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Mika Vainio Kilo (2013)

 Mika Vainio •• Kilo (2013)

Mika Vainio •• Kilo
Aliases: Ø, Kentolevi, Philus, Tekonivel
Born: 1963, Helsinki, Turku, Finland
Location: London ~ Barcelona ~ Berlin, Germany
Album release: June 17th, 2013
Record Label: Blast First Petite / PTYT076
Duration:     53:35
Tracks:
01] Cargo     7:23
02] Cranes     5:25
03] Load     5:58
04] Docks     5:04
05] Sub-atlantic     6:25
06] Rust     3:37
07] Wreck     5:14
08] Scale     3:13
09] Freight     5:48
10] Weight     5:28
Description:
•• Mika Vainio measures out one of his finest releases to date, bar none, in the staggering 'Kilo' for Blast First Petite. With a barely tamed sense of aggression, it more or less finds the perfect crux point between our office favourite, the beats-driven 'Oleva' (2008) under his O alias, and the granite hewn and bloodied metal excursion, 'Life (…It Eats You Up)' (2011), shaping ten tracks of a vivid and viscerally affective aesthetic whose themes of mass, dynamic and tone are succinctly, explicitly reflected in context of his shipping-themed track titles, and surely implied by its frighteningly physical presence. It feels very much like one man taking control of his daemons, strengthening his whip hand and honing his ability to deliver deadly force where it matters, making every pause between the beats count with breathtaking efficiency, and ensuring each ductile synth snarl, thunder-strike riff and bouldering drum occurs with space docking precision. From the midnight drop of 'Cargo', his 'Cranes' and 'Load' toil pendulous beats big as a troll's clackers, and 'Docks' places us out in the cold, waiting for the fog horn synth to deliver payload. 'Sub Atlantic' is the incredibly scary centrepiece, imagining the paranoia of listing in the hull of a sinking vessel far from shore, and 'Rust' is maybe the resultant decay manifest as pure power electronics. For sonic thrills, the lungful oscillator decompressions and pensile Bonham bosh of 'Wreck' make for grave highlights, whilst the slow, purposeful navigation of 'Freight' and the beatless, brobdingnagian mass of 'Weight' appropriately evoke imagery of supertankers carving down narrow, manmade canals and gauging docking depths in the midst of man-eating storms. A massive recommendation.
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•• As FACT report, the record is being billed as a beat-driven follow-up to 2011's Life (…It Eats You Up) LP for Editions Mego. Recorded in the Pan Sonic member's Berlin studio, Kilo will come out on Blast First Petite, which has a relationship with Vainio stretching back some 20 years (its parent label, Blast First, put out Pan Sonic's first album back in '95). The producer also has a remix of occasional Blast First Petite label-mates HTRK—specifically "Poison," from their 2011 album Work (Work, Work) — on the way in the coming months.
• Label:
• Facebook: WWW.FACEBOOK.COM/PAGES/MIKA-VAINIO/41778502407
• Website: WWW.PHINNWEB.ORG/VAINIO
• Media Loca: http://www.media-loca.com/mikavainio
• Discogs: http://www.discogs.com/artist/Mika+Vainio
• Last.fm: http://www.last.fm/music/Mika+Vainio
• Agent: (booking agent)
• Wikipedia: http://en.wikipedia.org/wiki/Mika_Vainio
• The New Noise: di Fabrizio Garau • 13/08/2012 • 18:01: http://www.thenewnoise.it/mika-vainio/
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REVIEW
Posted on May 28, 2013 by Craig Johnson
Score: 7/10
• Mika Vainio, one half of Finnish minimal electronic duo PanSonic, has a new record of atmospheric industrial music coming out. Louder Than War contributor Craig Johnson has been having a listen.
• To be honest, it’s exactly what you’re expecting. It’s slow, atmospheric and industrial. The fact that it’s so predictable isn’t a bad thing though as that’s exactly how Mika Vainio made his name. If you’re good at something, why give up?
• In a time where electronic musicians seem to spawn from every corner of the world, it’s easy for music to start sounding the same without any differentiation between what has merit and what doesn’t. In this case, Kilo is a really great document of how to make industrial ambience sound very, very good.
• What we have here is a weird mix of ambient soundscapes and beat-heavy industrial trance; it feels like a soundtrack to some sort of brutalist post-apocalyptic rave. In my mind, it conjures up black and white images of deserted industrial space, filled with jagged edges and metal structures. It’s stark, yes, but it’s also quite therapeutic. I can sort of switch off and let myself become fully engrossed in this alternate world. • Ironically, it’s not the sort of music you want to share with others.
• I’m aware that writing this piece means I’m sharing my thoughts on the music with you but I mean share in a different sense. It’s an album that you only ever want to listen to when you’re on your own; late at night, early in the morning, any time of day as long as you aren’t in a group of people. I cant imagine this being the soundtrack to a dinner party or on the office stereo. This is subtle music that’s made specifically for the recluse. The person that wants to sit in his own company and be overcome by the powerful imagery these bursts of sound create.
• The juxtaposition of calm, atmospheric pieces and heavy industrial beats work to give an almost frightening nightmare like state on track such as Scale. The whole album fits together with a strange contrast running throughout. At times it feels like it’s about to collapse in on itself, then comes a sudden burst of energy in the form of an industrial barrage or a eerie screech.
• It’s removed from reality in a sense that it manages to project an alternative, abstract setting. I can’t imagine it soundtracking anything other than this industrial landscape I view in my mind. I think there’s a definite divide in the style of tracks here.
• While some do have that calmer, more subdued tone, other has, overall, a fiercer and driving sound. Luckily though, they work together in perfect harmony. Never sounding out of place, the whole album flows and each new sound follows on logically, never letting you awake from the industrial dreamland you’ve suddenly found yourself part of.
• I’m actually going to see Mika Vainio play at The Sage, Gateshead in June and am eagerly waiting being transported into this dream like state. I just want to be sat in a dark room, his industrial soundtrack taking me away from the reality of the world outside. Even just for a short period of time, I have a feeling it’ll be fantastic.
Fortaken: http://louderthanwar.com/
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INTERVIEW
Russell Cuzner , January 23rd, 2013 05:56
• Using a stripped-back arsenal of hardware, former Pan Sonic man Mika Vainio opens up chasmic sound worlds that bridge noise, techno and the early electronic avant garde. In a rare interview, he speaks to Russell Cuzner about new album Kilo and the importance of emotion in music. ♦♦♦
• The sound worlds of Finnish electronic composer Mika Vainio, whether performed solo, in collaboration with artists as diverse as Alan Vega, Keiji Haino and F.M. Einheit, or as half of experimental techno innovators Pan Sonic, are immediately recognisable thanks to their unswervingly tight focus. Vainio coolly resists the trappings of constantly escalating music technologies, the better to closely examine the properties of his modest arsenal of tone generators and grooveboxes. Yet his output somehow manages to span the entire history of electronic music, reaching right back to its avant-garde roots in 50s academia, travelling through the post-punk transgressions of industrial music and stepping confidently across techno dancefloors to arrive at a 21st century interzone. Here, his signature sound even manages to suggest the history of electricity itself - his brooding hums, surges of distortion and sudden cracks conjure up images of Nikola Tesla's eccentric high-voltage experiments.
• Such a charged atmosphere was strongly evident throughout his recent sell-out show at London's Café Oto where, earlier in the day, he sits to discuss performing solo. "I have two different types of sets usually," he explains. "The other one is based on rhythmics and beats and [tonight's] is more droney, more slowly moving, perhaps. This is because I want to be flexible - depending on the situation I can also play something between those two."
• I suggest that this kind of division might reflect the way the brain responds to different styles, where rhythmic music stimulates the linguistic centres of the brain which enjoy anticipating patterns, while other parts of the brain may respond to less structured, more abstract work that doesn't offer any melodic or rhythmic regularity to interpret.
• His response is refreshingly unscientific for one so deeply involved in electronic composition. "I don't think of it like that… for me music is about emotions, for me the so-called absolute music doesn't exist, it's always connected to emotions and that's what matters to me. When I listen to music what is important is what is evoked in me, what I feel. I don't really separate it like that."
