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Phil Broadhurst Quintet — Panacea (May 8, 2015)

Phil Broadhurst Quintet — Panacea (May 8, 2015)

        Phil Broadhurst Quintet — Panacea (May 8, 2015)
•» 
Location: Auckland, New Zealand
Album release: May 8, 2015
Record Label: Rattle Records
Duration:     57:25
Tracks:
01. Drive      4:32
02. Japanese Shadows      3:18
03. Panacea      4:44
04. Inverted      8:43
05. Precious Metal      6:09
06. Wheeler of Fortune      4:31
07. Knee Lever      5:39
08. Pukeko      5:33
09. Ludo      4:46
10. Absent Friends      6:28
11. Japanese Shadows Solo Reprise      2:51
Personnel:
•»  Phil Broadhurst (piano)
•»  Roger Manins (saxophone)
•»  Oli Holland (bass)
•»  Cameron Sangster (drums)
•»  Mike Booth (trumpet)
•»  and special guest Neil Watson (guitar, pedal steel)
Description:
•»  This new album from Phil Broadhurst is the third instalment in what he loosely describes as his ‘Dedication Trilogy’. Where Delayed Reaction celebrated the life and career of Michel Petrucciani, and Flaubert’s Dance paid homage to a number of the artists who have influenced his writing and performing (from Herbie Hancock and Keith Jarrett to Manu Katché, Elaine Elias and Tomaz Stanko), the music on Panacea springs from the often–unconscious influences that form the building blocks of a composition. Phil says that these derive not only from the wide jazz landscape explored in his radio programme “The Art of Jazz”, but also from experiences arising from playing and teaching.
•»  “A piano student noted that Precious Metal was clearly influenced by Horace Silver due to the shuffle groove, the use of parallel minor major 7 chords, and the fact that we had recently examine Silver’s music in the Composition class. This, I was completely unaware of until it was pointed out. Absent Friends began as an experiment in writing a melody that can be adapted easily into a different time signature: in this case the A section in 6/4 is repeated, but in 5/4. This piece is dedicated to a number of NZ jazz musicians I’ve had the pleasure of working with who have passed away in recent years like Beaver and Tony Hopkins. Panacea is a tribute to a fine exponent of jazz–fusion, the late guitarist Martin Winch. The tune is named after the band I co–led with him in the late 70s. Inverted refers to a pedal point, usually played in the bass, transferred to a higher register and acting as a pivot for shifting harmonies. Here the pedal note is echoed by electric guitar. Pukeko becomes an homage to Jimmy Rowles’ classic jazz ballad “The Peacocks”, a connection realised only after the tune was completed, while Knee Lever refers to a component of Neil Watson’s newly acquired pedal steel guitar. Japanese Shadows is adapted from a theme written for my son Cameron’s film of the same name.”
Review
Submitted by John Fenton on 11 March 2015 — 10:06am
•»  In the coming months there will be a new Phil Broadhurst album released, ‘Panacea’. Broadhurst is an enduring musical presence, a backbone of the Auckland Jazz scene. Running the Massey School of Music Jazz programme in Auckland keeps him busy, but he somehow finds time to write interesting new material and to perform gigs about town. A prolific writer and arranger, he has released a number of albums in recent years and all have done well. His tribute to Michel Petrucciani ‘Delayed Reaction’ garnered favourable reviews here and offshore and his 2014 album ‘Flaubert’s Dance’ was short listed for a Jazz Tui.
•»  On Wednesday, as a prequel to the Panacea album release, we heard the Phil Broadhurst Quintet (plus a friend) at the Creative Jazz Club. The identity of the mystery guest was a poorly kept secret, anticipated and not puzzled over. As the band set up, the shiny pedal–steel guitar and the battle–worn fender dispelled any remaining doubts. The band was Phil Broadhurst, Roger Manins, Mike Booth, Oli Holland, Cameron Sangster and of course Neil Watson (AKA the mystery guest).
•»  There were newer tunes and a few familiar ones from past gigs. Most of the new tunes will feature on the Panacea album, which will probably be released in late May. •»  As a writer Broadhurst avoids cliches, but at the same time he manages to avoid the obtuse. there are odd time–signatures but when he delves into complexity the tunes still remain accessible. These are tunes that sound familiar; not because you’ve heard them before or because they rely on well–worn licks. They sound familiar because they tap into a recognisable vibe.  At the heart of his writing is a real warmth. •»  The tunes take you to a familiar place even though you’ve never been there before; carried by rich harmonies and well crafted heads. 
•»  Holland Manins, Booth and Sangster have been with the band a long while and that familiarity enabled them to extract the maximum from the material. As many of the tunes were lyrical, Manins showed a gentler side to his tenor playing. While he favours fast burners (where he excels), his ballad work here had depth and feeling. Booth and Manins blend well and especially with Booth on Flugel. Adding Watson into the mix changed the dynamic and his solos on fender had urgency and edge. Watson is a good musician but one who never takes himself too seriously. He brings humour to any bandstand and minor mistakes are fodder for self–deprecatory slapstick asides.
•»  One of the newer compositions made reference to Watson’s pedal steel guitar. Like an elephant, the tune title had undergone a long and difficult gestation. Broadhurst composed it just before going on an overseas trip and promptly forgot about it in the rush to pack. A year or so later he decided to clean up the computer program and began the process of mechanically purging duplicate copies of old tunes. By this point all had been given titles and saved elsewhere. Rescued from the lonely obscurity of the ‘untitled’ nomenclature. As he deleted them one by one he spotted an anomaly. One particular tune was mysteriously labeled ‘untitled–untitled’. He opened it, liked the look of it but didn’t recognise it, so he played it. He recalls wondering who had written it until the penny dropped. ‘Untitled–Untitled’, the tune rescued in the eleventh hour, was later shown to Neil Watson who was wrangling with his new pedal steel guitar. There are so many levers to operate he complained to Broadhurst, who replied, “I think that you’ve just named my lost tune’. ‘Lever’ is a great tune and its improbable genesis gives it that added piquancy.
•»  http://www.creativejazzclub.co.nz/
Website: http://www.juliephiljazz.co.nz/
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Phil Broadhurst Quintet — Panacea (May 8, 2015)

