1
 
Zammuto
Anchor

 Zammuto — Anchor {Special Edition Artwork} (Sept 2, 2014)

USA Flag Zammuto — Anchor

♦   Obohacující a povznášející zážitek. Bylo by snadné říci, že Nick Zammuto stále hledá. Ono se to nevylučuje. Jako frontman věnoval projektu hodně času. “Anchor” ve skutečnosti není zakotveno v jednom pohledu. Od prog–rocku, meditativně instrumentálních/minimalisticky industriálních fází, new wave, jazz fusion, industrialu, přes art–pop, až po avantgardní elektro a bez varování zpět k celkovému chaosu, vyšetřuje můj mozek. Co je ještě gurmánský posluchač schopen snést? Ale po celou dobu je tu pocit pečlivé diagnózy. Každý tvůrčí pohyb na albu je úmyslný a nikde nevidím pro něj nepovolené území v razanci i postojích. “Anchor” je album klidu, přesně takové, kde abstraktní struktury a sklony můžou skutečně vést k nuancím krásy.
♦   In between building bass projectors, spoonboxes, and trebuchets, Nick Zammuto (formerly of The Books) found the time to record the most compelling and engaging album of his career.
Location: Vermont, Massachusetts ~ Brooklyn, Manhattan, New York City, NY
Album release: September 2, 2014
Record Label: Temporary Residence Ltd.
Duration:     42:48
Tracks:
01 Good Graces     4:44
02 Great Equator     4:02
03 Hegemony     3:35
04 Henry Lee (Trad.)     3:41
05 Need Some Sun     4:05
06 Don’t Be A Tool     2:04
07 Electric Ant     3:32
08 IO     2:35
09 Stop Counting     3:26
10 Sinker     4:36
11 Your Time     3:30
12 Code Breaker     2:58
•   ‘Home silk–screened limited edition colored vinyl LP w/DL code’.
Personnel:
α≡   Nick Zammuto — Guitar, Vocals, Keyboards
α≡   Sean Dixon — Drums
α≡   Nick Oddy — Electric Guitar, Keyboards
α≡   Mikey Zammuto — Bass
CREDITS:
α≡   Gene Back Violin
α≡   Jeremy DeVine Art Direction, Design
α≡   Sean Dixon Drums
α≡   Molly Frost Handwriting
α≡   Daniela Gesundheit Vocals
α≡   Dan Goldman Engineer
α≡   Nick Oddy Guitar
α≡   Mikey Zammuto Bass
α≡   Nick Zammuto Composer, Engineer, Mastering, Mixing
REVIEW
by ANDY BATTAGLIA, August 24, 201411:03 PM ET
α≡   In a way that proves surprisingly joyous and endearing, Nick Zammuto knows how to make his fans feel lazy, stunted, uninspired — certainly a lot less quick, by comparison, to jump on a surplus of exciting ideas and actually make them real. For the video of his new song “IO”, for example, he built a catapult in his yard at his house in Vermont. Not just a catapult, but a massive catapult that features different component parts made from wood and flings munitions as big as computers and guitars great distances.
α≡   Musically, Zammuto has taken a similarly crafty, hands–on, spirit–forged approach to sound since his early years as part of the beloved art–music duo The Books. But where that band favored the dictates of electronic experimentation and cerebral collage, Zammuto’s new project tacks toward a more conventional premise, with musicians moving strings and banging and pressing on things in a band–like arrangement. Still, in Zammuto’s world, convention exists mostly to be upended — or at least tweaked.
α≡   Anchor, the second album for Zammuto (actually a group with its namesake as leader), opens in a pensive mood; it lays a foreboding bassline and suspicious electronic rhythms beneath ethereal vocals by Daniela Gesundheit of Snowblink. The song is slow and considered (“Got to get inside my good graces,” she sings), but the pace takes a more madcap turn in “Great Equator,” which spins out figures on electric guitar and weird riffs played on what sounds like a Speak & Spell. “Hegemony” evokes the cracked art–rock/R&B band Dirty Projectors with its smart harmonies and its air of complication. (See: the drummer’s insane sense of time signature and a chorus that's basically just the word “hegemony” sung over and over.)
α≡   Anchor flits around a great deal, sounding different with more or less every song. Elements of chilly, elegiac electronic music turn to wild–eyed prog–rock, with a yen for propulsion underlying the most assured–sounding highlights (“Need Some Sun,” “IO”).   The range could be a signal of a songwriter still trying to find his way, or it could be the mark of a boundless mind — or, even more intriguing, some engagingly strange mix of both. Fortaken: http://www.npr.org/
REVIEW
By Kristina Finn, Posted on September 2nd, 2014 (12:00 pm)
Score: 60 / 100
α≡   Zammuto will take you on an interesting trip during their sophomore album, Anchor. It’s a trip that feels mostly intergalactic with occasional landings on earth. Some of the songs will make you feel bright and liberated, while others feel like being confined in a small box that you are dying to break free of.
α≡   Anchor starts off with “Good Graces,” which sounds like a soundtrack to a strange sci-fi movie where alien species co-exist with humans in a futuristic time — think "Star Trek" meets "Spaceballs." As the song progresses, Canadian singer of the band Snowblink, Danielle Gesundheit, sings with a light and airy voice that fittingly lifts you to feel like you’re serenely floating in space.