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• Like his sets, Vainio tends to divide his releases into those with and without regular rhythms. His forthcoming album, Kilo, due out on Blast First Petite in May, contrasts heavily with Magnetite, his last solo album released by Touch just a few months ago. "The new album [Kilo] is quite similar in style as Pan Sonic was," he says. "It's based on beats and rhythmic structures [whereas] the album on Touch doesn't use any beats, there are rhythmic structures but not like that, so it's quite different for me. It's really brand new, I finished one week ago - last Sunday I was doing the final mixing."
Kilo pulses, stabs and snaps to form bold, infectious industrial rhythms, laced with hints of old school hip-hop and dub as they travel through an oozing electrical discharge. By way of contrast, Magnetite's quiet, even silent, passages offset vaporous layers of distorted tones and bell or gong-like sounds to suggest meditative Eastern philosophies.
"Well I'm interested in philosophies, and religions too, and quite often reading books about them, but I wasn't really thinking about that directly when I was creating the music," he says. "But the sound is made by this brass bowl from Tibet, it is played with a wooden stick and you move the stick around the brim of the bowl and it starts vibrating. I record several layers, some of them playing the brim and sometimes hitting the bowl on the side, so it sounds like a bell."
•• Are there many acoustic instruments you find yourself using?
Mika Vainio: I'm using acoustic sounds it seems more and more, but I don't have so many acoustic instruments myself. I'm using field recordings quite a lot and sounds I've recorded from a radio or whatever.
•• What equipment are you using for tonight's set? Is it the same regardless of whether it's a beat-based set or not?
MV: No, I use the same set of instruments. The base of the whole thing is my Korg Electribe [effects, sampler, sequencer] - that's where the rhythmic structures are coming [from] - and sound loops and things like that. Then I have an analogue synthesiser and a couple of effects units, but that's it, that's all I have. I have custom-made instruments but I don't travel with them anymore because they break easily.
•• I understand you only use hardware.
MV: Yes, I have never used computers to make music.
•• How have you managed to resist the ever-increasing possibilities afforded by computer software?
MV: I have no problem resisting that, I'm quite happy of the way I'm working.
•• What is it about software that puts you off?
MV: First of all you have to work with the screen, then the music, and the work is visualised that way. I don't like this idea that the work is visualised through the symbols on the screen… depending on the program, you have different coloured squares or lines or whatever moving from left to right, then you are forced to deal with a certain visualisation which you don't necessarily even like at all. That would be difficult for me, because I have totally something else in my mind than that image. Altogether working with the mouse and the screen doesn't feel good for me. I mean, I know it would make many things a lot easier for me and I've been considering but, well, this far I don't really want to go for it.
•• What comes first - do you have an idea for a sound that you then go and find, or do you experiment until you arrive at something you want to work with?
MV: Yes, it takes sometimes a lot of experimenting. I usually have a certain kind of feeling or certain kind of atmosphere I want to express and create with sounds and then I start looking, first thinking what kind of sounds would be suitable and then I start looking for them, trying different things. If you have too strict an idea beforehand it can become quite painstaking and frustrating to find that kind of thing so it's like half and half, it's good to maybe sometimes just let go and let the sounds themselves lead you to where they seem to be taking the whole thing.
Sometimes I have quite a clear idea of a track beforehand and then I try to create it, and I try and try and it doesn't work when you hear it as a sound. Then you just have to give up and start again from something totally else.
•• There's bound to be key differences to your processes when you're collaborating. Is it quicker or slower as opposed to working solo?
MV: That can change a lot depending on who I'm working with and what kind of approach we decide to have. I made an album with a musician from Sweden, his name is Joachim Nordwall, and we recorded that whole album in seven hours, it's coming out as a small edition later this month I think, LP only. So that happened really easily, everything just fell in place, but then again I've been working with Stephen O'Malley and we've been working slowly for two years, from time to time making recordings, and now the album is ready, we just need to final mix it. But with him we had a totally different approach - we tried a lot of different kind of things and the final thing is very composed and planned and has a lot of elements and details and so on, so it's a totally different approach we had. So it can be both - it can take a long time or happen really fast.
•• And how about your solo work – is that a long process?
MV: Well, usually it is quite a long process, and I usually work for a couple of albums at the same time, different types of albums, 'cause then I can choose if I feel like doing that now or the other kind of thing depending on the situation I am in. So they come together slowly, and then sometimes they happen to be released at the same time. I think this year there will be quite a few releases.
•• Ever since I heard your work in the early nineties as Panasonic and Ø it seemed to have a clear relation to electroacoustic music, or the experiments of the 20th century avant-garde composers. However, at the time you were very much aligned with techno and rave culture – during these earliest days to what extent were you aware of this long history of electronic music?
MV: I started writing electronic music already at the end of the seventies, and [have] always been interested in it. Then in the eighties I was listening to electroacoustic composers and modern composition, so when I started doing my own music my idea was to combine the techno elements with the sound world of, let's say, Alvin Lucier or [Bernard] Parmegiani.
•• You're known as someone who has investigated the physical and mental affects of acoustic phenomena, particularly subsonics. I've enjoyed reading notions of what sound can do to the body, particularly in a military capacity, but I've rarely found any hard-and-fast evidence, it often seems a bit mythical.
MV: Well, one thing that I have read during the years from many different sources is about this 7 Hz thing - that 7 Hz is really harmful or can destroy your organs, and the French military actually built a sound cannon, or they tried to build a sound cannon in the first World War to use the 7 Hz against their enemy.
But the legend goes that people who were experimenting, they died themselves. But I'm not sure if I can really believe in this, because they should know that low frequencies you cannot really direct - [with] very low frequencies, as far as I know, it's physically impossible to direct or aim in a certain direction, they're always just around. But maybe they didn't know it, and that's a hard way to learn it!
•• Presumably you'd need certain equipment to play this kind of thing back…
MV: It's really difficult to produce that low frequency, it takes a lot of energy - amplification power - but there are many interesting things. I know they have created a chair and it's full of speakers inside and it's used for people who have a nervous disease, I don't remember what it's called but it's where they are shaking all the time [and] cannot keep still - they have to move all the time. And with certain frequencies they can relax, they don't have this movement thing.
•• That reminds me of something I heard about from Australia, by someone called Dr. Alan Lamb who works with very, very long stretches of telegraph wire. Apparently he's a health practitioner investigating the health benefits of the vibrations coming off these wires. I like to think there's an untapped resource for health services around the world to not rely so much on pharmaceutical companies and to use sound waves instead.
MV: It's a curious thing, like in the present world we are living in there's so much information happening anyway which is going straight through us every moment - all the radio waves. Like, if we were to have a very good transmitter here we could catch thousands of radio stations, the waves are right here, and we still don't know of course what the effects in the long term are, what they mean.
•• Have you strategically placed sounds in your own recordings not for their musical merit but because of their physical properties?
MV: Not on my recordings because – well, sometimes I'm using a nasty high frequency when I want to create something with this kind of impact - but for low frequencies it's tricky because more and more people are listening to music from iPods and small sound systems. So I know that if I create frequencies below 40 [Hertz] most of the people would never even hear them and not be aware of them, because they don't have the equipment for that. But when I play live I certainly want to have a physical effect too, I like to have a lot of bass.
•• As well as playing all over the world, you've lived in London, Barcelona and now in Berlin, and you're originally from Turku in Finland; are there key differences in audiences that are specific to these places?
MV: Roughly, the more south you go the more enthusiastic people are, and the more north you go the more stiff and formal people are. But it's not so simple as that, it depends on the occasion and where you play. But my favourite audiences are in Argentina, I've been there three times to play concerts. They are enthusiastic and really into the music, but they are really listening, they are concentrating. I think the opposite of that is mostly in the USA, where I feel many people just come to hang around and then they don't care anything about the music often, just talking with each other and clanging their beer bottles and whatever. It's a sad situation when this happens, when someone wants to play quiet music and it gets destroyed by a stupid audience. I think the worst situation was when I saw Nico playing in Finland in the mid-80s, there were people just yelling and screaming and vomiting and throwing beer bottles when she tried to play organ and solo – so annoying.
