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The Microphones — The Glow Pt. 2 [Deluxe Edition] (2013)

 The Microphones — The Glow Pt. 2 [Deluxe Edition] (2013)

The Microphones — The Glow Pt. 2 [Deluxe Edition] 
   Proto-freak-anti-prog-folk masterpiece gets a nice reissue, but why now?
   They also happen to be the most traditional “songs” on the whole album, and they contain all the sounds that inform the rest of it — multi-tracked guitars, booming drums, panning effects, musique concrète, a metronomic heartbeat, and Elverum’s warbly vocals.
Born: Phil Elvrum May 26, 1978
Location: Olympia, Washington
Album release: September 2001/July 9th, 2013
Record Label: K Records [KLP133]
Duration:     109:28
Tracks:
01. I Want Wind to Blow      [5:33]
02. The Glow Pt. 2      [4:59]
03. The Moon      [5:17]
04. Headless Horseman      [3:09]
05. My Roots Are Strong and Deep      [1:53]
06. Instrumental      [1:39]
07. The Mansion      [3:52]
08. (Something)      [1:39]
09. (Something)      [2:42]
10. I’ll Not Contain You      [2:51]
11. The Gleam Pt. 2      [1:57]
12. Map      [5:00]
13. You’ll Be in the Air      [2:41]
14. You’ll Be in the Air      [1:41]
15. I Am Bored      [1:36]
16. I Felt My Size      [2:24]
17. Instrumental      [1:52]
18. I Felt Your Shape      [1:54]
19. Samurai Sword      [4:07]
20. My Warm Blood      [9:28]
21. Where Lies My Tarp?      [3:48]
22. I Felt My Size (Acoustic)      [1:52]
23. I Hope You Wish You’d Die      [2:18]
24. I’m Like You, Tree      [1:14]
25. The Glow Pt. 2 (Sequel)      [1:47]
26. We’re Here to Listen      [3:27]
27. Sleepy Hollow      [1:19]
28. Lanterns (Version)      [2:06]
29. Map/Moon (Version)      [1:31]
30. The Glow Pt. 2 (Version)      [6:12]
31. I Want Wind to Blow (Version)      [4:18]
32. Instrumental (Version)      [0:25]
33. The Moon (Version)      [3:46]
34. Samurai Sword (Version)      [1:25]
35. The Gleam Pt. 2 (Version)      [2:36]
36. My Roots Are Strong and Deep (Version)      [0:23]
37. I Felt My Size (Version)      [1:26]
38. My Warm Blood (Humming)      [0:22]
39. You’ll Be in the Air (Version)      [0:59]
40. The Moooooon (Version)      [1:54]
Group Members:
   Phil Elvrum                          © Photo credit: Wheat Wurtzburger
♠   Originally released in 2001 by K Records, re-released on July 9th, 2013 by P.W. Elverum & Sun of Anacortes, Washington.
Review by Heather PharesScore: ****½
♠   While It Was Hot We Stayed in the Water (Recording date: September 24, 1999 — March 6, 2000) expanded the Microphones‘ lo-fi, psych pop horizons, their 66-minute epic The Glow, Pt. 2 marks an even bigger departure. Named after It Was Hot‘s sprawling centerpiece, the album explores and explodes styles and moods over the course of 20 songs that lead into one another breathlessly, as if even an hour simply isn’t enough time for Phil Elvrum and company to pack in all of their ideas.