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Jerskin Fendrix — Winterreise (April 17, 2020)
Zoongideewin — Bleached Wavves (June 19, 2020)
ULRICH SCHNAUSS — A Long Way To Fall — Rebound (3rd April, 2020)
Sports Team — Deep Down Happy (5th June, 2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
Midlake — Antiphon (Nov. 4, 2013)
ANASTASIA MINSTER — Father ©Michael Haley
Jessie Ware — Glasshouse (Deluxe; 20 Oct 2017)
Teen Daze — Morning World
Jessie Ware — What’s Your Pleasure (June 26, 2020)
Art Feynman — Half Price At 3:30 (June 26th, 2020)
Bo Ningen — Sudden Fictions (26th June, 2020)
Khruangbin — Mordechai (June 26, 2020)
Pottery — Welcome to Bobby’s Motel (June 26th, 2020)
Orlando Weeks — A Quickening (June 12, 2020)
John Craigie — Asterisk the Universe (June 12, 2020)
Kavus Torabi — Hip to the Jag (May 22, 2020)
Nadine Shah — Kitchen Sink (June 5, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
Corb Lund — Agricultural Tragic (June 26, 2020)
Christine Ott — Chimères (pour ondes Martenot) (May 22, 2020)
The Beths — Jump Rope Gazers (July 10th, 2020)
Ashley Paul — Window Flower (May 13, 2020)
Grey Daze — Amends [Deluxe Edition] (July 3, 2020)
Grey Daze ©Photo credit: Anjella / Sakiphotography
Ajimal — As It Grows Dark / Light (June 26, 2020)
Ajimal — As It Grows Dark Light (June 26, 2020)
Eleanor Friedberger — Rebound (May 4th, 2018)
ELEANOR FRIEDBERGER — NEW VIEW (January 22, 2016)
Immigrant Union — Judas (June 19, 2020)
Julianna Barwick — Healing Is a Miracle [Japan Edition] (2020)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Neil Young — Homegrown (19th June, 2020)
The Jayhawks — XOXO (July 10, 2020)
Joy Division — Closer (40th Anniversary) [2020 Digital Master] (
Daniel Bachman — The Morning Star (July 27, 2018)
Daniel Bachman — Green Alum Springs (June 6, 2020)
Becca Mancari — The Greatest Part (June 26, 2020)
Ytamo — Vacant (June 12, 2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Thin Lear — Wooden Cave (24th July, 2020)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Sara Serpa — Recognition (June 5th, 2020)
Sara Serpa, Ingrid Laubrock, Erik Friedlander — Close Up (2018)
Klara Lewis — Ingrid (1st May 2020)
Buju Banton — Upside Down (June 26, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
learning structures, vol. 2: end firma
learning structures, vol. 3: distance between us
The Boomtown Rats — Citizens of Boomtown (13 March, 2020)
Ralph of London — The Potato Kingdom (19th June, 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
Land of Talk — Indistinct Conversations (July 31, 2020)
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
TANYA DONELLY: Swan Song Series bonus tracks (FC)
The Heliocentrics — Telemetric Sounds (Aug. 7, 2020)
KMRU — Peel (18th Sept., 2020)
Kris Delmhorst — Blood Test
Bill Callahan — Gold Record (Sept. 4, 2020)
MUFF — Fatalust (Nov. 1, 2019) cover
Asher Gamedze – Dialectic Soul (July 10, 2020)
Allegra Krieger — The Joys of Forgetting (August 7, 2020)
Still House Plants — Fast Edit (Aug. 14, 2020)
Vladislav Delay, Sly Dunbar, Robbie Shakespeare — 500~Push~Up
The Waterboys — Good Luck, Seeker (Deluxe) (Aug. 21, 2020)
Martin Burlas & Musica falsa et ficta — Hexenprozesse
Holly Herndon — PROTO (Winner of Tais Awards 2020)
Maria Schneider Orchestra — Data Lords (24th July, 2020)
Cold War Kids — New Age Norms 1 (Nov. 1, 2019)
Cold War Kids — New Age Norms 2 (Aug. 21, 2020)
Free To Grow — Imperfection (Aug. 7, 2020)
Throwing Muses — Sun Racket (Sept. 4, 2020)
Narrow Head — 12th House Rock (Aug. 28th, 2020)
Laura Veirs — MY ECHO (23rd Oct., 2020)
PVRIS — Use Me (March 3, 2020)
Dan Croll — Grand Plan (21 Aug., 2020)
All Them Witches — Nothing as the Ideal (Sept. 4, 2020)
The Flaming Lips — American Head (Sept. 11, 2020)
Elysian Fields — Transience of Life (Sept. 4, 2020)
Sara Bareilles — What’s Inside Songs From Waitress (11/06, 2015)
Sara Bareilles — More Love: Songs from Little Voice Season One (
Delta Spirit — Into The Wide (Deluxe Edition, Sept. 9, 2014)
Lo Tom — LP2 (September 11, 2020)
The Telescopes — Hidden Fields (August 7th, 2015)
Slow Pulp — Moveys (Oct. 9, 2020)
Deerborn — Where Demons Hide (Aug. 28, 2020)
Deradoorian — Find the Sun (Sept. 18, 2020)