•• What do you like to listen to nowadays?
MV: I'm always listening to many kinds of things. I listen to a lot of so-called classical music, from medieval to modern composition, from all the periods. And certain types of heavy metal, like doom and grindcore, traditional music of Far East and Africa, I like old blues a lot, acoustic blues.
•• Is that something you'd like to do yourself?
MV: No, I don't have what you need to play really groovy blues - there's no way for me to do it.
•• What's next?
MV: During the spring we will do the final mixing of this album with Stephen O'Malley, so I suppose that's coming out later this year, possibly [on] Mego. And, Finnish label Sähkö will release my new album [as Ø], this I have been working on quite a long time, slowly, and it might be ready end of March or something. Then there's this limited edition LP with my Swedish friend that's on a label called PAN.
And from '83 to '85 I was member of group called Gagarin Kombinaatti – you know Gagarin the cosmonaut - and I got hold of the cassette recordings we made in our rehearsals, I have maybe 25 cassettes of recordings and I've been listening to them now all the way through and will start editing them later this spring, and there will be an album released at some point of that material. That was an industrial noise group where we used tools like hammers and drills and saws and radios and all kind of pieces of metal and garbage, together with drum machines and synthesisers."
•• How did it feel listening back? It must have been many years since you heard them.
MV: Yeah, it was almost thirty years since I have heard them. It was fun and interesting. We only played live once, one concert only.
•• Did it go well?
MV: No! [laughs]
•• Is that why you didn't play again?
MV: Maybe. We had really a lot of bad luck. Well, it was good and bad at the same time, because some of our instruments didn't work, like our drum machine was stuck only to one beat [and] we couldn't change the program. But it forced us to do something else, like banging all those pieces of iron and springs so much that the sparks were flying around. It was quite intense really, because we were quite angry.
Fortaken: http://thequietus.com/
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Mika Vainio Kilo (2013)

 

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Sam Gendel — Satin Doll (13 Mar 2020)
Kaleidoscope — Faintly Blowing (11 April 1969, Reissue, Remaster
Motorpsycho — The All Is One (2CD) (28 Aug., 2020)
Ryan Adams — Ryan Adams (September 8, 2014)
Roman Hampacher — Bílá Vrána (December 6, 2020)
Trees Speak — Ohms (3rd April, 2020)
Peter Murphy — „The Last and Only Star“ (25th June, 2021)
Nadine Shah — Kitchen Sink (June 5, 2020)
Skinny Pelembe — Dreaming Is Dead Now (May 24, 2019)
CLT DRP — Without The Eyes (Aug. 28th, 2020)
Broken Social Scene — Live at Third Man Records (Feb. 28, 2020)
Perfume Genius — Set My Heart On Fire Immediately (15th May 2020
Devendra Banhart | Noah Georgeson — „Refuge“ (Aug. 13, 2021)
Ryan Adams — Wednesdays (Dec. 11, 2020)
Deerborn — Where Demons Hide (Aug. 28, 2020)
Brendan Benson — Dear Life (April 24, 2020)
Harvestman — Music for Megaliths (May 19, 2017)
Kolna — Smrtí zatepla (Nov. 30, 2020)
Marc Ribot’s Ceramic Dog — „Hope“ (June 25th, 2021)
Lucia Cadotsch — Speak Low (Feb. 26, 2016)
Perfume Genius — No Shape (5 May, 2017) BC
Dinosaur Jr — „Sweep It Into Space“ (April 23rd, 2021)
Perfume Genius — No Shape (5 May, 2017) FC
Cocteau Twins — Victorialand (April, 1986, Reissue 2020)
Wolf Alice — „Blue Weekend“ (4th June, 2021)
Isbells — Sosei (March 1, 2019)
Sons of Kemet — „Black to the Future“ (May 14, 2021)
The Feather — Room (10 July, 2020)
Songs for the Late Night Drive Home (Feb. 5, 2016)
Last Days of April — „Even the Good Days Are Bad“ (May 7, 2021)
Benoît Pioulard & Sean Curtis Patrick — Avocationals (2019)
Spc Eco — Dark Matter (Nov. 20, 2015)
Juliana Hatfield — Weird (Bonus Edition) (Jan. 18, 2019)
Caribou — Suddenly (Feb. 28th, 2020)
Sam Tudor — „Two Half Words“ (May 7, 2021)
SPC ECO — June (June 1, 2020)
Waxahatchee — Saint Cloud (March 27, 2020)
Florist — Emily Alone (July 26, 2019)
Chapelier Fou — Deltas (Sept. 22, ​2014)
The Boomtown Rats — Citizens of Boomtown (13 March, 2020)
The Flaming Lips — The Soft Bulletin (Nov. 29, 2019)
Emile — The Black Spider / Det Kollektive Selvmord (May 1, 2020)
Larkin Poe — Self Made Man (June 12th, 2020)
Delilah Montagu — „This Is Not a Love Song EP“ (Feb. 5th, 2021)
Wesley Gonzalez — Appalling Human (June 12, 2020)
Pottery — Welcome to Bobby’s Motel (June 26th, 2020)
Mint Field — Sentimiento Mundial (25 Sept., 2020)
The Killers — „Pressure Machine“ (13th Aug., 2021)
Art d’Ecco — „In Standard Definition“ (April 23rd, 2021)
Cosmo Sheldrake — Galapagos [Original Soundtrack] 2019
The Telescopes — Hidden Fields (August 7th, 2015)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Django Django — „Glowing in the Dark“ (2021)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
The Antlers — „Green To Gold“ (March 26, 2021)
Kyrie Kristmanson — Lady Lightly (Jan. 10, 2020)
Yorkston/Thorne/Khan — Navarasa : Nine Emotions (24th Jan. 2020)
Hey Colossus — Dances / Curses (Nov. 6, 2020)
OWEN PALLETT — ISLAND
Ralph of London — The Potato Kingdom (19th June, 2020)
Kilbey Kennedy — „Jupiter 13“ (March 5, 2021)
Sigur Rós — Odin’s Raven Magic (Dec. 4, 2020)
Arca — „Madre“ (22 Jan., 2021)
Cotatcha Orchestra — Bigbandová elektronika / Bigband Electronic
Locate S,1 — Personalia (April 3, 2020
HMLTD — West of Eden (7 Feb., 2020)
OLYMPIC — „Kaťata“ (October 30, 2020)
Noveller — Arrow (June 12, 2020)
Sugai Ken | Lieven Martens — „KAGIROI“ (March 29, 2021)
Chapelier Fou — Meridiens (Feb. 28, 2020)
HMLTD ©Dean Hoy
Cathedral Bells — Velvet Spirit (March 6, 2020)
Vladislav Delay, Sly Dunbar, Robbie Shakespeare — 500~Push~Up
Orwell — Parcelle brillante (24 April 2020)
Peter Murphy — „Lion“ (June 2nd, 2014)
Tarotplane — „Horizontology“ (February 8, 2021)
Tame Impala — The Slow Rush (Feb 14, 2020)
REBECCA FOON — WAXING MOON (21st Feb., 2020)
Noveller — Arrow (June 7, 2020)
Virginia Plain — Strange Game (Dec. 13, 2019)
Blinker the Star — Juvenile Universe (20 Nov., 2020)
Teho Teardo — Ellipsis dans l’harmonie (March 6th, 2020)
Signe Marie Rustad — When Words Flew Freely (Nov. 15, 2019)
Angel Olsen — „Aisles“ EP (20 Aug., 2021)
Stian Westerhus — Redundance (March 5, 2020)
Beck — Deep Cuts (March 2020)
Keeley Forsyth — Debris (17 Jan., 2020)
KeiyaA — Forever, Ya Girl (March 27, 2020)
John Craigie — Asterisk the Universe (June 12, 2020)
Ellipsis dans l’harmonie BACK COVER
Paul Weller — „Fat Pop (Volume 1)“ (14th May, 2021)
Horse Lords — „The Common Task“ (March 13, 2020)
Half Japanese — Crazy Hearts (4th Dec., 2020)
Lavender Diamond — Incorruptible Heart (Sept. 2012)
MARY — Die Before Death (September 4, 2020)
The Belmondos — Memory Lane (Nov. 20, 2020)
Troi Irons — Flowers (Sept. 25, 2020)
Ryuichi Sakamoto — „Black Mirror: Smithereens“ (Oct. 24, 2020)
The Dears — Times Infinity Volume One (September 25, 2015)
The Album Leaf — OST (March 20, 2020)
Joensuu 1685 — ÖB (09 Oct., 2020)
Black Tape For A Blue Girl — „Ashes In The Brittle Air“ [Remaste
Jack Peñate — After You [Expanded Edition] (2020)
Thomas Dybdahl — The Great Plains (Feb 24, 2017)
Lavender Diamond — Now Is the Time (Dec. 4, 2020)
Bowerbirds — „becalmyounglovers“ (April 30th, 2021)
Grimes — Visions (2012)
Grandbrothers — All the Unknown (15 Jan., 2021)
Jessie Ware — Glasshouse (Deluxe; 20 Oct 2017)
Kavus Torabi — Hip to the Jag (May 22, 2020)
Josienne Clarke — „A Small Unknowable Thing“
Adrian Crowley — „The Watchful Eye of the Stars“ (30th April, 20
Bella White — Just Like Leaving (Sept. 25, 2020)
Pharoah Sanders — „Live In Paris (1975): Lost ORTF Recordings“
Oddfellow’s Casino — The Raven’s Empire (2012)
Calexico / Iron & Wine — Years to Burn (2019)
Chris Potter — There Is a Tide (Dec. 4, 2020)
L’Rain — „Fatigue“ (June 25, 2021)
Amanda Palmer — Forty~Five Degrees: Bushfire Charity Flash Rec.