♠   The album revels in its kaleidoscopic sounds, spanning pastoral folky ballads, playful symphonic pop, and gusts of white noise. Flourishes like the steel drums on the title track and the double-tracked vocals and xylophones on “The Map” make The Glow, Pt. 2 something of a rarity: a lo-fi album designed for headphones. The distorted drums, murky organs, and crisp acoustic guitars that punctuate the album have an oversaturated, almost tangible quality that, while dense, never overwhelms Elvrum’s fragile voice or poetic lyrics. The beautiful acoustic ballad “I Felt Your Shape” cautions against holding on too tight to someone, literally or figuratively; “I Am Bored” sets the boredom of a dying relationship to noisy fuzz pop. But it’s The Glow, Pt. 2's deep, nearly spiritual yearning that makes it the Microphones’ most compelling album to date. ♠   Vague, strangely hymnal lyrics like “Through rotting skin I’ll leave my coffin/Through callous work I will grow soft,” from “I’ll Not Contain You,” resonate emotionally, albeit cryptically. At times, The Glow, Pt. 2 resembles My Bloody Valentine’s Isn’t Anything (“I Want to Be Cold”) and His Name Is Alive’s Home Is in Your Head (especially on the instrumentals); like those bands’ best work, the album is dense with musical quick-changes, production tricks, and evocative imagery. Expansive yet accessible, indulgent yet unpretentious, The Glow, Pt. 2 redefines the Microphones’ fascinatingly contradictory music.
Artist Biography by Jason Ankeny
♠   The Microphones was the alias of Anacortes, WA-based lo-fi psych-pop mastermind Phil Elvrum, also known for his work as a member of K Records bands D+ and Old Time Relijun. Following a series of cassettes on the local Knw-Yr-Own label, including Wires and Cords, Tests, and a self-titled effort, The Microphones issued their first full-length effort, also titled Tests, on the Elsinor label in the autumn 1999. Don't Wake Me Up appeared on K the next summer, followed in 2000 by Window and It Was Hot We Stayed in the Water. 2001 saw the release of The Glow Pt. 2, which added new dimensions to The Microphones' sprawling sound. Shortly after the release of 2003's concept album Mt. Eerie, Elvrum decided to retire the Microphones moniker and
Discography:
Studio albums:
♠   Tests (1998)
♠   Don't Wake Me Up (1999)
♠   Window (2000)
♠   It Was Hot, We Stayed in the Water (2000)
♠   The Glow Pt. 2 (2001)
♠   Mount Eerie (2003)
EPs and other releases:
♠   Blood LP (2001) (limited release, hand made album of miscellaneous recordings from The Glow Pt. 2)
♠   Little Bird Flies into a Big Black Cloud LP (2002) (limited release, hand made album of Elvrum accompanied by piano and organ)
♠   Song Islands compilation of singles (2002)
♠   The Singing from Mount Eerie 10" (2003)
♠   The Drums from Mount Eerie 10" (2003)
♠   Live in Japan (2004)
Singles:
♠   "Bass Drum Dream" 7" (1999)
♠   "Feedback (Life, Love, Loop)" 7" (1999)
♠   "Moon Moon" 7" (1999)
♠   "I Can't Believe You Actually Died" 7" (2001)
♠   "The Moon" 7" (2001)
♠   "Lanterns/Antlers" 7" (2002)
♠   "Don't Smoke / Get Off the Internet" 7" (2007)
♠   Collaborate With a 1940's Wire Recorder 7" (Four-way split with Golden Boots, Bishop Allen, and Paleo) (2011)
Books and printed materials:
♠   "It Was Hot, We Stayed in the Water sheet music" (2000)
♠   "Little Bird Flies into a Big Black Cloud" (2001)
♠   "What Wonder?" (2002)
♠   "The Headwaters of Mount Eerie book and CD" (2004) (limited release "explanation" of the themes and inspirations for Mount Eerie)
♠   "Fancy People Adventures" photocopied 2005 cartoon-a-day desktop calendar (2005)
♠   "Dawn"
Label: http://www.pwelverumandsun.com/
Artist website: http://www.pwelverumandsun.com/
   Phil Elverum (sometimes spelled Elvrum) is an artist in a variety of mediums, though he is probably best known for his music recorded under the names Mount Eerie and the Microphones. Born in 1978 and raised in the forests outside Anacortes, Washington, Elverum came of age artistically during the supposed “grunge era.” The gradual realization that there was good art and music happening locally was an opening door to a new world. With a driver’s license and a job at the local book/record store Elverum began staying after hours recording in the back room late into the night, releasing a series of cassettes throughout his high school years. Eventually he moved to Olympia to attend college but soon quit because he was already totally immersed in the thriving underground music world surrounding K. He had been given access to their Dub Narcotic Studio and continued the late night/early morning solo recording experiments in Olympia, eventually releasing his first album with K, the Microphones’ Don’t Wake Me Up, in 1999. He became renowned as an innovative producer and recorded popular albums for friends, often collaborating heavily on many of the songs.    Also during this time he began doing music tours for about 4 months a year, generating a reputation as an unpredictable and talented live performer. A second Microphones album, It Was Hot, We Stayed In The Water, was released in 2000 as well as a series of self published song books. 2001′s The Glow pt. 2 is probably his best known release. The culmination of this era of work is the album titled Mount Eerie, which came out in 2003 . It is supposedly “death-themed” and after its release Elverum began performing under the name Mount Eerie as an attempt to more fully inhabit that theme and speak/sing from it.
