1
 
Meg Baird
Don’t Weigh Down the Light

Meg Baird — Don't Weigh Down the Light (23rd June, 2015)

             Meg Baird — Don’t Weigh Down the Light                                        ≡   Předtím: více než deset let ve Philly s Espers. Spolupráce: Sharon Van Etten, Kurt Vile, Will Oldham, Bert Jansch, Steve Gunn. Teď toto třetí sólo album přináší: jiskřící efekt, nejvěrnější podobu jejího muzikantství, kytarovou hru, andělský hlasový rozsah, melancholickou poezii, odůvodněný sentiment, duchovní atmosféru, instrumentální textury, progresi. Srovnání: Sandy Denny, Jacqui McShee, Shirley Collins. Připomínka: Byrds a Joni Mitchell.
≡   An effervescent and modern third LP from underrated San Franciscan folk presence. Songs of memory and forgetting...within the architecture of shimmering guitars and melancholy light...razor sharp edge of her voice in your bones.   Location: New Jersey ~~ Philadelphia, PN ~~ San Francisco, California
Album release: 23rd June, 2015
Record Label: Drag City/Wichita Recordings
Catalog: # DC632
Duration:     46:34
Tracks:
01. Counterfeiters      3:27
02. I Don’t Mind      6:12
03. Mosquito Hawks      3:22
04. Back To You      4:19
05. Past Houses      5:04
06. Leaving Song      1:03
07. Stars Unwinding      5:24
08. Good Directions      5:24
09. Don’t Weigh Down the Light      5:42
10. Even the Walls Don’t Want You To Go      3:44
11. Past Houses (Reprise)      2:53
Editorial Reviews:
≡   Vinyl LP pressing. 2015 solo release from the San Francisco–based singer/songwriter best known for her work with Espers. Don't Weigh Down the Light is her first album since 2011’s Seasons On Earth, and it arrives alive with mystery and color–buoyed by a voice that's a warm, mesmerizing call across time. Like Meg’s previous LPs (and much of Espers output,) the foundation of Don’t Weigh Down the Light is her lyrical, precise, and propulsive fingerstyle guitar work and a voice that moves from soaring and tender to soothing and spellbinding. A voice that more than a few have likened to folk’s greatest female voices: Sandy Denny, Jacqui McShee, and Shirley Collins. Meg Baird's last decade would be remarkable by any artist's standards. She co–founded and recorded three albums with Espers–one of the most distinctive and hypnotic bands of the century's first decade. She recorded two solo LPs for Drag City — Dear Companion and Seasons on Earth.  She also collaborated with Will Oldham, Kurt Vile, Sharon Van Etten, and Steve Gunn and toured with the legendary Bert Jansch. And while it’s been four years since her last release, the days since have been anything but restful. She played drums and recorded with Philadelphia cave punks Watery Love, and toured with Michael Chapman, Michael Hurley, Vile, Cass McCombs, Hiss Golden Messenger, and Lambchop. And after more than a decade as a fixture in Philadelphia’s boiling–over musical scene, Meg moved west to San Francisco where she joined forces (as drummer and lead vocalist) with members of Comets on Fire and Assemble Head to form the moody and thunderous Heron Oblivion. She also wrote and recorded Don't Weigh Down the Light. ≡   http://www.amazon.com/
REVIEW
OTIS HART, JUNE 14, 201511:03 PM ET
≡   Sunday–morning music is too often overlooked. For the most part, we check out music news while we're sitting at our desks at work, usually during a glance at our social–media feeds. That sort of interaction is inherently brief — we scroll, maybe click, and then it's back to the grind.
≡   Meg Baird makes music that's diametrically opposed to the grind, the type you listen to when you want to leave the working world behind. The San Francisco folksinger doesn't have a Facebook account, let alone a publicist to update such things for her. Her only timeline is a Discogs page that plainly lists her solo albums and collaborative projects, fittingly by years rather than minutes.
≡   This seeming disconnect with contemporary culture exists in her music, too. Baird got her start in the Philadelphia band Espers, one of the leading lights in an international psych–folk scene that flourished before the web as we currently know it really took off. (The band released its first album in 2004, two weeks before Mark Zuckerberg launched thefacebook.com.) Touchstones included British folk icons like Pentangle and Fairport Convention, and her affection for the Albion of old carried over to her own projects, beginning with 2006's spellbinding Leaves From Off The Tree.
