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The Boomtown Rats — Citizens of Boomtown (13 March, 2020)

                                                                                                   The Boomtown Rats — Citizens of Boomtown (13 March, 2020) The Boomtown Rats — Citizens of Boomtown (13 March, 2020)⊗⇑⊗  Sir Bob Geldof se obával, že jeho život skončí v nouzi. „V patnácti letech jsem se dobrovolně zapojil do Simon Community,“ říká a připomíná noci dospívání, když pomáhal dublinským bezdomovcům. „Největší obavy: z toho, že jsem se stal jedním z lidí, se kterými jsem pracoval, shromáždil jsem se kolem velkého ohně, který jsme měli v Smithfieldu, vzal polévku, kterou jsme vařili. To byl můj obraz v 60’: spaní na lavičce v parku v chladu, takže jsem musel dál běhat, dál běhat. A nemohu se zastavit.“...
⊗⇑⊗  Nespokojený, ale ne punkový, s dychtivým potěšením, ale jen za svých vlastních podmínek. Trn strčený do kůže církve a státu umožňuje, že dnes je snadné považovat The Boomtown Rats za jednu z mála irských rockových kapel za posledních 45 let, které mají potenciál zvýšit teplotu v místnosti. Nejlepší skladby jsou však pomalejší, texturovanější a méně náchylné ke klišé: Passing Through a Here’s A Postcard. S opojnou vůní Davida Bowieho a Lou Reeda. Kytarové linie a kudrlinky písní připomínají směs Roberta Frippa a Mike Garsona; druhá skladba je Geldofův roztomilý hybrid Velvet Underground / Jonathan Richman, vlídné texty a zastřižené kytary s třešinkou na dortu v podobě harmonizovaných kódů Crosby, Stills, Nash & Young. Album končí v dementně příjemném teritoriu se dvěma nepravděpodobnými punk~elektro~disco bombardéry. 
⊗⇑⊗  K albu byla vydána kniha textů a reminiscence od Bob Geldofa pod názvem „Tales Of Boomtown Glory“, jejíž podobenství zůstává úzce spjato s uměleckými, politickými a lidskými událostmi jeho vůdce. Tomu a jeho kapele je věnován i poměrně hagiografický dokument Billyho McGratha, který byl nedávno představen na Mezinárodním filmovém festivalu Virgin Media v Cineworld on Parnell Street v Dublinu a který byl v dubnu odvysílán BBC v očekávání možné komerční distribuce. Dalšími umělci, kteří se objeví v dokumentu, jsou Sinead O’Connor, Dave Stewart, Sting a Jools Holland.
⊗⇑⊗  Alespoň v tuto chvíli neexistují žádné plány přivést skupinu do Ameriky. Nikdy tu neměli velké následování a všechny velké nabídky pocházejí z Evropy, i když připravovaný dokument může konečně rozšířit jejich přitažlivost. 
⊗⇑⊗  Jakmile však show skončí, Geldof nemá ponětí, co se bude dít dál. „Je nám všem dohromady 965 let,“ říká. „Pravděpodobně zbývá už jen 18 měsíců! V tomto bodě je cílový pruh velmi jasný. Ale já opravdu chci hrát tyto písničky naživo, protože kvůli této době jsou písně skutečně kompletní. To je konečné uzavření smyčky.“
⊗⇑⊗    Dovětek: The Boomtown Rats vznikli v roce 1975, explodovali na hudební scéně a stali se jednou z největších kapel přelomu 70./80. let s řadou deseti nejlepších hitů a platinových alb. Získali Brit Awards, Grammy Awards a Ivor Novello Awards. Jen pro ilustraci: na posledně jmenovanou jsou pro rok 2020 nominováni: Nick Cave and Warren Ellis „GHOSTEEN“, Inflo and Little Simz: „GREY AREA“ a Dan Carey and Kate Tempest: „THE BOOK OF TRAPS AND LESSONS.“  Location: Dublin, Ireland
Album release: 13th March, 2020
Record Label: BMG
Duration:     41:20
Tracks:
01. Trash Glam Baby   3:54
02. Sweet Thing   3:11
03. Monster Monkeys   4:25
04. She Said No   3:56
05. Passing Through   4:36
06. Here’s A Postcard   3:52
07. K.I.S.S.   3:11
08. Rock ‘n’ Roll Yé Yé   4:55
09. Get A Grip   4:00
10. The Boomtown Rats   5:20
Tales of Boomtown Glory Hardback Book
Personnel:
⇒   All current members are: (1975~1986, 2013~present)
Bob Geldof — lead vocals, guitar, harmonica
Garry Roberts — lead guitar, bckng voc.
Pete Briquette — bass, keyboards, bckng voc. 
Simon Crowe — drums, percussion, bckng voc.