   It was during this time that Elverum spent a winter alone in far northern Norway, providing fuel for the already prevalent mythology surrounding him as an enigmatic public figure and producer of collectors’ items. Upon returning from this trip he moved back to Anacortes and began releasing his own records and booklets via the new small record label, P.W. Elverum & Sun, ltd., a simple address and website intended to be a portal for the variety of Elverum’s creative releases. The first official album from Mount Eerie was No Flashlight in 2005. It was packaged with a gargantuan poster and a white vinyl LP and a CD; this extravagant packaging was intended to create a more precious object in an era of MP3s. This was followed by the release SINGERS and 11 Old Songs of Mount Eerie (both in 2005), as well as No Mystery by D+, a local Anacortes band that Elverum has played in since high school with friends Karl Blau and Bret Lunsford (Beat Happening). In 2007 he released his most extravagant souvenir yet: a hardcover photo book packaged with a picture disc 10″ record. This was a collection of photos from all over the world that had been aesthetic inspirations for much of his musical work of the previous decade. The record was titled Mount Eerie pts. 6 & 7 and was intended as a sequel/conclusion to the Microphones album Mount Eerie (ed note: Mount Erie is the name of a real mountain near Anacortes. It looms over the forest where Elverum grew up.) P.W. Elverum & Sun, ltd. continues to release products by Mount Eerie and other friends, with the way the label is run becoming increasingly a creative expression in itself. Orders from the label are shipped (usually by Elverum himself) in fancy packaging. In early 2008 Elverum announced the release of custom designed packing tape, offering a few rolls for sale as a “limited edition art piece”. In 2008 another book was being published: a collection of journal writing, photos, and drawings from the winter spent in Norway in 2002/2003, as well as a CD of the 19 songs written there. 2009 saw the biggest slew of Mount Eerie releases yet: Wind’s Poem, Elverum’s deepest foray yet into metal and drone; the experimentally-sloppy White Stag CD-R album; and the Black Wooden EP. The Song Islands vol. 2 double LP was released in 2010. K released the “Distorted Cymbals” Dub Narcotic Disco Plate in February 2012.
REVIEW
By Matt LeMay; September 10, 2001;  Score: 9.2
   It's an amazing thing when pop music expresses beauty through ambiguity. After being pummeled over the head for years and years with I Love Yous and You Are So Beautifuls, the most direct way of expressing images of love and beauty have pretty much lost all impact. Melodic tricks can wear thin just as easily. Hooks are all well and good, but when you've seen a hook enough times, you know not to bite.
   Perhaps the problem is that most pop music doesn't put enough faith in the listener. Everything must be laid out in the most obvious of terms, and eventually, that obviousness obscures whatever the music originally intended to convey. If you want to invoke the quiet beauty of the ocean, for example, you can write a pop song that says, "Hey, the ocean is really beautiful," or you can try to come up with a sonic approximation of that beauty.
