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Kate Rusby Life in a Paper Boat

Kate Rusby — Life in a Paper Boat (October 7, 2016)

 Kate Rusby — Life in a Paper Boat (October 7, 2016)  Kate Rusby — Life in a Paper Boat (October 7, 2016)♠   “... And the great thing is — every time Kate Rusby sings not only is the world a better place but some of that love touches us all.” (Colin Hall)
♠   If you think by now you know pretty much everything there is to know about a Kate Rusby release be prepared to follow the diversion signs. Boasting six Kate originals and skilfully produced by husband Damien O’Kane, this 12~track album is full of his vibrant trademarks and unexpected twists and tangents ranging from subtle, sensitive treatments to unflinching flamboyance making for a brimming, full bodied soundscape.
♠   Damien O’Kane is best known to folk audiences for his excellent guitar and banjo work, backing his wife, Kate Rusby.Birth name: Kate Anna Rusby
Born: 4 December 1973, Barnsley, England
Origin: Cawthorne, Barnsley, England
Genre: Folk, World, & Country
Album release: October 7, 2016
Record Label: Pure Records
Duration:     54:16
01. Benjamin Bowmaneer     3:49
02. Hunter Moon     5:01
03. The Ardent Shepherdess     3:47
04. Life in a Paper Boat     4:40
05. Only Desire What You Have     4:07
06. Hundred Hearts     4:14
07. The Mermaid     4:30
08. Pace Egging Song     3:40
09. The Witch of the Westmorland     6:34
10. I’ll Be Wise     5:07
11. Night Lament     5:06
12. Big Brave Bill     3:42
Mercury Music Prize:
♠   1999: Sleepless — nominated
♠   Due for release on October 7, 2016. Kate Rusby’s brand new album, Life in a Paper Boat. If you think that by now you know pretty much everything there is to know about a Kate Rusby release be prepared for something divertingly different. Boasting six Kate originals and skilfully produced by husband Damien O'Kane, this 12–track album is full of his vibrant trademarks and unexpected twists and tangents ranging from subtle, sensitive treatments to unflinching flamboyance making for a brimming, full bodied soundscape.
♠   The album’s been produced by Kate’s husband, Damien O’Kane, whose own recent solo album Areas Of High Traffic contained similarly ambitious, full–bodied arrangements; the deft (and selective) use of programmed percussion on Kate’s new album is down to Josh Clark, and this element creates what Kate calls “an uneasy darkness around a song” that emphasises “the union between old songs and modern musical technology”. But fear not, for fellow Rusby Band members Nick Cooke, Steven Byrnes, Steven Iveson and Duncan Lyall are all still present and correct, augmented occasionally by Mike McGoldrick and Anthony Davis and the glistening aura of Donald Grant’s chamber–folk mini–string–section (and a quintet of trusty brass players on the final track). Additionally, Americana veteran Ron Block takes on banjo duty for three especially delectable tracks (Damien confining himself to guitars this time round), while Ron’s Alison Krauss Band colleague Dan Tyminski duets with Kate on two of these: the cheerful, if reflective homily Only Desire What You Have and the prescient, somewhat mournful portrayal of The Mermaid.Review
Written by Mike Ainscoe. 30 September, 2016
♠   On the back of the  latest in Kate Rusby’s series  of Christmas albums at the back end of 2015 (LTW review here) comes  her new album which finds her on something of a roll following the ‘20’ career retrospective. Three albums in three years concludes with ‘Life In A Paper Boat’ finding her on the brink of her quarter century as a recording artist and  possibly the real “hero who drinks Yorkshire Tea all the time”…
♠   And it’s those recent releases which  have seen a gentle (as well as  genteel) shift — nothing jarring, this is Kate Rusby after all, but   the journey through those two decades has seen her arrive at a musical place where a cursory glance through the credits proves quite revealing and indicative of her shifting style.
♠   The timeless and instantly recognisable voice remains the same, yet subtle changes see a move away from the support on  the more folky of the instruments although another craftsman,  Michael McGoldrick adds some delightful whistle and there’s nothing more folky than the master of whistles making his mark on your work. A whole load of credit then to Damien O’Kane whose own musical passage has seen his rustic banjo signature also move towards  an innovative contemporary folk sheen on his recent ‘Areas Of High Traffic’. Ever onward. It’s his role as producer cum sonic architect that sees the obvious fiddle, diatonic accordion  and bouzouki vie for space with moogs, synths, pads,  programming and the increasingly influential yet understated presence of the flow of notes tumbling from Steven Iveson’s electric guitar.
♠   There’s lots  of talk about widening the sonic goalposts, experimenting with sounds and percussive qualities to marry traditional song and style in a coating of  modern musical technology. Evolution not revolution springs to mind as fans can embrace the progression with the knowledge that  there’s also the familiar and comfortable for those who  know what they like and expect when they invest in a Kate Rusby album. The usual combination of traditional work paired with Rusby tunes and of course original songs  has ‘Benjamin Bowmaneer’ as an atmospheric  scene setter in the ‘new style’ before the delicacy of ‘Hunter Moon’ provides an early highlight and one in a more familiar Rusby template as is ‘The Ardent Shepherdess’,  a Kate Rusby song title if ever there were on,  featuring  Ron Block’s banjo (breaking news — shock,  horror — Damien O’Kane misses banjo opportunity!).  It’s also back to the usual business with the  ‘Pace Egging Song’, all  percussive notes and instantly recognisable and maybe not far off sitting comfortably in the set of one of her Christmas gigs.
♠   Times though are more sombre and earnest. Migration is such a strong theme of the O’Kane canon, it’s hardly surprising to find it rubbing off on Kate’s work, so that the  cosy and comfortable  sit side by side with the title track inspired by desperate tales of migrants forced to seek better lives and an electric guitar/tenor guitar cascading over a hymnal narrative song of hope. ‘The Mermaid’ is all dreamy and melancholy with Dan Tyminski adding guest vocals while Archie Fisher’s  ‘The Witch Of The Westmorland’ gets  an inventive  O’Kane/Duncan Lyall backing, once again the echoing reverb ring of the electric tenor guitar provides an air of gossamer.
♠   Bonus track ‘Big Brave Bill’ is pure Rusby. Quirky as a quirky thing and of course a chance to indulge in everything Yorkshire from the famous tea to the local estate where the Pure Records curated Underneath The Stars Festival has made its mark over the past three Summers.  Ripe for  a TV/film tie–in as well as guaranteeing Kate Rusby Yorkshire tea for life in a classy bit of product placement.  Light hearted yet shouldn’t detract from  the  delicacy and homely feel  of ‘Life In A Paper Boat’ while the wider picture providing the inspiration and touch of fragile home truths in the subject matter. An album which is graceful and mature and one which will simply add to the chronicle of Kate Rusby and English folk music.
♠   http://louderthanwar.com/
Website: http://www.katerusby.com/
Twitter: https://twitter.com/katerusby
Facebook: https://www.facebook.com/officialkaterusby
Label: https://www.purerecords.net/
Solo albums:
♠   Hourglass (1997)
♠   Sleepless (1999)
♠   Little Lights (2001)
♠   10 (2002)
♠   Heartlands (2003)
♠   Underneath the Stars (2003)
♠   Life in a Paper Boat (October 7, 2016)♠♠♠♠______________________________________________________♠♠♠♠

Kate Rusby Life in a Paper Boat


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