≡   That album, recorded with Espers bandmate Helena Espvall and Sharron Kraus, conjured the songs of prerecorded British and Appalachian music. In the years since, Baird’s songwriting and production have evolved while staying true to her roots, to the point where her new album, Don’t Weigh Down The Light, sounds positively singular.
≡   Baird's control of her voice has improved with each album, and it’s never sounded more celestial than in “I Don’t Mind” and “Stars Unwinding.” Her words, which sometimes blur together in Liz Fraser fashion, float above a tapestry of dreamy electric guitar by partner Charlie Saufley; the result recalls the work of Baird’s old Philly friends in The War On Drugs.
≡   The record’s bucolic balm is summed up nicely in “Past Houses,” when Baird sings, “Brand–new words won’t get in the way / Of old sayings' magic, things that we need today.” Don’t Weigh Down The Light is exactly what many of us need today: a reminder that Sunday morning is in your mind, and attainable at the click of a play button. ≡   http://www.npr.org/                                                                                 REVIEW
By Matthew Murphy; June 19, 2015;  Score: 7.1
≡   Meg Baird‘s career has seldom lacked for action or variety; she co–founded the highly esteemed Philly psych–folk group Espers, has performed with her sister Laura as the Baird Sisters, played drums with noisy punk combo Watery Love, and sung alongside the likes of Kurt Vile, Will Oldham, and Sharon Van Etten. If she so chose, she surely has the skills and connections to make an expansive, cross–genre album studded with guest appearances, but she hasn’t seemed interested in that. She has always kept her solo albums streamlined and direct, focusing her songs almost exclusively on her finger–picked guitar and radiant voice. Likewise, her thematic approach has never been panoramic; instead her albums tend to feel like private journals, wherein a particular mood is set and then sustained and refined.
≡   The same holds true, with a few subtle but important variations, for Baird’s third solo album, Don’t Weigh Down the Light. Her past albums have featured several interpretations of traditional folk standards and well–wrought covers of such obscurities as House of Love’s “Beatles and the Stones”. In fact her style is so steeped in British and Appalachian folk forms that at times even her original songs have sounded as if they had been written in a previous century. On Don’t Weigh Down the Light, however, all of the tracks are Baird originals, and are less reliant on traditional folk idioms.
≡   Where her previous album, 2011’s Seasons on Earth, was ornamented with pedal steel and other subtle country touches, Baird is here joined throughout by Charlie Saufley, formerly of SF acid rock heavyweights the Assemble Head in Sunburst Sound. ≡   On several tracks here the duo of Baird and Saufley masquerade as a full band, with each playing multiple instruments and filling the songs’ ample open spaces with gentle ripples of organ, 12–string guitar, and percussion. As a result Don’t Weigh Down the Light is the closest Baird has come in her solo work to reclaiming the cosmic turf once occupied by Espers.
≡   In the time since the release of Seasons on Earth, Baird moved from her longtime base of Philadelphia to San Francisco, and it doesn’t feel too outlandish to suggest that Baird’s move has had a substantial influence on Don’t Weigh Down the Light. There is a general feel of transition and displacement permeating such tracks as “Past Houses” or “Even the Walls Don’t Want You to Go”. Midway through the album is a short track simply entitled “Leaving Song”, featuring nothing but Baird’s multi–tracked vocals, wordlessly cascading down in a manner that can sound alternately melancholic or prayer–like, depending on the listener’s current frame of mind.
≡   Brief though the track is, its placement seems noteworthy, almost as though it is the hinge upon which the rest of the album is meant to pivot. Curiously, the vocal melody of “Leaving Song” returns a few songs later as a background track on “Even the Walls Don’t Want You to Go”. This echoing, especially when coupled with the following reprise of the song “Past Houses”, gives the album a circular feel, as though Baird’s songs are doubling back upon themselves in a continuous loop of departures and arrivals.
≡   Baird’s voice sounds as potent and icy–clear as ever. As evidenced by her work with Espers and the Baird Sisters, her voice is well–suited to close–harmony singing, and here she makes frequent use of vocal multi–tracking, adding whispery harmonies at what sounds like the upper limits of her register. In combination with the casual jammy vibe on some of the instrumental passages, these airy harmonies recall some of the folkier aspects of Popol Vuh. In recent months Baird and Saufley have joined forces with Comets on Fire’s Ethan Miller to form the West Coast psych outfit Heron Oblivion, and if their work together on Don’t Weigh Down the Light is any indication, that might herald even further fruitful departures. ≡   http://pitchfork.com/
Label: http://www.dragcity.com/
Also:
REVIEWER: ROSS JONES;  SCORE: ****
≡   http://diymag.com/2015/06/19/meg-baird-dont-weigh-down-the-light-album-review
By Helen Brown, 2:00PM BST 20 Jun 2015;  Score: ****
≡   http://www.telegraph.co.uk/culture/music/cdreviews/11684318/Meg-Baird-Dont-Weigh-Down-the-Light-review-soft-beauty.html 
≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡

Meg Baird
Don’t Weigh Down the Light

 

ALBUM COVERS XI.