   It's a huge undertaking to attempt to capture something so visual in a song. But for Phil Elvrum, it seems to be second nature. The Glow Pt. 2, the follow-up to last year's gorgeous brainmelt It Was Hot, We Stayed In the Water, captures the sea, the sky, and the mountains in a sonic panorama that seems to live without beginning or end. A sprawling, swirling composition that is both as varied and as consistent as the landscape itself, The Glow Pt. 2 exceeds even its predecessor in capturing the simultaneous wrath and fragility of nature. And sounding really, really cool.
   Like It Was Hot's "The Pull" before it, "I Want Wind to Blow" opens with subtle manipulations of acoustic guitars across stereo channels. There's an amazing sense of open space to the track as overtones from a low, rhythmic rumble, and from the stereo acoustic guitars, create a wash of barely audible noise floating through the mid-frequencies. "I Want Wind to Blow," like a good portion of The Glow Pt. 2, uses repetition and understatement to transform itself from a simple song into a landscape.
   And as with any landscape, the way the songs on The Glow Pt. 2 are perceived greatly affects the impact of the record. This album simply must be listened to on headphones. Hearing the record on regular speakers is like staring at the Grand Canyon through a Viewmaster. The illusion of depth is weak at best, and easily broken. With headphones, the sounds contained within the record absolutely come to life, bouncing and slithering from ear to ear. The use of stereo panning is as integral a part of the disc as the melodies and instrumentation.
   With this stereo enhancement, parts of The Glow Pt. 2 are absolutely breathtaking. And perhaps the single most breathtaking song on the album is its title track, which may or may not be a thematic follow-up to "The Glow," the 11-minute-long centerpiece of It Was Hot, We Stayed In the Water. Opening with blasts of fuzzy guitar and massive drums, "The Glow Pt. 2" segues somewhat abruptly into another segment of stereo acoustic guitars, before giving way to a drop-dead gorgeous wash of multitracked organs. On top of this, Elvrum lets loose what could be the most striking lyrics he's ever penned: "I faced death. I went in with my arms swinging. But I heard my own breath and had to face that I'm still living. I'm still flesh. I hold on to awful feelings. I'm not dead... My chest still draws breath. I hold it. I'm buoyant. There's no end." Elvrum delivers these lyrics in a melodic stream-of-consciousness style that's structured enough to be musically riveting, but loose enough to sound spontaneous and sincere. As the last words of the song fade, the swell of organs segues into a trebly acoustic guitar and hi-hat section highly reminiscent of early Modest Mouse.
   Nowhere on this album are there short, straightforward pop songs like It Was Hot's cover of Eric's Trip "Sand" or "Karl Blau." Instead, the record ebbs and flows gracefully between fragile acoustic numbers like "Headless Horseman," and overpowering swells of noise, with all points in between represented. The flow between songs on The Glow Pt. 2 is absolutely flawless-- the album functions as one giant piece of music as well as it does a collection of songs. Themes of flesh and blood, water and wood, and life and death permeate the record, connecting well enough to create a sense of something greater without beating you over the head with its concept.
   Ultimately, The Glow Pt. 2 is the sound of one man working through a changing landscape — a single voice challenging its surroundings while also accepting that it's powerless to alter them. The disc ends with a throbbing heartbeat, the most basic sign of life having braved through the stormy trek that precedes it. The Glow Pt. 2 is unpredictable, volatile, vibrant, terrifying, and comforting. The Glow Pt. 2 is alive.