α≡   ”Great Equator” continues this idea of transcendence by beginning with the lyrics, “Oh my love, we’ve been around the sun. The moves we made were radical, and gravity is only a theory in need of revisions, and we’ll keep on rising.” However, this song is much harder, striking jarring chords and drum beats. Eventually Daniela’s vocals join in with Nick Zammuto’s. Their voices swirl together and blend beautifully as they fill the void between strums. Then, around two minutes in the song, it shifts to synthy keys that could easily fit in a "Super Mario Bros" game.
α≡   By the third track things have gotten even spacier. The constant repetitive sequence of the title, “Hegemony,” makes you want to scream, throw your listening device on the ground and stomp on it. Breathe and refrain from doing that. It does get better by the end of the song. The calming harmonies resurface and the lyrics are fleshed out once again.
α≡   The track “IO” pulls the album from outer space for a moment, and apparently in a time machine. When they land it seems to be in the '80s. The steady, up-tempo drum beat combined with the vocal distortions would send any perm haired, neon decked person to the dance floor. The song ends and you're thrown right back into space where you remain through the end of the album.
α≡   Their last song, “Code Breaker” gives you heart palpitations with every minute. By the end of three minutes you’re sure you’ve had a heart attack. The cryptic vibe of the song is over stimulating and sounds like someone is sitting and pressing the buttons on a phone over and over and over.
α≡   Zammuto’s Anchor apparently induces freak outs and near heart attacks. In the end it really sounds like one, epic acid trip. Some points are really awesome, but others bring you to a weird and uncomfortable place, where you become anxious to leave. (http://inyourspeakers.com/)
REVIEW
By Matthew Hickey
α≡   If you ever took an advanced art class, you probably had one person in your class who was lightyears ahead of everyone else in terms of both innate talent and creativity. This was the person who had the most insane/ambitious ideas for projects and somehow always — always — executed them flawlessly. I have a suspicion that Nick Zammuto, the frontman for the band Zammuto and formerly of The Books, was that insanely talented kid in any art class he ever took. After all, everything about Zammuto’s new record Anchor is a demonstration of restless creativity and talent.
α≡   Zammuto’s sophomore album began as an Indiegogo campaign last July. In addition to the usual rewards (i.e. limited edition copies of the record with cover art silkscreened by Zammuto) you could also get homemade “bass projectors” (sculptures that channel “sympathetic vibrations of bass frequencies through a flexible mirror which, using lasers, projects an image of the sound waves onto a wall or ceiling”) and “spoonboxes” (sculptures “based on dancing spoons controlled by puffs of air generated by miniature subwoofers behind plexiglass and zinc plates”) — all of which were designed and built by Nick Zammuto himself. Meanwhile, the record was recorded in a home studio he and his family designed and the album’s first official music video features a large trebuchet (a cross between a slingshot and a catapult) that, once again, he designed and constructed.
α≡   And, somehow, in between building bass projectors, spoonboxes, and trebuchets, Zammuto (along with his band) found the time to record the most compelling and engaging album of his career. Indeed, Anchor showcases Zammuto’s love for experimental production and recording techniques while simultaneously embracing more conventional songwriting.
α≡   For example, the album opens with the atmospheric love song “Good Graces.” It’s centered around a slinking bassline, jazzy percussion, a moody Moon Safari-like melody, and copious amounts of electronic tweaking to accompany Zammuto as he sings, “when I first saw my love / she had her shoes in her hands / bare feet on the floor / oh, yeah / I’ve got to get inside her world.”
α≡   Similarly, “Great Equator” — which seems to employ a rhythm crafted partially by rhythmically scratching into the dead wax of a vinyl record — could be easily mistaken for a Postal Service cut in both demeanor and sentiment (“oh my love / it’s been more than fun / we’ve been around the sun”) — with only its experimental construction suggesting otherwise.
α≡   Likewise, the uniquely composed “Hegemony” is particularly ambitious with it’s single-word chorus and shifting time signature (courtesy of drummer Sean Dixon), but, I’m happy to report, it’s enjoyable even without regard for it’s technical merits. Along those same lines, tracks like “Need Some Sun” and “Io” are layered and beautifully textured, but also upbeat and fun.
α≡   And, that is exactly why the album is a success. Despite Zammuto’s experiments and, at times, almost academic approach to recording — Anchor is not cold and distant. α≡   Zammuto approach every aspect of the process with life, energy, and joy. As a result, Anchor must be a part of the conversation when we consider the year’s best releases at year’s end.
α≡   We’re pairing this one with Kasey’s recipe for Balsamic Eggs with Peaches and Prosciutto. The recipe, like the album, relies on the freshest ingredients and offers bold and surprising flavors. Whether you’re a foodie or a fan of good music, I’m sure you’ll equally enjoy both. Fortaken: http://www.turntablekitchen.com/
Also:
By David Fisch, August 29th, 2014
≡α≡  http://lamusicblog.com/2014/08/review/album-review-zammuto-anchor/
INTERVIEW: http://lamusicblog.com/2012/04/review/show-review-and-interview-zammuto-glass-house/
Pitchfork review: http://pitchfork.com/reviews/albums/16433-zammuto/
The Books: http://en.wikipedia.org/wiki/The_Books
By Fred Thomas, Score: ****
≡α≡  http://www.allmusic.com/album/anchor-mw0002694308                                      
Website: http://www.zammutosound.com/
Tumblr: http://zammutosound.tumblr.com/
Twitter: https://twitter.com/zammutosound
Facebook: https://www.facebook.com/zammutosound
Press:
Agent: The Billions Corporation; Andrew Morgan,
Band:
Nick Zammuto :
Nick Oddy :
Mikey Zammuto :
Sean Dixon :
Booking:
In North America : Andrew Morgan :
In Europe : Eleanor McGuiness :
Press:
In North America : Trevor de Brauw :   and Chris Werner
In Europe :  Rachel Silver :
Label:  (for licensing and wholesale inquiries)
Temporary Residence LTD. : Jeremy deVine :
Records distributed through Secretly Canadian

_______________________________________________________________

Zammuto
Anchor

 

ALBUM COVERS XI.