33EMYBW — Golem (25 Sept., 2019)
First Aid Kit — Stay Gold (2014)
STEREOLAB: Oscillons from the Anti~Sun
Ronnie Godfrey — Shades of Blue (Oct. 25, 2019)
Pancrace — The Fluid Hammer (09 Sep 2019/2LP)
Stereolab — Margerine Eclipse (Nov. 29, 2019)
WaqWaq Kingdom — Essaka Hoisa (Nov. 15, 2019)
Jack Peñate — After You (29th Nov. 2019)
White Lies — To Lose My Life… [10th Anniversary Deluxe Edition]
Avey Tare — Eucalyptus (July 21, 2017)
Bonnie “Prince” Billy — I Have Made A Place (Nov. 15th, 2019)
Hallelujah the Hills — A Band Is Something to Figure Out (2016)
Hallelujah the Hills — I’m You (Nov. 15, 2019)
Philip B. Price — Bone Almanac (Nov. 8, 2019)
The Who — WHO [Deluxe Edition] (22 Nov. 2019)
Courtney Barnett — MTV Unplugged [Live In Melbourne] (2019)
Hail The Ghost — Arrhythmia (6th Dec. 2019)
The Growlers — Natural Affair (25th Oct. 2019)
Signe Marie Rustad — When Words Flew Freely (Nov. 15, 2019)
Sean Henry — A Jump from the High Dive (Nov. 1, 2019)
SOFIA TALVIK — Paws of a Bear (Sept. 27, 2019)
David Thomas Broughton & Juice Vocal Ensemble — Sliding The Same
David Thomas Broughton — The Complete Guide To Insufficiency /re
Grimes — Visions (2012)
RADEK BABORÁK a jeho ORQUESTRINA na PIAZZOLLOVSKÉ ALBUM.
Martin Barre — Roads Less Travelled (26 Oct. 2018)
No~Man — Love You To Bits (Nov. 22, 2019)
Martin Barre — Away With Words
Guranfoe — Sum of Erda (Dec. 13, 2019)
Virginia Plain — Strange Game (Dec. 13, 2019)
Cold Chisel — Blood Moon (6 Dec., 2019)
930 x 827 tmavší podklad.jpg
CECILIA BARTOLI — Opera Proibita (Sept. 13, 2005)
Bruce Ackley, Fred Frith, Henry Kaiser, Aram Shelton — Unexpecte
Benoît Pioulard & Sean Curtis Patrick — Avocationals (2019)
Florist — Emily Alone (July 26, 2019)
The Flaming Lips — The Soft Bulletin (Nov. 29, 2019)
Cosmo Sheldrake — Galapagos [Original Soundtrack] 2019
Ben Featherstone — Prisoner to the Wind (Dec. 20th, 2019)
Oiseaux~Tempęte — From Somewhere Invisible (19 Dec., 2019)
Nonlocal Forecast — Bubble Universe! (March 1, 2019)
ROBERT FRIPP — THE KITCHEN (New York, NY) — 05 FEB 1978
KING CRIMSON, The Night Watch
Juraj Griglák, From The Bottom (Sept. 16, 2019)
Juraj Griglák — From the Bottom (Sept. 16, 2019)
Lilien Rosarian ~ A Day in Bel Bruit (June 9, 2019)
Jim Noir — A.M Jazz (Dec. 20, 2019)
Sean O’Hagan — Radum Calls, Radum Calls (2019)
Bill MacKay and Katinka Kleijn — STIR (Oct. 17, 2019)
Alice Peacock — Minnesota (Sept. 20th, 2019)
Sean McMahon ― You Will Know When You’re There (March 1, 2019)
Tylor Dory Trio — Unsought Salvation (Dec. 21, 2019)
Intocable ― Percepcion (March 15, 2019)
Third Coast Percussion & Devonté Hynes — Fields (Oct. 11, 2019)
Scorn — Cafe Mor (Nov. 15, 2019)
Alogte Oho and his Sounds of Joy — Mam Yinne Wa (Nov. 8, 2019)
P/\ST — /Expedice do vnitrobloku\ (Oct. 5, 2019)
Destroyer — Have We Met (Jan. 31, 2020)
Devendra Banhart — Ma (September 13, 2019)
Bellows — The Rose Gardener (Feb. 22, 2019)
Roland Tings — Salt Water (Nov. 8, 2019)
