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Stornoway
Bonxie

Stornoway — Bonxie (13th April, 2015)

                          Stornoway — Bonxie 
Location: Oxford, UK
Album release: 13th April, 2015
Record Label: Cooking Vinyl
Duration:     44:49
Tracks:
01 Between the Saltmarsh and the Sea     4:30
02 Get Low     3:39
03 Man on Wire     3:58
04 The Road You Didn't Take     4:19
05 Lost Youth     3:56 
06 Sing With Our Senses     3:57
07 We Were Giants     4:19
08 When You're Feeling Gentle     4:14
09 Heart of the Great Alone     4:09
10 Josephine     3:04 
11 Love Song of the Beta Male     4:44
2015 Stornoway under exclusive licence to Cooking Vinyl Limited
Stornoway
Group Members:
→   Brian Briggs — tenor/guitar
→   Jon Quin — baritone/zither
→   Oliver Steadman — baritone/bass
→   Robert Steadman — soprano/drums
with
→   Adam Briggs — trumpet
→   Susie Attwood — violin
→   Thomas Hodgson — trumpet
REVIEW
By MIKE DAVIES on 24 MARCH, 2015
→   Having enjoyed Top 30 success with 2013’s sophomore album, Tales From Terra Firma, the Oxford quartet Stornoway weren’t about to burn the blueprints for the follow up, their first for Cooking Vinyl. As such, once again there’s a strong indie pop sensibility informing the accessible, highly melodic tracks on Bonxie, though it’s less eclectic than its predecessor, which embraced space rock, samba and Dixieland jazz. →   Instead there is more of a direct connection with the summery, folksy roots of the debut, not least in rekindling their love affair with the shanty.
→   It’s the first time they’ve worked with an outside producer and they’ve jumped in at the deep end by enlisting Gil Norton, a man who’s twiddled knobs for the Foo Fighters, James and Pixies on his CV and, as such, there’s a real sense of muscularity and power that well befits an album named after the Great Skua, a massive Hebridean seabird not known for being a winged wuss.
→   The avian connection extends beyond the title with some 20 different species of birds contributing their calls to the album (singer Brian Briggs is, after all, also a Dr. of Ornithology), opening with that of Brent geese mingling with the pump organ–like drone that heralds the aptly named (very electronic based) Between The Saltmarsh and the Sea, a swellingly jubilant love song with an almost hymnal air as Briggs sings ‘you wash my hair and you feed my horses…. You build me up and you make me beautiful’, though his desire to be more connected with the outdoors suggests this may be more about nature than any woman.
→   Influenced by Grandaddy and inspired by his time spent doing conservation work on Chesil beach (viz a reference to single shoes washed up along the shingle), the infectiously poppy, Get Low with its ‘keep dreaming’ refrain also has that wide open spaces feel although things then move to the heart of the city with Man On Wire which, opening with the sounds of Manhattan, is a slow groove, upbeat, strings–washed song written by multi–instrumentalist Jon Ouin, inspired lyrically by Phillipe Petit’s highwire walk between the twin towers and musically by McAlmont & Butler.
→   Walking in the footsteps of Farewell Appalachia, the mood shifts with The Road You Didn’t Take, the first of the shanty touches evident in its swaying chorus as shimmering acoustic guitar, keys and strings create the wash over which Briggs, his vocals multi–tracked and soaring on the opening of each verse sings of the sublime (in the Romantics sense) quality of nature (references to sleeping on mountains and in the open by the sea) and of not being closed to the experience.
→   Lost Youth, which sports the memorable line “we don’t know where we stand but we think we know what we stand”, is a skittering little lounge number with a wheezing keyboard turkey gobble clucks (and assorted bird calls) before we head into tremolo guitar country for the billowing Sing With Our Senses, a veritable band manifesto that sounds as though it should be played atop windy peaks as the horizon stretches out for miles.