Fortaken: http://pitchfork.com/
INTERVIEW
John Lingan; APR 07, 2008, 05:52AM
:: http://www.splicetoday.com/music/album-review-the-microphones-i-the-glow-pt-2-i
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The Microphones — The Glow Pt. 2 [Deluxe Edition] (2013)

 

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San Fermin — The Cormorant I & II (Oct. 4, 2019/April 3, 2020)
Stove — ‘s Favorite Friend (Oct. 31, 2018)
Queer Jane — Amen Dolores (March 27, 2020)
Rory Block — Prove It On Me (March 27, 2020)
Lizzy Farrall — Bruise (March 27, 2020)
Lilly Hiatt — Walking Proof (27 March, 2020)
The Chats — High Risk Behaviour (March 27, 2020)
Kazuomi Eshima & Masahiko Takeda — Inheritance for Soundscape
Marissa Nadler — unearthed (March 20, 2020)
Lucy Railton — Paradise 94 (22 Mar 2018)
BECCA STEVENS — WONDERBLOOM (March 20th 20, 2020)
Trees Speak — Ohms (3rd April, 2020)
Teho Teardo — Ellipsis dans l’harmonie (March 6th, 2020)
Ellipsis dans l’harmonie BACK COVER
Cocteau Twins — Head Over Heels
Cocteau Twins — Treasure
Cocteau Twins — Garlands (1982, Reissue 2020)
1600 x 1600 High Violet (10th Anniversary Expanded Edition).jpg
Riva Taylor — ‘This Woman’s Heart .1’ (27 Mar 2020)
Amy LaVere — Painting Blue (27 Mar 2020)
Sea Wolf — Through a Dark Wood (March 20, 2020)
Locate S,1 — Personalia (April 3, 2020
Anna Burch — Quit The Curse (Feb 2, 2018)
M.Ward — Migration of Souls (April 3, 2020)
Peel Dream Magazine — Agitprop Alterna (3rd April 2020)
ANDREW BIRD — CAPITAL CRIMES (April 1st, 2020)
Spy Machines — Spy Machines (April 3, 2020)
Richard Barbieri ‎— Past Imperfect / Future Tense (Mar 2020)
DAVID POMAHAČ — DO TMY JE DALEKO (Feb. 7, 2020)
KIESLOWSKI Tiché lásky
Born Ruffians — Juice (April 3, 2020)
LENKA NOVÁ — DOPISY (21.03./24.04., 2020)
Ezra Bell — This Way to Oblivion (3rd April, 2020)
Songdog — Happy Ending (27th March, 2020)
Laurel Halo — Raw Silk Uncut Wood (July 13, 2018)
Laurel Halo — Possessed (April 10, 2020)
Laura Marling — Song for Our Daughter (April 10th, 2020)
Hamilton Leithauser (The Walkmen) — Dear God (Aug. 2015)
Hamilton Leithauser — The Loves of Your Life (10 April 2020)
Don Gallardo — The Lonesome Wild (April 2, 2020)
Cowboy Junkies — Ghosts (30 Mar 2020)
The Mountain Goats — Songs for Pierre Chuvin (April 10, 2020)
Darnielle, Jon Wurster, Matt Douglas, Pete Hughes. ©Josh Sanseri
Erik Griswold — All’s Grist That Comes To The Mill (03/20, 2020)
Erik Griswold — All’s Grist That Comes To The Mill (03/20 2020)
Varga Marián — Solo in Concert (1. feb. 2018)
Joe Bonamassa & The Sleep Eazys — Easy To Buy, Hard To Sell
Midwife — Forever (April 10, 2020)
Moondog — On The Streets Of New York (Feb. 14, 2020)
Damon Locks Black Monument Ensemble — Where Future Unfolds (2019
Meredith Monk & Bang on a Can All~Stars — Memory Game (03/27/20)
Pharoah Sanders — „Live In Paris (1975): Lost ORTF Recordings“
I Like to Sleep — Daymare (April 17, 2020)
MoE/Mette Rasmussen — Tolerancia Picante (March 25, 2019)
The Tiger Lillies — Cold Night in Soho (10 Feb. 2017)
The Tiger Lillies — Edgar Allan Poe’s Haunted Palace
Sarah Jarosz — World On The Ground (June 5, 2020)
Kate Amrine — This Is My Letter to the World (Jan. 24, 2020)
Fiona Apple — Fetch The Bolt Cutters (17 Apr., 2020)