A Winged Victory for the Sullen — The Undivided Five
Alessandra Leão ‎— Macumbas e Catimbós (24/05/2019)
Stephen Duffy — I Love My Friends [Expanded Ed] (10 May 2019)
Carissa Johnson — A Hundred Restless Thoughts (Dec. 18th, 2019)
Georgia — Seeking Thrills (10th Jan., 2020)
The Chap — Digital Technology (10 Jan., 2020)
Field Music — Making a New World (Jan. 10, 2020)
Lydia Ainsworth — Darling Of The Afterglow (2019)
Lydia Ainsworth — Phantom Forest (May 10, 2019)
Circa Waves — Sad/Happy (March 13th, 2020)
Hawktail — Formations (Jan. 10, 2020)
Moonchild — Little Ghost (6th Sept. 2019)
Susanne Sundfør — Self Portrait (Original Score, 10th Jan. 2020)
Frances Quinlan — Likewise (Jan. 31, 2020)
Harvestman — Music for Megaliths (May 19, 2017)
Anika Nilles — For a Colorful Soul (Jan. 10, 2020)
Of Montreal — Ur Fun (Jan. 17, 2020)
Drive~By Truckers — The Unraveling (Jan. 30, 2020)
Wolf Parade — Thin Mind (Jan. 24, 2020)
Lucia Cadotsch — Speak Low (Feb. 26, 2016)
The Adobe Collective — All the Space That There Is (10 Jan 2020)
David Cross & Peter Banks — Crossover (17 Jan., 2020)
Whyte Horses — Empty Words (March 9, 2018)
Whyte Horses — Hard Times (17th of Jan., 2020)
Bombay Bicycle Club — Everything Else Has Gone Wrong (01/24/20)
John McLaughlin, Shankar Mahadevan, Zakir Hussain — Is That So?
Keeley Forsyth — Debris (17 Jan., 2020)
Gemma Ray — Psychogeology [Feb. 15th, 2019, Deluxe Edition, 2020
Deserta — Black Aura My Sun (Jan. 17, 2020)
Broken Social Scene — Live at Third Man Records (Feb. 28, 2020)
Kyrie Kristmanson — Lady Lightly (Jan. 10, 2020)
Futurebirds — Teamwork (Jan. 15th, 2020)
Ospalý pohyb — Ostrava (October 17, 2016)
Ospalý pohyb — ø (May 24, 2016)
Caspian — Dust and Disquiet (Sept. 25, 2015)
Caspian — On Circles (January 24, 2020)
Jennifer Curtis & Tyshawn Sorey: Invisible Ritual (2020)
The Innocence Mission — See You Tomorrow (Jan. 17, 2020)
The Sufis — Double Exposure (Jan. 24, 2020)
Blackbird & Crow — Ailm (17 Jan 2020)
Blackbird & Crow © 2020 Author: Megan Doherty
Torres — Three Futures (29th Sept. 2017)
Torres — Silver Tongue (Jan. 31, 2020)
Andy Statman — Old Brooklyn (2011)
Recondite — Dwell (Jan. 24, 2020)
Silkworm — In The West (24 Jan., 2020)
James Harries — Superstition (Jan. 31, 2020)
James Harries — Before We Were Lovers
Yorkston | Thorne | Khan — Navarasa : Nine Emotions (2020)
Fruition — Broken At The Break Of Day (Jan. 23, 2020)
Loveblind / Sleeping Visions (March 27, 2020)
Rizan Said — Saz û Dîlan (Oct. 11, 2019)
HMLTD — West of Eden (7 Feb., 2020)
HMLTD ©Dean Hoy
ÁSGEIR: IN THE SILENCE
Ásgeir — Bury the Moon (7 Feb., 2020)
Frazey Ford — U kin B the Sun (Feb. 7th, 2020)
Erlend Apneseth — Fragmentarium (Jan. 31, 2020)
Les Filles de Illighadad — Eghass Malan (Oct. 28, 2017)
Nina Kohoutová — Blue Sunray (Feb. 6th, 2020)
Alphaxone — Dystopian Gate (Jan. 14, 2020)
Cheerleader — Almost Forever (Feb. 7, 2020)
Oh Wonder — No One Else Can Wear Your Crown [Deluxe Edition]
