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Them Are Us Too Amends (June 29, 2018)

Them Are Us Too — Amends (June 29, 2018)

                       Them Are Us Too — Amends (June 29, 2018)Them Are Us Too — Amends (June 29, 2018)⦿⦿⦿          Band Them They We Too v oblasti kalifornského zálivu vytvořili přítelkyně Kennedy Ashlyn a Cash Askew v roce 2012 při školním setkání na University of California, Santa Cruz. Setkali se v kontextu spousty společných přátel, kteří se podíleli nejen na umění, ale i na autonomní organizaci DIY a soustředily se na to, aby působily jako kritičtí myslitelé a tuto kritiku světa rozvíjeli kolem sebe, od feministických / antikapitalistických, až po antirasistická hlediska. V té době se ve všech těchto aspektech obě učily a hodně měnily, ale vždycky o těchto věcech mluvily a byli na této cestě stále společně. Před studiem Askew strávila několik svých tvůrčích let v San Francisku a hrála v několika kapelách, ale většinu času strávila sólovou produkcí hudby doma, kde její rodiče — jeden z nich talentovaný kytarista — podporovali její tvůrčí snahy. Ashlyn vyrůstala v Davisu v Kalifornii, kde, ačkoli sama nebyla přímým účastníkem, se odehrávala aktivní hudební scéna a nacházela se tam i univerzitní rozhlasová stanice, což dohromady ukazovalo, že jsou přístupné místní komunitě. Před setkáním s Ashlyn na UCSC dosáhla Askew hranic svého vývoje jako sóloumělkyně, ale v Ashlyn našla tvůrčího partnera s komplementárním talentem. Společně vytvořili druh hudby, která v jejich bezprostředním prostředí neexistovala. I když v Santa Cruz našly svou podpůrnou komunitu, ukázalo se, že Them Are We Too se nemusí nutně vejít do malé kazajky a skupina se přestěhovala do dalších částí Kalifornie. Objevovala stále rostoucí okruh podobně zaměřených přátel a tvůrčích známých. Skupiny jako Wax Idols (Los Angeles) a Pale Dian z Austinu rozšířily jejich outfit~obleček i mimo jejich domovský stát. Rychlé přítelkyně, které oceňovaly stejnou hudbu a umění, zaznamenaly demáč a začaly hrát intimní a nezapomenutelné koncerty na west coast v Kalifornii. Rychle si získaly kultovní pověst, která se šířila ‘o mladých, nevinných a čerstvých vzpomínkách na ctihodný 80s dream pop a shoegaze sound’ a hlas Kennedy Ashlyn byl okamžitě porovnáván s Elizabeth Fraser, Kate Bush a Harriet Wheeler — zatímco podobně i kytara Cash Askew v kombinaci propracovaného kytarového třpytění, připomínající Robina Guthrie, Ronnyho Mooringse nebo Kevina Shieldse. Jejich hudba se stala povědomou, ale pořád byla jaksi nová, nostalgická a srdcervoucí, s jednoduchými a současně závážnými skladbami. Jakoby popřely svůj věk (obě pouze kolem 21y, když podepsaly s DAIS RECORDS) vydáním jednoho z nejvíce neuvěřitelného debutového alba roku 2014, “Remain”. Cash Askew zemřela tragicky v ohni skladiště spolu s dalšími 35ti lidmi v bouři Ghost Ship v Oaklandu v prosinci roku 2016 a zničehonic nám poslala vlnu a intenzivní pocit ztráty. Zatímco se Kennedy Ashlyn nakonec objevila jako sólová umělkyně prostřednictvím svého projektu SRSQ, byly zde nedokončené nahrávky a zvukové náčrty Them Are We Too. Ti mnozí blízcí od Kennedy a Cash si zasloužili k poslechu a pro občerstvení paměti dárek. Kennedy se vrátila do studia s producenty Joshua Eustis (Telefon Tel Aviv), Sunny Haire (Cash’s stepfather), Matia Simovich (INHALT) a Anya Dross (přítelkyně Cash), aby zfinalizovaly nedokončená dema a náčrtky + napsali nové skladby na počest Cash Askew. Výsledkem je “AMENDS”: album tragické krásy a hloubky, která se táhne na vnách emocí a bez nadsázky — inspiruje. Dle vlastních slovech Kennedy: “Amends je sbírka písní, která byla druhá od Them They Are Us Too. Toto vydání je změnou našeho katalogu. Poslední dárek naší rodině, přátelům a fanouškům, kteří nás za posledních 5 let podporovali. “Amends” je společné úsilí mezi TAUT a některými nejkrásnějšími přáteli a rodinou společnosti Cash, které vyvrcholí závěrečným “děkuji” a “sbohem”. Nic nebude nikdy kompenzovat tu ztrátu, ale protože se snažíme vše dát kus po kuse dohromady, čím je svět nyní a jaký je život teď, doufám, že tato nahrávka vám pomůže vyplnit mezery. A přispějte nám trochou míru.” •→    Album je vydáno na standardním černém vinylovém formátu, stejně jako limitní edice čirá/transparentní (100 kopií) a zelená (400 kopií) + kompaktní a digitální formáty.
