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Rolf Lislevand — La Mascarade: Music For Solo Baroque Guitar And Theorbo (May 27, 2016)

Rolf Lislevand — La Mascarade: Music For Solo Baroque Guitar And Theorbo (May 27, 2016)

 Rolf Lislevand — La Mascarade: Music For Solo Baroque Guitar And Theorbo (May 27, 2016)
Born: 1961, Oslo, Norway
Location: Peschiera del Garda, Italy
Composer: Robert de Visée, Francesco Corbetta
Album release: May 27, 2016
Record Label: ECM New Series
Duration:     48:34
Tracks:
01 Visee: Prélude en ré mineur     1:15  
02 Visee: Passacaille en ré mineur     2:42  
03 Visee: Les Sylvains de Mr. Couperin     4:00  
04 Lislevand: Intro Passacaille en sol mineur     1:20  
05 Corbetta: Passacaille en sol mineur     2:37  
06 Visee: Prélude en la mineur     1:31  
07 Visee: La Mascarade, Rondeau     1:31  
08 Corbetta: Partie de Chaconne en ut majeur     2:38  
09 Corbetta: Sarabanda per la B     2:20  
10 Visee: Chaconne en la mineur     2:40  
11 Corbetta: Caprice de Chaconne     4:37  
12 Visee: Chaconne en sol majeur     6:57  
13 Corbetta: Folie     1:56  
14 Visee: La Muzette, Rondeau     4:08  
15 Lislevand: Intro Passacaille en si mineur     0:56  
16 Visee: Passacaille en si mineur     2:51  
17 Lislevand: Exit Passacaille en si mineur     1:02  
18 Visee: Sarabande en si mineur     3:27
Editorial Reviews
Rolf Lislevand — La Mascarade
Rolf Lislevand: Baroque guitar, theorbo
≡±≡    In this wonderful solo album, Norwegian early music performer Rolf Lislevand turns his attention to two composers from the court of Louis XIV: Robert de VisEe (c. 1655–1732) and the Italian–born Francesco Corbetta (c. 1615–1681), and plays their masterpieces with historical awareness and an inventiveness which belongs to the tradition.
≡±≡    De Visee wrote about playing what the instruments themselves called for, advice Lislevand takes to heart, adding improvised introductions to passacaglias from both composers. He uses two contrasting instruments here, the small Baroque guitar with its sparkling, crystal–clear sonorities and the theorbo, the dark–toned and earthy king of the lutes.
≡±≡    In his fascinating liner notes, Lislevand reminds us that 17th century instrumental performance was often an intimate affair, with lutenists frequently playing to a dozen privileged listeners.
≡±≡    The physical presence of the instruments and that sense of intimacy is recaptured by Manfred Eichers production of La Mascarade, made at Luganos Auditorio Stelio Molo.
Facebook: https://www.facebook.com/rolf.lislevand
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Rolf Lislevand — La Mascarade: Music For Solo Baroque Guitar And Theorbo (May 27, 2016)

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