Human Impact — Human Impact (13 March 2020)
Johanna Warren — Chaotic Good (May 1, 2020)
Stereolab — Margerine Eclipse (Nov. 29, 2019)
Avey Tare — Eucalyptus (July 21, 2017)
ANDREW BIRD — CAPITAL CRIMES (April 1st, 2020)
Bonnie “Prince” Billy — I Have Made A Place (Nov. 15th, 2019)
Narrow Head — 12th House Rock (Aug. 28th, 2020)
The Fratellis — Half Drunk Under A Full Moon (8th May, 2020)
LENKA DUSILOVÁ — ŘEKA (Nov. 6th, 2020)
LENKA DUSILOVÁ — ŘEKA (Nov. 6th, 2020)
Moondog — On The Streets Of New York (Feb. 14, 2020)
MoE/Mette Rasmussen — Tolerancia Picante (March 25, 2019)
The Fratellis — Half Drunk Under A Full Moon (8th May, 2020)
ULRICH SCHNAUSS — A Long Way To Fall — Rebound (3rd April, 2020)
Allegra Krieger — The Joys of Forgetting (August 7, 2020)
Scorn — Cafe Mor (Nov. 15, 2019)
Bo Ningen — Sudden Fictions (26th June, 2020)
Grey Daze — Amends [Deluxe Edition] (July 3, 2020)
Bill Callahan — Gold Record (Sept. 4, 2020)
Mary Lattimore — Silver Ladders (Oct. 9, 2020)
The Adobe Collective — All the Space That There Is (10 Jan 2020)
Andy Statman — Old Brooklyn (2011)
Endless Field — Alive in the Wilderness (June 12, 2020)
Grey Daze ©Photo credit: Anjella / Sakiphotography
Les Filles de Illighadad — Eghass Malan (Oct. 28, 2017)
Khruangbin — Mordechai (June 26, 2020)
Caribou — Our Love (October 14, 2014)
Hornscape — Hornscape (March 6th, 2020)
Lo Tom — LP2 (September 11, 2020)
Orchards — Lovecore (March 13th, 2020)
Drive~By Truckers — The Unraveling (Jan. 30, 2020)
Sarah Harmer — Are You Gone (Feb. 21st, 2020)
Fairport Convention — 50:50@50 (June 9, 2017)
The Flaming Lips — American Head (Sept. 11, 2020)
Nina Kohoutová — Blue Sunray (Feb. 6th, 2020)
Buju Banton — Upside Down (June 26, 2020)
Alberto Posadas : Poética del Laberinto, cycle pour quatuor de s
The Gray Havens — She Waits (Nov. 7, 2018)
Orlando Weeks — A Quickening (June 12, 2020)
Hibiscus Biscuit — Reflection of Mine (March 1st, 2020)
Elysian Fields — Transience of Life (Sept. 4, 2020)
Molina — Vanilla Shell (Jan. 24, 2020)
Bruce Ackley, Fred Frith, Henry Kaiser, Aram Shelton — Unexpecte
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
The Men — Mercy (Feb. 14, 2020)
Julia Holter — Never Rarely Sometimes Always (March 13, 2020)
Still House Plants — Fast Edit (Aug. 14, 2020)
Lydia Ainsworth — Darling Of The Afterglow (2019)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
Lydia Ainsworth — Phantom Forest (May 10, 2019)
Fairport Convention — Shuffle and Go (29 Feb., 2020)
Philip B. Price — Bone Almanac (Nov. 8, 2019)
Debashish Bhattacharya JOY!guru cover
Gemma Ray — Psychogeology [Feb. 15th, 2019, Deluxe Edition, 2020
Courtney Barnett — MTV Unplugged [Live In Melbourne] (2019)
Badly Drawn Boy — Banana Skin Shoes (22nd May, 2020)
Arbouretum — Let It All In (March 20, 2020)
Laura Veirs — MY ECHO (23rd Oct., 2020)
emozpěv — Spolu (1st May 2020)
Whyte Horses — Empty Words (March 9, 2018)
Ajimal — As It Grows Dark / Light (June 26, 2020)
Hail The Ghost — Arrhythmia (6th Dec. 2019)
CECILIA BARTOLI — Opera Proibita (Sept. 13, 2005)
Tim Heidecker — Fear of Death (Sept. 25, 2020)
Markus Reuter — TRUCE (Jan. 17, 2020) cover
The Who — WHO [Deluxe Edition] (22 Nov. 2019)
THE LEAGUE OF ASSHOLES — UNPLUGGED (1st May 2020)
Whyte Horses — Hard Times (17th of Jan., 2020)
Bacchae — Pleasure Vision (March 6, 2020)
PVRIS — Use Me (March 3, 2020)
Morgan1
Ajimal — As It Grows Dark Light (June 26, 2020)
Joywave — Possession (March 13, 2020)
Sufjan Stevens — Aporia (March 27, 2020)