Veneer — Recovery (April 15, 2020)
Chris Potter — Circuits (Feb. 22, 2019)
Sara Serpa — Recognition (June 5th, 2020)
BECK — Uneventful Days (St. Vincent Remix)
The Flaming Lips — „The Soft Bulletin Companion“ (4 March 1999/J
God Is an Astronaut — „Ghost Tapes #10“ (Feb. 12, 2021)
Oddfellow’s Casino — Burning! Burning! (7 Aug., 2020)
This Will Destroy You — Vespertine (June 9, 2020)
Scoundrels — Music From The Arch (Sept. 11, 2020)
Teen Daze — Morning World
Gary Lucas — „The Edge Of Heaven: ...“ (April 1, 2002)
Lingua Ignota — „SINNER GET READY“ (Aug. 6, 2021/2 LP)
Sara Serpa, Ingrid Laubrock, Erik Friedlander — Close Up (2018)
The Wallflowers — „Exit Wounds“ [July 9, 2021, Vinyl LP]
Rufus Wainwright — Unfollow the Rules [Deluxe Version] (July 9,
THE DEARS — ‘Lovers Rock’ (May 15, 2020)
Greenslade — Time and Tide (2 cd, 1975/2015)
Bellows — The Rose Gardener (Feb. 22, 2019)
Ariel Pink — House Arrest (2002/Mar 2011/April 24, 2020)
The Jayhawks — XOXO (July 10, 2020)
Béla Fleck & Toumani Diabaté — The Ripple Effect [2LP, March 27,
Budokan Boys — So Broken Up About You Dying (2 Oct. 2020)
John Vanderslice — „Time Time is Lonely“ (June 12th, 2001)
Sonny Landreth — Elemental Journey (May 22, 2012)
Laura Fell — Safe from Me (Nov. 20, 2020)
Laura Perrudin — Perspectives & Avatars (Oct. 9, 2020)
CocoRosie — Put the Shine On (6 March 2020)
Anthony Moore — Out (20 Nov., 2020)
Soho Rezanejad — „Perform and Surrender“ (Dec. 04, 2020)
Whyte Horses — Hard Times (17th of Jan., 2020)
Tindersticks — Distractions (Feb. 19, 2021)
„Mojo Presents Steve Marriott, Small Faces, Humble Pie: Afterglo
Jessie Ware — What’s Your Pleasure (June 26, 2020)
Corb Lund — Agricultural Tragic (June 26, 2020)
Scott Matthew — Ode to Others (April 20, 2018)
Thurston Moore — „screen time“ (Feb. 5, 2021)
Raed Yassin — Archeophony (Nov. 27, 2020)
Thomas Dybdahl — Fever (March 13, 2020)
Born Ruffians — Juice (April 3, 2020)
Growing Up Live — 3LP Half Speed Remaster (Nov. 27, 2020)
Michael Landau — The Michael Landau Group Live (Oct. 31, 2006)
The Weather Station — Ignorance (Feb. 5, 2021)
Marc Ribot’s Ceramic Dog — What I Did On My Long ‘Vacation’ EP
The Beths — Jump Rope Gazers (July 10th, 2020)
Coultrain — „Phantasmagoria“ (April 9, 2021)
Carissa Johnson — A Hundred Restless Thoughts (Dec. 18th, 2019)
Anna Calvi — „Hunted“
Christine Ott — Chimères (pour ondes Martenot) (May 22, 2020)
Eleanor Friedberger — Rebound (May 4th, 2018)
Smashing Pumpkins — Cyr (27th Nov., 2020)
Ryuichi Sakamoto — „Minamata“
Calexico — Seasonal Shift (Dec. 4th, 2020)
Futurebirds — Teamwork (Jan. 15th, 2020)
Emmy the Great — Second Love (March 11, 2016)
My Morning Jacket — The Waterfall II (Aug. 28, 2020)
ELEANOR FRIEDBERGER — NEW VIEW (January 22, 2016)
Cornershop — „England Is a Garden“ (6th March, 2020)
Negativland — The World Will Decide (Nov. 13, 2020)
Kill The Dandies! — Your Blood My Veins (Feb. 5, 2021)
Chris Brokaw — „Puritan“ (Jan. 15, 2021)
Cormons Jazz & Wine of Peace festival 2008 ©Ziga Koritnik
Andrej Šeban — Triplet (March 22, 2019) inner cover
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
Jenny Lewis — On the Line (March 22, 2019)
Dungen — Live (March 13, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Andrej Šeban — Triplet (March 22, 2019) cover
Sonny Landreth — Blacktop Run (Feb. 21, 2020)
Læetitia Shériff — Pandemonium, Solace And Stars
Gerald Cleaver — Signs (March 27, 2020)
The Crossing & Donald Nally — James Primosch: Carthage (05/2020)
The Drums — Brutalism (April 5, 2019)
Eli Winter — „Unbecoming“ (21 Aug 2020)
Laila Sakini ‎— Into the Traffic, Under the Moonlight (10 Dec.,
DAGMAR VOŇKOVÁ — ARCHA (2020)
Immigrant Union — Judas (June 19, 2020)
KMRU — Peel (18th Sept., 2020)
Spy Machines — Spy Machines (April 3, 2020)
Negativland — True False (25 Oct., 2019)
David Cross & Peter Banks — Crossover (17 Jan., 2020)
Jake Blount — Spider Tales (May 29, 2020)
EELS — Earth To Dora (Oct. 30th, 2020)
Art Feynman — Half Price At 3:30 (June 26th, 2020)
Jorge Elbrecht — „Presentable Corpse — 002“ (28th May 2021)
Jerskin Fendrix — Winterreise (April 17, 2020)
Julianna Barwick — Healing Is a Miracle [Japan Edition] (2020)
Joy Division — Closer (40th Anniversary) [2020 Digital Master] (
Jorge Elbrecht — „Presentable Corpse — 002“ (28th May 2021)
Sophie Tassignon — Mysteries Unfold (April 24, 2020)
Anika Nilles — For a Colorful Soul (Jan. 10, 2020)
Ospalý pohyb — Ostrava (October 17, 2016)
Deradoorian — Find the Sun (Sept. 18, 2020)
Donovan — “Atlantis”
Noveller — „Red Room“ (Sept. 3, 2021)
All The Best, Isaac Hayes (A Spoken Word Album)
Ospalý pohyb — ø (May 24, 2016)
James Harries — Superstition (Jan. 31, 2020)
Zoongideewin — Bleached Wavves (June 19, 2020)
Nitin Sawhney — Live At Ronnie Scotts (Nov. 17, 2017)
HOUPACÍ KONĚ: SOULKOSTEL 8 11 2019 (April 25, 2020)
Recondite — Dwell (Jan. 24, 2020)
Kacey Johansing — No Better Time (Nov. 20, 2020)
Yoko Ono, Kim Gordon & Thurston Moore — YOKOKIMTHURSTON
Com Truise — Persuasion System (May 17, 2019)
Kazuomi Eshima & Masahiko Takeda — Inheritance for Soundscape
Erik Griswold — All’s Grist That Comes To The Mill (03/20, 2020)
Caspian — Dust and Disquiet (Sept. 25, 2015)
SLY & THE FAMILY DRONE FC (17, 2020)
Låpsley — Through Water (March 20th, 2020)
Sarah Longfield — Dusk (April 22, 2020)