→   Being honest, the reflective, acoustic strummed, gradually swelling ballad We Were Giants is a bit of a stop gap that doesn’t quite get inside you, but then comes the glorious bubbling, tumbling synth sweeping motorik pop of When You’re Feeling Gentle with its joyously infectious chorus. The album then gears up to head out in style, starting with the epic Heart Of The Great Alone, another swirling synth dominated affair that touches on the sublime and was inspired by an Edinburgh exhibition of Herbert Ponting’s photos of Captain Scott’s ill–fated expedition to the South Pole 100 years ago, the lyrics from the perspective of one of Briggs’ neighbours on the Gower and assorted kitchen utensils called into service for the sound.
→   Then it’s my personal favourite, a full on swayalong shanty outing with Josephine, Briggs starting it off a capella before acoustic guitar picks up the waltz and close harmonies carry the title refrain and chorus in a manner that conjures barber shop quartets and classic English vaudeville.
→   Nodding to 60s pop balladry and doo wop days, Love Song of the Beta Male sees things out in style with a cascading melody line, soaring trumpet and, reminding you of past comparisons to Prebab Sprout, a lovely lyric about being a gauche romantic who may have two left feet, but can still “write sentimental songs about the way you make me feel inside …and I will hold you tight and tell you everything will be all right.” As the song fades away, the last thing you hear is chirping birdsong, which seems most appropriate for an album you’ll most assuredly want to feather your nest.
→   They take the bird theme further on their latest official video for Get Low which was inspired by David Attenborough’s footage of ‘imprinted’ Greylag geese, flying low along side the broadcaster and naturalist. It features the same Geese imprinted by Rose Buck. She and her husband Lloyd, are bird handlers who work with natural history film makers to provide birds for film sequences who are trained but still exhibit all their natural and wild behaviours. :: http://www.folkradio.co.uk/
Artist Biography by Heather Phares
→   The folky indie pop band Stornoway take their name from a town in Scotland's Outer Hebrides, but the group hails from Oxford, England. Singer/guitarist Brian Briggs, keyboardist/string player Jonathan Ouin, and bassist Ollie Steadman and drummer Rob Steadman (a pair of brothers from South Africa) formed the band while they were attending Oxford University; the well–studied band includes an ornithologist and a Russian translator among its ranks. The band debuted its jangly, largely acoustic sound — which has drawn comparisons to James, Belle & Sebastian, and XTC — with a self–titled EP that included the song "Zorbing," which was inspired by and named after the sport of rolling down a hill in a transparent sphere. Another early single was 2007's "The Good Fish Guide," a musical list of which fish are plentiful to eat and which are endangered; its profits went to the Marine Conservation Society. Stornoway continued to refine their sound and had a breakthrough in 2009: they headlined the BBC Introducing stage at BBC Radio 1's Big Weekend that May and officially released "Zorbing," which included Briggs' brother Adam on trumpet, as a single that July. That summer, they also played festivals including Glastonbury, and wrote a tour journal for The Daily Telegraph. Their second single, "Unfaithful," which featured violin courtesy of touring member Rahul Satija, arrived that September, a month before Stornoway's first headlining tour of the U.K. The band closed out the year by making the longlist for the BBC's Sounds of 2010 poll. Stornoway's sophomore outing, Tales from Terra Firma, arrived in March 2013.
Website: http://www.stornoway.eu/#!