Location: Santa Cruz, CA
Style: Shoegaze, Ethereal, Post~Punk
Album release: June 29, 2018
Record Label: Dais Records
Duration:     38:15
Tracks:
A1 Angelene     5:38 
A2 Grey Water     5:40 
A3 Floor     5:28 
B4 No One     5:45 
B5 Could Deepen     9:48 
B6 AMENDS     5:55
Description:
⦿⦿⦿          Them Are Us Too was formed in the Bay Area by friends Kennedy Ashlyn and Cash Askew in 2012 after meeting at school. Fast friends with an appreciation for the same music and art, they recorded a demo and began performing intimate and memorable gigs on the west coast. They quickly gained a cult following as word spread about their youthful, innocent, and fresh take on the revered 80s dream pop and shoegaze sound, and Kennedy Ashlyn’s voice was immediately compared to Elizabeth Fraser, Kate Bush, and Harriet Wheeler — while Cash Askew’s washes of intricate guitar felt akin to Robin Guthrie, Ronny Moorings, or Kevin Shields. Their music felt familiar but new, nostalgic, and heartbreaking, with songs delivered simply and earnestly.  They betrayed their age (both only 21 when they signed to DAIS) by releasing one of the most incredible debut albums of 2014, “Remain”.
⦿⦿⦿          Tragically, Cash Askew passed away in the Ghost Ship fire in Oakland in December of 2016, sending a shockwave of loss through our community.  While Kennedy Ashlyn would eventually emerge as a solo artist through her project SRSQ, there were unfinished Them Are Us Too recordings and demos that Kennedy and those close to Cash felt deserved be heard in her memory.
⦿⦿⦿          Kennedy returned to the studio with producer Joshua Eustis (Telefon Tel  Aviv), Sunny Haire (Cash’s stepfather), Matia Simovich (INHALT), and Anya Dross (Cash’s girlfriend) to complete unfinished demos and sketches, write new compositions, and honor Cash Askew.
⦿⦿⦿          The result is “AMENDS”:  an album of tragic beauty and depth that tugs at emotions and inspires.
In Kennedy’s own words:
⦿⦿⦿          “Amends is a collection of songs that would have been the second Them Are Us Too record. This release is an amendment to our catalogue cut short; a final gift to our family, friends, and fans who have supported us for the past 5 years. “Amends” is a collaborative effort between TAUT and some of Cash’s dearest friends and family, culminating in a final “thank you” and “goodbye.” Nothing will ever compensate for the loss of Cash, but as we struggle to put together the pieces of what the world is now, what life is now, I hope this record can help to fill in the gaps. And give us some amount of peace.”
⦿⦿⦿          Released on standard black vinyl, as well as limited edition clear (100 copies) and green (400 copies), compact disc and digital formats.