Anna Burch — Quit The Curse (Feb 2, 2018)
Wolf Parade — Thin Mind (Jan. 24, 2020)
Work Drugs — Delta (December 5, 2012)
Deserta — Black Aura My Sun (Jan. 17, 2020)
Sink Ya Teeth — Two (28th Feb. 2020)
Georgia — Seeking Thrills (10th Jan., 2020)
A.O. Gerber — Another Place to Need (May 22, 2020)
Deerhoof — Future Teenage Cave Artists (May 29, 2020)
The Growlers — Natural Affair (25th Oct. 2019)
James Taylor — American Standard (Feb. 28th, 2020)
Alogte Oho and his Sounds of Joy — Mam Yinne Wa (Nov. 8, 2019)
Sam Gendel — Satin Doll (13 Mar 2020)
Kaleidoscope — Faintly Blowing (11 April 1969, Reissue, Remaster
Trees Speak — Ohms (3rd April, 2020)
Nadine Shah — Kitchen Sink (June 5, 2020)
Broken Social Scene — Live at Third Man Records (Feb. 28, 2020)
Perfume Genius — Set My Heart On Fire Immediately (15th May 2020
Deerborn — Where Demons Hide (Aug. 28, 2020)
Brendan Benson — Dear Life (April 24, 2020)
Harvestman — Music for Megaliths (May 19, 2017)
Lucia Cadotsch — Speak Low (Feb. 26, 2016)
Perfume Genius — No Shape (5 May, 2017) BC
Perfume Genius — No Shape (5 May, 2017) FC
Cocteau Twins — Victorialand (April, 1986, Reissue 2020)
The Feather — Room (10 July, 2020)
Songs for the Late Night Drive Home (Feb. 5, 2016)
Benoît Pioulard & Sean Curtis Patrick — Avocationals (2019)
Spc Eco — Dark Matter (Nov. 20, 2015)
Caribou — Suddenly (Feb. 28th, 2020)
SPC ECO — June (June 1, 2020)
Waxahatchee — Saint Cloud (March 27, 2020)
Florist — Emily Alone (July 26, 2019)
Chapelier Fou — Deltas (Sept. 22, ​2014)
The Boomtown Rats — Citizens of Boomtown (13 March, 2020)
The Flaming Lips — The Soft Bulletin (Nov. 29, 2019)
Larkin Poe — Self Made Man (June 12th, 2020)
Wesley Gonzalez — Appalling Human (June 12, 2020)
Pottery — Welcome to Bobby’s Motel (June 26th, 2020)
Mint Field — Sentimiento Mundial (25 Sept., 2020)
Cosmo Sheldrake — Galapagos [Original Soundtrack] 2019
The Telescopes — Hidden Fields (August 7th, 2015)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Kyrie Kristmanson — Lady Lightly (Jan. 10, 2020)
Yorkston/Thorne/Khan — Navarasa : Nine Emotions (24th Jan. 2020)
Ralph of London — The Potato Kingdom (19th June, 2020)
Locate S,1 — Personalia (April 3, 2020
HMLTD — West of Eden (7 Feb., 2020)
Noveller — Arrow (June 12, 2020)
Chapelier Fou — Meridiens (Feb. 28, 2020)
HMLTD ©Dean Hoy
Cathedral Bells — Velvet Spirit (March 6, 2020)
Vladislav Delay, Sly Dunbar, Robbie Shakespeare — 500~Push~Up
Tame Impala — The Slow Rush (Feb 14, 2020)
REBECCA FOON — WAXING MOON (21st Feb., 2020)
Noveller — Arrow (June 7, 2020)
Virginia Plain — Strange Game (Dec. 13, 2019)
Teho Teardo — Ellipsis dans l’harmonie (March 6th, 2020)
Signe Marie Rustad — When Words Flew Freely (Nov. 15, 2019)
Stian Westerhus — Redundance (March 5, 2020)
Beck — Deep Cuts (March 2020)
Keeley Forsyth — Debris (17 Jan., 2020)
John Craigie — Asterisk the Universe (June 12, 2020)
Ellipsis dans l’harmonie BACK COVER
Troi Irons — Flowers (Sept. 25, 2020)
The Dears — Times Infinity Volume One (September 25, 2015)
The Album Leaf — OST (March 20, 2020)
Jack Peñate — After You [Expanded Edition] (2020)
Thomas Dybdahl — The Great Plains (Feb 24, 2017)
Grimes — Visions (2012)
Jessie Ware — Glasshouse (Deluxe; 20 Oct 2017)
Kavus Torabi — Hip to the Jag (May 22, 2020)
Pharoah Sanders — „Live In Paris (1975): Lost ORTF Recordings“
Oddfellow’s Casino — The Raven’s Empire (2012)
Calexico / Iron & Wine — Years to Burn (2019)
Amanda Palmer — Forty~Five Degrees: Bushfire Charity Flash Rec.
