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Caribou
Our Love

Caribou — Our Love ((October 14, 2014))
                Caribou — Our Love 
η   Dan Snaith není chameleon, je to určitý tvar řazení událostí. Je to tvor, který znovuobjevuje dobu, ale nikdy ne staromilsky; cítí, jako kdyby se rozzářil od ne příliš vzdálené budoucnosti, a že budoucí bod je vždy tak trochu popojíždění vpřed.
η   Prostřednictvím řady komplikovaných kroků k procesu měnící jeho jméno na Caribou — přetvářel jakoby na hrnčířském kruhu tvarované nádoby do různých podob. Tady ani není hranic — Snaith znovuobjevuje a předefinuje cokoli, ale pokud jste schopni držet s ním krok, on vás rád přitáhne do své kosmické dráhy letu.
η   Je to kaleidoskopické skládání — vždyť taneční hudba nikdy nutně nebyla jeho konečným krokem, spíše součástí celku, ale ne kompletní sama o sobě. Přivádí posluchače do zředěného prostoru, kde se zdá všechno kouzelné. Je to jako droga v tomto smyslu, ne kocovina nebo comedown, jen mírné nepohodlí, že budete muset otočit LP na druhou stranu.
η   Na naší lásce je nejvíce zarážející její dualita. Je to album silně postavené na elektronickém zvuku, za kterým vidím člověka. Něco křehkého je uvnitř. Je připomínkou, že za tím je život a v jeho jádru člověk.
η   Canadian musician’s one~man project (originally called Manitoba) that seamlessly blends electronic production with psychedelic pop pastiche.Birth name: Daniel Victor Snaith
Born: 1978
Instruments: Synthesizer, drums, guitar, bass
Location: Dundas, Ontario, Canada
Album release:  October 6 & 7, 2014
Record Label: City Slang/Merge
Duration:     41:52
Tracks:
01 Can’t Do Without You     3:56
02 Silver     5:17
03 All I Ever Need     3:53
04 Our Love     5:34
05 Dive     2:07
06 Second Chance (Jessy Lanza)     4:00
07 Julia Brightly     2:03
08 Mars     5:46
09 Back Home     3:33
10 Your Love Will Set You Free     5:48
Written by:
η   Dan Snaith 1, 5, 7, 8, 9
η   Owen Pallett / Dan Snaith 2, 3, 4, 10
η   Jessy Lanza / Dan Snaith 6
Credits:
η   Matthew Cooper Design
η   Jason Evans Art Direction, Design, Photography
η   Bo Kondren Mastering
η   Jessy Lanza Composer, Vocals
η   Owen Pallett Composer, Viola, Violin
η   Dan Snaith Composer, Producer
η   David Wrench Mixing
η   John Schmersal  (live)
η   Brad Weber      (live)
η   Ryan Smith      (live) Description:
η   Our Love is formed around a mixture of digital pop production, hip hop~inspired beats, muted house basslines, and a love of shuffling garage that can be traced all the way back to the time of Start Breaking My Heart — all of which are, of course, filtered through Dan’s own unique perspective. The warm analog sounds of classic soul should not be overlooked either, for they weave themselves most intensely into the record’s DNA. In fact, Our Love is probably Caribou’s most soulful record to date, with tracks like “Back Home” whose heartfelt lyrics — dealing in tired relationships and a weary kind of love — and organic nature cut through the bubbling synths and blissful euphoria of their synthetic constructions. It’s not all downbeat of course; while some thoughts linger on mortality, loss, and letting go, there is always an element of celebration.
η   Having followed up his Polaris Prize~winning 2007 record Andorra with the universally adored Swim in 2010 (selling nearly 175,000 copies worldwide and being named Album of the Year by Rough Trade, Mixmag, and Resident Advisor while also hitting The Guardian, Pitchfork, Spin, and Mojo’s Top 20), Dan has spent the intervening four years touring the world, bringing not only the sounds of Caribou to the stage but proving his immeasurable worth as a DJ with epic 71~hour~long sets. In 2012, Caribou were personally invited to join Radiohead on the road while Dan released his first album under the guise of his dancefloor~loving pseudonym Daphni to widespread critical acclaim. Following the shape~shifting sounds of JIAOLONG and the brightly textured, fluid constructions of Swim — both inward~looking records in their own way — Dan withdrew to the basement once more to work on Caribou’s next opus.  Only he didn’t: Our Love isn’t the sound of isolated creation but the sound of Dan at his most connected — with love for his listeners, his collaborators, and those closest to him.
REVIEW
By David Welsh | posted on 30 Sep 2014 | Score: ****½
η   Dan Snaith is on something of a roll. In the seven years since second Caribou album Andorra scooped the Polaris Music Prize, he’s garnered gushing critical acclaim on two separate occasions. His Swim LP, released in 2010, seemed to define an entire summer and set the standard in electro~psychedelia; 2012’s Jiaolong — a homebrewed album attributed to his alternative moniker Daphni — was similarly well received, its palette of joyous, rootsy house sounds at odds with that year’s “EDM barfsplosion”. We now catch up with Snaith as he attempts to join the dots between blissful shoegaze and thudding electronica; a feat he has managed so handily in the past. A rehash would not suffice, though, for the acclaimed Ontarian musician–producer — he simply set the bar far too high for that.
η   Happily, Our Love feels like it delivers; feel being the operative word in an effort tinged with soul from beginning to end. Can’t Do Without You — released for free in June — clasps listeners’ hands as they pass through the starting gate. A scratchy sample repeats the track’s refrain as a perfectly measured crescendo takes shape.  Understated~yet~muscular percussion and bass kick in after a minute~and~a~half, and layered vocals — reverberating falsetto and modulated baritone — point the way to a closing cacophony that can only be described as exhilarating.
η   Having delivered eight~hour sets as a DJ, it’s no surprise that Snaith observes the time~honoured mix~tape trope of starting hard before easing off: Silver does just that, its rich, skittering soundscape melting away the four years since Swim’s release. Signature Caribou style, complete with a James Blake~like vocal delivery, settles like mist over the mix, and a chord~switching coda brings to mind the loaded futurism of 10,000Hz Legend~era Air.
η   So far, so good, and the momentum continues with All I Ever Need — which echoes SBTRKT‘s phenomenal Hold On — before the title track (and lead single) steals the spotlight. Its glitchy, Dabrye~like opening extrapolates into something altogether excellent: high hats and subtle strings evoke ’90s house music, a dirty bassline even bringing Inner City‘s Good Life to mind. Dive rounds out the album’s first half by exhibiting the other side to the Caribou coin, its two~minute delve into ambient post~dubstep (yes, that’s a thing) caressing the listener’s senses.
η   Pacing, perhaps unsurprisingly, proves to be no problem. The bright, delicious, slightly off~kilter swagger of Second Chance — featuring Jessy Lanza — is arguably the closest Snaith comes to chart territory, though he resists the temptation to crescendo; he instead alludes to the idea, its implied existence paying off in spades. Mars makes a similar virtue of patience, its long percussive precursor gradually augmented by flute licks and subsonic bass. Chord~pedal tones lend track some emotional resonance, but not until its closing passage.