Review
Tom Murphy
⦿⦿⦿          http://www.westword.com/music/queer-femme-darkwave-band-them-are-us-too-nearly-split-apart-8108060
Label: https://www.daisrecords.com/ Facebook: https://www.facebook.com/wwhhaattddaahheecckk
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Them Are Us Too Amends (June 29, 2018)

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Einstürzende Neubauten — Alles In Allem (May 29th, 2020)
100 Gecs — 1000 gecs (May 31, 2019)
Evergreen — Overseas (15 Jun 2018)
Kurt Rosenwinkel Trio — Angels Around (May 8, 2020)
The Feather — Room (10 July, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
György Ligeti — Lontano (22. Oct.,1967)
OWEN PALLETT — Heartland (March 3, 2014)
Badly Drawn Boy — Banana Skin Shoes (22nd May, 2020)
A.O. Gerber — Another Place to Need (May 22, 2020)
Kaleidoscope — Faintly Blowing (11 April 1969, Reissue, Remaster
Perfume Genius — Set My Heart On Fire Immediately (15th May 2020
Perfume Genius — No Shape (5 May, 2017) BC
Perfume Genius — No Shape (5 May, 2017) FC
Sungazers — Wasting Space (May 18, 2020)
Cermaque — Lament (22nd May, 2020)
Mountaineer — Bloodletting (May 22nd, 2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Steve Earle — Townes (May 8, 2009)
Steve Earle & The Dukes — Ghosts of West Virginia (May 22, 2020)
Sixth June ‎— Trust (17 Jan 2020)
White Tail Falls — Age of Entitlement (May 29, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
Nicole Atkins — Italian Ice (29 May 2020)
Deerhoof — Future Teenage Cave Artists (May 29, 2020)
Deradoorian — Find the Sun (Sept. 18, 2020)
Bob Dylan — Rough and Rowdy Ways (June 19th, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
This Will Destroy You — Vespertine (June 9, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Yoko Ono, Kim Gordon & Thurston Moore — YOKOKIMTHURSTON
Psychic Markers — Psychic Markers (29 May, 2020)
The Memories — Pickles & Pies (May 29, 2020)
Songs for the Late Night Drive Home (Feb. 5, 2016)
Spc Eco — Dark Matter (Nov. 20, 2015)
SPC ECO — June (June 1, 2020)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Larkin Poe — Self Made Man (June 12th, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Endless Field — Alive in the Wilderness (June 12, 2020)
Wesley Gonzalez — Appalling Human (June 12, 2020)
Noveller — Arrow (June 12, 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Andrej Šeban — Triplet (March 22, 2019) inner cover
Andrej Šeban — Triplet (March 22, 2019) cover
The Crossing & Donald Nally — James Primosch: Carthage (05/2020)
Jerskin Fendrix — Winterreise (April 17, 2020)
Zoongideewin — Bleached Wavves (June 19, 2020)
ULRICH SCHNAUSS — A Long Way To Fall — Rebound (3rd April, 2020)
Sports Team — Deep Down Happy (5th June, 2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
Midlake — Antiphon (Nov. 4, 2013)
ANASTASIA MINSTER — Father ©Michael Haley
Jessie Ware — Glasshouse (Deluxe; 20 Oct 2017)
Teen Daze — Morning World
Jessie Ware — What’s Your Pleasure (June 26, 2020)
Art Feynman — Half Price At 3:30 (June 26th, 2020)
Bo Ningen — Sudden Fictions (26th June, 2020)
Khruangbin — Mordechai (June 26, 2020)
Pottery — Welcome to Bobby’s Motel (June 26th, 2020)
Orlando Weeks — A Quickening (June 12, 2020)
John Craigie — Asterisk the Universe (June 12, 2020)
Kavus Torabi — Hip to the Jag (May 22, 2020)
Nadine Shah — Kitchen Sink (June 5, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
Corb Lund — Agricultural Tragic (June 26, 2020)
Christine Ott — Chimères (pour ondes Martenot) (May 22, 2020)
The Beths — Jump Rope Gazers (July 10th, 2020)
Ashley Paul — Window Flower (May 13, 2020)
Grey Daze — Amends [Deluxe Edition] (July 3, 2020)
Grey Daze ©Photo credit: Anjella / Sakiphotography
Ajimal — As It Grows Dark / Light (June 26, 2020)
Ajimal — As It Grows Dark Light (June 26, 2020)
Eleanor Friedberger — Rebound (May 4th, 2018)
ELEANOR FRIEDBERGER — NEW VIEW (January 22, 2016)
Immigrant Union — Judas (June 19, 2020)
Julianna Barwick — Healing Is a Miracle [Japan Edition] (2020)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Neil Young — Homegrown (19th June, 2020)
The Jayhawks — XOXO (July 10, 2020)
Joy Division — Closer (40th Anniversary) [2020 Digital Master] (
Daniel Bachman — The Morning Star (July 27, 2018)
Daniel Bachman — Green Alum Springs (June 6, 2020)
Becca Mancari — The Greatest Part (June 26, 2020)
Ytamo — Vacant (June 12, 2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Thin Lear — Wooden Cave (24th July, 2020)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Sara Serpa — Recognition (June 5th, 2020)
Sara Serpa, Ingrid Laubrock, Erik Friedlander — Close Up (2018)
Klara Lewis — Ingrid (1st May 2020)
Buju Banton — Upside Down (June 26, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
learning structures, vol. 2: end firma
learning structures, vol. 3: distance between us
The Boomtown Rats — Citizens of Boomtown (13 March, 2020)
Ralph of London — The Potato Kingdom (19th June, 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
Land of Talk — Indistinct Conversations (July 31, 2020)