Soundwalk Collective with Patti Smith — Peradam (Sept. 4th, 2020
M. Caye Castagnetto — „Leap Second“ (Jan. 22, 2021)
Erik Griswold — All’s Grist That Comes To The Mill (03/20 2020)
Circa Waves — Sad/Happy (March 13th, 2020)
Bob Dylan — Rough and Rowdy Ways (June 19th, 2020)
Kurt Wagner of Lambchop. ©Picture Joanna Bongard
Art d’Ecco — „In Standard Definition“ (April 23rd, 2021)
Sol Seppy — The Bells Of 12 (June 21, 2019)
930 x 827 tmavší podklad.jpg
P/\ST — /Expedice do vnitrobloku\ (Oct. 5, 2019)
Roland Tings — Salt Water (Nov. 8, 2019)
Eamon O’Leary — The Silver Sun (Jan. 15, 2021)
Martin Barre — „Live At The Factory Underground“ (Feb. 14, 2019)
Paul McCartney — „McCartney III Imagined“ (23rd July, 2021)
M.Ward — Migration of Souls (April 3, 2020)
33EMYBW — Golem (25 Sept., 2019)
The Third Mind — The Third Mind (Feb. 14, 2020)
CocoRosie — Restless (Feb. 12th, 2020)
Sean Henry — A Jump from the High Dive (Nov. 1, 2019)
Mike Cooper — Playing With Water (Nov. 6, 2020)
Ben Featherstone — Prisoner to the Wind (Dec. 20th, 2019)
Ailbhe Reddy — Personal History (23 Oct., 2020)
Thomas Köner — Motus (Feb. 20, 2020)
Lanterns On the Lake — Spook the Herd (21 Feb., 2020)
Darkside — „Spiral“ [Japan Edition] (July 23, 2021)
A Winged Victory for the Sullen — The Undivided Five
Nick Hakim | Roy Nathanson — „Small Things“ (April 16, 2021)
The Telescopes — Songs of Love and Revolution (Feb. 5, 2021)
Send Medicine — „By Telepathy And Reputation“ (July 16, 2021)
Of Montreal — Ur Fun (Jan. 17, 2020)
Ryan Adams — „Big Colors!“ (June 11, 2021)
Lanterns On the Lake — Spook the Herd (21 Feb., 2020)
Seaway — Big Vibe (Oct. 16th, 2020)
Surprise Chef — Daylight Savings (Oct. 16, 2020)
Ryley Walker — „Course in Fable“ (April 2, 2021)
Sega Bodega — Salvador (Feb. 14, 2020)
Klara Lewis — Ingrid (1st May 2020)
Vivienne Wilder — Postromantic (June 12, 2020)
Prophecy Playground — Comfort Zone (Feb. 15, 2020)
Kurt Vile — Speed, Sound, Lonely KV EP (2nd Oct., 2020)
Steve Earle — Townes (May 8, 2009)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Oiseaux~Tempęte — From Somewhere Invisible (19 Dec., 2019)
Hamilton Leithauser (The Walkmen) — Dear God (Aug. 2015)
Steve Earle & The Dukes — Ghosts of West Virginia (May 22, 2020)
Nitin Sawhney — „Immigrants“ (19 March, 2021)
Real Estate — The Main Thing (28th Feb., 2020)
Myopia Exclusive Crystal Clear Vinyl
The Kills — Ash And Ice (June 3, 2016)
James Harries — Before We Were Lovers
Irena and Vojtěch Havlovi — „Melodies in the Sand“ (March 5, 202
ANNA CALVI — HUNTED (March 6, 2020)
Elysian Fields — Transience Of Life (May 7, 2020)
SOFIA TALVIK — Paws of a Bear (Sept. 27, 2019)
Badge Époque Ensemble — Self Help (Nov. 20, 2020)
Ali Holder — Uncomfortable Truths (April 10, 2020)
Sungazers — Wasting Space (May 18, 2020)
Really From — „Really From“ (March 12, 2021)
Neil Young — Homegrown (19th June, 2020)
Lightning Bolt — Hypermagic Mountain (October 18, 2005, March
Craig Fortnam — „Ark“ (16 July, 2021)
Sixth June ‎— Trust (17 Jan 2020)
Bellows — The Rose Gardener (Feb. 22, 2019)
Tatsuhisa Yamamoto 山本達久 — Ashioto (Oct. 21, 2020)
From Atomic — Deliverance (April 2020)
Cermaque — Lament (22nd May, 2020)
Fuzzy Lights — „Burials“ (July 2nd, 2021)
Alfie Templeman — „Forever Isn’t Long Enough“ (May 7th, 2021)
Tatsuhisa Yamamoto 山本達久 — Ashioto (Oct. 21, 2020)
Laurel Halo — Raw Silk Uncut Wood (July 13, 2018)
Anna von Hausswolff — Dead Magic (March 2018)
Moses Sumney — græ Part 1 & 2 (May 15, 2020)
Lauren Lakis — Daughter Language (Jan. 22, 2021)
Elizabeth And The Catapult — Like It Never Happened (24/01/2014)
David Thomas Broughton & Juice Vocal Ensemble — Sliding The Same
Marissa Nadler — unearthed (March 20, 2020)
Lake Street Dive — „Obviously“ (March 12th, 2021)
Jaye Jayle — Prisyn (Aug. 7, 2020)
Sweet Trip — You Will Never Know Why (Jan. 22, 2021)
PETR KALANDRA — Petr Kalandra & ASPM 1982 — 1990 (Feb. 26, 2020)
Justine Vandergrift — Stay (Feb. 7th, 2019)
Iceage — „Seek Shelter“ (May 7th, 2021)
Hamilton Leithauser — The Loves of Your Life (10 April 2020)
Bombay Bicycle Club — Everything Else Has Gone Wrong (01/24/20)
Gráinne Duffy — Where I Belong (Sept. 19, 2017)
Anthony Gomes — Containment Blues (2020)
Sports Team — Deep Down Happy (5th June, 2020)
Evan Wright — „Sound From Out The Window“ (Aug. 25, 2021)
Nonlocal Forecast — Bubble Universe! (March 1, 2019)
Lionel Loueke — HH (Sept. 11, 2020)
Al Di Meola — Across the Universe: The Beatles, Vol. 2 (2020)
LENKA NOVÁ — DOPISY (21.03./24.04., 2020)
Genesis Revisited: Live at The Royal Albert Hall — 2020 Remaster
Tedeschi Trucks Band — „The Fireside Sessions [Episode One / Epi
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Veronica Swift — „This Bitter Earth“ (March 19, 2021)
The Electric Soft Parade — Stages (Jan. 8, 2020)
Villagers — The Art Of Pretending To Swim (03/19, 2020) DELUXE E
Mountaineer — Bloodletting (May 22nd, 2020)
Ólafur Arnalds — Some Kind Of Peace (6 Nov., 2020)
SUUNS — „The Witness“ (Sept. 3, 2021)
Steve Hackett — Under A Mediterranean Sky (Jan. 22, 2021)
Anna von Hausswolff — All Thoughts Fly (Sept. 25, 2020)
Tara Fuki — Motyle (Nov. 13th, 2020)
Peel Dream Magazine — Agitprop Alterna (3rd April 2020)
Nicholas Cords — Touch Harmonious (Nov. 6, 2020)
Destroyer — Have We Met (Jan. 31, 2020)
John McLaughlin, Shankar Mahadevan, Zakir Hussain — Is That So?
