel like if there was going to be a box for me I’ve broken it. My theme for this album is around alchemy, energy and connection. 
:: Would you say you challenged yourself a lot when making this album?
≈   Absolutely. I challenged myself all the way and I realised that being uncomfortable is a good state of play for me in creative space— I need to actually be on the edge of what I’m doing. So getting used to being in situations that aren’t necessarily easy and just channelling that feeling into what I’m doing and using that charge has been very important for me.
:: When you write songs do you mostly write them from your heart or do you have a listener in mind too?
≈   I don’t have a listener in mind. I write songs from a desire of wanting to explore a story or an idea or an emotion or a certain feeling. I write them because I love that process and I love writing as well.
:: I guess it’s an added bonus that you have such a positive reception of your songs by listeners…
≈   Yeah, I feel really grateful to people who listen to my songs… and I’m still surprised by it because they feel like such a personal process and then you go into a studio to record them and all of a sudden you give them all to the world. When people listen to and enjoy my songs  it still amazes me because they are just personal explorations.
≈   The full Mama Kin interview will be included in our March issue of Raw Ink magazine so stay tuned to read more! For information about Mama Kin’s upcoming Australian tour dates in March/April head to mamakinband.bandpage.com/.
Fortaken: http://rawinkmagazine.com/
Also:
SIMON COLLINS, The West Australian
Updated March 5, 2010, 12:30 pm
:: http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/6892207/mama-kin-born-into-music/
By PAUL CASHMERE on July 1, 2013
:: http://www.noise11.com/vinterviews/mama-kin
By Anne-Marie Middlemast (Music director)
:: http://www.abc.net.au/local/stories/2013/02/18/3692721.htm © You may have heard this song on the road from a table top in the middle of a silent room...or you may have heard it PREMIERE on the triple j airwaves on Monday night. Either way 'One Night Upon a Cold Roof Top' by Spender via Mama Kin is coming soon...Team MK x —  Spender a Monique di Mattina
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REVIEW
MADELEINE REBBECHI
≈   To anyone who has had the fortune of coming across Mama Kin, it’s clear that she knows what she’s doing.
≈   Known for her intricate yet boisterous sound, Fremantle’s Danielle Caruana has long been a favourite on the folk and roots festival scene, and doesn’t disappoint with her latest record, The Magician’s Daughter.
≈   Caruana’s nom de plume echoes the natural, raw sounds of her music – a cacophony of earthy percussion and complex instrumentation.
While The Magician’s Daughter certainly caters to all expectations of raucous, moody blues, there’s a delicacy tucked away here which gives the record an incredible level of depth, evident during simpler tracks like “The River As She Runs”.
≈   Single “Was It Worth It” is a standout, coupling a stalking drum beat with Caruana’s ever-honest vocals. There’s something immensely likeable about the roughness in her voice – it’s as if she’s singing to you from the living room, and you’re just lucky enough to be catching this offhand performance.
≈   Album opener “Rescue” is a pleasant surprise, clearly drawing inspiration from 1950s pop.
Along with the dramatic polyrhythms and emotional, thumping piano of “The Fire”, it’s evidence of Mama Kin’s ability to transcend the blues and roots genre as she builds complex and varied melodies throughout the entire record.
≈   There seems to be no emotion untouched by Caruana on her latest album. She masters fragility, bitterness and exultation with skill and doesn’t shy away from rawness and imperfection.
≈   The Magician’s Daughter is an exciting and intricate record, worth a listen if only to feel dwarfed by the knowledge, the nature and the power that seems to radiate from Mama Kin.
Fortaken: http://madeleinerebbechi.wordpress.com/
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JOHN BUTLER
Birth name: John Charles Wiltshire-Butler
Also known as: John Butler
Born: 1 April 1975, Torrance, California, United States
Origin: Fremantle, Western Australia, Australia
Instruments: Vocals, guitars (electric, eleven-string, lap steel), harmonica, didgeridoo, banjo, stomp box, ukulele
Notable instruments: 1930s dobro, Maton eleven-string guitar
Equipment and technique:
≈   Butler plays harmonica, didgeridoo, drums, lap-steel, banjo and amplified acoustic guitars and removes the higher octave G string on his 12-string guitar. Butler prefers the Maton 12-string guitar and often uses a Seymour Duncan SA-6 Mag Mic pickup with a Marshall Amplification JMP Super Lead Head and a Marshall 4×12 cabinet. He uses a variety of electronic effects including distortion, reverb / delay and wah-wah pedal to achieve his unique sound. Butler uses long, pointed acrylic fingernails for finger picking.