The Tiger Lillies — Covid~19 (April 10, 2020)
Veneer — Recovery (April 15, 2020)
Siobhan Wilson — The Departure (10 May, 2019)
BC Camplight — Shortly After Takeoff (24 April 2020)
Siobhan Wilson — There Are No Saints (14 Jul, 2017)
Brendan Benson — Dear Life (April 24, 2020)
Ali Holder — Uncomfortable Truths (April 10, 2020)
From Atomic — Deliverance (April 2020)
Whyte Horses — Hard Times (17th of Jan., 2020)
Gerald Cleaver — Signs (March 27, 2020)
Sophie Tassignon — Mysteries Unfold (April 24, 2020)
HOUPACÍ KONĚ: SOULKOSTEL 8 11 2019 (April 25, 2020)
Sarah Longfield — Dusk (April 22, 2020)
Ariel Pink — House Arrest (2002/Mar 2011/April 24, 2020)
All The Best, Isaac Hayes (A Spoken Word Album)
Prophecy Playground — Comfort Zone (Feb. 15, 2020)
Mark Lanegan — Straight Songs Of Sorrow (8th May, 2020)
Genesis Revisited: Live at The Royal Albert Hall — 2020 Remaster
Joan As Police Woman — Cover Two (May 1, 2020)
Kuře v hodinkách — Flamengo
Kuře v hodinkách — Flamengo
Devon Williams — A Tear in the Fabric (May 1, 2020)
Johanna Warren — Chaotic Good (May 1, 2020)
emozpěv — Spolu (1st May 2020)
THE LEAGUE OF ASSHOLES — UNPLUGGED (1st May 2020)
Morgan1
Zuzana Mikulcová — Slová
The Fratellis — Half Drunk Under A Full Moon (8th May, 2020)
The Fratellis — Half Drunk Under A Full Moon (8th May, 2020)
Cocteau Twins — Victorialand (April, 1986, Reissue 2020)
Coloured Clocks — Flora (May 2, 2020)
I Break Horses — Warnings (08 May 2020)
Hawkwind — Acoustic Daze (25 Oct. 2019)
Indoor Voices — Animal (Feb. 14, 2020)
I Break Horses — Chiaroscuro
Einstürzende Neubauten — Alles In Allem (May 29th, 2020)
100 Gecs — 1000 gecs (May 31, 2019)
Evergreen — Overseas (15 Jun 2018)
Kurt Rosenwinkel Trio — Angels Around (May 8, 2020)
The Feather — Room (10 July, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
György Ligeti — Lontano (22. Oct.,1967)
OWEN PALLETT — Heartland (March 3, 2014)
Badly Drawn Boy — Banana Skin Shoes (22nd May, 2020)
A.O. Gerber — Another Place to Need (May 22, 2020)
Kaleidoscope — Faintly Blowing (11 April 1969, Reissue, Remaster
Perfume Genius — Set My Heart On Fire Immediately (15th May 2020
Perfume Genius — No Shape (5 May, 2017) BC
Perfume Genius — No Shape (5 May, 2017) FC
Sungazers — Wasting Space (May 18, 2020)
Cermaque — Lament (22nd May, 2020)
Mountaineer — Bloodletting (May 22nd, 2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Steve Earle — Townes (May 8, 2009)
Steve Earle & The Dukes — Ghosts of West Virginia (May 22, 2020)
Sixth June ‎— Trust (17 Jan 2020)
White Tail Falls — Age of Entitlement (May 29, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
Nicole Atkins — Italian Ice (29 May 2020)
Deerhoof — Future Teenage Cave Artists (May 29, 2020)
Deradoorian — Find the Sun (Sept. 18, 2020)
Bob Dylan — Rough and Rowdy Ways (June 19th, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
This Will Destroy You — Vespertine (June 9, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Yoko Ono, Kim Gordon & Thurston Moore — YOKOKIMTHURSTON
Psychic Markers — Psychic Markers (29 May, 2020)
The Memories — Pickles & Pies (May 29, 2020)
Songs for the Late Night Drive Home (Feb. 5, 2016)
Spc Eco — Dark Matter (Nov. 20, 2015)