Sales charts:
Austrian Albums (Ö3 Austria)   #73
German Albums (Offizielle Top 100)   #41
Irish Albums (OCC)   #12
Scottish Albums (OCC)   #11
UK Albums (OCC)   #48
Studio albums:
The Boomtown Rats (1977)
A Tonic for the Troops (1978)
The Fine Art of Surfacing (1979)
Mondo Bongo (1981)
V Deep (1982)
In the Long Grass (1984)
Citizens of Boomtown (2020)
BOOK
⊗⇑⊗  „Tales of Boomtown Glory“ obnáší hudební život a dobu jednoho z našich nejmocnějších zpěváků. Je zde Antologie úplných textů The Boomtown Rats a sólových alb Boba Geldofa, protkaná Geldofovým vtipným, hluboce procítěným a upřímným komentářem v backgroundu, inspirací a kontextem některých jeho písní. Společně synergicky poskytují pozoruhodný portrét mimořádného života, který Geldof vždy hledal a našel výraz prostřednictvím lyrického vyprávění. 
⊗⇑⊗  „Tales of Boomtown Glory“ obsahuje texty ke 189 písním, včetně dříve nevydaného materiálu, plus album „Citizens of Boomtown“ od The Boomtown Rats (spolu s turné a novým dokumentárním filmem o životě a dobách kapely) a faxy z jeho notebooků v průběhu let. ‘To jsou slova, která mě dostala ven. To mi umožnilo uniknout. Slova, která mi dala tento život. Když jsem viděl všech 44 let v jednom kuse, vyčerpalo mě to. Smutek a práce, panika, strach a ... právě v těchto kouscích linií? Jsem rád, že je to všechno v jedné knize. Teď vím, co jsem celou tu dobu dělal.“ — Bob Geldof
Review
By Joe Whyte ⌊ March 18, 2020 ⌋ Score: 8/10 
⊗⇑⊗    With it being something like thirty~plus years since the last Boomtown Rats studio album, this has been, if not hotly anticipated, a record that a lot of people were probably not that bothered about. The Rats have been pretty much excised from the history of punk rock (a bit like The Stranglers were for a fair old time) and their late seventies/early eighties heyday is seen through the prism of Live Aid, Geldof’s later celebrity status and an almost daily presence in the gutter press following the tragic events that haunted him for years.
⊗⇑⊗    This ignores a few long~lost facts; firstly, The Boomtown Rats were one of the biggest selling and most popular bands of the original punk wave (again a bit like The Stranglers) and were loved by provincial youth as much as The Pistols and Clash for (albeit) a short time. Secondly, they were an absolutely solid~gold singles band; those speed~thrill R&B~influenced seven~inchers that had elements of The Pretty Things, the early Stones and Them in among the buzzsaw punk and Geldof’s sneering lyrics were totally of, and in the moment. Thirdly, as a live band (they were the third real~i.e. not a local band I saw after the Stranglers and The Clash) they were peerless and Geldof as a frontman was often untouchably enigmatic.
⊗⇑⊗   This last point was, in part, their downfall; the music press of the time initially loved Geldof before turning on this motor~mouthed, opinionated and often arrogant figure as was the way back then. Build ’em up and knock ’em down, the next sucker will be along shortly. The band’s moves into reggae~tinged tracks, calypso~styled singles (the much derided Banana Republic for one) and the chart friendly (as well as lyrically literary) stuff such as Rat Trap and I Don’t Like Mondays saw the press and the original fan base move away from the band and despite the hits, they saw diminishing 80’s returns as the decade wore on. It’s seems odd to me that the Rats modus of lengthy story~songs was so derided latterly; Graham Parker (and to a lesser extent, Costello) seem to have maintained a cult following for a similar type of writing. Geldof was clearly inspired by early Springsteen, lets get that straight; he’s not quite in that same league, obviously, but it seems that a lot of the regard for the clever songsmithery of The Rats has been lost in the mists of time.
⊗⇑⊗   A solo career of debatable success and of course the well~documented Band Aid/Live Aid phenomenon came next as well as Geldof’s autobiography, Is That It?, which is actually a real page turner and a great account of the early London punk scene as well as The Rats formation and Geldof’s early days in Dun Laoghaire in Ireland. You all know the tragic later story which I wont reiterate here. 
⊗⇑⊗   In more recent times, an appearance at the premiere punk festival in the world (Rebellion in Blackpool) saw a reformed and reinvigorated Boomtown Rats play a set that had a huge amount of the old fire in it. That day is remembered, however, for Geldof berating the assembled vintage punks for their lack of sartorial elegance and for “wearing shit black t~shirts with shit bands on them while I’m up here in a gold suit and snakeskin boots” (I paraphrase, it was words to that effect) which saw the majority of the Rebellion massive throw a massive huff~and lots of pints all of which seemed to me to be the “punkiest” thing that happened that weekend. A guy onstage pointing out the herd mentality of an audience? That remind you of anything, folks? Anyway, it seems that this audience~baiting schtick is now part of the Rats show and Geldof adapts it for whoever they are playing in front of to great effect.