η   The stage is then set for Our Love’s closing pair, which turn out to be a little less accessible than their preceding trackmates. The realization dawns that the LP has been relatively obstruction~free to this point — pulsating lights and irresistible beats at every turn — before Snaith decides to throws up a roadblock or two, asking more of his audience. Back Home in particular stands out as love~weary and soul~bearing (“Where did it all go wrong? / What it is is what we’ve chosen”). Menacing minor chords intimate intimacy, and a beautifully~fuzzy finale hints that this is what we’ve been heading towards all along. It’s a smart, attentive~demanding progression — within the song and throughout the album as a whole — that deftly captures various stages of love’s cycle. With added synths. Fortaken: http://www.musicomh.com/REVIEW
Alexis Petridis, The Guardian, Thursday 2 October 2014 15.29 BST
η   Caribou — Our Love review: spellbindingly ambiguous, endlessly fascinating electronica.
η   Dan Snaith reckons his latest Caribou album is mind~numbingly simple — but that does a great disservice to this beautifully strange, subtle music.
η   Dan Snaith has described his seventh album as both “mind~numbingly simple” and “something for everybody to listen to”. These are phrases almost guaranteed to give his fanbase pause: over the course of his career — first under the name Manitoba, then as Caribou — Snaith has never previously given the impression of being terribly interested in mass appeal. An expat Canadian, he started out making complex laptop electronica that variously referenced British psychedelia, bedsit singer–songwriters, the output of Warp records, krautrock and shoegazing indie. The fact that he did it while studying for a doctorate in pure mathematics at Imperial College London sealed his image as an austere, cerebral figure, even by the standards of laptop electronica producers — not a subsection of the popular music world renowned for its outrageous flamboyance. He scored his first record deal while working at Hewlett Packard’s research facility in Bristol. A teetotaler, he professed to while away time on tour by inviting people on to his bus to give him and his backing band “guest lectures” on topics including the transistor radio and Marxism. If you look online, you can find his thesis: “Chenevier defines overconvergent p~adic automorphic forms on any twisted form of GLn/Q compact at infinity chomologically by embedding classically constructed irreducible representations of GLn/(Qp) in certain infinite dimensional p~adic Banach spaces,” it opens, but, be warned, it’s not all as straightforward and easy for the layman to grasp as that.
η   As his music gradually shifted its focus from the bedsit to the nightclub, Snaith defined it in opposition to the dance mainstream. Last year, he put out a collection of the DJ~friendly productions and remixes he’d been releasing to vast acclaim under the name Daphni: a track like Ye~Ye already had a proven track record of moving dancefloors, but Snaith insisted it was music for “a small world where dance music lives up to its potential to liberate, surprise and innovate”. It was nothing to do with “the mind~numbing predictability of the EDM barfsplosion currently gripping the corporate ravesters,” he added, presumably for the benefit of anyone tending to get an anonymous-looking Canadian with a doctorate in overconvergent Siegel modular symbols confused with Skrillex.
η   And yet, here he is, blithely announcing that his new album has been inspired by hearing that Caribou’s 2010 track Sun was big in Ibiza. In fairness, there’s a sense in which you can see what he means. You could just about imagine his collaboration with vocalist Jessy Lanza, Second Chance, becoming a breakout hit from this new album, albeit in an alternate universe where radio programmers and music buyers alike are unbothered by the fact that the synthesisers in the background keep swaying out of tune with the lovely melody to unsettling effect. Elsewhere, the album draws on the same areas of musical history that have inspired chartbound dance acts in recent years. You can hear echoes of old deep house tracks in the warm textures of All I Need, while the chopped~up and looped snatches of vocal recall UK garage, and the title track features a mid~section that wouldn’t sound out of place on an early~90s hardcore record and a synth part that’s fairly obviously a homage to Inner City’s 1988 classic Good Life.
η   But while artists such as Disclosure alight on the pop aspects of their source material, Snaith is audibly interested in subtlety and uncertainty. For all his perfect grasp of the kind of dynamic shifts that cause pandemonium on dancefloors — the sudden flurries of euphoric strings on the title track, or the moment, three minutes into Can’t Do Without You, when the whole track is consumed by fizzing electronics — there’s something spellbindingly ambiguous about the music on Our Love, heightened by the fact that Snaith foregrounds his own vocals, which are fragile and introverted: he often sounds like a man singing to himself. Can’t Do Without You starts out as a profession of undying love, but as it progresses, the vocals become increasingly wreathed in echo, the bassline distorts, the track becomes more and more overcrowded with sound, and you’re struck by the sense that the undying love in question might be a little obsessive and creepy. The relentless percussive battery of the instrumental Mars gives every impression of heading to some kind of ecstatic climax, but the big drum roll is followed by an unexpected drop in temperature: it suddenly sounds brooding and chilly. The closing Our Love Will Set You Free has all the ingredients of a euphoric anthem — a gorgeous melody, a nagging hook, more strings, snatches of funk guitar, a suitably uplifting sentiment in the chorus — but the whole thing feels strange and sickly: the sound is thin and it phases in and out, as if it’s being played off an old, damaged cassette.
η   You leave Our Love a little baffled as to how Snaith came to the conclusion that this was “mind~numbingly simple” music: if it’s not complicated in the overconvergent Siegel modular symbols sense, one of the things that makes it so compelling is its ambiguity — the feeling that you’re never quite sure where it stands. That may doom it as “something for everyone to listen to”. A glance at the Top 40 suggests that what people currently want is something straightforward, and Our Love is anything but. This is rich, strange, endlessly fascinating music: a subtle, beautiful triumph.
Fortaken: http://www.theguardian.com/
Label: http://www.mergerecords.com/our-loveAlso:
By Jeff Terich, Reviewed on September 29, 2014
η   Dan Snaith isn’t a chameleon, he’s a shape shifter. He’s a creature that reinvents himself for the times, but he never seems of the times; he feels as if he’s being beamed in from a not~too~distant future, and that future point is always inching forward. In an earlier incarnation as Manitoba, he redefined psychedelia on Up in Flames, and through a series of intricate steps in between — in the process changing his name to Caribou — found himself molded anew into the creator of a warped and dark form of house music on Swim. And, as if to prove himself yet again as a more advanced kind of artist than most, he put his Ph.D. in mathematics to good use by introducing a new dimension of transformation in his recently invented dance~oriented identity Daphni, on 2012′s JIAOLONG. There’s neither limit nor boundary to Snaith’s reinvention or redefinition, but if you’re able to keep up with him, he’ll gladly clue you into his cosmic flight path.
η   His Daphni project — originally intended as a shot fired against an overwhelming horde of mediocre EDM festival jockeys — provided an early glimpse of Caribou’s eventual next leap forward. Dance music has always been in Snaith’s blood, informing and infused with his vibrantly kaleidoscopic songwriting. But dance music has never necessarily been his ultimate endgame. It’s part of the whole, but not the whole itself, whether it’s the pulse backing his jangly psych~pop tunes on Andorra, or the Apache beat at the heart of his krautwerk on 2005’s The Milk of Human Kindness. But Daphni proved that he could go that route if he very well wanted to. Our Love, his sixth album as Caribou, proves that he can turn it into something much bigger.
η   Our Love is, in structure if not in sound, closer to Swim than any of Snaith’s other albums, but once again manages to feel as if it were born of a blank slate. It’s a shiny and futuristic thing, but a remarkably pretty one; it’d be tempting to call the album Snaith’s most beautiful yet, if it weren’t for so many other gorgeous creations in his back catalog. From the opening hum of its leadoff track and standout single “Can’t Do Without You,” however, it brings the listener into a rarefied space where everything feels magical. It’s like a drug in that sense, but there’s no hangover or comedown — just the slight inconvenience of having to flip the LP each time one of its sidelong journeys comes to an end.