Veneer — Recovery (April 15, 2020)
Sara Serpa — Recognition (June 5th, 2020)
BECK — Uneventful Days (St. Vincent Remix)
Oddfellow’s Casino — Burning! Burning! (7 Aug., 2020)
This Will Destroy You — Vespertine (June 9, 2020)
Teen Daze — Morning World
Sara Serpa, Ingrid Laubrock, Erik Friedlander — Close Up (2018)
THE DEARS — ‘Lovers Rock’ (May 15, 2020)
Bellows — The Rose Gardener (Feb. 22, 2019)
Ariel Pink — House Arrest (2002/Mar 2011/April 24, 2020)
The Jayhawks — XOXO (July 10, 2020)
Béla Fleck & Toumani Diabaté — The Ripple Effect [2LP, March 27,
Sonny Landreth — Elemental Journey (May 22, 2012)
Laura Perrudin — Perspectives & Avatars (Oct. 9, 2020)
CocoRosie — Put the Shine On (6 March 2020)
Whyte Horses — Hard Times (17th of Jan., 2020)
Jessie Ware — What’s Your Pleasure (June 26, 2020)
Corb Lund — Agricultural Tragic (June 26, 2020)
Thomas Dybdahl — Fever (March 13, 2020)
Born Ruffians — Juice (April 3, 2020)
Michael Landau — The Michael Landau Group Live (Oct. 31, 2006)
Marc Ribot’s Ceramic Dog — What I Did On My Long ‘Vacation’ EP
The Beths — Jump Rope Gazers (July 10th, 2020)
Carissa Johnson — A Hundred Restless Thoughts (Dec. 18th, 2019)
Christine Ott — Chimères (pour ondes Martenot) (May 22, 2020)
Eleanor Friedberger — Rebound (May 4th, 2018)
Futurebirds — Teamwork (Jan. 15th, 2020)
Emmy the Great — Second Love (March 11, 2016)
My Morning Jacket — The Waterfall II (Aug. 28, 2020)
ELEANOR FRIEDBERGER — NEW VIEW (January 22, 2016)
Cormons Jazz & Wine of Peace festival 2008 ©Ziga Koritnik
Andrej Šeban — Triplet (March 22, 2019) inner cover
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
Dungen — Live (March 13, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Andrej Šeban — Triplet (March 22, 2019) cover
Sonny Landreth — Blacktop Run (Feb. 21, 2020)
Gerald Cleaver — Signs (March 27, 2020)
The Crossing & Donald Nally — James Primosch: Carthage (05/2020)
Immigrant Union — Judas (June 19, 2020)
KMRU — Peel (18th Sept., 2020)
Spy Machines — Spy Machines (April 3, 2020)
David Cross & Peter Banks — Crossover (17 Jan., 2020)
Jake Blount — Spider Tales (May 29, 2020)
EELS — Earth To Dora (Oct. 30th, 2020)
Art Feynman — Half Price At 3:30 (June 26th, 2020)
Jerskin Fendrix — Winterreise (April 17, 2020)
Julianna Barwick — Healing Is a Miracle [Japan Edition] (2020)
Joy Division — Closer (40th Anniversary) [2020 Digital Master] (
Sophie Tassignon — Mysteries Unfold (April 24, 2020)
Anika Nilles — For a Colorful Soul (Jan. 10, 2020)
Ospalý pohyb — Ostrava (October 17, 2016)
Deradoorian — Find the Sun (Sept. 18, 2020)
All The Best, Isaac Hayes (A Spoken Word Album)
Ospalý pohyb — ø (May 24, 2016)
James Harries — Superstition (Jan. 31, 2020)
Zoongideewin — Bleached Wavves (June 19, 2020)
HOUPACÍ KONĚ: SOULKOSTEL 8 11 2019 (April 25, 2020)
Recondite — Dwell (Jan. 24, 2020)
Kacey Johansing — No Better Time (Nov. 20, 2020)
Yoko Ono, Kim Gordon & Thurston Moore — YOKOKIMTHURSTON
Kazuomi Eshima & Masahiko Takeda — Inheritance for Soundscape
Erik Griswold — All’s Grist That Comes To The Mill (03/20, 2020)
Caspian — Dust and Disquiet (Sept. 25, 2015)
SLY & THE FAMILY DRONE FC (17, 2020)
Låpsley — Through Water (March 20th, 2020)
Sarah Longfield — Dusk (April 22, 2020)
Soundwalk Collective with Patti Smith — Peradam (Sept. 4th, 2020
Erik Griswold — All’s Grist That Comes To The Mill (03/20 2020)
Circa Waves — Sad/Happy (March 13th, 2020)
Bob Dylan — Rough and Rowdy Ways (June 19th, 2020)
930 x 827 tmavší podklad.jpg
P/\ST — /Expedice do vnitrobloku\ (Oct. 5, 2019)
Roland Tings — Salt Water (Nov. 8, 2019)
M.Ward — Migration of Souls (April 3, 2020)
33EMYBW — Golem (25 Sept., 2019)
The Third Mind — The Third Mind (Feb. 14, 2020)
CocoRosie — Restless (Feb. 12th, 2020)
Sean Henry — A Jump from the High Dive (Nov. 1, 2019)
Ben Featherstone — Prisoner to the Wind (Dec. 20th, 2019)
Ailbhe Reddy — Personal History (23 Oct., 2020)
Thomas Köner — Motus (Feb. 20, 2020)
Lanterns On the Lake — Spook the Herd (21 Feb., 2020)
A Winged Victory for the Sullen — The Undivided Five
Of Montreal — Ur Fun (Jan. 17, 2020)
Lanterns On the Lake — Spook the Herd (21 Feb., 2020)
Sega Bodega — Salvador (Feb. 14, 2020)
Klara Lewis — Ingrid (1st May 2020)
Prophecy Playground — Comfort Zone (Feb. 15, 2020)
Kurt Vile — Speed, Sound, Lonely KV EP (2nd Oct., 2020)
Steve Earle — Townes (May 8, 2009)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Oiseaux~Tempęte — From Somewhere Invisible (19 Dec., 2019)
Hamilton Leithauser (The Walkmen) — Dear God (Aug. 2015)
Steve Earle & The Dukes — Ghosts of West Virginia (May 22, 2020)
Real Estate — The Main Thing (28th Feb., 2020)