⊗⇑⊗   This new album is released in a silver sleeve and gold vinyl and that is completely apt as it leaps out of the speakers and demands your attention. If you’re after the Rats of old, this is probably not the place to look although the fizz and vim and the absolute pissed~off~ness of it will remind many of the good old days. Opener and single Trash Glam, Baby has a large slice of Mott The Hoople in its glittering grooves and the swaggering Sweet Thing manages to lift hooks and riffs from about a dozen other songs and still sound fresh, original and modern. The little bit of Bowie~backing vocal that’s been lifted from “Let’s Dance” is a case in point although I’m sure David the Dame lifted it from something else that currently escapes me. Both of these tracks have garage rock at their Nuggets~alike core and the Farfisa organ trilling through Sweet Thing is a great little touch.
⊗⇑⊗   She Said No  is another bouncy, ebullient track with Geldof giving it the big~I~am braggadocio, with tongue firmly in cheek throughout. The band are the original line~up minus Messrs Fingers and Cott and they sound like they’re having a whale of a time throughout these ten tracks; there’s little fat on the bones, there are hooks and choruses and middle eights that lend themselves to repeated listening and as I mentioned in the header, this (along with Wire’s Mind Hive) is currently an early album of the year contender for me.
⊗⇑⊗   The acoustic led Here’s a Postcard and the cheeky K.I.S.S. sit mid~album and are probably the poppiest things herein; the latter in particular has a playful, almost rhumba groove about it and has a rap section down towards the end although I’m not sure who it is as it’s uncredited on the record and the PR bumf.
⊗⇑⊗   The production on the album is also worth mentioning it’s quite simply huge and lends these songs a gravitas that suits them very well. The drum sound in particular is gargantuan and reminds me a little of Achtung Baby era U2, but don’t let that put you off.
⊗⇑⊗   The two tracks that end the album are probably the most contentious; Get A Grip is a strutting electro bouncer and the closing The Boomtown Rats is another tongue in cheek four~to~the~floor shuddering, dancefloor banger that sounds like Utah Saints playing a Depeche Mode song and is all the better for it.
⊗⇑⊗   This is an album that will divide opinion, no doubt about it (if you want another view, read The Guardian’s review….) but I think it’s a real return to form and a surprise package that will delight as many as it annoys. I like it a lot.
⊗⇑⊗   2020 is the Chinese Year Of The Rat. Apt, really.
⊗⇑⊗   https://louderthanwar.com/lso:
Franco Zanetti: https://www.rockol.it/recensioni-musicali/album/9184/boomtown-rats-citizens-of-boomtown
Interview by ANDY GREENE: https://www.rollingstone.com/music/music-features/bob-geldof-interview-boomtown-rats-reunion-955763/
Pepsi Stone: https://metalforever.info/article.php?id=34302
Ivor Novello: https://ivorsacademy.com/
Brit Awards: https://www.brits.co.uk/
Grammy Awards: https://www.grammy.com/

 

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Grey Daze ©Photo credit: Anjella / Sakiphotography
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Morgan1
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Marc Ribot’s Ceramic Dog — What I Did On My Long ‘Vacation’ EP
The Beths — Jump Rope Gazers (July 10th, 2020)
Carissa Johnson — A Hundred Restless Thoughts (Dec. 18th, 2019)
Christine Ott — Chimères (pour ondes Martenot) (May 22, 2020)
Eleanor Friedberger — Rebound (May 4th, 2018)
Smashing Pumpkins — Cyr (27th Nov., 2020)
Calexico — Seasonal Shift (Dec. 4th, 2020)
Futurebirds — Teamwork (Jan. 15th, 2020)