η   “Can’t Do Without You” is immaculate as a song — one of Snaith’s best — but fascinating as an opening song. Its slow build and warm~up into a fully formed psychedelic dance masterpiece feels, a little, like a closer; it swells and swells and swells, until the cry of the title refrain is met with a triumphant resolution. But then again, it could just as easily roll against opening credits, its progression making for a truly climactic beginning to something special. That never fades, whether reflected in a banger like the title track, or even when the heroism is tempered on a future~funk synth throb like “Silver,” or a blurry R&B ballad like “Second Chance,” which finds Snaith joined by Canadian chanteuse Jessy Lanza.
η   The edges don’t soften on Our Love, necessarily, but the mood feels considerably less dark than on Swim. More than that, it seems like an album with higher emotional stakes, which tie closely to the album’s title. Love songs and electronic music have been dance partners since kids started making out at discotheques, yet with Our Love, there’s a vulnerability at play that lends each track a beating heart, and in turn, a greater sense of warmth. The repeated mantra of “Can’t Do Without You” feels alternately melancholy and romantic, as does the twinkling and cinematic chorus of “All I Ever Need”: “Being with you is all I ever need.” And when Snaith asks “Where did it all go wrong?” on the incredible “Back Home,” that vulnerability seems to cut just a little bit deeper.
η   After all of the strange portals that Dan Snaith has crawled into, and after so many sonic reboots, what’s most striking about Our Love is its duality. It’s an album heavily built on electronic sounds, yet it’s remarkably human. The cavernous and colorful walls that Snaith builds up are there to contain something fragile within. The beats are there to seduce — even deceive a bit — but no matter the form that Caribou takes, Our Love is a reminder that there’s a living, breathing and feeling human at its core.
Fortaken: http://www.treblezine.com/
Website: http://www.caribou.fm/
Twitter: https://twitter.com/caribouband
Soundcloud: https://soundcloud.com/caribouband
Facebook: https://www.facebook.com/caribouband 
CONTACT:
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TOUR
OCTOBER 2014
08/10/14  KOKO  London, UK
09/10/14  Botanique  Brussels, Belgium
10/10/14  E-Werk  Cologne, Germany
11/10/14  Grosse Freiheit  Hamburg, Germany
12/10/14  Melkweg (Old Room)  Amsterdam, Netherlands
13/10/14  Ääniwalli  Helsinki, Finland
14/10/14  Berghain  Berlin, Germany
15/10/14  Conne Island  Leipzig, Germany
16/10/14  Meet Factory  Prague, Czech Republic
17/10/14  A38  Budapest, Hungary
18/10/14  Electronic Beats @ TMuseumsquartier  Vienna, Austria
19/10/14  Muffathalle  Munich, Germany
20/10/14  Komplex 457  Zurich, Switzerland
21/10/14  Transbordeur  Lyon, France
22/10/14  Aeronef  Lille, France
23/10/14  Liverpool Music Week @ Camp & Furnace  Liverpool, UK
24/10/14  Simple Things Festival @ Motion  Bristol, UK
31/10/14  The Warehouse Project  Manchester, UK
NOVEMBER 2014
01/11/14  Pitchfork Festival Paris  Paris, France
05/11/14  Vicar Street  Dublin, Ireland
06/11/14  Razzmatazz  Barcelona, Spain
07/11/14  Alfa MiTo Club To Club  Turin, Italy
08/11/14  Iceland Airwaves  Reykjavik, Iceland
10/11/14  Metropolis  Montreal, QC
11/11/14  Paradise  Boston, MA
12/11/14  Webster Hall  New York City
13/11/14  Union Transfer  Philadelphia, PA
14/11/14  Webster Hall  New York City
15/11/14  Black Cat  Washington, DC
16/11/14  Cat's Cradle  Carrboro, NC
17/11/14  Terminal West  Atlanta, GA
18/11/14  The Social  Orlando, FL
19/11/14  Grand Central  Miami, FL
20/11/14  Club Downunder  Tallahassee, FL
21/11/14  One Eyed Jacks  New Orleans, LA
22/11/14  Fitzgeralds  Houston, TX
23/11/14  The Mohawk  Austin, TX
24/11/14  Danforth Music Hall  Toronto, ON
JANUARY 2015
31/1/15  Laneway Festival  Brisbane, Australia
FEBRUARY 2015
01/2/15  Laneway Festival  Sydney, Australia
06/2/15  Laneway Festival  Adelaide, Australia
07/2/15  Laneway Festival  Melbourne, Australia
08/2/15  Laneway Festival  Fremantle, Australia
28/2/15  Fonda  Los Angeles, CA
MARCH 2015
01/3/15  Fillmore  San Francisco, CA
03/3/15  Wonder Ballroom  Portland, OR
04/3/15  Showbox  Seattle, WA
05/3/15  Commodore Ballroom  Vancouver, BC
10/3/15  AB  Brussels, Belgium
12/3/15  Columbia Halle  Berlin, Germany
14/3/15  Brixton Academy  London, UK


 

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Trees Speak — Ohms (3rd April, 2020)
Nadine Shah — Kitchen Sink (June 5, 2020)
Skinny Pelembe — Dreaming Is Dead Now (May 24, 2019)
CLT DRP — Without The Eyes (Aug. 28th, 2020)
Broken Social Scene — Live at Third Man Records (Feb. 28, 2020)
Perfume Genius — Set My Heart On Fire Immediately (15th May 2020
Ryan Adams — Wednesdays (Dec. 11, 2020)
Deerborn — Where Demons Hide (Aug. 28, 2020)
Brendan Benson — Dear Life (April 24, 2020)
Harvestman — Music for Megaliths (May 19, 2017)
Kolna — Smrtí zatepla (Nov. 30, 2020)
Lucia Cadotsch — Speak Low (Feb. 26, 2016)
Perfume Genius — No Shape (5 May, 2017) BC
Dinosaur Jr — „Sweep It Into Space“ (April 23rd, 2021)
Perfume Genius — No Shape (5 May, 2017) FC
Cocteau Twins — Victorialand (April, 1986, Reissue 2020)
Isbells — Sosei (March 1, 2019)
The Feather — Room (10 July, 2020)
Songs for the Late Night Drive Home (Feb. 5, 2016)
Benoît Pioulard & Sean Curtis Patrick — Avocationals (2019)
Spc Eco — Dark Matter (Nov. 20, 2015)
Juliana Hatfield — Weird (Bonus Edition) (Jan. 18, 2019)
Caribou — Suddenly (Feb. 28th, 2020)
SPC ECO — June (June 1, 2020)
Waxahatchee — Saint Cloud (March 27, 2020)
Florist — Emily Alone (July 26, 2019)
Chapelier Fou — Deltas (Sept. 22, ​2014)
The Boomtown Rats — Citizens of Boomtown (13 March, 2020)
The Flaming Lips — The Soft Bulletin (Nov. 29, 2019)
Emile — The Black Spider / Det Kollektive Selvmord (May 1, 2020)
Larkin Poe — Self Made Man (June 12th, 2020)
Delilah Montagu — „This Is Not a Love Song EP“ (Feb. 5th, 2021)
Wesley Gonzalez — Appalling Human (June 12, 2020)
Pottery — Welcome to Bobby’s Motel (June 26th, 2020)
Mint Field — Sentimiento Mundial (25 Sept., 2020)
Art d’Ecco — „In Standard Definition“ (April 23rd, 2021)
