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Tedeschi Trucks Band — Signs (Feb. 15th, 2019)

Tedeschi Trucks Band — Signs (Feb. 15th, 2019)                Tedeschi Trucks Band — Signs (Feb. 15th, 2019)Tedeschi Trucks Band — Signs (Feb. 15th, 2019)♠   Jedná se o album zřetelně ochucené ztrátou, úzkostí a obavami, často ve velkém měřítku. S využitím svých impozantních vyhrávek, podobajících se krájení masíčka na drobno nebo štípání dříví na podpal, navíc zřejmou přítomností chemie, Tedeschi Trucks Band dělá dobrou práci v úsilí zachytit celkovou atmosféru země v roce 2019. Vzpomínáme si však na lepší časy. Víme, že se mohou vrátit na vrchol, ale rovněž víme, že to snadné nebude. „Strengthen What Remains“ je skvost, díky smyčcové sekci, violončelu a samotné Susan. No celkově to rozhodně úder není, „Signs“ však předává znamení doby.
Formed: 2010 in Jacksonville, FL
Location: Jacksonville, FL
Genre: Blues, Blues Rock |
Album release: February 15th, 2019
Record Label: Fantasy Records
Duration:     46:28  |
Tracks:
01. Signs, High Times   3:52
02. I’m Gonna Be There   5:49
03. When Will I Begin   4:18
04. Walk Through This Life   4:46
05. Strengthen What Remains   2:37
06. Still Your Mind   4:58
07. Hard Case   3:23
08. Shame   4:55
09. All The World   3:21
10. They Don’t Shine   3:27
11. The Ending   5:02
Review
Written By Hal Horowitz | February 14, 2019 | Rating: 3 out of 5 stars
♠   There’s a reason the Tedeschi Trucks Band dubs their extensive yearly road jaunt the Wheels Of Soul tour. Even with the eclectic music the sprawling 12~piece band encompasses (rock, gospel, jazz, blues), soul remains at the heart of its sound. On stage, the wildly talented ensemble extends, expands and enhances even weaker material with their extraordinary improvisational skills. Shoehorning that experience into the studio is another matter.
♠   Release number four — there are also two multi~disc live sets — is dedicated to “friend and mentor” Col. Bruce Hampton (Ret.) who passed in 2017. It takes three producers to mold these 11 selections into comparatively shorter, more compact pieces that stand on their own merits without the live embellishments. The results are mixed but generally successful as strings are occasionally added to the already weighty instrumentation that includes three horns, three backing singers and two drummers.
♠   The opening swamp~rock title track diverts some vocals away from frontwoman Susan Tedeschi to the backing singers who are otherwise relegated to faceless support. It chugs along with the band churning away on one of the disc’s political statements (“Don’t give into the lies they make”), but for everyone’s best efforts doesn’t leave much of an impression. The similar lyrical approach of “Shame” fares better but is also overly busy with horns blaring and too much thrown into the stew. Ballads such as the touching “Still Your Mind,” and especially the churchy “All The World,” where the dynamics are better arranged with a less aggressive approach, deliver additional bang with less firepower.
♠   Each musician contributes, although not surprisingly, Tedeschi’s powerful gritty vocals and Trucks’ trademarked, often rib~rattling guitar get the most attention. Some songs suffer from being underwritten and overplayed. Still, there are enough impressive moments to ensure that, at least on stage, they will detonate with the passion and soul the Tedeschi Trucks band generates at every show.
♠   https://americansongwriter.com/
Also:
By Tom O’Connor
♠   The always formidable Tedeschi Trucks Band has scheduled a February 15th release date for their new and powerful 11~song collection, Signs on Fantasy Records.
♠   Singer/guitarist Susan Tedeschi teams up again with her guitarist husband, Derek Trucks and their entire supremely talented 12~piece band to deliver a timely state~of~the~union message on their fourth studio album, told in their hard~hitting style of Blues and Americana. This is a record that isn’t afraid to explore anxiety and loss while assuring everyone who listens that they, and we, still have plenty of fight left in us. As traditional as the sounds and song shapes might be, this is a band ready to speak honestly about where we are today, and unafraid to take Southern Rock wherever it needs to go next. Signs is a true band effort, with songwriting duties shared among the band members with additional contributions from Warren Haynes, Oliver Wood and Doyle Bramhall II. Derek Trucks, Jim Scott and Bobby Tis produced the album.