Emmy the Great — Second Love (March 11, 2016)
My Morning Jacket — The Waterfall II (Aug. 28, 2020)
ELEANOR FRIEDBERGER — NEW VIEW (January 22, 2016)
Cormons Jazz & Wine of Peace festival 2008 ©Ziga Koritnik
Andrej Šeban — Triplet (March 22, 2019) inner cover
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
Jenny Lewis — On the Line (March 22, 2019)
Dungen — Live (March 13, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Andrej Šeban — Triplet (March 22, 2019) cover
Sonny Landreth — Blacktop Run (Feb. 21, 2020)
Læetitia Shériff — Pandemonium, Solace And Stars
Gerald Cleaver — Signs (March 27, 2020)
The Crossing & Donald Nally — James Primosch: Carthage (05/2020)
The Drums — Brutalism (April 5, 2019)
Eli Winter — „Unbecoming“ (21 Aug 2020)
DAGMAR VOŇKOVÁ — ARCHA (2020)
Immigrant Union — Judas (June 19, 2020)
KMRU — Peel (18th Sept., 2020)
Spy Machines — Spy Machines (April 3, 2020)
David Cross & Peter Banks — Crossover (17 Jan., 2020)
Jake Blount — Spider Tales (May 29, 2020)
EELS — Earth To Dora (Oct. 30th, 2020)
Art Feynman — Half Price At 3:30 (June 26th, 2020)
Jerskin Fendrix — Winterreise (April 17, 2020)
Julianna Barwick — Healing Is a Miracle [Japan Edition] (2020)
Joy Division — Closer (40th Anniversary) [2020 Digital Master] (
Sophie Tassignon — Mysteries Unfold (April 24, 2020)
Anika Nilles — For a Colorful Soul (Jan. 10, 2020)
Ospalý pohyb — Ostrava (October 17, 2016)
Deradoorian — Find the Sun (Sept. 18, 2020)
All The Best, Isaac Hayes (A Spoken Word Album)
Ospalý pohyb — ø (May 24, 2016)
James Harries — Superstition (Jan. 31, 2020)
Zoongideewin — Bleached Wavves (June 19, 2020)
HOUPACÍ KONĚ: SOULKOSTEL 8 11 2019 (April 25, 2020)
Recondite — Dwell (Jan. 24, 2020)
Kacey Johansing — No Better Time (Nov. 20, 2020)
Yoko Ono, Kim Gordon & Thurston Moore — YOKOKIMTHURSTON
Com Truise — Persuasion System (May 17, 2019)
Kazuomi Eshima & Masahiko Takeda — Inheritance for Soundscape
Erik Griswold — All’s Grist That Comes To The Mill (03/20, 2020)
Caspian — Dust and Disquiet (Sept. 25, 2015)
SLY & THE FAMILY DRONE FC (17, 2020)
Låpsley — Through Water (March 20th, 2020)
Sarah Longfield — Dusk (April 22, 2020)
Soundwalk Collective with Patti Smith — Peradam (Sept. 4th, 2020
Erik Griswold — All’s Grist That Comes To The Mill (03/20 2020)
Circa Waves — Sad/Happy (March 13th, 2020)
Bob Dylan — Rough and Rowdy Ways (June 19th, 2020)
Kurt Wagner of Lambchop. ©Picture Joanna Bongard
Sol Seppy — The Bells Of 12 (June 21, 2019)
930 x 827 tmavší podklad.jpg
P/\ST — /Expedice do vnitrobloku\ (Oct. 5, 2019)
Roland Tings — Salt Water (Nov. 8, 2019)
Eamon O’Leary — The Silver Sun (Jan. 15, 2021)
M.Ward — Migration of Souls (April 3, 2020)
33EMYBW — Golem (25 Sept., 2019)
The Third Mind — The Third Mind (Feb. 14, 2020)
CocoRosie — Restless (Feb. 12th, 2020)
Sean Henry — A Jump from the High Dive (Nov. 1, 2019)
Mike Cooper — Playing With Water (Nov. 6, 2020)
Ben Featherstone — Prisoner to the Wind (Dec. 20th, 2019)
Ailbhe Reddy — Personal History (23 Oct., 2020)
Thomas Köner — Motus (Feb. 20, 2020)
Lanterns On the Lake — Spook the Herd (21 Feb., 2020)
A Winged Victory for the Sullen — The Undivided Five
Of Montreal — Ur Fun (Jan. 17, 2020)
Lanterns On the Lake — Spook the Herd (21 Feb., 2020)
Seaway — Big Vibe (Oct. 16th, 2020)
Surprise Chef — Daylight Savings (Oct. 16, 2020)
Sega Bodega — Salvador (Feb. 14, 2020)
Klara Lewis — Ingrid (1st May 2020)
Vivienne Wilder — Postromantic (June 12, 2020)
Prophecy Playground — Comfort Zone (Feb. 15, 2020)
Kurt Vile — Speed, Sound, Lonely KV EP (2nd Oct., 2020)
Steve Earle — Townes (May 8, 2009)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Oiseaux~Tempęte — From Somewhere Invisible (19 Dec., 2019)