Cosmo Sheldrake — Galapagos [Original Soundtrack] 2019
The Telescopes — Hidden Fields (August 7th, 2015)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Django Django — „Glowing in the Dark“ (2021)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
The Antlers — „Green To Gold“ (March 26, 2021)
Kyrie Kristmanson — Lady Lightly (Jan. 10, 2020)
Yorkston/Thorne/Khan — Navarasa : Nine Emotions (24th Jan. 2020)
Hey Colossus — Dances / Curses (Nov. 6, 2020)
OWEN PALLETT — ISLAND
Ralph of London — The Potato Kingdom (19th June, 2020)
Kilbey Kennedy — „Jupiter 13“ (March 5, 2021)
Sigur Rós — Odin’s Raven Magic (Dec. 4, 2020)
Arca — „Madre“ (22 Jan., 2021)
Cotatcha Orchestra — Bigbandová elektronika / Bigband Electronic
Locate S,1 — Personalia (April 3, 2020
HMLTD — West of Eden (7 Feb., 2020)
OLYMPIC — „Kaťata“ (October 30, 2020)
Noveller — Arrow (June 12, 2020)
Sugai Ken | Lieven Martens — „KAGIROI“ (March 29, 2021)
Chapelier Fou — Meridiens (Feb. 28, 2020)
HMLTD ©Dean Hoy
Cathedral Bells — Velvet Spirit (March 6, 2020)
Vladislav Delay, Sly Dunbar, Robbie Shakespeare — 500~Push~Up
Orwell — Parcelle brillante (24 April 2020)
Tarotplane — „Horizontology“ (February 8, 2021)
Tame Impala — The Slow Rush (Feb 14, 2020)
REBECCA FOON — WAXING MOON (21st Feb., 2020)
Noveller — Arrow (June 7, 2020)
Virginia Plain — Strange Game (Dec. 13, 2019)
Blinker the Star — Juvenile Universe (20 Nov., 2020)
Teho Teardo — Ellipsis dans l’harmonie (March 6th, 2020)
Signe Marie Rustad — When Words Flew Freely (Nov. 15, 2019)
Stian Westerhus — Redundance (March 5, 2020)
Beck — Deep Cuts (March 2020)
Keeley Forsyth — Debris (17 Jan., 2020)
KeiyaA — Forever, Ya Girl (March 27, 2020)
John Craigie — Asterisk the Universe (June 12, 2020)
Ellipsis dans l’harmonie BACK COVER
Horse Lords — „The Common Task“ (March 13, 2020)
Half Japanese — Crazy Hearts (4th Dec., 2020)
Lavender Diamond — Incorruptible Heart (Sept. 2012)
MARY — Die Before Death (September 4, 2020)
The Belmondos — Memory Lane (Nov. 20, 2020)
Troi Irons — Flowers (Sept. 25, 2020)
The Dears — Times Infinity Volume One (September 25, 2015)
The Album Leaf — OST (March 20, 2020)
Joensuu 1685 — ÖB (09 Oct., 2020)
Black Tape For A Blue Girl — „Ashes In The Brittle Air“ [Remaste
Jack Peñate — After You [Expanded Edition] (2020)
Thomas Dybdahl — The Great Plains (Feb 24, 2017)
Lavender Diamond — Now Is the Time (Dec. 4, 2020)
Bowerbirds — „becalmyounglovers“ (April 30th, 2021)
Grimes — Visions (2012)
Grandbrothers — All the Unknown (15 Jan., 2021)
Jessie Ware — Glasshouse (Deluxe; 20 Oct 2017)
Kavus Torabi — Hip to the Jag (May 22, 2020)
Adrian Crowley — „The Watchful Eye of the Stars“ (30th April, 20
Bella White — Just Like Leaving (Sept. 25, 2020)
Pharoah Sanders — „Live In Paris (1975): Lost ORTF Recordings“
Oddfellow’s Casino — The Raven’s Empire (2012)
Calexico / Iron & Wine — Years to Burn (2019)
Chris Potter — There Is a Tide (Dec. 4, 2020)
Amanda Palmer — Forty~Five Degrees: Bushfire Charity Flash Rec.
Veneer — Recovery (April 15, 2020)
Chris Potter — Circuits (Feb. 22, 2019)
Sara Serpa — Recognition (June 5th, 2020)
BECK — Uneventful Days (St. Vincent Remix)
God Is an Astronaut — „Ghost Tapes #10“ (Feb. 12, 2021)
Oddfellow’s Casino — Burning! Burning! (7 Aug., 2020)
This Will Destroy You — Vespertine (June 9, 2020)
Scoundrels — Music From The Arch (Sept. 11, 2020)
Teen Daze — Morning World
Sara Serpa, Ingrid Laubrock, Erik Friedlander — Close Up (2018)
Rufus Wainwright — Unfollow the Rules [Deluxe Version] (July 9,
THE DEARS — ‘Lovers Rock’ (May 15, 2020)
Greenslade — Time and Tide (2 cd, 1975/2015)
Bellows — The Rose Gardener (Feb. 22, 2019)
Ariel Pink — House Arrest (2002/Mar 2011/April 24, 2020)
The Jayhawks — XOXO (July 10, 2020)
Béla Fleck & Toumani Diabaté — The Ripple Effect [2LP, March 27,
Budokan Boys — So Broken Up About You Dying (2 Oct. 2020)
Sonny Landreth — Elemental Journey (May 22, 2012)
Laura Fell — Safe from Me (Nov. 20, 2020)
Laura Perrudin — Perspectives & Avatars (Oct. 9, 2020)
CocoRosie — Put the Shine On (6 March 2020)
Anthony Moore — Out (20 Nov., 2020)
Soho Rezanejad — „Perform and Surrender“ (Dec. 04, 2020)
Whyte Horses — Hard Times (17th of Jan., 2020)
Tindersticks — Distractions (Feb. 19, 2021)
„Mojo Presents Steve Marriott, Small Faces, Humble Pie: Afterglo
Jessie Ware — What’s Your Pleasure (June 26, 2020)
Corb Lund — Agricultural Tragic (June 26, 2020)
Scott Matthew — Ode to Others (April 20, 2018)
Thurston Moore — „screen time“ (Feb. 5, 2021)
Raed Yassin — Archeophony (Nov. 27, 2020)
Thomas Dybdahl — Fever (March 13, 2020)
Born Ruffians — Juice (April 3, 2020)
Growing Up Live — 3LP Half Speed Remaster (Nov. 27, 2020)
Michael Landau — The Michael Landau Group Live (Oct. 31, 2006)
The Weather Station — Ignorance (Feb. 5, 2021)
Marc Ribot’s Ceramic Dog — What I Did On My Long ‘Vacation’ EP
The Beths — Jump Rope Gazers (July 10th, 2020)
Coultrain — „Phantasmagoria“ (April 9, 2021)
Carissa Johnson — A Hundred Restless Thoughts (Dec. 18th, 2019)
Anna Calvi — „Hunted“
Christine Ott — Chimères (pour ondes Martenot) (May 22, 2020)
Eleanor Friedberger — Rebound (May 4th, 2018)
Smashing Pumpkins — Cyr (27th Nov., 2020)
Calexico — Seasonal Shift (Dec. 4th, 2020)
Futurebirds — Teamwork (Jan. 15th, 2020)
Emmy the Great — Second Love (March 11, 2016)
My Morning Jacket — The Waterfall II (Aug. 28, 2020)
ELEANOR FRIEDBERGER — NEW VIEW (January 22, 2016)
Negativland — The World Will Decide (Nov. 13, 2020)
Kill The Dandies! — Your Blood My Veins (Feb. 5, 2021)
Chris Brokaw — „Puritan“ (Jan. 15, 2021)
Cormons Jazz & Wine of Peace festival 2008 ©Ziga Koritnik
Andrej Šeban — Triplet (March 22, 2019) inner cover
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
Jenny Lewis — On the Line (March 22, 2019)
Dungen — Live (March 13, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Andrej Šeban — Triplet (March 22, 2019) cover
Sonny Landreth — Blacktop Run (Feb. 21, 2020)
Læetitia Shériff — Pandemonium, Solace And Stars
Gerald Cleaver — Signs (March 27, 2020)
The Crossing & Donald Nally — James Primosch: Carthage (05/2020)
The Drums — Brutalism (April 5, 2019)
Eli Winter — „Unbecoming“ (21 Aug 2020)
Laila Sakini ‎— Into the Traffic, Under the Moonlight (10 Dec.,
DAGMAR VOŇKOVÁ — ARCHA (2020)