THE SHAKING SENSATIONS — “How Are We to Fight the Blight” 2xLP
Alphaxone — Dystopian Gate (Jan. 14, 2020)
Lanterns On The Lake — The Realist (Dec. 18, 2020)
A Certain Ratio — ACR Loco (25th Sept., 2020)
THE SCHRAMMS — “Omnidirectional” (June 21st, 2019)
David Thomas Broughton — The Complete Guide To Insufficiency /re
Aimee Mann — Bachelor No. 2 (20th Anniversary Edition) (Nov. 27,
The Chap — Digital Technology (10 Jan., 2020)
Joan As Police Woman — Cover Two (May 1, 2020)
Isobutane — Mementos (Jan. 29, 2021)
The Shivas — “Dark Thoughts” (October 25, 2019)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Lucy Railton — Paradise 94 (22 Mar 2018)
Drive~By Truckers — The Unraveling (cover)
The Shins — “Heartworms” (March 10, 2017)
Elizabeth & The Catapult — „Sincerely, E“ (March 5, 2021)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
M. Ward — Think of Spring (Dec. 11, 2020)
The Shins — “The Worms Heart” (Jan. 18, 2018)
Psychic Markers — Psychic Markers (29 May, 2020)
Julianna Barwick — Circumstance Synthesis (Dec. 20, 2019)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
Meredith Monk & Bang on a Can All~Stars — Memory Game (03/27/20)
Drive~By Truckers — The Unraveling (cover)
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
JACKSON VANHORN: “AFTER THE REHEARSAL”
Blanck Mass — „Mind Killer“ (May 14th, 2021)
Eivind Aarset & Jan Bang — Snow Catches On Her Eyelashes (2020)
Richard Barbieri ‎— Past Imperfect / Future Tense (Mar 2020)
Kevin Morby — Sundowner (October 16, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
EVA ROHLEDER — Babské ucho (Nov. 9th, 2020)
Laurel Halo — Possessed (April 10, 2020)
Helena Deland — Someone New (16 Oct., 2020)
Stereolab — „Electrically Possessed [Switched On Volume 4]“ (Feb
Devendra Banhart — Ma (September 13, 2019)
Field Music — Making a New World (Jan. 10, 2020)
Gráinne Duffy — Voodoo Blues (Oct. 15, 2020)
The Memories — Pickles & Pies (May 29, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Highasakite — Uranium Heart (Feb. 1st, 2019)
Pearl Jam — Gigaton (March 27, 2020)
Walter Martin — The World at Night (Jan. 31, 2020)
Foxing — „Draw Down the Moon“ (Aug. 6, 2021)
The Tiger Lillies — Cold Night in Soho (10 Feb. 2017)
Silkworm — In The West (24 Jan., 2020)
Marillion — „Marbles“ (30th April, 2021, 3 LP)
Chavez — Gone Glimmering [Expanded Edition] (Oct. 23, 2020)
FRÀNÇOIS & THE ATLAS MOUNTAINS — BANANE BLEUE (26th Feb., 2021)
Kamaal Williams — Wu Hen (July 24, 2020)
Caspian — On Circles (January 24, 2020)
Jennifer Curtis & Tyshawn Sorey: Invisible Ritual (2020)
Hypnotic Brass Ensemble
DAVID POMAHAČ — DO TMY JE DALEKO (Feb. 7, 2020)
Don Gallardo — The Lonesome Wild (April 2, 2020)
Damon Locks Black Monument Ensemble — Where Future Unfolds (2019
The Tiger Lillies — Edgar Allan Poe’s Haunted Palace
Mark Lanegan — Straight Songs Of Sorrow (8th May, 2020)
I Break Horses — Warnings (08 May 2020)
Maxïmo Park — „Nature Always Wins“ (26th Feb., 2021)
Avishai Cohen — „Two Roses“ (April 16, 2021)
Spiritualized — „Lazer Guided Melodies“ (March 30, 1992, Remaste
Cocteau Twins — Head Over Heels
Angel Olsen — „Song of the Lark and Other Far Memories“ (May 7,
Cocteau Twins — Treasure
Sarah Jarosz — World On The Ground (June 5, 2020)
The Innocence Mission — See You Tomorrow (Jan. 17, 2020)
Daniel Lanois — „Heavy Sun“ (March 19, 2021)
Father John Misty — „Off~Key In Hamburg“ (March 23, 2020)
M G Boulter — „Clifftown“ (April 23rd, 2021)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
The Tiger Lillies — Covid~19 (April 10, 2020)
Portico Quartet — „Terrain“ (May 28, 2021)
Hawkwind — Acoustic Daze (25 Oct. 2019)
I Am Planet — „Záznamy ticha“ (30 April, 2021)
The Avalanches — We Will Always Love You (11 Dec., 2020)
Beautify Junkyards — Cosmorama (15th Jan., 2021)
Portico Quartet — „Terrain“ (May 28, 2021)
Wendy Eisenberg — Auto (Oct. 16, 2020)
I Am Planet — „Záznamy ticha“ (30 April, 2021)
TANYA DONELLY: Swan Song Series bonus tracks (FC)
Kate Amrine — This Is My Letter to the World (Jan. 24, 2020)
Liz Phair — „Soberish“ (4th June 2021)
CONCEPT ART ORCHESTRA — „100 YEARS“ (11.12.2020)
Juliana Hatfield — „Blood“ (May 14, 2021)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
WHITE TAIL FALLS — Age Of Entitlement (May 29, 2020)
Susan Alcorn Quintet — Pedernal (Nov. 13, 2020)
Coloured Clocks — Flora (May 2, 2020)
Daniel Knox — Won’t You Take Me with You (Jan. 15, 2021)
Indoor Voices — Animal (Feb. 14, 2020)
Jane Weaver — „Flock“ (March 5, 2021)
ELYSIAN FIELDS — Pink Air
Midlake — Antiphon (Nov. 4, 2013)
Jonathan Wilson — Rare Birds (March 2nd, 2018)
KIESLOWSKI Tiché lásky
Fiona Apple — Fetch The Bolt Cutters (17 Apr., 2020)
Lucrecia Dalt — Syzygy (Oct. 15, 2013)
Hayden Thorpe — Diviner (24 May 2019)
Cocteau Twins — Garlands (1982, Reissue 2020)
Alessandra Leão ‎— Macumbas e Catimbós (24/05/2019)
Cowboy Junkies — Ghosts (30 Mar 2020)
Liz Simmons — „Poets“ (March 1, 2021)
Laura Marling — Song for Our Daughter (April 10th, 2020)
Wendy Eisenberg — Its Shape Is Your Touch (Oct. 2018)
Nite Jewel — „No Sun“ (Aug. 27, 2021)
Baxter Dury — The Night Chancers (20 March 2020)
San Fermin — San Fermin (Nov. 11, 2013)
Sara Bareilles — What’s Inside Songs From Waitress (11/06, 2015)
Joe Strummer — „Assembly“ (26 March, 2021)
The Heliocentrics — Telemetric Sounds (Aug. 7, 2020)
JAMES YORKSTONE — The Wide, Wide River (22nd Jan., 2021)
The Dream Syndicate — „The Universe Inside“ (April 10, 2020)
Black Sabbath: Black Sabbath (13 Feb., 1970)
Third Coast Percussion & Devonté Hynes — Fields (Oct. 11, 2019)
White Tail Falls — Age of Entitlement (May 29, 2020)
MUFF — Fatalust (Nov. 1, 2019) cover
Ben Watt — Storm Damage (31st Jan., 2020)
San Fermin — The Cormorant I & II (Oct. 4, 2019/April 3, 2020)
Saša Niklíčková — Zmačkaná žena (Oct. 26, 2020)