Tame Impala — The Slow Rush (Feb 14, 2020)
REBECCA FOON — WAXING MOON (21st Feb., 2020)
Thomas Köner — Motus (Feb. 20, 2020)
Julianna Barwick — Circumstance Synthesis (Dec. 20, 2019)
ELYSIAN FIELDS — Pink Air
The Men — Mercy (Feb. 14, 2020)
Le Butcherettes — DON’T BLEED EP (14 Feb 2020)
The Gray Havens — She Waits (Nov. 7, 2018)
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
Caribou — Our Love (October 14, 2014)
Caribou — Suddenly (Feb. 28th, 2020)
Jack Peñate — After You [Expanded Edition] (2020)
These New Puritans — The Cut (2016~2019) (14 Feb. 2020)
Sarah Harmer — Are You Gone (Feb. 21st, 2020)
Sonny Landreth — Elemental Journey (May 22, 2012)
Sonny Landreth — Blacktop Run (Feb. 21, 2020)
Lanterns On the Lake — Spook the Herd (21 Feb., 2020)
Lanterns On the Lake — Spook the Herd (21 Feb., 2020)
Humanist — Humanist (21 Feb., 2020)
Sega Bodega — Salvador (Feb. 14, 2020)
Myopia Exclusive Crystal Clear Vinyl
Molina — Vanilla Shell (Jan. 24, 2020)
Debashish Bhattacharya JOY!guru cover
Cate Le Bon — Here It Comes Again (2020)
CocoRosie — Restless (Feb. 12th, 2020)
Wrekmeister Harmonies — We Love to Look at the Carnage (2020)
Calexico / Iron & Wine — Years to Burn (2019)
Fairport Convention — 50:50@50 (June 9, 2017)
Fairport Convention — Shuffle and Go (29 Feb., 2020)
James Taylor — American Standard (Feb. 28th, 2020)
The Magnetic Fields — Quickies (May 15, 2020)
Moses Sumney — græ Part 1 & 2 (May 15, 2020)
The Dream Syndicate — „The Universe Inside“ (April 10, 2020)
The Third Mind — The Third Mind (Feb. 14, 2020)
ANNA CALVI — HUNTED (March 6, 2020)
Jonathan Wilson — Rare Birds (March 2nd, 2018)
Jonathan Wilson — Dixie Blur (March 6, 2020)
Luke Haines — Beat Poetry For Survivalists (6 Mar. 2020)
Sink Ya Teeth — Two (28th Feb. 2020)
Stian Westerhus — Redundance (March 5, 2020)
Thomas Dybdahl — The Great Plains (Feb 24, 2017)
Thomas Dybdahl — Fever (March 13, 2020)
PETR KALANDRA — Petr Kalandra & ASPM 1982 — 1990 (Feb. 26, 2020)
Al Di Meola — Across the Universe: The Beatles, Vol. 2 (2020)
Sam Gendel — Satin Doll (13 Mar 2020)
Chapelier Fou — Deltas (Sept. 22, ​2014)
Chapelier Fou — Meridiens (Feb. 28, 2020)
CocoRosie — Put the Shine On (6 March 2020)
Dungen — Live (March 13, 2020)
Queer Jane — Home (Dec. 1, 2016)
Hornscape — Hornscape (March 6th, 2020)
Joywave — Possession (March 13, 2020)
Walter Martin — The World at Night (Jan. 31, 2020)
Morrissey — I Am Not a Dog On a Chain (March 20th, 2020)
Human Impact — Human Impact (13 March 2020)
Hibiscus Biscuit — Reflection of Mine (March 1st, 2020)
Markus Reuter — TRUCE (Jan. 17, 2020) cover
Orchards — Lovecore (March 13th, 2020)
Julia Holter — Never Rarely Sometimes Always (March 13, 2020)
Cathedral Bells — Velvet Spirit (March 6, 2020)
Bacchae — Pleasure Vision (March 6, 2020)
The Dears — Times Infinity Volume One (September 25, 2015)
Amanda Palmer — Forty~Five Degrees: Bushfire Charity Flash Rec.