Immigrant Union — Judas (June 19, 2020)
KMRU — Peel (18th Sept., 2020)
Spy Machines — Spy Machines (April 3, 2020)
Negativland — True False (25 Oct., 2019)
David Cross & Peter Banks — Crossover (17 Jan., 2020)
Jake Blount — Spider Tales (May 29, 2020)
EELS — Earth To Dora (Oct. 30th, 2020)
Art Feynman — Half Price At 3:30 (June 26th, 2020)
Jerskin Fendrix — Winterreise (April 17, 2020)
Julianna Barwick — Healing Is a Miracle [Japan Edition] (2020)
Joy Division — Closer (40th Anniversary) [2020 Digital Master] (
Sophie Tassignon — Mysteries Unfold (April 24, 2020)
Anika Nilles — For a Colorful Soul (Jan. 10, 2020)
Ospalý pohyb — Ostrava (October 17, 2016)
Deradoorian — Find the Sun (Sept. 18, 2020)
All The Best, Isaac Hayes (A Spoken Word Album)
Ospalý pohyb — ø (May 24, 2016)
James Harries — Superstition (Jan. 31, 2020)
Zoongideewin — Bleached Wavves (June 19, 2020)
Nitin Sawhney — Live At Ronnie Scotts (Nov. 17, 2017)
HOUPACÍ KONĚ: SOULKOSTEL 8 11 2019 (April 25, 2020)
Recondite — Dwell (Jan. 24, 2020)
Kacey Johansing — No Better Time (Nov. 20, 2020)
Yoko Ono, Kim Gordon & Thurston Moore — YOKOKIMTHURSTON
Com Truise — Persuasion System (May 17, 2019)
Kazuomi Eshima & Masahiko Takeda — Inheritance for Soundscape
Erik Griswold — All’s Grist That Comes To The Mill (03/20, 2020)
Caspian — Dust and Disquiet (Sept. 25, 2015)
SLY & THE FAMILY DRONE FC (17, 2020)
Låpsley — Through Water (March 20th, 2020)
Sarah Longfield — Dusk (April 22, 2020)
Soundwalk Collective with Patti Smith — Peradam (Sept. 4th, 2020
M. Caye Castagnetto — „Leap Second“ (Jan. 22, 2021)
Erik Griswold — All’s Grist That Comes To The Mill (03/20 2020)
Circa Waves — Sad/Happy (March 13th, 2020)
Bob Dylan — Rough and Rowdy Ways (June 19th, 2020)
Kurt Wagner of Lambchop. ©Picture Joanna Bongard
Art d’Ecco — „In Standard Definition“ (April 23rd, 2021)
Sol Seppy — The Bells Of 12 (June 21, 2019)
930 x 827 tmavší podklad.jpg
P/\ST — /Expedice do vnitrobloku\ (Oct. 5, 2019)
Roland Tings — Salt Water (Nov. 8, 2019)
Eamon O’Leary — The Silver Sun (Jan. 15, 2021)
Martin Barre — „Live At The Factory Underground“ (Feb. 14, 2019)
M.Ward — Migration of Souls (April 3, 2020)
33EMYBW — Golem (25 Sept., 2019)
The Third Mind — The Third Mind (Feb. 14, 2020)
CocoRosie — Restless (Feb. 12th, 2020)
Sean Henry — A Jump from the High Dive (Nov. 1, 2019)
Mike Cooper — Playing With Water (Nov. 6, 2020)
Ben Featherstone — Prisoner to the Wind (Dec. 20th, 2019)
Ailbhe Reddy — Personal History (23 Oct., 2020)
Thomas Köner — Motus (Feb. 20, 2020)
Lanterns On the Lake — Spook the Herd (21 Feb., 2020)
A Winged Victory for the Sullen — The Undivided Five
The Telescopes — Songs of Love and Revolution (Feb. 5, 2021)
Of Montreal — Ur Fun (Jan. 17, 2020)
Lanterns On the Lake — Spook the Herd (21 Feb., 2020)
Seaway — Big Vibe (Oct. 16th, 2020)
Surprise Chef — Daylight Savings (Oct. 16, 2020)
Ryley Walker — „Course in Fable“ (April 2, 2021)
Sega Bodega — Salvador (Feb. 14, 2020)
Klara Lewis — Ingrid (1st May 2020)
Vivienne Wilder — Postromantic (June 12, 2020)
Prophecy Playground — Comfort Zone (Feb. 15, 2020)
Kurt Vile — Speed, Sound, Lonely KV EP (2nd Oct., 2020)
Steve Earle — Townes (May 8, 2009)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Oiseaux~Tempęte — From Somewhere Invisible (19 Dec., 2019)
Hamilton Leithauser (The Walkmen) — Dear God (Aug. 2015)
Steve Earle & The Dukes — Ghosts of West Virginia (May 22, 2020)
Nitin Sawhney — „Immigrants“ (19 March, 2021)
Real Estate — The Main Thing (28th Feb., 2020)
Myopia Exclusive Crystal Clear Vinyl
The Kills — Ash And Ice (June 3, 2016)
James Harries — Before We Were Lovers
Irena and Vojtěch Havlovi — „Melodies in the Sand“ (March 5, 202
ANNA CALVI — HUNTED (March 6, 2020)
Elysian Fields — Transience Of Life (May 7, 2020)
SOFIA TALVIK — Paws of a Bear (Sept. 27, 2019)
Badge Époque Ensemble — Self Help (Nov. 20, 2020)
Ali Holder — Uncomfortable Truths (April 10, 2020)
Sungazers — Wasting Space (May 18, 2020)
Really From — „Really From“ (March 12, 2021)
Neil Young — Homegrown (19th June, 2020)
Lightning Bolt — Hypermagic Mountain (October 18, 2005, March
Sixth June ‎— Trust (17 Jan 2020)
Bellows — The Rose Gardener (Feb. 22, 2019)
Tatsuhisa Yamamoto 山本達久 — Ashioto (Oct. 21, 2020)
From Atomic — Deliverance (April 2020)
Cermaque — Lament (22nd May, 2020)
Tatsuhisa Yamamoto 山本達久 — Ashioto (Oct. 21, 2020)
Laurel Halo — Raw Silk Uncut Wood (July 13, 2018)
Anna von Hausswolff — Dead Magic (March 2018)
Moses Sumney — græ Part 1 & 2 (May 15, 2020)
Lauren Lakis — Daughter Language (Jan. 22, 2021)
Elizabeth And The Catapult — Like It Never Happened (24/01/2014)
David Thomas Broughton & Juice Vocal Ensemble — Sliding The Same
Marissa Nadler — unearthed (March 20, 2020)
Lake Street Dive — „Obviously“ (March 12th, 2021)
Jaye Jayle — Prisyn (Aug. 7, 2020)
Sweet Trip — You Will Never Know Why (Jan. 22, 2021)
PETR KALANDRA — Petr Kalandra & ASPM 1982 — 1990 (Feb. 26, 2020)
Justine Vandergrift — Stay (Feb. 7th, 2019)
Hamilton Leithauser — The Loves of Your Life (10 April 2020)
Bombay Bicycle Club — Everything Else Has Gone Wrong (01/24/20)
Gráinne Duffy — Where I Belong (Sept. 19, 2017)
Anthony Gomes — Containment Blues (2020)
Sports Team — Deep Down Happy (5th June, 2020)
Nonlocal Forecast — Bubble Universe! (March 1, 2019)
Lionel Loueke — HH (Sept. 11, 2020)
Al Di Meola — Across the Universe: The Beatles, Vol. 2 (2020)
LENKA NOVÁ — DOPISY (21.03./24.04., 2020)
Genesis Revisited: Live at The Royal Albert Hall — 2020 Remaster
Tedeschi Trucks Band — „The Fireside Sessions [Episode One / Epi
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Veronica Swift — „This Bitter Earth“ (March 19, 2021)
The Electric Soft Parade — Stages (Jan. 8, 2020)
Villagers — The Art Of Pretending To Swim (03/19, 2020) DELUXE E
Mountaineer — Bloodletting (May 22nd, 2020)
Ólafur Arnalds — Some Kind Of Peace (6 Nov., 2020)
Steve Hackett — Under A Mediterranean Sky (Jan. 22, 2021)
Anna von Hausswolff — All Thoughts Fly (Sept. 25, 2020)
Tara Fuki — Motyle (Nov. 13th, 2020)
Peel Dream Magazine — Agitprop Alterna (3rd April 2020)
Nicholas Cords — Touch Harmonious (Nov. 6, 2020)
Destroyer — Have We Met (Jan. 31, 2020)
John McLaughlin, Shankar Mahadevan, Zakir Hussain — Is That So?