Myopia Exclusive Crystal Clear Vinyl
James Harries — Before We Were Lovers
ANNA CALVI — HUNTED (March 6, 2020)
Elysian Fields — Transience Of Life (May 7, 2020)
SOFIA TALVIK — Paws of a Bear (Sept. 27, 2019)
Ali Holder — Uncomfortable Truths (April 10, 2020)
Sungazers — Wasting Space (May 18, 2020)
Neil Young — Homegrown (19th June, 2020)
Sixth June ‎— Trust (17 Jan 2020)
Bellows — The Rose Gardener (Feb. 22, 2019)
From Atomic — Deliverance (April 2020)
Cermaque — Lament (22nd May, 2020)
Laurel Halo — Raw Silk Uncut Wood (July 13, 2018)
Anna von Hausswolff — Dead Magic (March 2018)
Moses Sumney — græ Part 1 & 2 (May 15, 2020)
David Thomas Broughton & Juice Vocal Ensemble — Sliding The Same
Marissa Nadler — unearthed (March 20, 2020)
PETR KALANDRA — Petr Kalandra & ASPM 1982 — 1990 (Feb. 26, 2020)
Justine Vandergrift — Stay (Feb. 7th, 2019)
Hamilton Leithauser — The Loves of Your Life (10 April 2020)
Bombay Bicycle Club — Everything Else Has Gone Wrong (01/24/20)
Gráinne Duffy — Where I Belong (Sept. 19, 2017)
Anthony Gomes — Containment Blues (2020)
Sports Team — Deep Down Happy (5th June, 2020)
Nonlocal Forecast — Bubble Universe! (March 1, 2019)
Lionel Loueke — HH (Sept. 11, 2020)
Al Di Meola — Across the Universe: The Beatles, Vol. 2 (2020)
LENKA NOVÁ — DOPISY (21.03./24.04., 2020)
Genesis Revisited: Live at The Royal Albert Hall — 2020 Remaster
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
The Electric Soft Parade — Stages (Jan. 8, 2020)
Villagers — The Art Of Pretending To Swim (03/19, 2020) DELUXE E
Mountaineer — Bloodletting (May 22nd, 2020)
Anna von Hausswolff — All Thoughts Fly (Sept. 25, 2020)
Peel Dream Magazine — Agitprop Alterna (3rd April 2020)
Destroyer — Have We Met (Jan. 31, 2020)
John McLaughlin, Shankar Mahadevan, Zakir Hussain — Is That So?
THE SHAKING SENSATIONS — “How Are We to Fight the Blight” 2xLP
Alphaxone — Dystopian Gate (Jan. 14, 2020)
A Certain Ratio — ACR Loco (25th Sept., 2020)
THE SCHRAMMS — “Omnidirectional” (June 21st, 2019)
David Thomas Broughton — The Complete Guide To Insufficiency /re
The Chap — Digital Technology (10 Jan., 2020)
Joan As Police Woman — Cover Two (May 1, 2020)
The Shivas — “Dark Thoughts” (October 25, 2019)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Lucy Railton — Paradise 94 (22 Mar 2018)
Drive~By Truckers — The Unraveling (cover)
The Shins — “Heartworms” (March 10, 2017)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
The Shins — “The Worms Heart” (Jan. 18, 2018)
Psychic Markers — Psychic Markers (29 May, 2020)
Julianna Barwick — Circumstance Synthesis (Dec. 20, 2019)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
Meredith Monk & Bang on a Can All~Stars — Memory Game (03/27/20)
Drive~By Truckers — The Unraveling (cover)
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
Eivind Aarset & Jan Bang — Snow Catches On Her Eyelashes (2020)
Richard Barbieri ‎— Past Imperfect / Future Tense (Mar 2020)
Kevin Morby — Sundowner (October 16, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
Laurel Halo — Possessed (April 10, 2020)
Helena Deland — Someone New (16 Oct., 2020)
Devendra Banhart — Ma (September 13, 2019)
Field Music — Making a New World (Jan. 10, 2020)
Gráinne Duffy — Voodoo Blues (Oct. 15, 2020)
The Memories — Pickles & Pies (May 29, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Pearl Jam — Gigaton (March 27, 2020)
Walter Martin — The World at Night (Jan. 31, 2020)
The Tiger Lillies — Cold Night in Soho (10 Feb. 2017)
Silkworm — In The West (24 Jan., 2020)
Kamaal Williams — Wu Hen (July 24, 2020)
Caspian — On Circles (January 24, 2020)
Jennifer Curtis & Tyshawn Sorey: Invisible Ritual (2020)
DAVID POMAHAČ — DO TMY JE DALEKO (Feb. 7, 2020)
Don Gallardo — The Lonesome Wild (April 2, 2020)
Damon Locks Black Monument Ensemble — Where Future Unfolds (2019
The Tiger Lillies — Edgar Allan Poe’s Haunted Palace
Mark Lanegan — Straight Songs Of Sorrow (8th May, 2020)
I Break Horses — Warnings (08 May 2020)
Cocteau Twins — Head Over Heels
Cocteau Twins — Treasure
Sarah Jarosz — World On The Ground (June 5, 2020)
The Innocence Mission — See You Tomorrow (Jan. 17, 2020)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
The Tiger Lillies — Covid~19 (April 10, 2020)
Hawkwind — Acoustic Daze (25 Oct. 2019)
Wendy Eisenberg — Auto (Oct. 16, 2020)
TANYA DONELLY: Swan Song Series bonus tracks (FC)
Kate Amrine — This Is My Letter to the World (Jan. 24, 2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
Coloured Clocks — Flora (May 2, 2020)
Indoor Voices — Animal (Feb. 14, 2020)
ELYSIAN FIELDS — Pink Air
Midlake — Antiphon (Nov. 4, 2013)