Hamilton Leithauser (The Walkmen) — Dear God (Aug. 2015)
Steve Earle & The Dukes — Ghosts of West Virginia (May 22, 2020)
Real Estate — The Main Thing (28th Feb., 2020)
Myopia Exclusive Crystal Clear Vinyl
The Kills — Ash And Ice (June 3, 2016)
James Harries — Before We Were Lovers
ANNA CALVI — HUNTED (March 6, 2020)
Elysian Fields — Transience Of Life (May 7, 2020)
SOFIA TALVIK — Paws of a Bear (Sept. 27, 2019)
Badge Époque Ensemble — Self Help (Nov. 20, 2020)
Ali Holder — Uncomfortable Truths (April 10, 2020)
Sungazers — Wasting Space (May 18, 2020)
Neil Young — Homegrown (19th June, 2020)
Lightning Bolt — Hypermagic Mountain (October 18, 2005, March
Sixth June ‎— Trust (17 Jan 2020)
Bellows — The Rose Gardener (Feb. 22, 2019)
Tatsuhisa Yamamoto 山本達久 — Ashioto (Oct. 21, 2020)
From Atomic — Deliverance (April 2020)
Cermaque — Lament (22nd May, 2020)
Tatsuhisa Yamamoto 山本達久 — Ashioto (Oct. 21, 2020)
Laurel Halo — Raw Silk Uncut Wood (July 13, 2018)
Anna von Hausswolff — Dead Magic (March 2018)
Moses Sumney — græ Part 1 & 2 (May 15, 2020)
David Thomas Broughton & Juice Vocal Ensemble — Sliding The Same
Marissa Nadler — unearthed (March 20, 2020)
Jaye Jayle — Prisyn (Aug. 7, 2020)
Sweet Trip — You Will Never Know Why (Jan. 22, 2021)
PETR KALANDRA — Petr Kalandra & ASPM 1982 — 1990 (Feb. 26, 2020)
Justine Vandergrift — Stay (Feb. 7th, 2019)
Hamilton Leithauser — The Loves of Your Life (10 April 2020)
Bombay Bicycle Club — Everything Else Has Gone Wrong (01/24/20)
Gráinne Duffy — Where I Belong (Sept. 19, 2017)
Anthony Gomes — Containment Blues (2020)
Sports Team — Deep Down Happy (5th June, 2020)
Nonlocal Forecast — Bubble Universe! (March 1, 2019)
Lionel Loueke — HH (Sept. 11, 2020)
Al Di Meola — Across the Universe: The Beatles, Vol. 2 (2020)
LENKA NOVÁ — DOPISY (21.03./24.04., 2020)
Genesis Revisited: Live at The Royal Albert Hall — 2020 Remaster
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
The Electric Soft Parade — Stages (Jan. 8, 2020)
Villagers — The Art Of Pretending To Swim (03/19, 2020) DELUXE E
Mountaineer — Bloodletting (May 22nd, 2020)
Ólafur Arnalds — Some Kind Of Peace (6 Nov., 2020)
Steve Hackett — Under A Mediterranean Sky (Jan. 22, 2021)
Anna von Hausswolff — All Thoughts Fly (Sept. 25, 2020)
Tara Fuki — Motyle (Nov. 13th, 2020)
Peel Dream Magazine — Agitprop Alterna (3rd April 2020)
Nicholas Cords — Touch Harmonious (Nov. 6, 2020)
Destroyer — Have We Met (Jan. 31, 2020)
John McLaughlin, Shankar Mahadevan, Zakir Hussain — Is That So?
THE SHAKING SENSATIONS — “How Are We to Fight the Blight” 2xLP
Alphaxone — Dystopian Gate (Jan. 14, 2020)
Lanterns On The Lake — The Realist (Dec. 18, 2020)
A Certain Ratio — ACR Loco (25th Sept., 2020)
THE SCHRAMMS — “Omnidirectional” (June 21st, 2019)
David Thomas Broughton — The Complete Guide To Insufficiency /re
Aimee Mann — Bachelor No. 2 (20th Anniversary Edition) (Nov. 27,
The Chap — Digital Technology (10 Jan., 2020)
Joan As Police Woman — Cover Two (May 1, 2020)
The Shivas — “Dark Thoughts” (October 25, 2019)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Lucy Railton — Paradise 94 (22 Mar 2018)
Drive~By Truckers — The Unraveling (cover)
The Shins — “Heartworms” (March 10, 2017)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
M. Ward — Think of Spring (Dec. 11, 2020)
The Shins — “The Worms Heart” (Jan. 18, 2018)
Psychic Markers — Psychic Markers (29 May, 2020)
Julianna Barwick — Circumstance Synthesis (Dec. 20, 2019)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
Meredith Monk & Bang on a Can All~Stars — Memory Game (03/27/20)
Drive~By Truckers — The Unraveling (cover)
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
JACKSON VANHORN: “AFTER THE REHEARSAL”