THE SHAKING SENSATIONS — “How Are We to Fight the Blight” 2xLP
Alphaxone — Dystopian Gate (Jan. 14, 2020)
Lanterns On The Lake — The Realist (Dec. 18, 2020)
A Certain Ratio — ACR Loco (25th Sept., 2020)
THE SCHRAMMS — “Omnidirectional” (June 21st, 2019)
David Thomas Broughton — The Complete Guide To Insufficiency /re
Aimee Mann — Bachelor No. 2 (20th Anniversary Edition) (Nov. 27,
The Chap — Digital Technology (10 Jan., 2020)
Joan As Police Woman — Cover Two (May 1, 2020)
Isobutane — Mementos (Jan. 29, 2021)
The Shivas — “Dark Thoughts” (October 25, 2019)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Lucy Railton — Paradise 94 (22 Mar 2018)
Drive~By Truckers — The Unraveling (cover)
The Shins — “Heartworms” (March 10, 2017)
Elizabeth & The Catapult — „Sincerely, E“ (March 5, 2021)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
M. Ward — Think of Spring (Dec. 11, 2020)
The Shins — “The Worms Heart” (Jan. 18, 2018)
Psychic Markers — Psychic Markers (29 May, 2020)
Julianna Barwick — Circumstance Synthesis (Dec. 20, 2019)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
Meredith Monk & Bang on a Can All~Stars — Memory Game (03/27/20)
Drive~By Truckers — The Unraveling (cover)
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
JACKSON VANHORN: “AFTER THE REHEARSAL”
Eivind Aarset & Jan Bang — Snow Catches On Her Eyelashes (2020)
Richard Barbieri ‎— Past Imperfect / Future Tense (Mar 2020)
Kevin Morby — Sundowner (October 16, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
EVA ROHLEDER — Babské ucho (Nov. 9th, 2020)
Laurel Halo — Possessed (April 10, 2020)
Helena Deland — Someone New (16 Oct., 2020)
Stereolab — „Electrically Possessed [Switched On Volume 4]“ (Feb
Devendra Banhart — Ma (September 13, 2019)
Field Music — Making a New World (Jan. 10, 2020)
Gráinne Duffy — Voodoo Blues (Oct. 15, 2020)
The Memories — Pickles & Pies (May 29, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Highasakite — Uranium Heart (Feb. 1st, 2019)
Pearl Jam — Gigaton (March 27, 2020)
Walter Martin — The World at Night (Jan. 31, 2020)
The Tiger Lillies — Cold Night in Soho (10 Feb. 2017)
Silkworm — In The West (24 Jan., 2020)
Marillion — „Marbles“ (30th April, 2021, 3 LP)
Chavez — Gone Glimmering [Expanded Edition] (Oct. 23, 2020)
FRÀNÇOIS & THE ATLAS MOUNTAINS — BANANE BLEUE (26th Feb., 2021)
Kamaal Williams — Wu Hen (July 24, 2020)
Caspian — On Circles (January 24, 2020)
Jennifer Curtis & Tyshawn Sorey: Invisible Ritual (2020)
DAVID POMAHAČ — DO TMY JE DALEKO (Feb. 7, 2020)
Don Gallardo — The Lonesome Wild (April 2, 2020)
Damon Locks Black Monument Ensemble — Where Future Unfolds (2019
The Tiger Lillies — Edgar Allan Poe’s Haunted Palace
Mark Lanegan — Straight Songs Of Sorrow (8th May, 2020)
I Break Horses — Warnings (08 May 2020)
Maxïmo Park — „Nature Always Wins“ (26th Feb., 2021)
Avishai Cohen — „Two Roses“ (April 16, 2021)
Spiritualized — „Lazer Guided Melodies“ (March 30, 1992, Remaste
Cocteau Twins — Head Over Heels
Cocteau Twins — Treasure
Sarah Jarosz — World On The Ground (June 5, 2020)
The Innocence Mission — See You Tomorrow (Jan. 17, 2020)
Daniel Lanois — „Heavy Sun“ (March 19, 2021)
Father John Misty — „Off~Key In Hamburg“ (March 23, 2020)
M G Boulter — „Clifftown“ (April 23rd, 2021)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
The Tiger Lillies — Covid~19 (April 10, 2020)
Hawkwind — Acoustic Daze (25 Oct. 2019)
I Am Planet — „Záznamy ticha“ (30 April, 2021)
The Avalanches — We Will Always Love You (11 Dec., 2020)
Beautify Junkyards — Cosmorama (15th Jan., 2021)
Wendy Eisenberg — Auto (Oct. 16, 2020)
I Am Planet — „Záznamy ticha“ (30 April, 2021)
TANYA DONELLY: Swan Song Series bonus tracks (FC)
Kate Amrine — This Is My Letter to the World (Jan. 24, 2020)
CONCEPT ART ORCHESTRA — „100 YEARS“ (11.12.2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
WHITE TAIL FALLS — Age Of Entitlement (May 29, 2020)
Susan Alcorn Quintet — Pedernal (Nov. 13, 2020)
Coloured Clocks — Flora (May 2, 2020)
Daniel Knox — Won’t You Take Me with You (Jan. 15, 2021)
Indoor Voices — Animal (Feb. 14, 2020)
Jane Weaver — „Flock“ (March 5, 2021)
ELYSIAN FIELDS — Pink Air
Midlake — Antiphon (Nov. 4, 2013)
Jonathan Wilson — Rare Birds (March 2nd, 2018)
KIESLOWSKI Tiché lásky
Fiona Apple — Fetch The Bolt Cutters (17 Apr., 2020)
Lucrecia Dalt — Syzygy (Oct. 15, 2013)
Hayden Thorpe — Diviner (24 May 2019)
Cocteau Twins — Garlands (1982, Reissue 2020)
Alessandra Leão ‎— Macumbas e Catimbós (24/05/2019)
Cowboy Junkies — Ghosts (30 Mar 2020)
Liz Simmons — „Poets“ (March 1, 2021)
Laura Marling — Song for Our Daughter (April 10th, 2020)
Wendy Eisenberg — Its Shape Is Your Touch (Oct. 2018)
Baxter Dury — The Night Chancers (20 March 2020)
San Fermin — San Fermin (Nov. 11, 2013)
Sara Bareilles — What’s Inside Songs From Waitress (11/06, 2015)
The Heliocentrics — Telemetric Sounds (Aug. 7, 2020)
JAMES YORKSTONE — The Wide, Wide River (22nd Jan., 2021)
The Dream Syndicate — „The Universe Inside“ (April 10, 2020)
Black Sabbath: Black Sabbath (13 Feb., 1970)
Third Coast Percussion & Devonté Hynes — Fields (Oct. 11, 2019)
White Tail Falls — Age of Entitlement (May 29, 2020)
MUFF — Fatalust (Nov. 1, 2019) cover
Ben Watt — Storm Damage (31st Jan., 2020)