THE DEARS — ‘Lovers Rock’ (May 15, 2020)
Eivind Aarset & Jan Bang — Snow Catches On Her Eyelashes (2020)
Waxahatchee — Saint Cloud (March 27, 2020)
Michael Landau — The Michael Landau Group Live (Oct. 31, 2006)
Låpsley — Through Water (March 20th, 2020)
Elysian Fields — Transience Of Life (May 7, 2020)
Baxter Dury — The Night Chancers (20 March 2020)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
The Album Leaf — OST (March 20, 2020)
Real Estate — The Main Thing (28th Feb., 2020)
Villagers — The Art Of Pretending To Swim (03/19, 2020) DELUXE E
Villagers — Darling Arithmetic [Deluxe Version] (April 10, 2015)
Noveller — Arrow (June 7, 2020)
Justine Vandergrift — Stay (Feb. 7th, 2019)
The Electric Soft Parade — Stages (Jan. 8, 2020)
Ben Watt — Storm Damage (31st Jan., 2020)
Anoushka Shankar — Love Letters (7 Feb., 2020)
Roger Eno | Brian Eno — Mixing Colours (20 March, 2020)
Alberto Posadas : Poética del Laberinto, cycle pour quatuor de s
Sufjan Stevens — Aporia (March 27, 2020)
Beck — Deep Cuts (March 2020)
BECK — Uneventful Days (St. Vincent Remix)
Béla Fleck & Toumani Diabaté — The Ripple Effect [2LP, March 27,
Arbouretum — Let It All In (March 20, 2020)
Pearl Jam — Gigaton (March 27, 2020)
Loveblind: Visions
Loveblind: Visions
San Fermin — San Fermin (Nov. 11, 2013)
San Fermin — The Cormorant I & II (Oct. 4, 2019/April 3, 2020)
Stove — ‘s Favorite Friend (Oct. 31, 2018)
Queer Jane — Amen Dolores (March 27, 2020)
Rory Block — Prove It On Me (March 27, 2020)
Lizzy Farrall — Bruise (March 27, 2020)
Lilly Hiatt — Walking Proof (27 March, 2020)
The Chats — High Risk Behaviour (March 27, 2020)
Kazuomi Eshima & Masahiko Takeda — Inheritance for Soundscape
Marissa Nadler — unearthed (March 20, 2020)
Lucy Railton — Paradise 94 (22 Mar 2018)
BECCA STEVENS — WONDERBLOOM (March 20th 20, 2020)
Trees Speak — Ohms (3rd April, 2020)
Teho Teardo — Ellipsis dans l’harmonie (March 6th, 2020)
Ellipsis dans l’harmonie BACK COVER
Cocteau Twins — Head Over Heels
Cocteau Twins — Treasure
Cocteau Twins — Garlands (1982, Reissue 2020)
1600 x 1600 High Violet (10th Anniversary Expanded Edition).jpg
Riva Taylor — ‘This Woman’s Heart .1’ (27 Mar 2020)
Amy LaVere — Painting Blue (27 Mar 2020)
Sea Wolf — Through a Dark Wood (March 20, 2020)
Locate S,1 — Personalia (April 3, 2020
Anna Burch — Quit The Curse (Feb 2, 2018)
M.Ward — Migration of Souls (April 3, 2020)
Peel Dream Magazine — Agitprop Alterna (3rd April 2020)
ANDREW BIRD — CAPITAL CRIMES (April 1st, 2020)
Spy Machines — Spy Machines (April 3, 2020)
Richard Barbieri ‎— Past Imperfect / Future Tense (Mar 2020)
DAVID POMAHAČ — DO TMY JE DALEKO (Feb. 7, 2020)
KIESLOWSKI Tiché lásky
Born Ruffians — Juice (April 3, 2020)
LENKA NOVÁ — DOPISY (21.03./24.04., 2020)
Ezra Bell — This Way to Oblivion (3rd April, 2020)
Songdog — Happy Ending (27th March, 2020)
Laurel Halo — Raw Silk Uncut Wood (July 13, 2018)
Laurel Halo — Possessed (April 10, 2020)
Laura Marling — Song for Our Daughter (April 10th, 2020)
Hamilton Leithauser (The Walkmen) — Dear God (Aug. 2015)
Hamilton Leithauser — The Loves of Your Life (10 April 2020)
Don Gallardo — The Lonesome Wild (April 2, 2020)
Cowboy Junkies — Ghosts (30 Mar 2020)
The Mountain Goats — Songs for Pierre Chuvin (April 10, 2020)
Darnielle, Jon Wurster, Matt Douglas, Pete Hughes. ©Josh Sanseri
Erik Griswold — All’s Grist That Comes To The Mill (03/20, 2020)
Erik Griswold — All’s Grist That Comes To The Mill (03/20 2020)
Varga Marián — Solo in Concert (1. feb. 2018)
