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The Amazing — Picture You

The Amazing — Picture You (February 16 & 17 (UK / US), 2015)

             The Amazing — Picture You  The Amazing — Picture You Location: Stockholm, Sweden
Album release: February 16 & 17 (UK / US), 2015
Record Label: Partisan Records
Duration:     64:32
01 Broken     5:04
02 Picture You     9:27
03 Circles     6:23
04 Safe Island     8:35
05 To Keep It Going     5:43
06 Fryshusfunk     7:29
07 Tell Them You Can't Leave     4:08
08 The Headless Boy     4:02
09 Captured Light     8:13
10 Winter Dress     5:28
♠   Reine Fiske
♠   Christoffer Gunrup
♠   Fredrik Swahn
♠   Alexis Benson
♠   Moussa Fadera
by Chris DeVille, Nov 7th ‘14
♠   The Amazing are one of the best–named bands I’ve encountered in a while, mainly because they’re also one of the best. Judging by “Picture You,” the title track from the Swedish quintet’s third album, they play adventurous psychedelic prog–rock that shimmers gorgeously as it spreads out across the surface of the earth. (All apologies to frontman Christoffer Gunrup, who rejects “psychedelic” and “prog” as descriptors for his music.) “Picture You” sounds like one of former Amazing tour–mates Tame Impala’s kaleidoscopic sprawls with a beautifully weary Jose González song haunting its vast expanses. Dungen guitarist Reine Fiske is in the lineup, and that band’s legacy is in the ether here too. I am not being facetious when I say this is something you absolutely need to hear, so hear it. :: http://www.stereogum.com/
♠   The Amazing inhabits an aural landscape that’s all its own: a panoramic, constantly evolving spectacle marked by layers of intertwining guitars, richly textured keyboards and a rhythm section adept at skewed tempos and a tendency to veer off in unexpected directions.
♠   It would take a shelf full of thesauruses to describe the Swedish quintet’s music, but one word that keeps reoccurring is “psychedelic,” a characterization that Christoffer Gunrup, the band’s singer, songwriter and guitarist, dislikes. “I hate the word,” he says. “I have no relation to psychedelic music or prog rock. Reine (Fiske, one of the band’s three guitar players) likes that prog stuff, and he’s very good with sounds, so he would be the one to blame for that.” The mid–tempo music on Picture You has its own unique texture and timbre, but Gunrup, an ironic perfectionist who is always slightly dissatisfied with his work, would rather play music than talk about it. “I have no idea how to describe the songs [on any of my records]. I like and hate them all equally. If you theorize about the songs, it ruins the tension and passion. Just shut the fuck up and play, but play good.”
♠   That’s just what the band did. Gunrup showed the band the songs before they went into the studio, but everyone improvised freely to bring the songs to vibrant life. ♠   “They do what they feel,” Gunrup says. “If I were to tell them what to play, it would be a lot less interesting.” The album’s basic tracks were cut in three intense days of studio recording, then Gunrup and keyboard player Fredrik Swahn added overdubs and vocals.
♠   The music on Picture You is as compelling and enigmatic as expected. Atmospheric keyboards, twanging guitars, and Gunrup’s anguished crooning float through the slowly intertwining melodies of “Broken,” concluding in a hushed pastoral interlude of voice and chiming guitars. “Safe Island” floats on a sea of reverb drenched feedback, while meandering clouds of hypnotic lead guitar ebb and flow through a vast sonic space, finally colliding with an avalanche of distortion, highlighted by clusters of playful interstellar keyboard. “British guitar stuff,” Grunrup says dryly. “Ride, My Bloody Valentine, Jesus and Mary Chain — not that this song is as good as theirs, but it evolved it that direction.”
♠   Stuttering James Brown–like guitar accents and a laid back funk beat drive “Fryshusfunk.” It’s a long meandering piece that moves from funk to jazzy prog rock, with classical organ inflections and the hiss of cymbal splashes, to a dramatic metal–like climax where everything falls into a whirlpool of distorted bass, guitar and organ. ♠   “The Headless Boy” drops a bit of folky Nick Drake–like melancholy into the mix. Autumnal keyboards, whispering slide guitar and lovely acoustic strumming compliment Gunrup’s aching vocal harmonies.
♠   “We’ve evolved our ability to play together,” Gunrup says, “but I don’t see that as a good thing. I think it’s important to not know what’s going on, to always be surprised. That’s why we can’t repeat ourselves, we need to change a bit, need to improve a bit — constantly — otherwise we will be bored to death.”
♠   Christoffer Gunrup has been playing music all his life, a serious musician, with a modest, self–effacing approach. “I’ve played drums, trumpet and guitar from an early age, not that I was any good. I had a band at University that released four albums as Granada.” The band was known for its slow tempos, dreamy songwriting and the heartfelt vocals of Anna Järiven. They composed collectively, but Gunrup was also writing his own songs.
♠   “When Granada was put in the ground, I started playing alone and realized that I needed to howl on the songs myself to get them to sound as I wanted.” Gunrup enlisted former Dungen guitarist Reine Fiske and drummer Fredrik Björling and started playing dates. “I played guitar, Reine bass and I ended up with a microphone in my face. I had never sung before.”
♠   When the trio needed a name, Fiske offered The Amazing, England 1969! He imagined the band as an obscure trio playing some unknown festival in England in 1969. “All band names are rubbish,” Gunrup says, “but if you like the music, any name is OK.”
♠   At an early gig, an engineer from the Fashionpolice studio discovered The Amazing. ♠   He helped them record their eponymous album. After a few personnel changes, they made their second record, Gentle Stream. The band for Picture You also includes Fiske on guitar; Fredrik Swahn on guitar and keys; bass player Alexis Benson and drummer Moussa Fadera. “We play because we’re friends,” Gunrup explains. “It’s all about playing music and hanging out, recording songs and getting the songs into this thing we do, that we never speak about.”
—  The Amazing (2009)
—  Gentle Stream (2011)
—  Picture You (2015)
Website: http://www.theamazing.se/
LABEL: andy@partisanrecords.com
PRESS: shira@partisanrecords.com
RADIO: dan@partisanrecords.com
LICENSING: gareth@bigdealmusic.com
BOOKING: kfrench@paradigmagency.com
LABEL: chloe@partisanrecords.com
PRESS (UK): alex@inhousepress.com
PRESS (SWE): Henrik.Nystroem@pias.com
PRESS (Denmark) — Allan.Skov@pias.com
PRESS (Norway) — Carmen.Hillestad@pias.com
BOOKING: pontus@unitedstage.se
BOOK (UK): k.tomkinson@chooseindustry.com
BOOK (UK): a.pountain@chooseindustry.com
MANAGEMENT: henrik@haddockenterprise.com
♦   On its latest album, Gentle Stream (Partisan), this irresistible Swedish group channels 70s rock — extended jams a la Neil Young and Crazy Horse, tenderly strummy Nick Drake–style ballads, et cetera — and bathes it in an enveloping analog glow. The Amazing's singer and songwriter, Christoffer Gunrup, builds hooky flower–power melodies into all his tunes, whether they hit hard or insinuate softly, and though his singing is almost twee (he sometimes reminds me of Belle and Sebastian’s Stuart Murdoch), his excellent band pulls the music in the other direction — the music is often dense and forceful, thanks especially to Moussa Fadera’s jazzy drumming and the psychedelic guitar of Reine Fiske (a member of the great Swedish psych–rock outfit Dungen). Rarely does heaviness feel so ethereal. — Peter Margasak Tame Impala headlines.

The Amazing — Picture You



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