San Fermin — The Cormorant I & II (Oct. 4, 2019/April 3, 2020)
Saša Niklíčková — Zmačkaná žena (Oct. 26, 2020)
Stephen Duffy — I Love My Friends [Expanded Ed] (10 May 2019)
I Break Horses — Chiaroscuro
Sea Wolf — Through a Dark Wood (March 20, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Tom Petty — „Southern Accents“ (March 26, 1985/2006)
Dan Blake — „Da Fé“ (March 12, 2021)
Yorkston | Thorne | Khan — Navarasa : Nine Emotions (2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Anupam Shobhakar — „Dawn of Paradise“ (Nov. 13, 2020)
Genghis Tron — „Dream Weapon“ (March 26, 2021)
HAIM — „Women in Music Pt. III“ [Expanded Edition] (June 26, 202
Stove — ‘s Favorite Friend (Oct. 31, 2018)
ANASTASIA MINSTER — Father ©Michael Haley
Jonathan Wilson — Dixie Blur (March 6, 2020)
Ethel Cain — „Inbred“ (April 23, 2021)
Fruition — Broken At The Break Of Day (Jan. 23, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
1600 x 1600 High Violet (10th Anniversary Expanded Edition).jpg
ROBERT FRIPP — THE KITCHEN (New York, NY) — 05 FEB 1978
Sara Bareilles — More Love: Songs from Little Voice Season One (
The Sufis — Double Exposure (Jan. 24, 2020)
ÁSGEIR: IN THE SILENCE
Martin Barre — Roads Less Travelled (26 Oct. 2018)
Loney dear — „A Lantern and a Bell“ (March 26, 2021)
Loveblind / Sleeping Visions (March 27, 2020)
Jon Regen — Higher Ground (October 4, 2019)
Walter Martin — The World at Night (Jan. 31, 2020)
Asher Gamedze – Dialectic Soul (July 10, 2020)
Frances Quinlan — Likewise (Jan. 31, 2020)
Jon Regen — Higher Ground (October 4, 2019)
Motorpsycho — „Kingdom of Oblivion“ (April 16th, 2021)
KING CRIMSON, The Night Watch
Brooklyn Raga Massive — In D (Nov. 21, 2020)
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Matt Berninger — Serpentine Prison (Oct. 16, 2020)
Rizan Said — Saz û Dîlan (Oct. 11, 2019)
Nick Cave | Warren Ellis — „Carnage“ (Feb. 25, 2021)
Ásgeir — Bury the Moon (7 Feb., 2020)
Sharon Van Etten — „epic Ten“ (April 16, 2021)
Riva Taylor — ‘This Woman’s Heart .1’ (27 Mar 2020)
Wrangler — A Situation (28 Feb., 2020)
Juraj Griglák, From The Bottom (Sept. 16, 2019)
Cheerleader — Almost Forever (Feb. 7, 2020)
Queer Jane — Amen Dolores (March 27, 2020)
BECCA STEVENS — WONDERBLOOM (March 20th 20, 2020)
Mogwai — „As the Love Continues“ [Deluxe Edition] (19/02/2021)
Juraj Griglák — From the Bottom (Sept. 16, 2019)
Einstürzende Neubauten — Alles In Allem (May 29th, 2020)
Torres — Three Futures (29th Sept. 2017)
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Bison Bone — Find Your Way Out (Sept. 25, 2020)
Oh Wonder — No One Else Can Wear Your Crown [Deluxe Edition]
These New Puritans — The Cut (2016~2019) (14 Feb. 2020)
Vennart — „In The Dead, Dead Wood“ (6th Nov., 2020)
Laetitia Shériff — Stillness (Nov. 6, 2020)
Gillian Frame — „Pendulum“
Thin Lear — Wooden Cave (24th July, 2020)
Torres — Silver Tongue (Jan. 31, 2020)
Kings of Leon — „When You See Yourself“ (March 5, 2021)
King Khan — The Infinite Ones (Oct. 30, 2020)
Anoushka Shankar — Love Letters (7 Feb., 2020)
Free To Grow — Imperfection (Aug. 7, 2020)
Dan Croll — Grand Plan (21 Aug., 2020)
Lilien Rosarian ~ A Day in Bel Bruit (June 9, 2019)
Form and Chaos — „Gateways“ (March 16, 2021)
Jim Noir — A.M Jazz (Dec. 20, 2019)
Shemekia Copeland — Uncivil War (October 23rd, 2020)
I Like to Sleep — Daymare (April 17, 2020)
Psychedelic Porn Crumpets — SHYGA! The Sunlight Mound (5th Feb.,
Kaki King — Modern Yesterdays (Oct. 23, 2020)
Bill MacKay and Katinka Kleijn — STIR (Oct. 17, 2019)
VARIOUS ARTISTS: IN THE MOOD FOR LOVE (Import)
The Mountain Goats — Getting Into Knives (Oct. 23, 2020)
Ben Sidran — Blue Camus (Oct. 2014)
Varga Marián — Solo in Concert (1. feb. 2018)
Paris Jackson — Wilted (Nov. 13, 2020)
No~Man — Love You To Bits (Nov. 22, 2019)
Death Cab for Cutie — The Georgia EP (Dec. 4th, 2020)
Blackbird & Crow — Ailm (17 Jan 2020)
Liz Longley — Liz Longley (March 17, 2015)
Van der Graaf Generator — Recorded Live in Concert
Bruce Springsteen — Letter to You (Oct. 23, 2020)
Amy LaVere — Painting Blue (27 Mar 2020)
100 Gecs — 1000 gecs (May 31, 2019)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cold Chisel — Blood Moon (6 Dec., 2019)
Cold War Kids — New Age Norms 1 (Nov. 1, 2019)
Blackbird & Crow © 2020 Author: Megan Doherty
WaqWaq Kingdom — Essaka Hoisa (Nov. 15, 2019)
The Mountain Goats — Songs for Pierre Chuvin (April 10, 2020)
Hawktail — Formations (Jan. 10, 2020)
Morrissey — I Am Not a Dog On a Chain (March 20th, 2020)
Jack Peñate — After You (29th Nov. 2019)
Villagers — Darling Arithmetic [Deluxe Version] (April 10, 2015)
Ashley Paul — Window Flower (May 13, 2020)
Daniel Bachman — The Morning Star (July 27, 2018)
Roger Eno | Brian Eno — Mixing Colours (20 March, 2020)
Darnielle, Jon Wurster, Matt Douglas, Pete Hughes. ©Josh Sanseri
Joe Bonamassa & The Sleep Eazys — Easy To Buy, Hard To Sell
Axel Flóvent — You Stay by the Sea (15 Jan., 2021)
Preston Lovinggood — Consequences (June 10, 2018)
Martin Barre — Away With Words
Ezra Bell — This Way to Oblivion (3rd April, 2020)
All Them Witches — Nothing as the Ideal (Sept. 4, 2020)
Shafiq Husayn — The Loop (March 29, 2019)
Sinikka Langeland — „Wolf Rune“ (April 9, 2021)
Queer Jane — Home (Dec. 1, 2016)
RADEK BABORÁK a jeho ORQUESTRINA na PIAZZOLLOVSKÉ ALBUM.