SPC ECO — June (June 1, 2020)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Larkin Poe — Self Made Man (June 12th, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Endless Field — Alive in the Wilderness (June 12, 2020)
Wesley Gonzalez — Appalling Human (June 12, 2020)
Noveller — Arrow (June 12, 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Andrej Šeban — Triplet (March 22, 2019) inner cover
Andrej Šeban — Triplet (March 22, 2019) cover
The Crossing & Donald Nally — James Primosch: Carthage (05/2020)
Jerskin Fendrix — Winterreise (April 17, 2020)
Zoongideewin — Bleached Wavves (June 19, 2020)
ULRICH SCHNAUSS — A Long Way To Fall — Rebound (3rd April, 2020)
Sports Team — Deep Down Happy (5th June, 2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
Midlake — Antiphon (Nov. 4, 2013)
ANASTASIA MINSTER — Father ©Michael Haley
Jessie Ware — Glasshouse (Deluxe; 20 Oct 2017)
Teen Daze — Morning World
Jessie Ware — What’s Your Pleasure (June 26, 2020)
Art Feynman — Half Price At 3:30 (June 26th, 2020)
Bo Ningen — Sudden Fictions (26th June, 2020)
Khruangbin — Mordechai (June 26, 2020)
Pottery — Welcome to Bobby’s Motel (June 26th, 2020)
Orlando Weeks — A Quickening (June 12, 2020)
John Craigie — Asterisk the Universe (June 12, 2020)
Kavus Torabi — Hip to the Jag (May 22, 2020)
Nadine Shah — Kitchen Sink (June 5, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
Corb Lund — Agricultural Tragic (June 26, 2020)
Christine Ott — Chimères (pour ondes Martenot) (May 22, 2020)
The Beths — Jump Rope Gazers (July 10th, 2020)
Ashley Paul — Window Flower (May 13, 2020)
Grey Daze — Amends [Deluxe Edition] (July 3, 2020)
Grey Daze ©Photo credit: Anjella / Sakiphotography
Ajimal — As It Grows Dark / Light (June 26, 2020)
Ajimal — As It Grows Dark Light (June 26, 2020)
Eleanor Friedberger — Rebound (May 4th, 2018)
ELEANOR FRIEDBERGER — NEW VIEW (January 22, 2016)
Immigrant Union — Judas (June 19, 2020)
Julianna Barwick — Healing Is a Miracle [Japan Edition] (2020)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Neil Young — Homegrown (19th June, 2020)
The Jayhawks — XOXO (July 10, 2020)
Joy Division — Closer (40th Anniversary) [2020 Digital Master] (
Daniel Bachman — The Morning Star (July 27, 2018)
Daniel Bachman — Green Alum Springs (June 6, 2020)
Becca Mancari — The Greatest Part (June 26, 2020)
Ytamo — Vacant (June 12, 2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Thin Lear — Wooden Cave (24th July, 2020)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Sara Serpa — Recognition (June 5th, 2020)
Sara Serpa, Ingrid Laubrock, Erik Friedlander — Close Up (2018)
Klara Lewis — Ingrid (1st May 2020)
Buju Banton — Upside Down (June 26, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
learning structures, vol. 2: end firma
learning structures, vol. 3: distance between us
The Boomtown Rats — Citizens of Boomtown (13 March, 2020)
Ralph of London — The Potato Kingdom (19th June, 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
Land of Talk — Indistinct Conversations (July 31, 2020)
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
TANYA DONELLY: Swan Song Series bonus tracks (FC)
The Heliocentrics — Telemetric Sounds (Aug. 7, 2020)