Jonathan Wilson — Rare Birds (March 2nd, 2018)
KIESLOWSKI Tiché lásky
Fiona Apple — Fetch The Bolt Cutters (17 Apr., 2020)
Lucrecia Dalt — Syzygy (Oct. 15, 2013)
Hayden Thorpe — Diviner (24 May 2019)
Cocteau Twins — Garlands (1982, Reissue 2020)
Alessandra Leão ‎— Macumbas e Catimbós (24/05/2019)
Cowboy Junkies — Ghosts (30 Mar 2020)
Laura Marling — Song for Our Daughter (April 10th, 2020)
Wendy Eisenberg — Its Shape Is Your Touch (Oct. 2018)
Baxter Dury — The Night Chancers (20 March 2020)
San Fermin — San Fermin (Nov. 11, 2013)
Sara Bareilles — What’s Inside Songs From Waitress (11/06, 2015)
The Heliocentrics — Telemetric Sounds (Aug. 7, 2020)
The Dream Syndicate — „The Universe Inside“ (April 10, 2020)
Third Coast Percussion & Devonté Hynes — Fields (Oct. 11, 2019)
White Tail Falls — Age of Entitlement (May 29, 2020)
MUFF — Fatalust (Nov. 1, 2019) cover
Ben Watt — Storm Damage (31st Jan., 2020)
San Fermin — The Cormorant I & II (Oct. 4, 2019/April 3, 2020)
Stephen Duffy — I Love My Friends [Expanded Ed] (10 May 2019)
I Break Horses — Chiaroscuro
Sea Wolf — Through a Dark Wood (March 20, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Yorkston | Thorne | Khan — Navarasa : Nine Emotions (2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Stove — ‘s Favorite Friend (Oct. 31, 2018)
ANASTASIA MINSTER — Father ©Michael Haley
Jonathan Wilson — Dixie Blur (March 6, 2020)
Fruition — Broken At The Break Of Day (Jan. 23, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
1600 x 1600 High Violet (10th Anniversary Expanded Edition).jpg
ROBERT FRIPP — THE KITCHEN (New York, NY) — 05 FEB 1978
Sara Bareilles — More Love: Songs from Little Voice Season One (
The Sufis — Double Exposure (Jan. 24, 2020)
ÁSGEIR: IN THE SILENCE
Martin Barre — Roads Less Travelled (26 Oct. 2018)
Loveblind / Sleeping Visions (March 27, 2020)
Walter Martin — The World at Night (Jan. 31, 2020)
Asher Gamedze – Dialectic Soul (July 10, 2020)
Frances Quinlan — Likewise (Jan. 31, 2020)
KING CRIMSON, The Night Watch
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Matt Berninger — Serpentine Prison (Oct. 16, 2020)
Rizan Said — Saz û Dîlan (Oct. 11, 2019)
Ásgeir — Bury the Moon (7 Feb., 2020)
Riva Taylor — ‘This Woman’s Heart .1’ (27 Mar 2020)
Juraj Griglák, From The Bottom (Sept. 16, 2019)
Cheerleader — Almost Forever (Feb. 7, 2020)
Queer Jane — Amen Dolores (March 27, 2020)
BECCA STEVENS — WONDERBLOOM (March 20th 20, 2020)
Juraj Griglák — From the Bottom (Sept. 16, 2019)
Einstürzende Neubauten — Alles In Allem (May 29th, 2020)
Torres — Three Futures (29th Sept. 2017)
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Bison Bone — Find Your Way Out (Sept. 25, 2020)
Oh Wonder — No One Else Can Wear Your Crown [Deluxe Edition]
These New Puritans — The Cut (2016~2019) (14 Feb. 2020)
Thin Lear — Wooden Cave (24th July, 2020)
Torres — Silver Tongue (Jan. 31, 2020)
Anoushka Shankar — Love Letters (7 Feb., 2020)
Free To Grow — Imperfection (Aug. 7, 2020)
Dan Croll — Grand Plan (21 Aug., 2020)
Lilien Rosarian ~ A Day in Bel Bruit (June 9, 2019)
Jim Noir — A.M Jazz (Dec. 20, 2019)
Shemekia Copeland — Uncivil War (October 23rd, 2020)
I Like to Sleep — Daymare (April 17, 2020)
Kaki King — Modern Yesterdays (Oct. 23, 2020)
Bill MacKay and Katinka Kleijn — STIR (Oct. 17, 2019)
The Mountain Goats — Getting Into Knives (Oct. 23, 2020)
Varga Marián — Solo in Concert (1. feb. 2018)
No~Man — Love You To Bits (Nov. 22, 2019)
Blackbird & Crow — Ailm (17 Jan 2020)
Bruce Springsteen — Letter to You (Oct. 23, 2020)
Amy LaVere — Painting Blue (27 Mar 2020)
100 Gecs — 1000 gecs (May 31, 2019)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cold Chisel — Blood Moon (6 Dec., 2019)
Cold War Kids — New Age Norms 1 (Nov. 1, 2019)
Blackbird & Crow © 2020 Author: Megan Doherty
WaqWaq Kingdom — Essaka Hoisa (Nov. 15, 2019)
The Mountain Goats — Songs for Pierre Chuvin (April 10, 2020)
Hawktail — Formations (Jan. 10, 2020)
Morrissey — I Am Not a Dog On a Chain (March 20th, 2020)
Jack Peñate — After You (29th Nov. 2019)
Villagers — Darling Arithmetic [Deluxe Version] (April 10, 2015)
Ashley Paul — Window Flower (May 13, 2020)
Daniel Bachman — The Morning Star (July 27, 2018)
Roger Eno | Brian Eno — Mixing Colours (20 March, 2020)
Darnielle, Jon Wurster, Matt Douglas, Pete Hughes. ©Josh Sanseri
Joe Bonamassa & The Sleep Eazys — Easy To Buy, Hard To Sell
Martin Barre — Away With Words
Ezra Bell — This Way to Oblivion (3rd April, 2020)
All Them Witches — Nothing as the Ideal (Sept. 4, 2020)
Queer Jane — Home (Dec. 1, 2016)
RADEK BABORÁK a jeho ORQUESTRINA na PIAZZOLLOVSKÉ ALBUM.