Tumblr: http://stornowayband.tumblr.com/
Facebook: https://www.facebook.com/stornoway
Also:
ALBUM REVIEW BY LUISA BROWN. PUBLISHED 02 APRIL 2015. SCORE: ***
:: http://www.theskinny.co.uk/music/reviews/albums/stornoway-bonxie
Joe Clay, Score: ****
:: http://www.thetimes.co.uk/tto/arts/music/albumreviews/article4407220.ece
_____________________________________________________________

Stornoway
Bonxie

 

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Don Gallardo — The Lonesome Wild (April 2, 2020)
Damon Locks Black Monument Ensemble — Where Future Unfolds (2019
The Tiger Lillies — Edgar Allan Poe’s Haunted Palace
Mark Lanegan — Straight Songs Of Sorrow (8th May, 2020)
I Break Horses — Warnings (08 May 2020)
Cocteau Twins — Head Over Heels
Cocteau Twins — Treasure
Sarah Jarosz — World On The Ground (June 5, 2020)
The Innocence Mission — See You Tomorrow (Jan. 17, 2020)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
The Tiger Lillies — Covid~19 (April 10, 2020)
Hawkwind — Acoustic Daze (25 Oct. 2019)
Wendy Eisenberg — Auto (Oct. 16, 2020)
TANYA DONELLY: Swan Song Series bonus tracks (FC)
Kate Amrine — This Is My Letter to the World (Jan. 24, 2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
Coloured Clocks — Flora (May 2, 2020)
Indoor Voices — Animal (Feb. 14, 2020)
ELYSIAN FIELDS — Pink Air
Midlake — Antiphon (Nov. 4, 2013)
Jonathan Wilson — Rare Birds (March 2nd, 2018)
KIESLOWSKI Tiché lásky
Fiona Apple — Fetch The Bolt Cutters (17 Apr., 2020)
Lucrecia Dalt — Syzygy (Oct. 15, 2013)
Hayden Thorpe — Diviner (24 May 2019)
Cocteau Twins — Garlands (1982, Reissue 2020)
Alessandra Leão ‎— Macumbas e Catimbós (24/05/2019)
Cowboy Junkies — Ghosts (30 Mar 2020)
Laura Marling — Song for Our Daughter (April 10th, 2020)
Wendy Eisenberg — Its Shape Is Your Touch (Oct. 2018)
Baxter Dury — The Night Chancers (20 March 2020)
San Fermin — San Fermin (Nov. 11, 2013)
Sara Bareilles — What’s Inside Songs From Waitress (11/06, 2015)
The Heliocentrics — Telemetric Sounds (Aug. 7, 2020)
The Dream Syndicate — „The Universe Inside“ (April 10, 2020)
Third Coast Percussion & Devonté Hynes — Fields (Oct. 11, 2019)
White Tail Falls — Age of Entitlement (May 29, 2020)
MUFF — Fatalust (Nov. 1, 2019) cover
Ben Watt — Storm Damage (31st Jan., 2020)
San Fermin — The Cormorant I & II (Oct. 4, 2019/April 3, 2020)
Stephen Duffy — I Love My Friends [Expanded Ed] (10 May 2019)
I Break Horses — Chiaroscuro
Sea Wolf — Through a Dark Wood (March 20, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Yorkston | Thorne | Khan — Navarasa : Nine Emotions (2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Stove — ‘s Favorite Friend (Oct. 31, 2018)
ANASTASIA MINSTER — Father ©Michael Haley
Jonathan Wilson — Dixie Blur (March 6, 2020)
Fruition — Broken At The Break Of Day (Jan. 23, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
1600 x 1600 High Violet (10th Anniversary Expanded Edition).jpg
ROBERT FRIPP — THE KITCHEN (New York, NY) — 05 FEB 1978
Sara Bareilles — More Love: Songs from Little Voice Season One (