Eivind Aarset & Jan Bang — Snow Catches On Her Eyelashes (2020)
Richard Barbieri ‎— Past Imperfect / Future Tense (Mar 2020)
Kevin Morby — Sundowner (October 16, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
EVA ROHLEDER — Babské ucho (Nov. 9th, 2020)
Laurel Halo — Possessed (April 10, 2020)
Helena Deland — Someone New (16 Oct., 2020)
Devendra Banhart — Ma (September 13, 2019)
Field Music — Making a New World (Jan. 10, 2020)
Gráinne Duffy — Voodoo Blues (Oct. 15, 2020)
The Memories — Pickles & Pies (May 29, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Highasakite — Uranium Heart (Feb. 1st, 2019)
Pearl Jam — Gigaton (March 27, 2020)
Walter Martin — The World at Night (Jan. 31, 2020)
The Tiger Lillies — Cold Night in Soho (10 Feb. 2017)
Silkworm — In The West (24 Jan., 2020)
Chavez — Gone Glimmering [Expanded Edition] (Oct. 23, 2020)
Kamaal Williams — Wu Hen (July 24, 2020)
Caspian — On Circles (January 24, 2020)
Jennifer Curtis & Tyshawn Sorey: Invisible Ritual (2020)
DAVID POMAHAČ — DO TMY JE DALEKO (Feb. 7, 2020)
Don Gallardo — The Lonesome Wild (April 2, 2020)
Damon Locks Black Monument Ensemble — Where Future Unfolds (2019
The Tiger Lillies — Edgar Allan Poe’s Haunted Palace
Mark Lanegan — Straight Songs Of Sorrow (8th May, 2020)
I Break Horses — Warnings (08 May 2020)
Cocteau Twins — Head Over Heels
Cocteau Twins — Treasure
Sarah Jarosz — World On The Ground (June 5, 2020)
The Innocence Mission — See You Tomorrow (Jan. 17, 2020)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
The Tiger Lillies — Covid~19 (April 10, 2020)
Hawkwind — Acoustic Daze (25 Oct. 2019)
The Avalanches — We Will Always Love You (11 Dec., 2020)
Beautify Junkyards — Cosmorama (15th Jan., 2021)
Wendy Eisenberg — Auto (Oct. 16, 2020)
TANYA DONELLY: Swan Song Series bonus tracks (FC)
Kate Amrine — This Is My Letter to the World (Jan. 24, 2020)
CONCEPT ART ORCHESTRA — „100 YEARS“ (11.12.2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
WHITE TAIL FALLS — Age Of Entitlement (May 29, 2020)
Susan Alcorn Quintet — Pedernal (Nov. 13, 2020)
Coloured Clocks — Flora (May 2, 2020)
Daniel Knox — Won’t You Take Me with You (Jan. 15, 2021)
Indoor Voices — Animal (Feb. 14, 2020)
ELYSIAN FIELDS — Pink Air
Midlake — Antiphon (Nov. 4, 2013)
Jonathan Wilson — Rare Birds (March 2nd, 2018)
KIESLOWSKI Tiché lásky
Fiona Apple — Fetch The Bolt Cutters (17 Apr., 2020)
Lucrecia Dalt — Syzygy (Oct. 15, 2013)
Hayden Thorpe — Diviner (24 May 2019)
Cocteau Twins — Garlands (1982, Reissue 2020)
Alessandra Leão ‎— Macumbas e Catimbós (24/05/2019)
Cowboy Junkies — Ghosts (30 Mar 2020)
Laura Marling — Song for Our Daughter (April 10th, 2020)
Wendy Eisenberg — Its Shape Is Your Touch (Oct. 2018)
Baxter Dury — The Night Chancers (20 March 2020)
San Fermin — San Fermin (Nov. 11, 2013)
Sara Bareilles — What’s Inside Songs From Waitress (11/06, 2015)
The Heliocentrics — Telemetric Sounds (Aug. 7, 2020)
JAMES YORKSTONE — The Wide, Wide River (22nd Jan., 2021)
The Dream Syndicate — „The Universe Inside“ (April 10, 2020)
Black Sabbath: Black Sabbath (13 Feb., 1970)
Third Coast Percussion & Devonté Hynes — Fields (Oct. 11, 2019)
White Tail Falls — Age of Entitlement (May 29, 2020)
MUFF — Fatalust (Nov. 1, 2019) cover
Ben Watt — Storm Damage (31st Jan., 2020)
San Fermin — The Cormorant I & II (Oct. 4, 2019/April 3, 2020)
Saša Niklíčková — Zmačkaná žena (Oct. 26, 2020)
Stephen Duffy — I Love My Friends [Expanded Ed] (10 May 2019)
I Break Horses — Chiaroscuro
Sea Wolf — Through a Dark Wood (March 20, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Yorkston | Thorne | Khan — Navarasa : Nine Emotions (2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Stove — ‘s Favorite Friend (Oct. 31, 2018)
ANASTASIA MINSTER — Father ©Michael Haley