Stephen Duffy — I Love My Friends [Expanded Ed] (10 May 2019)
I Break Horses — Chiaroscuro
Sea Wolf — Through a Dark Wood (March 20, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Maya Beiser — „Maya Beiser x Philip Glass“ (July 23, 2021)
Tom Petty — „Southern Accents“ (March 26, 1985/2006)
Dan Blake — „Da Fé“ (March 12, 2021)
Yorkston | Thorne | Khan — Navarasa : Nine Emotions (2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Anupam Shobhakar — „Dawn of Paradise“ (Nov. 13, 2020)
Genghis Tron — „Dream Weapon“ (March 26, 2021)
HAIM — „Women in Music Pt. III“ [Expanded Edition] (June 26, 202
Stove — ‘s Favorite Friend (Oct. 31, 2018)
ANASTASIA MINSTER — Father ©Michael Haley
Jonathan Wilson — Dixie Blur (March 6, 2020)
Ethel Cain — „Inbred“ (April 23, 2021)
Fruition — Broken At The Break Of Day (Jan. 23, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
1600 x 1600 High Violet (10th Anniversary Expanded Edition).jpg
ROBERT FRIPP — THE KITCHEN (New York, NY) — 05 FEB 1978
Sara Bareilles — More Love: Songs from Little Voice Season One (
The Sufis — Double Exposure (Jan. 24, 2020)
ÁSGEIR: IN THE SILENCE
Martin Barre — Roads Less Travelled (26 Oct. 2018)
Loney dear — „A Lantern and a Bell“ (March 26, 2021)
Loveblind / Sleeping Visions (March 27, 2020)
Jon Regen — Higher Ground (October 4, 2019)
Walter Martin — The World at Night (Jan. 31, 2020)
Asher Gamedze – Dialectic Soul (July 10, 2020)
Frances Quinlan — Likewise (Jan. 31, 2020)
Jon Regen — Higher Ground (October 4, 2019)
Motorpsycho — „Kingdom of Oblivion“ (April 16th, 2021)
KING CRIMSON, The Night Watch
Brooklyn Raga Massive — In D (Nov. 21, 2020)
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Matt Berninger — Serpentine Prison (Oct. 16, 2020)
Susan Alcorn, Leila Bordreuil, Ingrid Laubrock
Rizan Said — Saz û Dîlan (Oct. 11, 2019)
Nick Cave | Warren Ellis — „Carnage“ (Feb. 25, 2021)
Ásgeir — Bury the Moon (7 Feb., 2020)
Sharon Van Etten — „epic Ten“ (April 16, 2021)
Riva Taylor — ‘This Woman’s Heart .1’ (27 Mar 2020)
Wrangler — A Situation (28 Feb., 2020)
Juraj Griglák, From The Bottom (Sept. 16, 2019)
Half Moon Run — A Blemish in the Great Light (Nov. 1, 2019)
Cheerleader — Almost Forever (Feb. 7, 2020)
Queer Jane — Amen Dolores (March 27, 2020)
BECCA STEVENS — WONDERBLOOM (March 20th 20, 2020)
Mogwai — „As the Love Continues“ [Deluxe Edition] (19/02/2021)
John Medeski — „Crawlspace“ (Aug. 6, 2021)
Juraj Griglák — From the Bottom (Sept. 16, 2019)
Einstürzende Neubauten — Alles In Allem (May 29th, 2020)
Torres — Three Futures (29th Sept. 2017)
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Bison Bone — Find Your Way Out (Sept. 25, 2020)
Oh Wonder — No One Else Can Wear Your Crown [Deluxe Edition]
These New Puritans — The Cut (2016~2019) (14 Feb. 2020)
Vennart — „In The Dead, Dead Wood“ (6th Nov., 2020)
Laetitia Shériff — Stillness (Nov. 6, 2020)
Gillian Frame — „Pendulum“
Thin Lear — Wooden Cave (24th July, 2020)
Torres — Silver Tongue (Jan. 31, 2020)
Dot Allison — „Heart~Shaped Scars“ (July 30, 2021)
Kings of Leon — „When You See Yourself“ (March 5, 2021)
King Khan — The Infinite Ones (Oct. 30, 2020)
Anoushka Shankar — Love Letters (7 Feb., 2020)
Free To Grow — Imperfection (Aug. 7, 2020)
Dan Croll — Grand Plan (21 Aug., 2020)
Andrej Šeban — „Zep Tepi“ (May 21, 2021)
Lilien Rosarian ~ A Day in Bel Bruit (June 9, 2019)
Form and Chaos — „Gateways“ (March 16, 2021)
Jim Noir — A.M Jazz (Dec. 20, 2019)
Ehsan Matoori & Alireza Ghorbani — „The Voices and Bridges“ (Jul
Brad Mehldau & Orpheus Chamber Orchestra — „Variations on a Mela
Shemekia Copeland — Uncivil War (October 23rd, 2020)
I Like to Sleep — Daymare (April 17, 2020)
Psychedelic Porn Crumpets — SHYGA! The Sunlight Mound (5th Feb.,
Kaki King — Modern Yesterdays (Oct. 23, 2020)
Bill MacKay and Katinka Kleijn — STIR (Oct. 17, 2019)
VARIOUS ARTISTS: IN THE MOOD FOR LOVE (Import)
The Mountain Goats — Getting Into Knives (Oct. 23, 2020)
Ben Sidran — Blue Camus (Oct. 2014)
Varga Marián — Solo in Concert (1. feb. 2018)
Peter Bruntnell — „Journey to the Sun“ (June 11, 2021)
Paris Jackson — Wilted (Nov. 13, 2020)
No~Man — Love You To Bits (Nov. 22, 2019)
Death Cab for Cutie — The Georgia EP (Dec. 4th, 2020)
Blackbird & Crow — Ailm (17 Jan 2020)
Liz Longley — Liz Longley (March 17, 2015)
Van der Graaf Generator — Recorded Live in Concert
Bruce Springsteen — Letter to You (Oct. 23, 2020)
Amy LaVere — Painting Blue (27 Mar 2020)
The Chills — „Scatterbrain“ (May 14, 2021)
100 Gecs — 1000 gecs (May 31, 2019)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cold Chisel — Blood Moon (6 Dec., 2019)
Cold War Kids — New Age Norms 1 (Nov. 1, 2019)
Blackbird & Crow © 2020 Author: Megan Doherty
WaqWaq Kingdom — Essaka Hoisa (Nov. 15, 2019)
The Mountain Goats — Songs for Pierre Chuvin (April 10, 2020)
Hawktail — Formations (Jan. 10, 2020)
Morrissey — I Am Not a Dog On a Chain (March 20th, 2020)
Minus the Bear — „Farewell“ (October 21, 2021/3xLP)
Jack Peñate — After You (29th Nov. 2019)
Villagers — Darling Arithmetic [Deluxe Version] (April 10, 2015)
Ashley Paul — Window Flower (May 13, 2020)
Daniel Bachman — The Morning Star (July 27, 2018)
Roger Eno | Brian Eno — Mixing Colours (20 March, 2020)
Darnielle, Jon Wurster, Matt Douglas, Pete Hughes. ©Josh Sanseri
Joe Bonamassa & The Sleep Eazys — Easy To Buy, Hard To Sell
Axel Flóvent — You Stay by the Sea (15 Jan., 2021)
Preston Lovinggood — Consequences (June 10, 2018)
Martin Barre — Away With Words
Ezra Bell — This Way to Oblivion (3rd April, 2020)
All Them Witches — Nothing as the Ideal (Sept. 4, 2020)
Shafiq Husayn — The Loop (March 29, 2019)
Sinikka Langeland — „Wolf Rune“ (April 9, 2021)
Queer Jane — Home (Dec. 1, 2016)
Minus the Bear — „Farewell“ (October 21, 2021/3xLP)
RADEK BABORÁK a jeho ORQUESTRINA na PIAZZOLLOVSKÉ ALBUM.