♠   The sly chugging soul beat of “Signs, High Times” eases you into the album sonically but right out of the gate, the lyrics let you know this isn’t going to be an album full of party anthems. The band is going to be speaking from the heart and directly, in no uncertain terms, to the listener. “We been here before. We were just getting ready. No more fooling around.” It is a call to arms to all of us, if we’re ready. It’s a rocking, groove~based number with Susan’s voice soaring and souflul.
♠   The message gets more personal, but no less intense on “I’m Gonna Be There.” Susan uses a smooth R&B slow jam to reassure a nervous lover, or country, that hope is always alive as long as we stick with each other. Heavier still are Susan’s vocals on the emotionally bare “When Will I Begin.” A torch song about more than just a love gone wrong, the arrangement swells and expands setting up a guitar break that packs as much emotion as Susan’s vocals.
♠   A modern undertone runs through the horn~soaked soul groove of “Walk Through This Life,” another popping reminder that hope is always our most powerful and durable weapon. If I didn’t know better, I would swear the song is a cover of some timeless Stevie Wonder classic. The light and airy arrangement of “Strengthen What Remains” makes some of the album’s heaviest lyrics feel more contemplative than damning. Flute solos over cellos tends to do that, but there is no denying the power behind the message, nor the fearlessness of the band to drop this kind of tune in the middle of a collection of more tradition~bound sounds. With vocals like Susan’s, the message goes down easy. And it’s a toe~tapper of the best kind with beautiful chord changes, a short slide solo and guitar riffs by one of the most respected guitar players, Derek Trucks.
♠   Speaking of breaking with tradition, “Still Your Mind” opens with a piano interlude before sliding into some of the most quirky tones and rhythms on the album. The music and lyrics, especially in the chorus, hum with the insistence of a good Liz Phair song and once again the emotionally unsettled lead guitar break captures the emotional tone of the song perfectly.
♠   Doing an emotional 180 in an album themed by heaviness and loss, “Hard Case” positively bubbles with hope and reminders of what good times feel like. By the time the funky keyboard break bounces in like another Stevie Wonder cameo, you’ll discover your head was already bobbing. The band gets back to heavier subjects and sounds on the bluesy “Shame.” While Susan’s lyrics call down shame on those who are “poisoning the well” and “murdering the truth” the band unleashes some gut~punch funk in the bridges and choruses that sounds like a protest that is teetering on the edge of becoming a riot, and what could feel more timely than that?
♠   On the wistful and swoony “All The World” Susan’s yearning and simply beautiful vocals lean into the sweet and simple groove guided by the horn section and filled out by some exceptional organ work. The band picks up the pace on the big sounds of “They Don’t Shine,” which finds every corner of the band playing hard, and with intent, on a traditional mid~tempo rocker, like they’re going to lift you out of your seats no matter how weird, or bad, the news night be.