Jonathan Wilson — Dixie Blur (March 6, 2020)
Fruition — Broken At The Break Of Day (Jan. 23, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
1600 x 1600 High Violet (10th Anniversary Expanded Edition).jpg
ROBERT FRIPP — THE KITCHEN (New York, NY) — 05 FEB 1978
Sara Bareilles — More Love: Songs from Little Voice Season One (
The Sufis — Double Exposure (Jan. 24, 2020)
ÁSGEIR: IN THE SILENCE
Martin Barre — Roads Less Travelled (26 Oct. 2018)
Loveblind / Sleeping Visions (March 27, 2020)
Walter Martin — The World at Night (Jan. 31, 2020)
Asher Gamedze – Dialectic Soul (July 10, 2020)
Frances Quinlan — Likewise (Jan. 31, 2020)
KING CRIMSON, The Night Watch
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Matt Berninger — Serpentine Prison (Oct. 16, 2020)
Rizan Said — Saz û Dîlan (Oct. 11, 2019)
Ásgeir — Bury the Moon (7 Feb., 2020)
Riva Taylor — ‘This Woman’s Heart .1’ (27 Mar 2020)
Wrangler — A Situation (28 Feb., 2020)
Juraj Griglák, From The Bottom (Sept. 16, 2019)
Cheerleader — Almost Forever (Feb. 7, 2020)
Queer Jane — Amen Dolores (March 27, 2020)
BECCA STEVENS — WONDERBLOOM (March 20th 20, 2020)
Juraj Griglák — From the Bottom (Sept. 16, 2019)
Einstürzende Neubauten — Alles In Allem (May 29th, 2020)
Torres — Three Futures (29th Sept. 2017)
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Bison Bone — Find Your Way Out (Sept. 25, 2020)
Oh Wonder — No One Else Can Wear Your Crown [Deluxe Edition]
These New Puritans — The Cut (2016~2019) (14 Feb. 2020)
Laetitia Shériff — Stillness (Nov. 6, 2020)
Thin Lear — Wooden Cave (24th July, 2020)
Torres — Silver Tongue (Jan. 31, 2020)
King Khan — The Infinite Ones (Oct. 30, 2020)
Anoushka Shankar — Love Letters (7 Feb., 2020)
Free To Grow — Imperfection (Aug. 7, 2020)
Dan Croll — Grand Plan (21 Aug., 2020)
Lilien Rosarian ~ A Day in Bel Bruit (June 9, 2019)
Jim Noir — A.M Jazz (Dec. 20, 2019)
Shemekia Copeland — Uncivil War (October 23rd, 2020)
I Like to Sleep — Daymare (April 17, 2020)
Kaki King — Modern Yesterdays (Oct. 23, 2020)
Bill MacKay and Katinka Kleijn — STIR (Oct. 17, 2019)
The Mountain Goats — Getting Into Knives (Oct. 23, 2020)
Ben Sidran — Blue Camus (Oct. 2014)
Varga Marián — Solo in Concert (1. feb. 2018)
Paris Jackson — Wilted (Nov. 13, 2020)
No~Man — Love You To Bits (Nov. 22, 2019)
Death Cab for Cutie — The Georgia EP (Dec. 4th, 2020)
Blackbird & Crow — Ailm (17 Jan 2020)
Liz Longley — Liz Longley (March 17, 2015)
Van der Graaf Generator — Recorded Live in Concert
Bruce Springsteen — Letter to You (Oct. 23, 2020)
Amy LaVere — Painting Blue (27 Mar 2020)
100 Gecs — 1000 gecs (May 31, 2019)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cold Chisel — Blood Moon (6 Dec., 2019)
Cold War Kids — New Age Norms 1 (Nov. 1, 2019)
Blackbird & Crow © 2020 Author: Megan Doherty
WaqWaq Kingdom — Essaka Hoisa (Nov. 15, 2019)
The Mountain Goats — Songs for Pierre Chuvin (April 10, 2020)
Hawktail — Formations (Jan. 10, 2020)
Morrissey — I Am Not a Dog On a Chain (March 20th, 2020)
Jack Peñate — After You (29th Nov. 2019)
Villagers — Darling Arithmetic [Deluxe Version] (April 10, 2015)
Ashley Paul — Window Flower (May 13, 2020)
Daniel Bachman — The Morning Star (July 27, 2018)
Roger Eno | Brian Eno — Mixing Colours (20 March, 2020)
Darnielle, Jon Wurster, Matt Douglas, Pete Hughes. ©Josh Sanseri
Joe Bonamassa & The Sleep Eazys — Easy To Buy, Hard To Sell
Preston Lovinggood — Consequences (June 10, 2018)
Martin Barre — Away With Words
Ezra Bell — This Way to Oblivion (3rd April, 2020)
All Them Witches — Nothing as the Ideal (Sept. 4, 2020)
Shafiq Husayn — The Loop (March 29, 2019)
Queer Jane — Home (Dec. 1, 2016)
RADEK BABORÁK a jeho ORQUESTRINA na PIAZZOLLOVSKÉ ALBUM.