The Sufis — Double Exposure (Jan. 24, 2020)
ÁSGEIR: IN THE SILENCE
Martin Barre — Roads Less Travelled (26 Oct. 2018)
Loveblind / Sleeping Visions (March 27, 2020)
Walter Martin — The World at Night (Jan. 31, 2020)
Asher Gamedze – Dialectic Soul (July 10, 2020)
Frances Quinlan — Likewise (Jan. 31, 2020)
KING CRIMSON, The Night Watch
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Matt Berninger — Serpentine Prison (Oct. 16, 2020)
Rizan Said — Saz û Dîlan (Oct. 11, 2019)
Ásgeir — Bury the Moon (7 Feb., 2020)
Riva Taylor — ‘This Woman’s Heart .1’ (27 Mar 2020)
Juraj Griglák, From The Bottom (Sept. 16, 2019)
Cheerleader — Almost Forever (Feb. 7, 2020)
Queer Jane — Amen Dolores (March 27, 2020)
BECCA STEVENS — WONDERBLOOM (March 20th 20, 2020)
Juraj Griglák — From the Bottom (Sept. 16, 2019)
Einstürzende Neubauten — Alles In Allem (May 29th, 2020)
Torres — Three Futures (29th Sept. 2017)
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Bison Bone — Find Your Way Out (Sept. 25, 2020)
Oh Wonder — No One Else Can Wear Your Crown [Deluxe Edition]
These New Puritans — The Cut (2016~2019) (14 Feb. 2020)
Thin Lear — Wooden Cave (24th July, 2020)
Torres — Silver Tongue (Jan. 31, 2020)
King Khan — The Infinite Ones (Oct. 30, 2020)
Anoushka Shankar — Love Letters (7 Feb., 2020)
Free To Grow — Imperfection (Aug. 7, 2020)
Dan Croll — Grand Plan (21 Aug., 2020)
Lilien Rosarian ~ A Day in Bel Bruit (June 9, 2019)
Jim Noir — A.M Jazz (Dec. 20, 2019)
Shemekia Copeland — Uncivil War (October 23rd, 2020)
I Like to Sleep — Daymare (April 17, 2020)
Kaki King — Modern Yesterdays (Oct. 23, 2020)
Bill MacKay and Katinka Kleijn — STIR (Oct. 17, 2019)
The Mountain Goats — Getting Into Knives (Oct. 23, 2020)
Ben Sidran — Blue Camus (Oct. 2014)
Varga Marián — Solo in Concert (1. feb. 2018)
No~Man — Love You To Bits (Nov. 22, 2019)
Blackbird & Crow — Ailm (17 Jan 2020)
Bruce Springsteen — Letter to You (Oct. 23, 2020)
Amy LaVere — Painting Blue (27 Mar 2020)
100 Gecs — 1000 gecs (May 31, 2019)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cold Chisel — Blood Moon (6 Dec., 2019)
Cold War Kids — New Age Norms 1 (Nov. 1, 2019)
Blackbird & Crow © 2020 Author: Megan Doherty
WaqWaq Kingdom — Essaka Hoisa (Nov. 15, 2019)
The Mountain Goats — Songs for Pierre Chuvin (April 10, 2020)
Hawktail — Formations (Jan. 10, 2020)
Morrissey — I Am Not a Dog On a Chain (March 20th, 2020)
Jack Peñate — After You (29th Nov. 2019)
Villagers — Darling Arithmetic [Deluxe Version] (April 10, 2015)
Ashley Paul — Window Flower (May 13, 2020)
Daniel Bachman — The Morning Star (July 27, 2018)
Roger Eno | Brian Eno — Mixing Colours (20 March, 2020)
Darnielle, Jon Wurster, Matt Douglas, Pete Hughes. ©Josh Sanseri
Joe Bonamassa & The Sleep Eazys — Easy To Buy, Hard To Sell
Martin Barre — Away With Words
Ezra Bell — This Way to Oblivion (3rd April, 2020)
All Them Witches — Nothing as the Ideal (Sept. 4, 2020)
Queer Jane — Home (Dec. 1, 2016)
RADEK BABORÁK a jeho ORQUESTRINA na PIAZZOLLOVSKÉ ALBUM.