Joe Bonamassa & The Sleep Eazys — Easy To Buy, Hard To Sell
Midwife — Forever (April 10, 2020)
Moondog — On The Streets Of New York (Feb. 14, 2020)
Damon Locks Black Monument Ensemble — Where Future Unfolds (2019
Meredith Monk & Bang on a Can All~Stars — Memory Game (03/27/20)
Pharoah Sanders — „Live In Paris (1975): Lost ORTF Recordings“
I Like to Sleep — Daymare (April 17, 2020)
MoE/Mette Rasmussen — Tolerancia Picante (March 25, 2019)
The Tiger Lillies — Cold Night in Soho (10 Feb. 2017)
The Tiger Lillies — Edgar Allan Poe’s Haunted Palace
Sarah Jarosz — World On The Ground (June 5, 2020)
Kate Amrine — This Is My Letter to the World (Jan. 24, 2020)
Fiona Apple — Fetch The Bolt Cutters (17 Apr., 2020)
The Tiger Lillies — Covid~19 (April 10, 2020)
Veneer — Recovery (April 15, 2020)
Siobhan Wilson — The Departure (10 May, 2019)
BC Camplight — Shortly After Takeoff (24 April 2020)
Siobhan Wilson — There Are No Saints (14 Jul, 2017)
Brendan Benson — Dear Life (April 24, 2020)
Ali Holder — Uncomfortable Truths (April 10, 2020)
From Atomic — Deliverance (April 2020)
Whyte Horses — Hard Times (17th of Jan., 2020)
Gerald Cleaver — Signs (March 27, 2020)
Sophie Tassignon — Mysteries Unfold (April 24, 2020)
HOUPACÍ KONĚ: SOULKOSTEL 8 11 2019 (April 25, 2020)
Sarah Longfield — Dusk (April 22, 2020)
Ariel Pink — House Arrest (2002/Mar 2011/April 24, 2020)
All The Best, Isaac Hayes (A Spoken Word Album)
Prophecy Playground — Comfort Zone (Feb. 15, 2020)
Mark Lanegan — Straight Songs Of Sorrow (8th May, 2020)
Genesis Revisited: Live at The Royal Albert Hall — 2020 Remaster
Joan As Police Woman — Cover Two (May 1, 2020)
Kuře v hodinkách — Flamengo
Kuře v hodinkách — Flamengo
Devon Williams — A Tear in the Fabric (May 1, 2020)
Johanna Warren — Chaotic Good (May 1, 2020)
emozpěv — Spolu (1st May 2020)
THE LEAGUE OF ASSHOLES — UNPLUGGED (1st May 2020)
Morgan1
Zuzana Mikulcová — Slová
The Fratellis — Half Drunk Under A Full Moon (8th May, 2020)
The Fratellis — Half Drunk Under A Full Moon (8th May, 2020)
Cocteau Twins — Victorialand (April, 1986, Reissue 2020)
Coloured Clocks — Flora (May 2, 2020)
I Break Horses — Warnings (08 May 2020)
Hawkwind — Acoustic Daze (25 Oct. 2019)
Indoor Voices — Animal (Feb. 14, 2020)
I Break Horses — Chiaroscuro
Einstürzende Neubauten — Alles In Allem (May 29th, 2020)
100 Gecs — 1000 gecs (May 31, 2019)
Evergreen — Overseas (15 Jun 2018)
Kurt Rosenwinkel Trio — Angels Around (May 8, 2020)
The Feather — Room (10 July, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
György Ligeti — Lontano (22. Oct.,1967)
OWEN PALLETT — Heartland (March 3, 2014)
Badly Drawn Boy — Banana Skin Shoes (22nd May, 2020)
A.O. Gerber — Another Place to Need (May 22, 2020)
Kaleidoscope — Faintly Blowing (11 April 1969, Reissue, Remaster
Perfume Genius — Set My Heart On Fire Immediately (15th May 2020
Perfume Genius — No Shape (5 May, 2017) BC
Perfume Genius — No Shape (5 May, 2017) FC
Sungazers — Wasting Space (May 18, 2020)
Cermaque — Lament (22nd May, 2020)
Mountaineer — Bloodletting (May 22nd, 2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Steve Earle — Townes (May 8, 2009)
Steve Earle & The Dukes — Ghosts of West Virginia (May 22, 2020)
Sixth June ‎— Trust (17 Jan 2020)
White Tail Falls — Age of Entitlement (May 29, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
Nicole Atkins — Italian Ice (29 May 2020)
Deerhoof — Future Teenage Cave Artists (May 29, 2020)
Deradoorian — Find the Sun (Sept. 18, 2020)