Moonchild — Little Ghost (6th Sept. 2019)
Evergreen — Overseas (15 Jun 2018)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
The Waterboys — Good Luck, Seeker (Deluxe) (Aug. 21, 2020)
Dave Scanlon — Pink in each, bright blue, bright green (Jan. 15,
Maarja Nuut & Ruum — World Inverted (11th Sept., 2020)
Richard Youngs — Dissident (Jan. 25, 2019)
Kuře v hodinkách — Flamengo
Daniel Bachman — Green Alum Springs (June 6, 2020)
Midwife — Forever (April 10, 2020)
Kamasi Washington — Becoming (Music from the Netflix Original Do
Siobhan Wilson — The Departure (10 May, 2019)
Kris Delmhorst — Blood Test
Martin Burlas & Musica falsa et ficta — Hexenprozesse
I Don’t Know How but They Found Me — Razzmatazz (Oct. 23, 2020)
Songdog — Happy Ending (27th March, 2020)
Zuzana Mikulcová — Slová
Holly Herndon — PROTO (Winner of Tais Awards 2020)
Rory Block — Prove It On Me (March 27, 2020)
Cate Le Bon — Here It Comes Again (2020)
Tunng — Tunng Presents…DEAD CLUB (Nov. 6, 2020)
Sean O’Hagan — Radum Calls, Radum Calls (2019)
Nicey Nice World — Obelisks and Asterisks (Sept. 22, 2020)
Robert Plant — Carry Fire (2 LP, 13/10/2017)
Ben Sidran — Who’s the Old Guy Now (Nov. 20, 2020)
Le Butcherettes — DON’T BLEED EP (14 Feb 2020)
Devin Sinha — The Seventh Season (Oct. 21, 2014)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
First Aid Kit — Stay Gold (2014)
Land of Talk — Indistinct Conversations (July 31, 2020)
Kuře v hodinkách — Flamengo
Luke Haines — Beat Poetry For Survivalists (6 Mar. 2020)
Devin Sinha — Liminal Space (Oct. 23, 2020)
Nicole Atkins — Italian Ice (29 May 2020)
Maria Schneider Orchestra — Data Lords (24th July, 2020)
Lambchop — TRIP (Nov. 13th, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
BC Camplight — Shortly After Takeoff (24 April 2020)
Delta Spirit — What Is There (Sept. 11th, 2020)
The Magnetic Fields — Quickies (May 15, 2020)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
Cold War Kids — New Age Norms 2 (Aug. 21, 2020)
learning structures, vol. 2: end firma
Becca Mancari — The Greatest Part (June 26, 2020)
learning structures, vol. 3: distance between us
Severin Bells — A Brighter Side to the Unknown (24th Oct., 2020)
The Apache Relay — Apache Relay (April 22, 2014)
Thurston Moore — By The Fire (Sept. 25, 2020)
Kurt Rosenwinkel Trio — Angels Around (May 8, 2020)
Frazey Ford — U kin B the Sun (Feb. 7th, 2020)
Lizzy Farrall — Bruise (March 27, 2020)
Alice Peacock — Minnesota (Sept. 20th, 2019)
Devon Williams — A Tear in the Fabric (May 1, 2020)
Gwenifer Raymond — Strange Lights Over Garth Mountain (2020)
LENKA DUSILOVÁ — ŘEKA (Nov. 6th, 2020)
STEREOLAB: Oscillons from the Anti~Sun
Hallelujah the Hills — A Band Is Something to Figure Out (2016)
Loveblind: Visions
Lilly Hiatt — Walking Proof (27 March, 2020)
Mekons — Deserted (March 29, 2019)
Loveblind: Visions
Throwing Muses — Sun Racket (Sept. 4, 2020)
Sean McMahon ― You Will Know When You’re There (March 1, 2019)
Deradoorian — Find the Sun (Sept. 18, 2020)
The Chats — High Risk Behaviour (March 27, 2020)
Tylor Dory Trio — Unsought Salvation (Dec. 21, 2019)
György Ligeti — Lontano (22. Oct.,1967)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Guranfoe — Sum of Erda (Dec. 13, 2019)
Susanne Sundfør — Self Portrait (Original Score, 10th Jan. 2020)
Ronnie Godfrey — Shades of Blue (Oct. 25, 2019)
Intocable ― Percepcion (March 15, 2019)
Ytamo — Vacant (June 12, 2020)
Pancrace — The Fluid Hammer (09 Sep 2019/2LP)
Humanist — Humanist (21 Feb., 2020)
White Lies — To Lose My Life… [10th Anniversary Deluxe Edition]
Slow Pulp — Moveys (Oct. 9, 2020)
Andrej Šeban — Rock and Roll z Rači (11. Sept., 2020)
Wrekmeister Harmonies — We Love to Look at the Carnage (2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Hallelujah the Hills — I’m You (Nov. 15, 2019)
OWEN PALLETT — Heartland (March 3, 2014)
Siobhan Wilson — There Are No Saints (14 Jul, 2017)
Erlend Apneseth — Fragmentarium (Jan. 31, 2020)
Paul McCartney — McCartney III (18 Dec., 2020)
Amaarae — The Angel You Don’t Know (Nov. 12, 2020)
Delta Spirit — Into The Wide (Deluxe Edition, Sept. 9, 2014)