♠   This is an album clearly flavored by loss, angst, and apprehension, often on a big scale. Using their formidable chops and obvious chemistry, Tedeschi Trucks Band does a good job of capturing the overall vibe of the country here in 2019. We remember better times and know they can return, but we also know it ain’t gonna be easy. The collection, however, closes with the extremely personal. “The Ending” is a tribute song to Col. Bruce Hampton, a friend and mentor to many in the band, who died while playing on stage with Derek and Susan, during his 70th birthday celebration/concert. As always, when a song or story is this specific, it somehow manages to tap into something universal — about the nature of life, the inevitability of loss and the duty we have to carry on anyway. This album is your soundtrack to 2019. ♠     https://www.rockandbluesmuse.com/
Website: https://www.tedeschitrucksband.com/
Twitter: https://twitter.com/DerekAndSusan
Facebook: https://www.facebook.com/DerekAndSusan/
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Tedeschi Trucks Band — Signs (Feb. 15th, 2019)

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Cermaque — Lament (22nd May, 2020)
Mountaineer — Bloodletting (May 22nd, 2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Steve Earle — Townes (May 8, 2009)
Steve Earle & The Dukes — Ghosts of West Virginia (May 22, 2020)
Sixth June ‎— Trust (17 Jan 2020)
White Tail Falls — Age of Entitlement (May 29, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
Nicole Atkins — Italian Ice (29 May 2020)
Deerhoof — Future Teenage Cave Artists (May 29, 2020)
Deradoorian — Find the Sun (Sept. 18, 2020)
Bob Dylan — Rough and Rowdy Ways (June 19th, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
This Will Destroy You — Vespertine (June 9, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Yoko Ono, Kim Gordon & Thurston Moore — YOKOKIMTHURSTON
Psychic Markers — Psychic Markers (29 May, 2020)
The Memories — Pickles & Pies (May 29, 2020)
Songs for the Late Night Drive Home (Feb. 5, 2016)
Spc Eco — Dark Matter (Nov. 20, 2015)
SPC ECO — June (June 1, 2020)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Larkin Poe — Self Made Man (June 12th, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Endless Field — Alive in the Wilderness (June 12, 2020)
Wesley Gonzalez — Appalling Human (June 12, 2020)
Noveller — Arrow (June 12, 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Andrej Šeban — Triplet (March 22, 2019) inner cover
Andrej Šeban — Triplet (March 22, 2019) cover
The Crossing & Donald Nally — James Primosch: Carthage (05/2020)
Jerskin Fendrix — Winterreise (April 17, 2020)
Zoongideewin — Bleached Wavves (June 19, 2020)
ULRICH SCHNAUSS — A Long Way To Fall — Rebound (3rd April, 2020)
Sports Team — Deep Down Happy (5th June, 2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
Midlake — Antiphon (Nov. 4, 2013)
ANASTASIA MINSTER — Father ©Michael Haley
Jessie Ware — Glasshouse (Deluxe; 20 Oct 2017)
Teen Daze — Morning World
Jessie Ware — What’s Your Pleasure (June 26, 2020)
Art Feynman — Half Price At 3:30 (June 26th, 2020)
Bo Ningen — Sudden Fictions (26th June, 2020)
Khruangbin — Mordechai (June 26, 2020)
Pottery — Welcome to Bobby’s Motel (June 26th, 2020)
Orlando Weeks — A Quickening (June 12, 2020)
John Craigie — Asterisk the Universe (June 12, 2020)
Kavus Torabi — Hip to the Jag (May 22, 2020)
Nadine Shah — Kitchen Sink (June 5, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
Corb Lund — Agricultural Tragic (June 26, 2020)
Christine Ott — Chimères (pour ondes Martenot) (May 22, 2020)
The Beths — Jump Rope Gazers (July 10th, 2020)
Ashley Paul — Window Flower (May 13, 2020)
Grey Daze — Amends [Deluxe Edition] (July 3, 2020)
Grey Daze ©Photo credit: Anjella / Sakiphotography
Ajimal — As It Grows Dark / Light (June 26, 2020)
Ajimal — As It Grows Dark Light (June 26, 2020)
Eleanor Friedberger — Rebound (May 4th, 2018)
ELEANOR FRIEDBERGER — NEW VIEW (January 22, 2016)
Immigrant Union — Judas (June 19, 2020)
Julianna Barwick — Healing Is a Miracle [Japan Edition] (2020)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Neil Young — Homegrown (19th June, 2020)
The Jayhawks — XOXO (July 10, 2020)
Joy Division — Closer (40th Anniversary) [2020 Digital Master] (
Daniel Bachman — The Morning Star (July 27, 2018)
Daniel Bachman — Green Alum Springs (June 6, 2020)
Becca Mancari — The Greatest Part (June 26, 2020)
Ytamo — Vacant (June 12, 2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Thin Lear — Wooden Cave (24th July, 2020)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Sara Serpa — Recognition (June 5th, 2020)
Sara Serpa, Ingrid Laubrock, Erik Friedlander — Close Up (2018)
Klara Lewis — Ingrid (1st May 2020)
Buju Banton — Upside Down (June 26, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
learning structures, vol. 2: end firma
learning structures, vol. 3: distance between us
The Boomtown Rats — Citizens of Boomtown (13 March, 2020)
Ralph of London — The Potato Kingdom (19th June, 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
Land of Talk — Indistinct Conversations (July 31, 2020)