Bob Dylan — Rough and Rowdy Ways (June 19th, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
This Will Destroy You — Vespertine (June 9, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Yoko Ono, Kim Gordon & Thurston Moore — YOKOKIMTHURSTON
Psychic Markers — Psychic Markers (29 May, 2020)
The Memories — Pickles & Pies (May 29, 2020)
Songs for the Late Night Drive Home (Feb. 5, 2016)
Spc Eco — Dark Matter (Nov. 20, 2015)
SPC ECO — June (June 1, 2020)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Larkin Poe — Self Made Man (June 12th, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Endless Field — Alive in the Wilderness (June 12, 2020)
Wesley Gonzalez — Appalling Human (June 12, 2020)
Noveller — Arrow (June 12, 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Andrej Šeban — Triplet (March 22, 2019) inner cover
Andrej Šeban — Triplet (March 22, 2019) cover
The Crossing & Donald Nally — James Primosch: Carthage (05/2020)
Jerskin Fendrix — Winterreise (April 17, 2020)
Zoongideewin — Bleached Wavves (June 19, 2020)
ULRICH SCHNAUSS — A Long Way To Fall — Rebound (3rd April, 2020)
Sports Team — Deep Down Happy (5th June, 2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
Midlake — Antiphon (Nov. 4, 2013)
ANASTASIA MINSTER — Father ©Michael Haley
Jessie Ware — Glasshouse (Deluxe; 20 Oct 2017)
Teen Daze — Morning World
Jessie Ware — What’s Your Pleasure (June 26, 2020)
Art Feynman — Half Price At 3:30 (June 26th, 2020)
Bo Ningen — Sudden Fictions (26th June, 2020)
Khruangbin — Mordechai (June 26, 2020)
Pottery — Welcome to Bobby’s Motel (June 26th, 2020)
Orlando Weeks — A Quickening (June 12, 2020)
John Craigie — Asterisk the Universe (June 12, 2020)
Kavus Torabi — Hip to the Jag (May 22, 2020)
Nadine Shah — Kitchen Sink (June 5, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
Corb Lund — Agricultural Tragic (June 26, 2020)
Christine Ott — Chimères (pour ondes Martenot) (May 22, 2020)
The Beths — Jump Rope Gazers (July 10th, 2020)
Ashley Paul — Window Flower (May 13, 2020)
Grey Daze — Amends [Deluxe Edition] (July 3, 2020)
Grey Daze ©Photo credit: Anjella / Sakiphotography
Ajimal — As It Grows Dark / Light (June 26, 2020)
Ajimal — As It Grows Dark Light (June 26, 2020)
Eleanor Friedberger — Rebound (May 4th, 2018)
ELEANOR FRIEDBERGER — NEW VIEW (January 22, 2016)
Immigrant Union — Judas (June 19, 2020)
Julianna Barwick — Healing Is a Miracle [Japan Edition] (2020)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Neil Young — Homegrown (19th June, 2020)
The Jayhawks — XOXO (July 10, 2020)
Joy Division — Closer (40th Anniversary) [2020 Digital Master] (
Daniel Bachman — The Morning Star (July 27, 2018)
Daniel Bachman — Green Alum Springs (June 6, 2020)
Becca Mancari — The Greatest Part (June 26, 2020)
Ytamo — Vacant (June 12, 2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Thin Lear — Wooden Cave (24th July, 2020)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Sara Serpa — Recognition (June 5th, 2020)
Sara Serpa, Ingrid Laubrock, Erik Friedlander — Close Up (2018)
Klara Lewis — Ingrid (1st May 2020)
Buju Banton — Upside Down (June 26, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
learning structures, vol. 2: end firma
learning structures, vol. 3: distance between us
The Boomtown Rats — Citizens of Boomtown (13 March, 2020)
Ralph of London — The Potato Kingdom (19th June, 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
Land of Talk — Indistinct Conversations (July 31, 2020)