Personal life:
≈   John Butler is married to Danielle Caruana, an Australian musician and vocalist who performs under the name of Mama Kin. They have two children, a daughter named Banjo, and a son named Jahli.
≈   After wearing dreadlocks for 13 years, Butler cut them off in early 2008. In an interview with Herald Sun in 2008 Butler acknowledged that he had been referred to as the "million dollar hippie" in various articles and around his hometown in Australia. The nickname refers to his inclusion on the Business Review Weekly' (BRW's) list of 50 richest entertainers in 2004 with reported earnings of $2.4 million.
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Mama Kin — The Magician's Daughter (2013)

 

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The Tiger Lillies — Cold Night in Soho (10 Feb. 2017)
The Tiger Lillies — Edgar Allan Poe’s Haunted Palace
Sarah Jarosz — World On The Ground (June 5, 2020)
Kate Amrine — This Is My Letter to the World (Jan. 24, 2020)
Fiona Apple — Fetch The Bolt Cutters (17 Apr., 2020)
The Tiger Lillies — Covid~19 (April 10, 2020)
Veneer — Recovery (April 15, 2020)
Siobhan Wilson — The Departure (10 May, 2019)
BC Camplight — Shortly After Takeoff (24 April 2020)
Siobhan Wilson — There Are No Saints (14 Jul, 2017)
Brendan Benson — Dear Life (April 24, 2020)
Ali Holder — Uncomfortable Truths (April 10, 2020)
From Atomic — Deliverance (April 2020)
Whyte Horses — Hard Times (17th of Jan., 2020)
Gerald Cleaver — Signs (March 27, 2020)
Sophie Tassignon — Mysteries Unfold (April 24, 2020)
HOUPACÍ KONĚ: SOULKOSTEL 8 11 2019 (April 25, 2020)
Sarah Longfield — Dusk (April 22, 2020)
Ariel Pink — House Arrest (2002/Mar 2011/April 24, 2020)
All The Best, Isaac Hayes (A Spoken Word Album)
Prophecy Playground — Comfort Zone (Feb. 15, 2020)
Mark Lanegan — Straight Songs Of Sorrow (8th May, 2020)
Genesis Revisited: Live at The Royal Albert Hall — 2020 Remaster
Joan As Police Woman — Cover Two (May 1, 2020)
Kuře v hodinkách — Flamengo
Kuře v hodinkách — Flamengo
Devon Williams — A Tear in the Fabric (May 1, 2020)
Johanna Warren — Chaotic Good (May 1, 2020)
emozpěv — Spolu (1st May 2020)
THE LEAGUE OF ASSHOLES — UNPLUGGED (1st May 2020)
Morgan1
Zuzana Mikulcová — Slová
The Fratellis — Half Drunk Under A Full Moon (8th May, 2020)
The Fratellis — Half Drunk Under A Full Moon (8th May, 2020)
Cocteau Twins — Victorialand (April, 1986, Reissue 2020)
Coloured Clocks — Flora (May 2, 2020)
I Break Horses — Warnings (08 May 2020)
Hawkwind — Acoustic Daze (25 Oct. 2019)
Indoor Voices — Animal (Feb. 14, 2020)
I Break Horses — Chiaroscuro
Einstürzende Neubauten — Alles In Allem (May 29th, 2020)
100 Gecs — 1000 gecs (May 31, 2019)
Evergreen — Overseas (15 Jun 2018)
Kurt Rosenwinkel Trio — Angels Around (May 8, 2020)
The Feather — Room (10 July, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
György Ligeti — Lontano (22. Oct.,1967)
OWEN PALLETT — Heartland (March 3, 2014)
Badly Drawn Boy — Banana Skin Shoes (22nd May, 2020)
A.O. Gerber — Another Place to Need (May 22, 2020)
Kaleidoscope — Faintly Blowing (11 April 1969, Reissue, Remaster
Perfume Genius — Set My Heart On Fire Immediately (15th May 2020
Perfume Genius — No Shape (5 May, 2017) BC
Perfume Genius — No Shape (5 May, 2017) FC
Sungazers — Wasting Space (May 18, 2020)
Cermaque — Lament (22nd May, 2020)
Mountaineer — Bloodletting (May 22nd, 2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Steve Earle — Townes (May 8, 2009)
Steve Earle & The Dukes — Ghosts of West Virginia (May 22, 2020)
Sixth June ‎— Trust (17 Jan 2020)
White Tail Falls — Age of Entitlement (May 29, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
Nicole Atkins — Italian Ice (29 May 2020)