Moonchild — Little Ghost (6th Sept. 2019)
Evergreen — Overseas (15 Jun 2018)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
The Waterboys — Good Luck, Seeker (Deluxe) (Aug. 21, 2020)
Maarja Nuut & Ruum — World Inverted (11th Sept., 2020)
Richard Youngs — Dissident (Jan. 25, 2019)
Kuře v hodinkách — Flamengo
Daniel Bachman — Green Alum Springs (June 6, 2020)
Midwife — Forever (April 10, 2020)
Siobhan Wilson — The Departure (10 May, 2019)
Kris Delmhorst — Blood Test
Martin Burlas & Musica falsa et ficta — Hexenprozesse
I Don’t Know How but They Found Me — Razzmatazz (Oct. 23, 2020)
Songdog — Happy Ending (27th March, 2020)
Zuzana Mikulcová — Slová
Holly Herndon — PROTO (Winner of Tais Awards 2020)
Rory Block — Prove It On Me (March 27, 2020)
Cate Le Bon — Here It Comes Again (2020)
Sean O’Hagan — Radum Calls, Radum Calls (2019)
Nicey Nice World — Obelisks and Asterisks (Sept. 22, 2020)
Robert Plant — Carry Fire (2 LP, 13/10/2017)
Ben Sidran — Who’s the Old Guy Now (Nov. 20, 2020)
Le Butcherettes — DON’T BLEED EP (14 Feb 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
First Aid Kit — Stay Gold (2014)
Land of Talk — Indistinct Conversations (July 31, 2020)
Kuře v hodinkách — Flamengo
Luke Haines — Beat Poetry For Survivalists (6 Mar. 2020)
Nicole Atkins — Italian Ice (29 May 2020)
Maria Schneider Orchestra — Data Lords (24th July, 2020)
Lambchop — TRIP (Nov. 13th, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
BC Camplight — Shortly After Takeoff (24 April 2020)
Delta Spirit — What Is There (Sept. 11th, 2020)
The Magnetic Fields — Quickies (May 15, 2020)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
Cold War Kids — New Age Norms 2 (Aug. 21, 2020)
learning structures, vol. 2: end firma
Becca Mancari — The Greatest Part (June 26, 2020)
learning structures, vol. 3: distance between us
Severin Bells — A Brighter Side to the Unknown (24th Oct., 2020)
Thurston Moore — By The Fire (Sept. 25, 2020)
Kurt Rosenwinkel Trio — Angels Around (May 8, 2020)
Frazey Ford — U kin B the Sun (Feb. 7th, 2020)
Lizzy Farrall — Bruise (March 27, 2020)
Alice Peacock — Minnesota (Sept. 20th, 2019)
Devon Williams — A Tear in the Fabric (May 1, 2020)
Gwenifer Raymond — Strange Lights Over Garth Mountain (2020)
LENKA DUSILOVÁ — ŘEKA (Nov. 6th, 2020)
STEREOLAB: Oscillons from the Anti~Sun
Hallelujah the Hills — A Band Is Something to Figure Out (2016)
Loveblind: Visions
Lilly Hiatt — Walking Proof (27 March, 2020)
Mekons — Deserted (March 29, 2019)
Loveblind: Visions
Throwing Muses — Sun Racket (Sept. 4, 2020)
Sean McMahon ― You Will Know When You’re There (March 1, 2019)
Deradoorian — Find the Sun (Sept. 18, 2020)
The Chats — High Risk Behaviour (March 27, 2020)
Tylor Dory Trio — Unsought Salvation (Dec. 21, 2019)
György Ligeti — Lontano (22. Oct.,1967)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Guranfoe — Sum of Erda (Dec. 13, 2019)
Susanne Sundfør — Self Portrait (Original Score, 10th Jan. 2020)
Ronnie Godfrey — Shades of Blue (Oct. 25, 2019)
Intocable ― Percepcion (March 15, 2019)
Ytamo — Vacant (June 12, 2020)
Pancrace — The Fluid Hammer (09 Sep 2019/2LP)
Humanist — Humanist (21 Feb., 2020)
White Lies — To Lose My Life… [10th Anniversary Deluxe Edition]
Slow Pulp — Moveys (Oct. 9, 2020)
Andrej Šeban — Rock and Roll z Rači (11. Sept., 2020)
Wrekmeister Harmonies — We Love to Look at the Carnage (2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Hallelujah the Hills — I’m You (Nov. 15, 2019)
OWEN PALLETT — Heartland (March 3, 2014)
Siobhan Wilson — There Are No Saints (14 Jul, 2017)
Erlend Apneseth — Fragmentarium (Jan. 31, 2020)
Delta Spirit — Into The Wide (Deluxe Edition, Sept. 9, 2014)