Damien Jurado — „The Monster Who Hated Pennsylvania“ (2021)
Moonchild — Little Ghost (6th Sept. 2019)
Evergreen — Overseas (15 Jun 2018)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
Real Estate — „Half A Human“ (March 26, 2021)
The Waterboys — Good Luck, Seeker (Deluxe) (Aug. 21, 2020)
Dave Scanlon — Pink in each, bright blue, bright green (Jan. 15,
Ani DiFranco — „Revolutionary Love“ (Jan. 29, 2021)
CYHSY, New Fragility (Coke Bottle Clear) 2021
Maarja Nuut & Ruum — World Inverted (11th Sept., 2020)
Richard Youngs — Dissident (Jan. 25, 2019)
Kuře v hodinkách — Flamengo
Daniel Bachman — Green Alum Springs (June 6, 2020)
Midwife — Forever (April 10, 2020)
MORCHEEBA: Blackest Blue (May 14, 2021) (blue vinyl)
Kamasi Washington — Becoming (Music from the Netflix Original Do
Michal Mihok — „The Imprint“ (April 29, 2019)
Siobhan Wilson — The Departure (10 May, 2019)
Twin Shadow — „Twin Shadow“ (July 9th, 2021)
Steve Harley — „Uncovered“ (21 Feb., 2020)
Kris Delmhorst — Blood Test
Martin Burlas & Musica falsa et ficta — Hexenprozesse
I Don’t Know How but They Found Me — Razzmatazz (Oct. 23, 2020)
Songdog — Happy Ending (27th March, 2020)
Zuzana Mikulcová — Slová
Holly Herndon — PROTO (Winner of Tais Awards 2020)
Rory Block — Prove It On Me (March 27, 2020)
Cate Le Bon — Here It Comes Again (2020)
Tunng — Tunng Presents…DEAD CLUB (Nov. 6, 2020)
Sean O’Hagan — Radum Calls, Radum Calls (2019)
Lost Horizons — In Quiet Moments (Dec. 4, 2020/2021)
The Black Keys — „Delta Kream“ (May 14th, 2021)
Sweet Trip — „A Tiny House, in Secret Speeches, Polar Equals“ (M
Nicey Nice World — Obelisks and Asterisks (Sept. 22, 2020)
Pink Floyd — Delicate Sound of Thunder (1988)
Robert Plant — Carry Fire (2 LP, 13/10/2017)
Ben Sidran — Who’s the Old Guy Now (Nov. 20, 2020)
Le Butcherettes — DON’T BLEED EP (14 Feb 2020)
Lee Ranaldo, Jim Jarmusch, Marc Urselli, Balázs Pándi — „Churnin
Devin Sinha — The Seventh Season (Oct. 21, 2014)
Marillion — „With Friends At St David’s“ (Nov. 13, 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
Typhoon — „Sympathetic Magic“ (Jan. 22nd, 2021)
Arab Strap — „As Days Get Dark“ (March 5, 2021)
First Aid Kit — Stay Gold (2014)
Land of Talk — Indistinct Conversations (July 31, 2020)
Kuře v hodinkách — Flamengo
The League Of Assholes — „CODA“ (Jan. 20, 2021)
Luke Haines — Beat Poetry For Survivalists (6 Mar. 2020)
Suzi Quatro — „The Devil in Me“ [Japan Edition] (Jan. 22, 2021)
Aki Takase Daniel Erdmann — „Isn’t It Romantic“ (March 18, 2021)
Halsey — „If I Can’t Have Love, I Want Power“ (Aug. 27, 2021)
Devin Sinha — Liminal Space (Oct. 23, 2020)
Sarah Neufeld — „Detritus“ (May 14, 2021)
Nicole Atkins — Italian Ice (29 May 2020)
Maria Schneider Orchestra — Data Lords (24th July, 2020)
Lambchop — TRIP (Nov. 13th, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
BC Camplight — Shortly After Takeoff (24 April 2020)
Delta Spirit — What Is There (Sept. 11th, 2020)
The Hold Steady — „Open Door Policy“ (Feb. 19, 2021)
John Mclaughlin — „Liberation Time“ (July 16th, 2021)
BOB DYLAN — „SPRINGTIME IN NEW YORK: THE BOOTLEG SERIES VOL. 16
The Magnetic Fields — Quickies (May 15, 2020)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
Cold War Kids — New Age Norms 2 (Aug. 21, 2020)
learning structures, vol. 2: end firma
Suns Of The Tundra — „Murmuration“ (Nov. 15, 2019)
Arushi Jain — „Under the Lilac Sky“ (July 9th, 2021)
Becca Mancari — The Greatest Part (June 26, 2020)
learning structures, vol. 3: distance between us
Severin Bells — A Brighter Side to the Unknown (24th Oct., 2020)
The Apache Relay — Apache Relay (April 22, 2014)
Thurston Moore — By The Fire (Sept. 25, 2020)
Kurt Rosenwinkel Trio — Angels Around (May 8, 2020)
Frazey Ford — U kin B the Sun (Feb. 7th, 2020)
Lizzy Farrall — Bruise (March 27, 2020)
Alice Peacock — Minnesota (Sept. 20th, 2019)
Devon Williams — A Tear in the Fabric (May 1, 2020)
Gwenifer Raymond — Strange Lights Over Garth Mountain (2020)
LENKA DUSILOVÁ — ŘEKA (Nov. 6th, 2020)
STEREOLAB: Oscillons from the Anti~Sun
Hallelujah the Hills — A Band Is Something to Figure Out (2016)
Loveblind: Visions
Lilly Hiatt — Walking Proof (27 March, 2020)
Mekons — Deserted (March 29, 2019)
Loveblind: Visions
Throwing Muses — Sun Racket (Sept. 4, 2020)
Sean McMahon ― You Will Know When You’re There (March 1, 2019)
Deradoorian — Find the Sun (Sept. 18, 2020)
The Chats — High Risk Behaviour (March 27, 2020)
Tylor Dory Trio — Unsought Salvation (Dec. 21, 2019)
György Ligeti — Lontano (22. Oct.,1967)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Guranfoe — Sum of Erda (Dec. 13, 2019)
Susanne Sundfør — Self Portrait (Original Score, 10th Jan. 2020)
Ronnie Godfrey — Shades of Blue (Oct. 25, 2019)
Intocable ― Percepcion (March 15, 2019)
Kibby — „Blabracadabra“ (May 14, 2021)
Father John Misty — God’s Favorite Customer (June 1st, 2018)
Ytamo — Vacant (June 12, 2020)
Pancrace — The Fluid Hammer (09 Sep 2019/2LP)
Gary Lucas — „Cinefantastique“ (Oct. 1, 2013)
k.d. lang — „makeover“ (May 28, 2021)
Humanist — Humanist (21 Feb., 2020)
White Lies — To Lose My Life… [10th Anniversary Deluxe Edition]
Slow Pulp — Moveys (Oct. 9, 2020)
Andrej Šeban — Rock and Roll z Rači (11. Sept., 2020)
The Go Betweens — „Liberty Belle And The Black Diamond Express“
Wrekmeister Harmonies — We Love to Look at the Carnage (2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Hallelujah the Hills — I’m You (Nov. 15, 2019)
Robben Ford — „Pure“ (Aug. 27th, 2021)
OWEN PALLETT — Heartland (March 3, 2014)
Siobhan Wilson — There Are No Saints (14 Jul, 2017)
Erlend Apneseth — Fragmentarium (Jan. 31, 2020)
Paul McCartney — McCartney III (18 Dec., 2020)
Amaarae — The Angel You Don’t Know (Nov. 12, 2020)
Delta Spirit — Into The Wide (Deluxe Edition, Sept. 9, 2014)