Moonchild — Little Ghost (6th Sept. 2019)
Evergreen — Overseas (15 Jun 2018)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
Real Estate — „Half A Human“ (March 26, 2021)
The Waterboys — Good Luck, Seeker (Deluxe) (Aug. 21, 2020)
Dave Scanlon — Pink in each, bright blue, bright green (Jan. 15,
Ani DiFranco — „Revolutionary Love“ (Jan. 29, 2021)
CYHSY, New Fragility (Coke Bottle Clear) 2021
Maarja Nuut & Ruum — World Inverted (11th Sept., 2020)
Richard Youngs — Dissident (Jan. 25, 2019)
Kuře v hodinkách — Flamengo
Daniel Bachman — Green Alum Springs (June 6, 2020)
Midwife — Forever (April 10, 2020)
MORCHEEBA: Blackest Blue (May 14, 2021) (blue vinyl)
Kamasi Washington — Becoming (Music from the Netflix Original Do
Michal Mihok — „The Imprint“ (April 29, 2019)
Siobhan Wilson — The Departure (10 May, 2019)
Steve Harley — „Uncovered“ (21 Feb., 2020)
Kris Delmhorst — Blood Test
Martin Burlas & Musica falsa et ficta — Hexenprozesse
I Don’t Know How but They Found Me — Razzmatazz (Oct. 23, 2020)
Songdog — Happy Ending (27th March, 2020)
Zuzana Mikulcová — Slová
Holly Herndon — PROTO (Winner of Tais Awards 2020)
Rory Block — Prove It On Me (March 27, 2020)
Cate Le Bon — Here It Comes Again (2020)
Tunng — Tunng Presents…DEAD CLUB (Nov. 6, 2020)
Sean O’Hagan — Radum Calls, Radum Calls (2019)
Lost Horizons — In Quiet Moments (Dec. 4, 2020/2021)
Nicey Nice World — Obelisks and Asterisks (Sept. 22, 2020)
Pink Floyd — Delicate Sound of Thunder (1988)
Robert Plant — Carry Fire (2 LP, 13/10/2017)
Ben Sidran — Who’s the Old Guy Now (Nov. 20, 2020)
Le Butcherettes — DON’T BLEED EP (14 Feb 2020)
Devin Sinha — The Seventh Season (Oct. 21, 2014)
Marillion — „With Friends At St David’s“ (Nov. 13, 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
Typhoon — „Sympathetic Magic“ (Jan. 22nd, 2021)
Arab Strap — „As Days Get Dark“ (March 5, 2021)
First Aid Kit — Stay Gold (2014)
Land of Talk — Indistinct Conversations (July 31, 2020)
Kuře v hodinkách — Flamengo
The League Of Assholes — „CODA“ (Jan. 20, 2021)
Luke Haines — Beat Poetry For Survivalists (6 Mar. 2020)
Suzi Quatro — „The Devil in Me“ [Japan Edition] (Jan. 22, 2021)
Devin Sinha — Liminal Space (Oct. 23, 2020)
Nicole Atkins — Italian Ice (29 May 2020)
Maria Schneider Orchestra — Data Lords (24th July, 2020)
Lambchop — TRIP (Nov. 13th, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
BC Camplight — Shortly After Takeoff (24 April 2020)
Delta Spirit — What Is There (Sept. 11th, 2020)
The Hold Steady — „Open Door Policy“ (Feb. 19, 2021)
The Magnetic Fields — Quickies (May 15, 2020)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
Cold War Kids — New Age Norms 2 (Aug. 21, 2020)
learning structures, vol. 2: end firma
Suns Of The Tundra — „Murmuration“ (Nov. 15, 2019)
Becca Mancari — The Greatest Part (June 26, 2020)
learning structures, vol. 3: distance between us
Severin Bells — A Brighter Side to the Unknown (24th Oct., 2020)
The Apache Relay — Apache Relay (April 22, 2014)
Thurston Moore — By The Fire (Sept. 25, 2020)
Kurt Rosenwinkel Trio — Angels Around (May 8, 2020)
Frazey Ford — U kin B the Sun (Feb. 7th, 2020)
Lizzy Farrall — Bruise (March 27, 2020)
Alice Peacock — Minnesota (Sept. 20th, 2019)
Devon Williams — A Tear in the Fabric (May 1, 2020)
Gwenifer Raymond — Strange Lights Over Garth Mountain (2020)
LENKA DUSILOVÁ — ŘEKA (Nov. 6th, 2020)
STEREOLAB: Oscillons from the Anti~Sun
Hallelujah the Hills — A Band Is Something to Figure Out (2016)
Loveblind: Visions
Lilly Hiatt — Walking Proof (27 March, 2020)
Mekons — Deserted (March 29, 2019)
Loveblind: Visions
Throwing Muses — Sun Racket (Sept. 4, 2020)
Sean McMahon ― You Will Know When You’re There (March 1, 2019)
Deradoorian — Find the Sun (Sept. 18, 2020)
The Chats — High Risk Behaviour (March 27, 2020)
Tylor Dory Trio — Unsought Salvation (Dec. 21, 2019)
György Ligeti — Lontano (22. Oct.,1967)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Guranfoe — Sum of Erda (Dec. 13, 2019)
Susanne Sundfør — Self Portrait (Original Score, 10th Jan. 2020)
Ronnie Godfrey — Shades of Blue (Oct. 25, 2019)
Intocable ― Percepcion (March 15, 2019)
Father John Misty — God’s Favorite Customer (June 1st, 2018)
Ytamo — Vacant (June 12, 2020)
Pancrace — The Fluid Hammer (09 Sep 2019/2LP)
Humanist — Humanist (21 Feb., 2020)
White Lies — To Lose My Life… [10th Anniversary Deluxe Edition]
Slow Pulp — Moveys (Oct. 9, 2020)
Andrej Šeban — Rock and Roll z Rači (11. Sept., 2020)
The Go Betweens — „Liberty Belle And The Black Diamond Express“
Wrekmeister Harmonies — We Love to Look at the Carnage (2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Hallelujah the Hills — I’m You (Nov. 15, 2019)
OWEN PALLETT — Heartland (March 3, 2014)
Siobhan Wilson — There Are No Saints (14 Jul, 2017)
Erlend Apneseth — Fragmentarium (Jan. 31, 2020)
Paul McCartney — McCartney III (18 Dec., 2020)
Amaarae — The Angel You Don’t Know (Nov. 12, 2020)
Delta Spirit — Into The Wide (Deluxe Edition, Sept. 9, 2014)