Deerhoof — Future Teenage Cave Artists (May 29, 2020)
Deradoorian — Find the Sun (Sept. 18, 2020)
Bob Dylan — Rough and Rowdy Ways (June 19th, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
This Will Destroy You — Vespertine (June 9, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Yoko Ono, Kim Gordon & Thurston Moore — YOKOKIMTHURSTON
Psychic Markers — Psychic Markers (29 May, 2020)
The Memories — Pickles & Pies (May 29, 2020)
Songs for the Late Night Drive Home (Feb. 5, 2016)
Spc Eco — Dark Matter (Nov. 20, 2015)
SPC ECO — June (June 1, 2020)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Larkin Poe — Self Made Man (June 12th, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Endless Field — Alive in the Wilderness (June 12, 2020)
Wesley Gonzalez — Appalling Human (June 12, 2020)
Noveller — Arrow (June 12, 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Andrej Šeban — Triplet (March 22, 2019) inner cover
Andrej Šeban — Triplet (March 22, 2019) cover
The Crossing & Donald Nally — James Primosch: Carthage (05/2020)
Jerskin Fendrix — Winterreise (April 17, 2020)
Zoongideewin — Bleached Wavves (June 19, 2020)
ULRICH SCHNAUSS — A Long Way To Fall — Rebound (3rd April, 2020)
Sports Team — Deep Down Happy (5th June, 2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
Midlake — Antiphon (Nov. 4, 2013)
ANASTASIA MINSTER — Father ©Michael Haley
Jessie Ware — Glasshouse (Deluxe; 20 Oct 2017)
Teen Daze — Morning World
Jessie Ware — What’s Your Pleasure (June 26, 2020)
Art Feynman — Half Price At 3:30 (June 26th, 2020)
Bo Ningen — Sudden Fictions (26th June, 2020)
Khruangbin — Mordechai (June 26, 2020)
Pottery — Welcome to Bobby’s Motel (June 26th, 2020)
Orlando Weeks — A Quickening (June 12, 2020)
John Craigie — Asterisk the Universe (June 12, 2020)
Kavus Torabi — Hip to the Jag (May 22, 2020)
Nadine Shah — Kitchen Sink (June 5, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
Corb Lund — Agricultural Tragic (June 26, 2020)
Christine Ott — Chimères (pour ondes Martenot) (May 22, 2020)
The Beths — Jump Rope Gazers (July 10th, 2020)
Ashley Paul — Window Flower (May 13, 2020)
Grey Daze — Amends [Deluxe Edition] (July 3, 2020)
Grey Daze ©Photo credit: Anjella / Sakiphotography
Ajimal — As It Grows Dark / Light (June 26, 2020)
Ajimal — As It Grows Dark Light (June 26, 2020)
Eleanor Friedberger — Rebound (May 4th, 2018)
ELEANOR FRIEDBERGER — NEW VIEW (January 22, 2016)
Immigrant Union — Judas (June 19, 2020)
Julianna Barwick — Healing Is a Miracle [Japan Edition] (2020)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Neil Young — Homegrown (19th June, 2020)
The Jayhawks — XOXO (July 10, 2020)
Joy Division — Closer (40th Anniversary) [2020 Digital Master] (
Daniel Bachman — The Morning Star (July 27, 2018)
Daniel Bachman — Green Alum Springs (June 6, 2020)
Becca Mancari — The Greatest Part (June 26, 2020)
Ytamo — Vacant (June 12, 2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Thin Lear — Wooden Cave (24th July, 2020)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Sara Serpa — Recognition (June 5th, 2020)
Sara Serpa, Ingrid Laubrock, Erik Friedlander — Close Up (2018)
Klara Lewis — Ingrid (1st May 2020)
Buju Banton — Upside Down (June 26, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
learning structures, vol. 2: end firma
learning structures, vol. 3: distance between us
The Boomtown Rats — Citizens of Boomtown (13 March, 2020)
Ralph of London — The Potato Kingdom (19th June, 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
Land of Talk — Indistinct Conversations (July 31, 2020)
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
TANYA DONELLY: Swan Song Series bonus tracks (FC)
The Heliocentrics — Telemetric Sounds (Aug. 7, 2020)