Moonchild — Little Ghost (6th Sept. 2019)
Evergreen — Overseas (15 Jun 2018)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
The Waterboys — Good Luck, Seeker (Deluxe) (Aug. 21, 2020)
Maarja Nuut & Ruum — World Inverted (11th Sept., 2020)
Kuře v hodinkách — Flamengo
Daniel Bachman — Green Alum Springs (June 6, 2020)
Midwife — Forever (April 10, 2020)
Siobhan Wilson — The Departure (10 May, 2019)
Kris Delmhorst — Blood Test
Martin Burlas & Musica falsa et ficta — Hexenprozesse
I Don’t Know How but They Found Me — Razzmatazz (Oct. 23, 2020)
Songdog — Happy Ending (27th March, 2020)
Zuzana Mikulcová — Slová
Holly Herndon — PROTO (Winner of Tais Awards 2020)
Rory Block — Prove It On Me (March 27, 2020)
Cate Le Bon — Here It Comes Again (2020)
Sean O’Hagan — Radum Calls, Radum Calls (2019)
Nicey Nice World — Obelisks and Asterisks (Sept. 22, 2020)
Robert Plant — Carry Fire (2 LP, 13/10/2017)
Le Butcherettes — DON’T BLEED EP (14 Feb 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
First Aid Kit — Stay Gold (2014)
Land of Talk — Indistinct Conversations (July 31, 2020)
Kuře v hodinkách — Flamengo
Luke Haines — Beat Poetry For Survivalists (6 Mar. 2020)
Nicole Atkins — Italian Ice (29 May 2020)
Maria Schneider Orchestra — Data Lords (24th July, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
BC Camplight — Shortly After Takeoff (24 April 2020)
Delta Spirit — What Is There (Sept. 11th, 2020)
The Magnetic Fields — Quickies (May 15, 2020)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
Cold War Kids — New Age Norms 2 (Aug. 21, 2020)
learning structures, vol. 2: end firma
Becca Mancari — The Greatest Part (June 26, 2020)
learning structures, vol. 3: distance between us
Thurston Moore — By The Fire (Sept. 25, 2020)
Kurt Rosenwinkel Trio — Angels Around (May 8, 2020)
Frazey Ford — U kin B the Sun (Feb. 7th, 2020)
Lizzy Farrall — Bruise (March 27, 2020)
Alice Peacock — Minnesota (Sept. 20th, 2019)
Devon Williams — A Tear in the Fabric (May 1, 2020)
LENKA DUSILOVÁ — ŘEKA (Nov. 6th, 2020)
STEREOLAB: Oscillons from the Anti~Sun
Hallelujah the Hills — A Band Is Something to Figure Out (2016)
Loveblind: Visions
Lilly Hiatt — Walking Proof (27 March, 2020)
Loveblind: Visions
Throwing Muses — Sun Racket (Sept. 4, 2020)
Sean McMahon ― You Will Know When You’re There (March 1, 2019)
Deradoorian — Find the Sun (Sept. 18, 2020)
The Chats — High Risk Behaviour (March 27, 2020)
Tylor Dory Trio — Unsought Salvation (Dec. 21, 2019)
György Ligeti — Lontano (22. Oct.,1967)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Guranfoe — Sum of Erda (Dec. 13, 2019)
Susanne Sundfør — Self Portrait (Original Score, 10th Jan. 2020)
Ronnie Godfrey — Shades of Blue (Oct. 25, 2019)
Intocable ― Percepcion (March 15, 2019)
Ytamo — Vacant (June 12, 2020)
Pancrace — The Fluid Hammer (09 Sep 2019/2LP)
Humanist — Humanist (21 Feb., 2020)
White Lies — To Lose My Life… [10th Anniversary Deluxe Edition]
Slow Pulp — Moveys (Oct. 9, 2020)
Wrekmeister Harmonies — We Love to Look at the Carnage (2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Hallelujah the Hills — I’m You (Nov. 15, 2019)
OWEN PALLETT — Heartland (March 3, 2014)
Siobhan Wilson — There Are No Saints (14 Jul, 2017)
Erlend Apneseth — Fragmentarium (Jan. 31, 2020)
Delta Spirit — Into The Wide (Deluxe Edition, Sept. 9, 2014)